Lighting - Arup - Global Advisory, Design, Planning .
Lighting
November 2016Cover image: Paradeigma, Art Installation for darc night, London, UKPhotography mondo*arc / darc magazineInside cover image: Fulton Center, New York, USAPhotography James Ewing2
Contents01 About0402 Inspiration1403 Arts2604 Stewardship4805 Story6206 Craft7807 Science92Arup’s lighting design studio and our visionIn architecture, light directs, sculpts, enriches, and givespeople a comfortable, safe and inspiring environmentIn the theatre, light creates a scene’s suspense, romance,excitement or fearWe stand alongside those who aim to serve as stewardsto preserve our natural environment and evolve responsiblyIn entertainment and movies alike, light is a narrative element of the setModels, samples, and tabletop setups are all part of our design processLight can behave as both a wave and a particle; the full spectrumof light, as it reacts with the environment around us, interacts withour eyes to shape our world08 ImageA natural desire to fuse image and identity is a goal shared by architects,fashion designers and businesses alike1083
01 About01 About‘Heaven’s Cloth’Installation for Vivid Sydney 2014Sydney, AustraliaPhotography Blueprint Studios4
01 AboutIn skilled hands, lighting enhances,sculpts and inspires5
01 About6
01 About“The term ‘Total Architecture’ implies that all relevant designdecisions have been considered together and have beenintegrated into a whole by a well organised team empoweredto fix priorities.This is an ideal which can never - or only very rarely - be fullyrealised in practice, but which is well worth striving for, forartistic wholeness or excellence depends on it, and for our ownsake we need the stimulation produced by excellence”.Sir Ove Arup, Arup founder7
01 AboutLighting is the fourthdimension of architecture,integrating with and enhancingthe other design disciplines.Arup’s lighting studio providesa comprehensive architecturallighting design service toclients around the world.Musée du Louvre-LensLens, FrancePhotography Hisao Suzuki8
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01 AboutA global team of specialistsFrom initial strategic advice and concept development all the waythrough to construction documents and on-site support, our work can becharacterised as engaged and involved, with a strong emphasis on creativitythat we combine with the technical excellence for which Arup is famous.Our team comprises designers with various specialisms such as daylightdesign, fixture design, brand identity and lighting engineering.10
01 AboutCalifornia Academy of SciencesSan Francisco, California, USAPhotography Tim Griffith11
01 AboutConceptual design, technical detailWorking closely with architects at all stages of a project,our lighting specialists provide original and authenticconceptual designs. Uniquely well-placed to turn visioninto reality, we transform creative concepts into detailedtechnical specifications.Natural lightingGreat lighting design also relies on using natural lighteffectively. Arup’s lighting studio is a market leader indaylight design. Our specialists work with architects tounderstand how natural light is distributed through buildinggeometries, and how it reflects and diverts in differentcolours and materials. Together, we use this to enhance abuilding’s performance and aesthetics.Innovative philosophyWith the potential to change how we perceive architectureand public space, our lighting teams across the globe areexperts in designing with smart envelopes, chip-basedlighting equipment and media façades. We explore thesynthesis of light, media and scientific ambition. Our currentproject base highlights a number of world class examples ofthe application of Arup’s trademark innovation.Award-winning teamAt Arup, lighting is an integral and important element ofintelligent building design, as well as a specialty field inits own standing. Arup’s lighting studio’s award-winningteam creates unique answers to clients’ particular businessobjectives around the globe.12
01 AboutThe ParkLas Vegas, Nevada, USALandscape architect: !melkLighting design for iconicshade structuresPhotography Hanns Joosten13
02 Inspiration02 InspirationDongdaemun WorldDesign Park and ComplexSeoul, South KoreaPhotography Sun Namgoong14
02 InspirationIn architecture, light directs, sculpts,enriches, and gives people a comfortable,safe and inspiring environment15
02 InspirationLight is the sourceof everything on earth“Most lighting firms lean towards either being technicallyor artistically inclined, but not both. Arup demonstrates athorough knowledge of the technical aspects of lighting designwhile maintaining a creative approach.”Antoinne Chaaya, Partner, Renzo Piano Building Workshop16
02 InspirationThe ArcelorMittal Orbit byAnish KapoorQueen Elizabeth Olympic Park,London, UKExterior artistic lighting scheme.Photography Andy Gardner17
02 Inspiration“We are very satisfied with the finished works.The foyer lighting project has been a great success bothin terms of energy efficiency and for lighting effects.”Ross Boreham, Senior Manager, 101 Collins Street18
02 Inspiration101 Collins StreetMelbourne, AustraliaArchitect: Bates SmartThe management of 101 Collins Street required theground floor foyer lighting to be updated to a modernaesthetic. A key focus was to reduce the carbonfootprint of the lighting energy for these spaces whilststill ensuring the operational requirements and visualappeal of the spaces. We worked closely with the artist,interior designers and architects to illuminate the newartwork located on the key wall over the receptiondesk, and to integrate new lighting into the existingarchitecture to reinforce the architectural form of thisspace.Photography Martin Saunders19
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02 InspirationGlasgow School of ArtGlasgow, UKArchitect: Steven Holl ArchitectsUnveiled in May 2014, the GlasgowSchool of Art’s Reid Building providesthe school with high-quality facilitiesto inspire creative education andresearch in the visual disciplines ofmodern times. Light and how it playswith the architectural form is integralto the project and our lighting designteam worked closely with the architectto deliver the specialist lighting designand a clear architectural vision.Photography Alan McAteer21
02 InspirationCity ParkBradford, UKLandscape architect: GillespiesThe development of the landmark public park in the centre ofBradford is a vital part of the regeneration & re-positioningof the city. The 24,000m² high-quality public space providesa place for people to relax, to meet friends or family, and isalso capable of hosting large scale events. The iconic CityPark contains the largest city-centre water feature in the UK,incorporating sound, light and mist effects.Photography Giles Rochel22
02 Inspiration“City Park promises to bring great long-term benefits tothe city and the Bradford district as a whole. It provides abrilliant place for people to relax, meet friends or familyand enjoy a breath of fresh air within the city and willalso be capable of hosting large and small-scale events.”Mike Cowlam, Strategic Director - Regeneration,City of Bradford Metropolitan District Council23
02 InspirationArnhem Central StationArnhem, The NetherlandsArchitect: UNStudioThe train station is at the centre of manypeople’s local and long-distance journeys.Every weekday, around 55,000 travellersmove through the station, where six modesof transport converge. The lighting design isdeveloped to intuitively guide travellers in theright direction through the organic piece ofarchitecture. Our lighting design team modelledthe complex shape in 3D to calculate andsimulate the lighting scheme.Photography Christian Richters24
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03 Arts03 ArtsMusée du Louvre-LensLens, FrancePhotography Iwan Baan26
03 ArtsIn the theatre, light creates a scene’ssuspense, romance, excitement or fear.27
03 ArtsWe are inspired by the performingarts, and Arup’s lighting designstudio can bring theatrical or musicalexperience to your project.Lighting designers are sculptors, painters and authors all atthe same time. Many of our clients employ light as an artisticcomponent in their architecture, and use light to differentiate theirappearance in the market.28
03 ArtsUP, and away!Travelling globallyLight art creationPhotography Vellachi Ganesan29
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03 Arts‘Impatient Optimist’ by Janet EchelmanSeattle, Washington, USAThe lighting design concept is inspired by the notionof the Gates Foundation’s worldwide reach. Uniquesunrise-inspired ‘Sunrise Scenes’ are projected on thesculpture for each of the cities / countries in whichthe Foundation has offices. Each kaleidoscope ofsun-draped colours for the different Sunrise Scenesare triggered to coincide with timed solar eventsthat start the new day at the different Foundationoffice locations. The dynamism ‘Painting with Light’utilises a wide range of colours, tuned to work withthe different colouration of the sculptural netting –weaving of complimentary colours to represent thesun’s movement specific to the geographic expression.Photography Sean Airhart / NBBJ31
03 ArtsVictoria & Albert MuseumMedieval & Renaissance GalleriesLondon, UKArchitect: MUMA (McInnes Usher McKnight Architects)The new galleries occupy the south east wing of themuseum and they display 1,800 objects from the V&A’scollection of Medieval and Renaissance treasures. Early inthe design process it was agreed that the luminous qualitiesof natural light could not be replicated artificially and thatthe fundamental goal of the project was to illuminate thenew galleries with natural light for its ability to createatmosphere and drama, whilst keeping light exposureto within limits agreed with the V&A conservators. Thedistinctive characteristics and intensities of our daylightingdesign reveal the art, the architecture and the narrativedimension of the exhibition.Photography Alan Williams32
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03 ArtsBrandhorst MuseumMunich, GermanyArchitect: Sauerbruch HuttonThe Brandhorst Museum was opened in Munich in 2009.It displays about 700 exhibits from collection of modernart of the heirs of the Henkel trust, Udo Fritz-Hermannand Anette Brandhorst. The galleries throughout arelit primarily by daylight, using a variety of innovativesolutions to bring natural light into all levels of themuseum, basement up. The top floor galleries havezenithal daylight throughout, filtered through a layeredroof system, creating a series of sublime, evenly litspaces in which the art is the true focus.Photography Hufton Crow34
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03 ArtsCorning Museum of Glass ExpansionCorning, New YorkArchitect: Thomas Phifer and PartnersThe new wing at the Corning Museum of Glass is the largestspace in the world devoted to the display and creation ofcontemporary art and design in glass. Lighting was a keydriver in the architectural design, and the unique qualitiesof glass allowed for more flexibility and innovation than atypical art viewing space. The glass roof consists of a patternof clear, diffuse, and opaque panels that allow abundant levelsof daylight to filter down through a concrete beam systemwhich tempers the daylight, shields the view to the skylights,and pushes light downward onto the glass sculptures. Theceiling system also includes ambient uplighting for generalillumination at night, and lighting track with spotlights oncustom pendants to highlight art.Photography Iwan Baan37
03 ArtsThe Hepworth GalleryWakefield, UKArchitect: David Chipperfield ArchitectsThe Hepworth Gallery opened in May 2011. The galleryis situated on the south side of the River Calder and takesits name from artist and sculptor Barbara Hepworth whowas born and educated in the city. The lighting conceptfor the galleries was designed both for the optimaldisplay of Barbara Hepworth’s sculptures and for theconservation requirements of temporary exhibitions.Photography Iwan Baan38
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03 ArtsThe BroadLos Angeles, California, USAArchitect: Diller Scofidio RenfroArup worked closely with architects Diller Scofidio Renfro to develop the lighting design for the galleryspaces of The Broad, a 120,000 ft² contemproaryart museum in downtown Los Angeles. One of thehighlights of the museum is the open plan third-floorgallery, daylit by over 300 north-facing skylights anda fully-shaded glazed east wall. The skylights and veilstructure serve as a light filtration device, bringingindirect, diffuse daylight into the gallery. The skylightsinclude exterior motorised shades that can be used tocreate zones with reduced daylight levels through theirpartial deployment. We also assisted in the developmentof custom LED wallwashers which are used to uniformlyilluminate the 23ft gallery walls.Photography Hufton Crow, Arup and Bruce Damonte41
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03 ArtsMuseum FolkwangEssen, GermanyArchitect: David Chipperfield ArchitectsMuseum Folkwang is a major collection of 19th- and 20th-century art in Essen,Germany. The museum was established in 1922. In 2007, David Chipperfielddesigned an extension, which was built onto the older building. The exhibitionspaces are lit primarily by daylight. The use of artificial lighting is reduced toa minimum, and generally takes place only on the cloudiest of days and afterdark. All rooms in the permanent collection are supplied with natural light bya central skylight. The four vertical surfaces within the skylight are made offrosted glass and are equipped with electric sun blinds. These sun protectionelements block unnecessary light when the museum is closed and regulate theuse of natural light during opening hours.Photography Hufton Crow43
03 ArtsRijksmuseumAmsterdam, The NetherlandsArchitect: Cruz y OrtisThe Rijksmuseum is a Netherlands national museumdedicated to arts and history in Amsterdam. Therenovation of the Rijksmuseum consisted of a completeoverhaul of all existing heritage protected spaces.Gallery spaces and the famous courtyard make use ofdaylight and the electric lighting has been designed tocreate an engaging museum experience.Photography Iwan Baan and Vincent Mentzel44
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03 ArtsShanghai Symphony HallShanghai, ChinaArchitect: Isozaki HuQian PartnersLocated in the former French concession area, theShanghai Symphony Hall boasts the first worldclass concert hall to be built in China. It consists ofa 1200-seat main hall and a 400-seat chamber hall.The lighting was designed to be fully integratedwithin the architecture and it enhances the form andtexture of the timber acoustic panels, producing asense of comfort and a dynamic feeling.Photography Arup, ISOZAKI HuQian Partners46
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04 Stewardship04 StewardshipMorgan LibraryNew York, USAPhotography Arup48
04 StewardshipWe stand alongside those who aim toserve as stewards to preserve our naturalenvironment and evolve responsibly49
04 Stewardship“When one tugs at a single thing innature, he finds it attached to the restof the world.” John MuirAt Arup’s lighting studio, we work closely with Arup’s buildingservices engineers and environmental specialists. This givesus tremendous advantages over the traditional approach tolighting design. In harmony with aesthetics and vision, it is ourresponsibility to deliver a lighting design that helps our clients tosave energy and to create sustainable buildings. We strive to offerfresh insight as to how occupied spaces might become more alive,and be in touch with the living environment.50
04 StewardshipWilliam Buckley BridgeBarwon Heads, AustraliaArchitect: Peter Elliott Pty Ltd Architecture Urban DesignBridge lighting schemePhotography Sean McPhillips51
04 StewardshipKing’s Cross StationLondon, UKArchitect: John McAslan PartnersThe redevelopment of King’s Cross station in the city of London has turned a historic rail terminusinto a dynamic transport hub and a destination in its own right. The concourse lighting needed tobe energy efficient, be easy to maintain and meet Network Rail’s lighting standards. Our lightingdesign team proposed an uplighting scheme with daylight-linked fixtures. Natural light, viastrategically placed glazed roof panels, illuminates the heritage façades during the day. After dark,passengers can see the striking roof design clearly illuminated beneath the night sky.Photography Hufton Crow52
04 Stewardship“The new concourse represents a significantachievement in engineering and architecture. It is anexceptional addition to a significant London landmark.”Ian Fry, Network Rail53
04 StewardshipSacramento International Airport, Terminal BSacramento, California, USAArchitect: Fentress ArchitectsThe Terminal Modernization Program at the SacramentoInternational Airport included the construction of a newinternational terminal and airside buildings to replacethe outdated facility. The new 1bn scheme uses naturaldaylight in architectural harmony with the electriclighting to reduce the overall energy consumption whileenhancing the visitor experience and passenger journey.The scheme includes large scale public art features.Arup provided daylighting and architectural lightingconsulting for the public areas. The project achievedLEED Silver certification and reducing energy usethrough lighting was a key driver for this.Photography John Swaine, Jake Wayne, Tim Griffith54
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04 StewardshipAl Bahr TowersAbu Dhabi, UAEArchitect: AedasThe brief from the client was to produce an‘outstanding landmark building’ that consideredthe region’s architectural and cultural heritage. Theresponse to this is the unique dynamic ‘Mashrabiya’shading element that forms the project’s mostdistinctive feature. Our lighting designers workedclosely with the design team to produce a shadingsystem that carefully balances the needs for solarshading, glare control and transparency. The resultis an interior office environment where daylightprovides the primary source of light. Electric lightingin all areas of the project is sensitively integratedwithin the architecture.Photography Peter Chipchase57
04 StewardshipTerminal 2, Dublin AirportDublin, IrelandArchitect: Pascal Watson ArchitectureTerminal 2 forms the centrepiece of a five yeartransformation programme at Dublin Airport to upgrade andmodernise facilities, increasing capacity and enhancing thepassenger experience. The new Terminal 2 and Pier E atDublin Airport serve between 10 and 15 million passengersper year. The design intention was to provide a sustainablelighting scheme capitalising on the use of daylight from thefaçades and roof spine skylights. The creation of authentic,memorable experiences through light can be the mostpowerful and cost-effective tool to establish a top positionin the passangers’ mindset.Photography Hans-Christoph Brinkschmidt58
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04 StewardshipBBC TV StudiosLondon, UKThis project is the first step inincreasing the energy efficiency ofthe lighting of television productions.Essentially this piece of work isabout paving the way to changebehaviour: raising awareness of lowenergy lighting technology optionsamongst programme makers, but alsoencouraging manufacturers to considerwhat programme makers need.Photography Arup61
05 Story05 StoryLEF Future Center, RijkswaterstaatUtrecht, The NetherlandsPhotography Thijs Wolzak62
05 StoryIn entertainment and movies alike,light is a narrative element of the set63
05 StoryIn architecture, we like to explore thisdimension of light. Retail spaces benefitfrom a strong narrative, and façades canconvey a brand or corporate identityusing light and shadow.Lighting is increasingly intersecting with video and media, convergingwith a single visual concept, and Arup’s lighting studio continues todesign some of this field’s pioneering projects.64
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Renfro to develop the lighting design for the gallery spaces of The Broad, a 120,000 ft² contemproary art museum in downtown Los Angeles. One of the highlights of the museum is the open plan third-floor gallery, daylit by over 300 north-facing skylights
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