Pearson Edexcel Level 1/Level 2 GCSE (9–1) English Language

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Pearson Edexcel Level 1/Level 2 GCSE (9–1)English LanguagePaper 1: Fiction and Imaginative WritingSection A: Reading Text InsertWednesday 1 November 2017 – MorningTime: 1 hour 45 minutesPaper Reference1EN0/01Do not return the insert with the question paper.Advice Read the text before answering the questions in Section A of the question paper.Turn overP57310A 2017 Pearson Education Ltd.1/1/1/1*P57310A*

Read the text below and answer Questions 1–4 on the question paper.In this extract Maggie is in a boat fighting against dangerous floodwaters to rescue her familyfrom the mill where they live. She finds Tom, her brother, whom she loved as a child, but theyhave not had a good relationship for many years.The Mill on the Floss: George EliotWith panting joy that she was there at last, joy that overcame all distress, Maggie nearedthe front of the house. At first she heard no sound, she saw no object moving. Her boatwas on a level with the upstairs windows. She called out in a loud, piercing voice, ‘Tom,where are you? Mother, where are you? Here is Maggie!’Soon, from the window of the attic in the central gable*, she heard Tom’s voice, ‘Whois it? Have you brought a boat?’5‘It is I, Tom, – Maggie. Where is mother?’‘She is not here; she went to Garum the day before yesterday. I’ll come down to thelower window.’‘Alone, Maggie?’ said Tom, in a voice of deep astonishment, as he opened the middlewindow, on a level with the boat.10‘Yes, Tom; God has taken care of me, to bring me to you. Get in quickly. Is there noone else?’‘No,’ said Tom, stepping into the boat; ‘I fear the man is drowned; he was carried downthe Ripple, I think, when part of the mill fell with the crash of trees and stones against it;I’ve shouted again and again, and there has been no answer. Give me the oars, Maggie.’It was not till Tom had pushed off and they were on the wide water – he face to face withMaggie – that the full meaning of what had happened rushed upon his mind. It camewith so overpowering a force – it was such a new revelation to his spirit, of the depths inlife that had lain beyond his vision, which he had fancied so keen and clear – that he wasunable to ask a question. They sat mutely gazing at each other; Maggie with eyes of intenselife looking out from a weary, beaten face, Tom pale, with a certain awe and humiliation.Thought was busy though the lips were silent, and though he could ask no question, heguessed a story of almost miraculous, divinely protected effort. But at last a mist gatheredover the blue-grey eyes, and the lips found a word they could utter, the old childish‘Magsie!’152025Maggie could make no answer but a long, deep sob of that mysterious wondroushappiness that is one with pain.As soon as she could speak, she said, ‘We will go to Lucy, Tom; we’ll go and see if sheis safe, and then we can help the rest.’30Tom rowed with untired vigour, and with a different speed from poor Maggie’s. Theboat was soon in the current of the river again, and soon they would be at Tofton.‘Park House stands high up out of the flood,’ said Maggie. ‘Perhaps they have got Lucythere.’Nothing else was said; a new danger was being carried towards them by the river.Some wooden machinery had just given way and huge fragments were being floatedalong. The sun was rising now, and the wide area of watery desolation was spread out235P57310A

in dreadful clearness around them – in dreadful clearness floated onward the hurrying,threatening masses. A large company in a boat that was working its way along under theTofton houses observed their danger and shouted, ‘Get out of the current!’40But that could not be done at once, and Tom, looking before him, saw death rushingon them. Huge fragments, clinging together in fatal fellowship, made one wide massacross the stream.‘It is coming, Maggie!’ Tom said, in a deep, hoarse voice, loosing the oars and claspingher.45The next instant the boat was no longer seen upon the water, and the huge mass washurrying on in hideous triumph.But soon the keel** of the boat reappeared, a black speck on the golden water.The boat reappeared, but brother and sister had gone down in an embrace never tobe parted, living through again in one supreme moment the days when they had claspedtheir little hands in love, and roamed the daisied fields together.50gable* – the highest part of the roofkeel** – part of the bottom of a boatP57310A3

BLANK PAGEAcknowledgement:The Mill on the Floss, George Eliot, 1860, Penguin Popular Classics edition 2003(Work is out of copyright.)4P57310A

Write your name hereSurnameOther namesCentre NumberCandidate NumberPearson EdexcelLevel 1/Level 2 GCSE (9–1)English LanguagePaper 1: Fiction and Imaginative WritingWednesday 1 November 2017 – MorningTime: 1 hour 45 minutesYou must have:Reading Text Insert (enclosed)Paper Reference1EN0/01Total MarksInstructionsblack ink or ball-point pen. UseFillinboxes at the top of this page with your name, centrethenumber and candidate number.all questions in Section A and ONE in Section B. Answershould spend about 1 hour on Section A. YouYoushould spend about 45 minutes on Section B. Answerthe questions in the spaces provided – there maybe more space than you need.Informationtotal mark for this paper is 64. TheThefor each question are shown in brackets – usemarksthis as a guide as to how much time to spend on each question.labelled with an asterisk (*) are ones where the quality of your Questionswritten communication will be assessed– you should take particular care on these questions with your spelling, punctuationand grammar.Adviceeach question carefully before you start to answer it. ReadCheck your answers if you have time at the end.Turn overP57310A 2017 Pearson Education Ltd.1/1/1/1*P57310A0116*

SECTION A: ReadingRead the text in the Reading Text Insert provided and answer ALL questions.You should spend about 1 hour on this section.Write your answers in the spaces provided.1 From lines 1-4, identify the phrase which describes how high the floodwaters were. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Total for Question 1 1 mark)2 From lines 10-16, give two ways in which danger is made clear to the reader.You may use your own words or quotations from the text.1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Total for Question 2 2 marks)2*P57310A0216*

3 In lines 10-22, how does the writer use language and structure to show therelationship between Maggie and Tom?Support your views with reference to the text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Total for Question 3 6 marks)*P57310A0316*3Turn over

4 In this extract, there is an attempt to create strong feelings in the reader.Evaluate how successfully this is achieved.Support your views with detailed reference to the text.(15). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nov 01, 2017 · Paper Reference Advice Read the text before answering the questions in Section A of the question paper. Do not return the insert with the question paper. 1EN0/01 Wednesday 1 November 2017 – Morning Time: 1 hour 45 minutes English Language Paper 1: Fiction and Imaginative Writing

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