FEBRUARY 2019
FEBRUARY2019FILM LIVES HERESMFESTIVALS & E V E N TSTHE FAVO U R I T E D I R EC TO RYO R GO S LAN T H I M O SR E TR O S P E C T I V EFI L M C O MM EN T SEL EC T SS N E A K P R E VI EW :AS H IS P UR EST W H I T EN E IGHB O R ING SC EN ES:N E W LATIN A M ER I C A NCIN E M AN EW REL E AS ES &REV IVAL R U NSHOTEL BY THE RIVERWAR AND PEACECOLD WARTHE I M AG E BOOKC E L E B R AT I N G 5 0 Y E A R S O F T H E F I L M S O C I E T Y !E L I N O R B U N I N M U N R O E F I L M C E N T E R 1 4 4 W E S T 6 5 TH S T R E E TW A LT E R R E A D E T H E A T E R 1 6 5 W E S T 6 5 T H S T R E E TFILMLINC.ORG
NEW RELEASES & REVIVAL RUNS“Spiked with bittersweet humor and even a gentle, surprising hint ofsentimentality.” –Guy Lodge, VarietyHotel by the RiverHong Sangsoo, South Korea, 2018, 96mTwo tales intersect at a riverside hotel: an elderly poet (Ki Joo-bong), invitedto stay there for free by the owner, summons his two estranged sons, sensing his life drawing to a close; and a young woman (Kim Min-hee) nursinga recently broken heart is visited by a friend who tries to console her. Attimes these threads overlap, at others they run tantalizingly close to eachother. Using a stark black-and-white palette and handheld cinematography(with frequent DP Kim Hyung-ku), Hong crafts an affecting examination offamily, mortality, and the ways in which we attempt to heal wounds old andfresh. An NYFF56 selection. A Cinema Guild release. Opens February 15Courtesy of Janus FilmsCourtesy of Hong SangsooPlaying This Month Showtimes at filmlinc.org Members save 5 on all tickets!“The definitive epic of all time. It is hard to imagine that circumstanceswill ever again combine to make a more spectacular, expensive, andsplendid movie.” –Roger EbertWar and PeaceSergey Bondarchuk, Soviet Union, 1968, 403mThe Film Society is pleased to present a new digital restoration of thisseven- hour-plus adaptation of Tolstoy’s magnificent novel. Winner of the1969 Oscar for Best Foreign Language Film, Bondarchuk’s War and Peacesets the changing fortunes of several aristocratic families against thebackdrop of Napoleon’s invasion of Russia. The most expensive productionin Soviet film history, it’s also perhaps the greatest epic ever made: anexquisite work of spectacle and realism, the political and personal, thatendures as a monumental achievement in filmmaking.A Janus Films release. Opens February 15A presentation by Mosfilm Cinema Concern. An image-by-image digital restoration of the picture andsound using a 2K scanner. Producer of the restoration: Karen Shakhnazarov.H EL D OV ER“Momentous. A kaleidoscopic bulletin on the state of our world.”–Owen Gleiberman, VarietyCold WarThe Image BookPaweł Pawlikowski, Poland, 2018, 90mAcademy Award–winner PawełPawlikowski follows up his box-officesensation Ida with this bittersweet,exquisitely crafted tale of a tempestuouslove between a pianist and a singer asthey navigate the realities of living inboth Poland and Paris, in and outsideof the Iron Curtain. An Amazon Studiosrelease. An NYFF56 selection.Jean-Luc Godard, Switzerland, 2018,90m With Godard’s The Image Book,all barriers between the artist, his art,and his audience have dissolved.Predominantly comprised of pre-existingimages, this is a film in which therelationship between image and soundis, as always, intensely physical andsometimes jaw-dropping. A Kino Lorberrelease. An NYFF56 selection.FOR TICKETS: FILMLINC.ORGCourtesy of Kino LorberPhoto by Lucasz BakWINNER—Best Foreign-Language Film, National Board of Review andNew York Film Critics Circle
SERIESYorgos LanthimosThe Killing of a Sacred DeerF E B RUARY 1– 5 Though the award-winning director of The Favourite first came to attention as one of the leaders of the so-called Greek Weird Wave, Yorgos Lanthimos has always been more complex and harder to pin downthan that term suggests. His cinema is, to be sure, wondrously, imaginatively bonkers (what other director wouldmake a courtly costume drama that so prominently features duck racing?), but they are also wickedly funny, impeccably stylized, and piercingly insightful about the human condition, owing as much to Luis Buñuel as they do toGreek mythology. He is the rare auteur whose films have the power to provoke and entertain in equal measure.See more and save with a discounted 3 film package.AlpsGreece, 2011, 93m This exploration of crypticand unnatural doings follows a secret societywho act as surrogates for recently deceasedloved ones—by wearing their clothes, adoptingtheir mannerisms and way of speaking, etc.—in order to help the bereaved adjust to theirloss. Friday, February 1, 9:00pm . Sunday,February 3, 6:30pmDogtoothGreece, 2009, 35mm, 94m A mother and fathergo to elaborate lengths to keep their adultchildren ignorant of the world outside their homein Lanthimos’s audacious, Oscar-nominated(!)international breakthrough, a brilliantlydemented parable of power and control.Saturday, February 2, 7:00pm . Tuesday,February 5, 7:00pmThe Killing of a Sacred DeerUK/Ireland/USA, 2017, 121m The sins of afather (Colin Farrell) poison an entire family inLanthimos’s surrealist thriller, a twisted moraltale of supernatural revenge and domestichorror that hits with the force of a Greek tragedy.Sunday, February 3, 2:00pm . Tuesday,February 5, 9:00pmKinettaGreece, 2005, 95m Lanthimos’s first solofeature bears, in uncompromisingly lo-fi form,the hallmarks of his singular sensibility as threestrangers are drawn together in an obsessiveritual of violence and manipulation. Friday,February 1, 7:00pm . Sunday, February 3,4:30pmThe LobsterIreland/UK/Greece/France/Netherlands, 2015,119m In the very near future, society demandswe live as couples. So, in Lanthimos’s CannesJury Prize winner, single people are rounded upand sent to a seaside compound, given a finitenumber of days to find a match, and turned intoanimals if they fail. Starring Colin Farrell andRachel Weisz. Saturday, February 2, 9:00pm .Sunday, February 3, 8:30pmOrganized by Florence Almozini andDan SullivanSpecial thanks: Charlie Olsky and Diana Loomis, Fox Searchlight@FILMLINC.#FILMLIVESHERE
FESTIVALFilm Comment SelectsF E B RUARY 6– 10 Film Comment’s annual festival returns in its 19th edition with a selection of titles curated by the magazine’s editors, offering strikingly bold visions, mixing New York premieres of new films andlong-unseen older titles that deserve the big-screen treatment. As evidenced by such past selections as Antonio Méndez Esparza’s Life and Nothing More, Terrence Malick’s Voyage of Time, Claire Denis’s T roubleEvery Day, Olivier Assayas’s demonlover, Park Chan-wook’s Oldboy, Kathryn Bigelow’s The Hurt Locker,Werner Herzog’s Cave of Forgotten Dreams, Christian Petzold’s Phoenix, and Terence Davies’s Sunset Song,these are films that play by their own rules, works of considered artistry that reflect the philosophy of a magazine that has been essential to film lovers for more than 50 years. (In-person appearance)Courtesy of Fortissimo FilmsSee more and save with a discounted 3 film package or All-Access Pass.Up the MountainOPENING NIGHTNEW YORK PREMIERESunsetLászló Nemes, Hungary, 2018, 144m AcademyAward–winner László Nemes (Son of Saul)returns with an audacious, spellbindingly shotnew film about an orphaned young womansearching for her mysterious brother inBudapest at the beginning of the 20th century.Wednesday, February 6, 6:00pmSP ECI AL SPOTLIG HTNE W YORK PREM IEREHigh Flying BirdSteven Soderbergh, USA, 2019, 90m Duringa pro basketball lockout, a sports agent (AndréHolland) pitches a rookie basketball clienton an intriguing and controversial businessproposition. Soderbergh’s new film also featuresFOR TICKETS: FILMLINC.ORGZazie Beetz, Sonja Sohn, Zachary Quinto, KyleMacLachlan, and Bill Duke and was written byMoonlight co-screenwriter Tarell Alvin McCraney.Soderbergh and cast in person! Thursday,February 7, 6:30pmbloodshed of war pervades life and aggravatesand enables male aggression. Thursday,February 7, 9:00pmU.S . P RE M I ER EEkta Mittal, India, 2018, 80m The waves ofmigration from rural regions of India to the citiesgets a lyrical portrait in Ekta Mittal’s exquisitelycrafted look at longing and loss. Sunday,February 10, 4:30pmVictor Moreno, Spain, 2018, 80m Deep belowMadrid, tunnels of all sorts keep the city running,whether storm drains or subways or othersubterranean systems. Moreno’s mesmerizingunderground city symphony takes us into anunknown world of darkness and glimmeringactivity. Wednesday, February 6, 9:15pmFlight of a BulletR O B BY M ÜL L ER I N M EM O RIAMBeata Bubenec, Russia/Latvia, 2017, 80mShot in one harrowing take, Beata Bubenec’stense handheld dispatch from embattledEastern Ukraine is a window into how theJerry Schatzberg, USA, 1980, 119m JerrySchatzberg’s rarely screened Honeysuckle Rosestars Willie Nelson as a touring country musicAbsenceU. S . PR EM I ER EThe Hidden CityHoneysuckle Rose
singer, and was shot by the late Robby Müllerwho gorgeously realized works for directorsranging from Wim Wenders to Jim Jarmusch toLars von Trier to Barbet Schroeder. Schatzberg inperson! Saturday, February 9, 8:00pmand Peru, where Colombian emigrants live ina liminal state. Joining their numbers are newarrivals Amparo and her two young children,rebuilding their lives from the ground up. Friday,February 8, 6:30pmU.S. P REM IEREN ORT H A M ER I CA N PR EM I ER ECaroline Poggi & Jonathan Vinel, France, 2018,97m Jessica is the bold leader and den motherto an adopted gang of militaristic, orphanedteenage boys in this portrait of bereft teenagemasculinity that feels vivid in its science fiction.Friday, February 8, 9:00pmYang Zhang, China, 2018, 126m In this visuallydazzling documentary, what could have been anamusing look at a painter’s rural school and theolder villagers he mentors deepens into a moving and detailed portrait of family and communitylife cycles. Sunday, February 10, 9:00pmThe Lincoln CycleC O-P RE S EN T ED WI T H T HE N EW YO R KRE VIE W O F B O O K SUp the MountainBenjamin Chaplin, USA, 1917, 215m (screensin two parts) This remarkable series of 10 shortsilent dramas by John M. Stahl, produced byBenjamin Chapin as a vehicle for his performance as Abraham Lincoln, is structured entirelyaround memory and recollections of the past.(Please note: Episodes 9 and 10 of The LincolnCycle are lost.) Saturday, February 9, 2:00pm(episodes 1-4) . Saturday, February 9, 4:00pm(episodes 5-8)Sneak Preview:Ash Is PurestWhiteJia Zhangke in person, plus apre-screening reception!WarlockEdward Dmytryk, USA, 1959, 122m In EdwardDmytryk’s ’Scope Western, the mining townof Warlock is at the mercy of a band of roguecowboys, until citizens engage the sharpshooting services of Clay Blaisedell (Henry Fonda),accompanied by right-hand man Tom Morgan(Anthony Quinn). Sunday, February 10, 6:30pmCourtesy of Cohen Media GroupJessica ForeverSPECIAL EVENTN E W YO R K PR EM I ER EYaraNO RTH AM ERICA N PR E MIE RELos ReyesBettina Perut & Iván Osnovikoff, Chile/Germany, 2018, 78m Los Reyes (“The Kings”)watches Fútbol and Chola, a furry shepherd mixand some kind of labrador, respectively, as theyhang out, play, and generally coexist with thepeople who are also hanging out and playingon the lawns and concrete ramps of Chile’s firstskate park in Santiago. Saturday, February 9,6:15pmU.S. P REM IERELos SilenciosBeatriz Seigner, Brazil, 2018, 88m Brazilianwriter/director Beatriz Seigner’s setting is theisland borderlands between Brazil, Colombia,Abbas Fahdel, Lebanon/Iraq/France, 2018,101m In the latest from Iraqi-French filmmakerAbbas Fahdel, a remote valley in northernLebanon is the setting for a drama in which teenage Yara (Michelle Wehbe) lives and works withher hardscrabble grandmother (Mary Alkady) ona cliffside farm, and falls for a young hiker, Elias(Elias Freifer). Sunday, February 10, 2:00pmFRE E E V EN TFilm Comment Talk: László NemesThe director of opening night’s Sunset, AcademyAward–winner for Son of Saul, discusses theboundary-pushing technique of his filmmakingand approach to history in an illustrated talk withclips. Saturday, February 9, 5:00pmPick up the January-February issueof Film Comment, featuring:. Special Section: The Best of 2018. Jean-Luc Godard’s The Image Book. Aretha Franklin’s long-lost doc Amazing Grace. Nicolas Roeg and Bernardo Bertolucciin memoriam. a nd more!Subscribe or learn more at filmcomment.comJia Zhangke, China, 2018, 136mJia Zhangke’s extraordinary body of workhas doubled as a record of 21st-centuryChina and its warp-speed transformations.A tragicomedy in the fullest sense, Ash IsPurest White is at once his funniest andsaddest film, portraying the passage oftime through narrative ellipses and, like hisMountains May Depart (NYFF53), a threepart structure. Despite its jianghu—criminalunderworld—setting, Ash is less a gangstermovie than a melodrama, beginning byfollowing Qiao and her mobster boyfriendBin as they stake out their turf against rivalsand upstarts in 2001 postindustrial Datongbefore expanding out into an epic narrativeof how abstract forces shape individuallives. As the formidable, quick-witted Qiao,a never better Zhao Tao has fashioned aheroine for the ages. A Cohen Media Grouprelease. An NYFF56 selection. Thursday,February 14, 7:00pmOpens theatrically at the Film Society onMarch 15@FILMLINC.#FILMLIVESHERE
FESTIVALNeighboring Scenes: New Latin American CinemaF E B RUARY 2 2 – 26 Now in its fourth year, Neighboring Scenes is the Film Society’s showcase of contemporary Latin American cinema. Highlighting impressive recent productions from across the region, this selective slate of premieres exhibits the breadth of styles, techniques, and approaches employed by Latin American filmmakers today. Neighboring Scenes spans a wide geographic range , featuring established auteurs aswell as fresh talent from the international festival scene. Presented by the Film Society of Lincoln Center andCinema Tropical. (In-person appearance)See more and save with a discounted 3 film package or All-Access Pass.N EW YO R K PR EM I ER ECourtesy of Monument ReleasingEternityOur TimeO P ENI NG NIG HTNE W YORK PREM IEREBelmonteFederico Veiroj, Uruguay/Spain/Mexico,2018, 75m A clever and emotionally layereddebut performance from Gonzalo Delgado isthe heart of this portrait of an artist in crisisfrom Uruguayan filmmaker Federico Veiroj(The Apostate, ND/NF 2016). Friday, February22, 7:00pmCE NTE RPIECENE W YORK PREM IEREOur TimeCarlos Reygadas, Mexico/France/Germany/Denmark/Sweden, 2018, 173m Gorgeouslyshot by Diego García, the latest film byMexican director Carlos Reygadas (Silent Light,Post Tenebras Lux) is a bold and heartfeltexploration of marriage and intimacy. Sunday,February 24, 8:30pmNE W YORK PREM IEREBuy Me a GunJulio Hernández Cordón, Mexico/Colombia,2018, 84m Absurdist, macabre, and exhilarating,Buy Me a Gun is like a cross between TheAdventures of Huckleberry Finn and the MadFOR TICKETS: FILMLINC.ORGMax series as told through Hernández Cordón’slo-fi futurist visual style. Saturday, February 23,4:00pmN E W YO R K PR EM I ER EThe Dead and the OthersRenée Nader Messora & João Salaviza,Brazil/Portugal, 2018, 114m Winner of the UnCertain Regard special jury prize at the 2018Cannes Film Festival, João Salaviza & RenéeNader Messora’s naturalistic hybrid is a dramatically intriguing, richly textured portrait ofgrief and the threats facing ancient traditionsby a modern society. Monday, February 25,9:00pmÓscar Catacora, Peru, 2017, 86m In the firstPeruvian movie shot entirely in the Aymaralanguage, an elderly couple living in a remotepart of the Andes faces the challenges of dailylife with courage and determination.Preceded by Before My EyesLina Rodriguez, Colombia, 2018, 7mSunday, February 24, 2:00pmN O RT H A M ER I CA N PR EMIERELow CenterEwerton Belico & Samuel Marotta, Brazil,2018, 80m A beguiling and enigmatic nocturnalexperience set in the peripheral and desolatespaces of Brazil’s Belo Horizonte, Ewerton Belicoand Samuel Marotta’s debut feature graduallywanders into the dreamlike territory of a trancefilm. Friday, February 22, 9:15pmU. S . PR EM I ER EMurder Me, MonsterAlejandro Fadel, Argentina/Chile/France,2018, 109m In this genre-bending and offbeatphilosophical horror movie, a rural police officerinvestigates the bizarre case of a headlesswoman’s body found in a remote region of theAndes. Tuesday, February 26, 9:00pmU.S . P RE M I ER EN O RT H A M ER I CA N PR EMIEREIgnacio Juricic Merillán, Chile, 2018, 80mIgnacio Juricic Merillán’s assured and understated debut feature follows a 54-year-oldneighborhood hairdresser who is asked toappear on a TV show about the violent death ofher lesbian daughter.Preceded by Sobre cosas que me hanCamila José Donoso, Chile/Brazil/France/Korea, 2019, 100m At 66, Nona lives aloneand is recuperating from cataract surgery,while a mysterious fire ravages acres of forestin southern Chile and generates unrest in herotherwise sleepy town.Preceded by A Local Kind of GodBenjamín Naishtat, Argentina, 2018, 6mSaturday, February 23, 6:30pmEnigmapasadoJosé Luis Torres Leiva, Chile, 2018, 15mSunday, February 24, 6:30pmNona. If they soak me, I’ll burn them.
U.S. P REM IEREStill BurnMauricio Alfredo Ovando, Bolivia, 2018, 77mIncorporating archival footage recorded duringAlfredo Ovando Candia’s military de factogovernment, home movies and interviews withrelatives, Bolivian filmmaker Mauricio AlfredoOvando’s debut juxtaposes his family’s memoriesof his grandfather with the official history.Preceded by Punky EyeLuis Arnías, Venezuela/USA, 2018, 15mSaturday, February 23, 2:00pmU.S. P REM IEREThere Will Come Soft RainsIván Fund, Argentina, 2018, 81m A remarkable ensemble of young nonprofessionalactors carries Ivan Fund’s lyrical film—an oneiric vision of the apocalypse in which a strangeincident has left the adults of a working classneighborhood in an everlasting slumber.Preceded by The Cemetery LightensLuis Alejandro Yero, Cuba, 2018, 14mSunday, February 24, 4:00pmU.S . P RE M I ER EA Wild StreamNuria Inbañez, Mexico, 2018, 72m Winnerof Best Mexican Feature Documentary at theMorelia Film Festival, the third feature filmby Spanish-born director Nuria Ibáñez (TheTightrope) follows Chilo and Omar, who seem tobe the only two men on earth.Preceded by The ForcesPaola Buontempo, Argentina, 2018, 18mMonday, February 25, 6:30pmregime, The Wolf House is an animated filmunlike any other, an exquisitely handcraftedsurrealist docu-horror about one of Chile’sdarkest periods in history. Saturday, February23, 9:15pmEduardo Williams Shorts ProgramTRT: 85m Argentine filmmaker Eduardo “Teddy”Williams (The Human Surge, NYFF54) is arecipient of the 2019 Lincoln Center Awards forEmerging Artists, which recognizes diverse andexceptional talents across the arts. Join us tocelebrate his bold vision—including the NorthAmerican premiere of his latest, Parsi (madewith Mariano Blatt), followed by a post-screeningQ&A. Tuesday, February 26, 6:30pmN E W YO R K PR EM I ER EThe Wolf HouseJoaquín Cociña & Cristóbal León, Chile/Germany, 2018, 75m Evoking Colonia Dignidad,an infamous torture colony during the PinochetOrganized by Carlos Gutiérrez andCecilia BarrionuevoSpecial thanks: Consulate General of Argentina, New York;Consulate General of Brazil, New YorkFESTIVALRendez-Vous withFrench CinemaF E B RUARY 2 8 –MARC H 1 0Rendez-Vous with French Cinemareturns with another edition thatexemplifies the variety and vitalityof contemporary French filmmaking. This year’s Opening Nightis Pierre Salvadori’s The TroubleWith You, featuring Adèle Haenel,Vincent Elbaz, Audrey Tautou, andDamien Bonnard. Co- presentedwith UniFrance Films, the 24thRendez-Vous will demonstratethat the landscape of Frenchcinema is as fertile, inspiring, anddistinct as ever.OFFICIALSUPPORTINGMEDIAThis project is supported in part by an award from the National Endowment for the Arts. New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.Cover photo: The Lobs
War and Peace Sergey Bondarchuk, Soviet Union, 1968, 403m The Film Society is pleased to present a new digital restoration of this seven-hour-plus adaptation of Tolstoy’s magnificent novel. Winner of the 1969 Oscar for Best Foreign Language Film, Bondarchuk’s War and Peace sets the changing fortunes of several aristocratic families against the
ARTICLES OF INCORPORATION Adopted on March 6, 1968 Amended on July 10, 1968 February 20, 1969 March 20, 1969 June 16, 1969 February 7, 1970 February 6, 1971 November 23, 1971 February 4, 1972 November 29, 1972 February 12, 1973 February 5, 1974 February 8, 1975 February 6, 1976 February 8, 1977 February 25, 1978 .
2019 Alfa Romeo Giulia 2019 BMW X7 2019 Alfa Romeo Stelvio 2019 BMW Z4 2019 Audi A3 2019 Buick Cascada 2019 Audi A4 2019 Buick Enclave 2019 Audi A5 2019 Buick Encore 2019 Audi A6 2019 Buick Envision 2019 Audi A7 2019 Buick LaCrosse 2019 Audi A8 2019 Buick Regal 2019 Audi Allroad
1 MGT-347 ICS Forms February 5, 2019 Franklin County 2 ICS-300 Intermediate ICS February 5 – 7, 2019 Franklin County 3 ICS-300 Intermediate ICS February 6 – 8, 2019 Montgomery Co. 4 OH-230 Intro. to Emergency Management in Ohio February 11 - 14, 2019 Ohio EMA 5 ICS-400 Advanced ICS February 12 - 13, 2019 Wood County
HONOUR BOARD VOLUNTEERS 2019 - CURRENT David Staniforth Boorowa 2019 Bruce Gruber Boorowa 2019 Lindsay Cosgrove Boorowa 2019 Dennis Osborne Boorowa 2019 John Cook Boorowa 2019 Sue Cook Boorowa 2019 Mick Hughes Boorowa 2019 Daryl Heath Boorowa 2019 Lesley Heath Boorowa 2019 Russell Good Boorowa 2019 John Peterson Boorowa 2019 Heather Bottomley Boorowa 2019 James Armstrong Boorowa 2019
February 2014 Safety Focus Topics February 1 - Complacency February 2 - Safety, It's your Choice February 3 - Luck Has Nothing to do with Safety February 4 - Are You Safe or Just Lucky? February 5 - Slips, Trip and Falls - Pay Attention February 6 - Give Yourself a Hand February 7 - Lifting Properly
Department of Economics Date Activity 24/06/2019 to 29/06/2019 (one week) 01/07/2019 06/07/2019 18/07/2019 27/08/2019 10/09/2019 09/10/2019 to 29/10/2019 15/02/2020 February 2020 January 2020 29/02/2019 Bridge Course Subject orientation for FYBA (Economics) Project orientation for TYBA (Economics
Dec 22, 2014 · February 5th PPR 4 February 10th Cognitive Approaches 8 February 12th PPR 5 February 17th Thinking, reasoning and problem solving, Exam Review 9 February 19th February 24th Exam 1 Study! February 26th Motivation 10 PPR 6 March 10th March 12th Student Diversity 6 PPR 7 March 17th March 19th Quiz 2 (O
Orlando, FL Amway Center Saturday, February 11 Tulsa, OK BOK Center Thurday, February 16 St. Louis, MO Scottrade Center Friday, February 17 Wichita, KS INTRUST Bank Arena Saturday, February 18 Des Moines, IA Wells Fargo Arena Friday, February 24 Kansas City, MO Sprint Center Saturday, February 25 Martina McBride celebrated the release of
