Jazz Chords/Scales Encyclopedia By Mark Feezell

2y ago
123 Views
7 Downloads
367.42 KB
28 Pages
Last View : 1m ago
Last Download : 2m ago
Upload by : Javier Atchley
Transcription

Jazz Chords/Scales EncyclopediaByMark Feezell- Chord symbols are grouped by function within the keys in a circle-of-4ths (descending 5ths) pattern.- The key of C is listed in its entirety at the end of the encyclopedia.- Remember that in jazz a key may be in effect for as few as 2 chords (often V-I).- Scales are Listed from most common to least common choice (approximately) for each chord symbol.- Primary chord tones open noteheads. "Handle with care" dissonances square noteheads.- IMPORTANT: Maj,3 Major scale, mode 3 (start on note 3 of major; e.g. EFGABCDE)min,2 Melodic minor ascending pitches, mode 2 ( start on note 2).- To make the encyclopedia less cluttered, some explanatory material appears only on pages 1 and 2.- The encyclopedia is incomplete without the index, available free in PDF format at drfeezell.com/jazzChord symbol not listed?Remember: 9 2, 11 4, 13 6; #4 b5 #11, b9 b2, #5 b6 b137th chord 9th chord 11th chord 13th chord.C# Db; D# Eb; E Fb; E# F; F# Gb; G# Ab; A# Bb; B Cb; B# CFor slash chords, use the index at drfeezell.com/jazzStill can't find it? Look for the scale with the same root, triad type, 7th quality, and altered notes.Practicing tips:1. Get some good resources like The Jazz Theory Book by Mark Levine or Aebersold's Play-a-long books.2. Focus on the basic scales first: Major, Mixolydian, Dorian, Locrian, and Diminished.3. Take this encylopedia to a copy shop and have it bound. Tell them you want it to lay FLAT.4. Play around the circle of fourths by choosing a scale from the tonic chords in a key, then one from thepredominant chords of the next key, then one from the dominant chords of that new key, then from thetonic chords of that new key, and so forth. Doing this you can practice II-V-I or IV-V-I progressionsthrough all the keys by just going straight through the encylopedia.5. See chapters four and six of Levine's Jazz Theory Book for more scale practice guidelines.Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.

INDEX to The Jazz Chords/Scales Encyclopedia by Mark FeezellCHORD SYMBOLS: Find the chord symbol at the left, then look for the pitch to find the page number.TonicFunction andSymbolI [Capitalized pitch name], M, Maj, 7, 9, 11, 13, Maj7, Maj 9,Maj 11, Maj 13, Maj 6/9, Ma7,M7, etc.I (min)- -( 7), -9( 7), -11( 7), mi( 7), etc.I b6IIPredominant(inmajormode)II(inminormode)IV-7Ø or Ø7VI #4Sub.forVm3 LOCRIAN or Bebop:all have b9( b2)-7(b5b9), -11b9b5, mi7b5b9,mi11b5b9#4, 7#4, 7b5, 9#4, 9b5, 6/9#4, 6/9#4, 13#4, Ma7#4,Ma7b5, Maj7#4, #11, etc. #4#5, 9(#5), 7(#5), ( 7), ( 9), Aug, Ma7(#5), Ma9(#5)-b67Dom7, Mm77#57b6 7, 7 , 9, 9(#5), Aug, 7(b5), 7(#11), 9(b5), 9(#11),13(#11)13(b5), 7#9, 13(#9), º7b9, 6/9(#11), mi6/9(#11), mi13(#11), 13(#11)alt, 7(b9b13), 7(b9), 7(#9b13),7(b9,b5), 7(#9,b5), 7(#9b9),7(#11#9), 13(b9b5), 7(#9#5),7(#11#9), 7 9b67sussus, sus4, sus9, 7sus4, sus2susb97susb9, sus4b9, 7sus4b9, susb9b6,etc.º or º7dim, dim7, º7(#9), º( 7), dim( 7),-9( 7#11), mi9( 7#11),7#11V-, m, min, -6, -9, -11, -13, -6/9,min7, mi7, etc.B# CC# DbDD# EbE FbE# FF# GbGG# AbAA# BbB 841424LOCRIAN #2: mi7(b5), mi9(b5),mi11(b5), -7(b5), -9(b5), -11(b5) #5DominantAlternate symbols7b97alt

SLASH NOTATION INDEX for The Jazz Chords/Scales Encyclopedia by Mark FeezellSlash notation is confusing and is no longer the accepted standard for chord notation.The tables below will help you convert slash notation on older scores into full chord symbols.For chord symbols in this format: Pitch / Pitch (e.g. F#/A, C/D, etc.),1. Find the left or top pitch in the left column.2. Find the bottom or right pitch in the bottom column to find the page number.Some options have more than one possibility and hence more than one page number.In cases where a chord is given, find that chord in the main index table (above) to find the page number.B# CC# DbDD# EbE FbE# FF# GbGG# AbAA# BbB Cb2,202,3 D78 C C7sus1424521116,176,12 Eb718 C# C#7sus24101571116,22 E74 D D7sus10201172,8 F714 Eb Eb7sus2061112,18 F#724 E E7sus6164,22 G710 F F7sus168,14 Ab720 F# F#7sus18,24 A76 G 4,10 Bb71614,20 B72112,133722,232113178,92723318,19212179134,5 G7sus12223192314,15 Ab Ab7sus22813591,242 A A7sus81823151910,11 C712 Bb Bb7sus18491520,2110,16 C#722 B B7sus4141911156,7DD# EbE FbGG# AbAA# BbB# C C# DbE# F F# Gb6,24GENERALLY: Assuming that the interval is ALWAYS DOWNWARD,e.g. F# / A means F# ABOVE A M6 down, then DownwardRoot, where symbol isExampleFull Chord Symbolinterval (may beLeft pitch / Right pitchenharmonic)Ø7C/B B Ø7Right pitchm2susb9C/B Bsusb9Right pitch #4C/Bb Bb #4Right pitchM2-7C/A A-7m3Right pitch #4#5C/Ab Ab #4#5M3Right pitchC- 7/G G7b6 but7b6 if - 7 for top;Right pitch if 7b6P4else just inversion of 7C/G C 7C/F# F#7alt7altAug 4/Dim 5Right pitchC/F C7sus7susP5Left pitch 7m6Left pitchC/E C 77b9C/Eb Eb7b9M6Right pitchC/D D77Right pitchm77b9 or º7C/Db C7b9 or Dbº7Left if 7b9; Right if º7M7B Cb

C major1-Ionian/Major Maj,1tonic function chords (function as local tonic chords) C 2-Maj. pentatonic3-Bluesmaj. triad (no 7th) #5§54-Major bebop Maj,1 w/§5#5 C b6 Harmonic major Maj,1 w/b6; UncommonUse blues over any chord where itsounds good, but don't overdo it. b65-augmented scale Maj w/#2, No 4, b6#2no 4b6C minor tonicfunction chords1-Minor-major min,12-Bebop melodic minor ORBebop minor no. 2 min,1 w/§5#5 C- §5 #5 Key of F Predominant function (II/IV/VI) chords (lead to dominant function chords)Lydian augmented Lydian w/#5Lydian Maj,4 or Maj,1 w/#4 Bb #5or Bb #4 or C/Bb Bb #4#5 IV functionor D/BbIV function Dorian w/b3§3 2-Minor pentatonic G-7 or Bb/G II in major3-Bebop dorian/Bebop minor1-Dorian Maj,2 1-Locrian/half-diminished Maj,7GØ or GØ7 or Ab/G II in minor mode Phyrgian w/b5; use for b9 D-b6 Aeolian Maj,6b3 §3 2-Bebop Locrian w/b5§5use for b9 b5 §53-Half-diminished #2/Locrian #2#2 (or §2) - use for §9Useful b/c no"handle with care" noteVI function; not played often.Often use dorian instead, or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.1

dominant function chords-key of F C7 1-Mixolydian Maj,5 or Maj,1 w/b72-Major pentatonic3-Bebop dominant Maj,1 w/b7§7b7 §7 C7#5 Whole tone7b6 7#5 C7#11 Lydian dominant1-Aebersold's "Spanish" or "Jewish"C7b9 orh w h w h w h w C/Db or A/Cb2b6 b7OR HW octatonic; susb9 7b92-HW diminishedAltered OR dim. whole tone min,7 (enh.)C7alt or F#/C b9#9#11Alt b/c has all possible alterationsb13C7b6 or F- 7/C7b6 7#5Aebersold's "Hindu" scaleC7sus 1-Mixolydian Maj,5 or Maj,1 w/b7(no "handle with care" note) 2-Maj. pent., 2R.H.voicing 2-Mode 2, minorCsusb9 or Db/C 1-Phrygian Maj,3Use for b6susb9 7b9WH diminished (octatonic)whwhwhEº or w h Eº7 or or D#/ESub. for V7 Maj. 3rd below ( C7)Use for §6Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.2

F major tonic function chords3-Blues2-Maj. pentatonic F 1-Ionian/Major Maj,1 4-Major bebop§5#5 F b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6F minor1-Minor-majortonic function chords F- 2-Bebop melodic minor OR Bebop minor no. 2 Key of Bb Predominant function (II/IV/VI) chordsEb #4 or F/Eb IV functionLydianC-7 or Eb/C II in major§5#5Lydian augmentedEb #5 or Eb #4#5 or G/EbIV function 1-Dorian 2-Minor pentatonic 1-Locrian or half-diminishedCØ or CØ7 or Db/C II in minor mode3-Bebop dorian OR Bebop minor 2-Bebop G-b6 Aeolianb5 §5 b3 §3 #2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.3 3-Half-diminished #2/Locrian #2

dominant function chords-key of Bb2-Major pentatonic3-Bebop dominant F7 1-Mixolydianb7 §7 F7#5 Whole tone F7#11 Lydian dominant F7b9 or F/Gb or D/Fb2b6 b72-HW diminished/HW octatonich w h w h w h w1-Aebersold's "Spanish" or "Jewish"Altered/dim. whole tone F7alt or B/Fb9#9#11 b13 F7b6 or Bb- 7/FAebersold's "Hindu" scale F7sus 1-Mixolydian 2-Maj. pent., 21-Phrygian Fsusb9 or Gb/F R.H.voicing 2-Mode 2, minorUse for b6WH diminished (octatonic)whwh w h w h Aº or Aº7 or or G#/AUse for §6sub for F7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.4

Bb major tonic function chords 3-Blues Bb 1-Ionian/Major Maj,12-Maj. pentatonic 4-Major bebop§5#5 Bb b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6Bb minor1-Minor-majortonic function chords Bb- 2-Bebop melodic minor OR Bebop minor no. 2 Key of Eb Ab #4 or Bb/Ab IV functionPredominant function (II/IV/VI) chordsLydian#5§5Lydian augmentedAb #5 or Ab #4#5 or C/AbIV function F-7 or Ab/F II in major1-Dorian2-Minor pentatonic 1-Locrian or half-diminishedFØ or FØ7 or Gb/F II in minor mode3-Bebop dorian OR Bebop minor 2-Bebop C-b6 Aeolianb5 §5 b3 §3 3-Half-diminished #2/Locrian #2#2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.5

dominant function chords-key of2-MajorEb pentatonic 3-Bebop dominant Bb7 1-Mixolydian Bb7#5 b7 §7Whole tone Bb7#11 Lydian dominant Bb7b9 or Bb/Cb or G/Bbb2b6 b72-HW diminished/HW octatonich w h w h w h w1-Aebersold's "Spanish" or "Jewish" Bb7alt or E/BbAltered/dim. whole tone Bb7b6 or b9#9#11 b13Aebersold's "Hindu" scaleEb- 7/Bb2 2-Maj. pent., Bb7sus 1-Mixolydian2-Mode 2, minor Bbsusb9 R.H.voicing1-Phrygianor Cb/BbUse for §6Use for b6WH diminished (octatonic)Dº or Dº7 or whwhwhwhor C#/Dsub for Bb7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.6

Eb major tonic function chords Eb 1-Ionian/Major Maj,13-Blues2-Maj. pentatonic 4-Major bebop§5#5 Eb b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6Eb minor1-Minor-majortonic function chords 2-Bebop melodic minor OR Bebop minor no. 2 Eb- Key of Ab Predominant function (II/IV/VI) chords Db #4 or Eb/Db IV functionLydian§5#5Lydian augmentedDb #5 or Db #4#5 or F/DbIV function2-Minor pentatonic Bb-7 or Db/Bb II in major3-Bebop dorian OR Bebop minor1-Dorianb3 §33-Half-diminished #2/Locrian #2 BbØ or BbØ7 or Cb/Bb 1-Locrian or half-diminished2-BebopII in minor mode F-b6 Aeolianb5 §5#2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.7

dominant function chords-key of Ab Eb7 1-Mixolydian2-Major pentatonic3-Bebop dominantb7 §7 Eb7#5 Whole tone Eb7#11 Lydian dominanth w h w h w h wEb7b9 or Eb/Fb or C/Ebb2b6 b72-HW diminished/HW octatonic1-Aebersold's "Spanish" or "Jewish"Altered/dim. whole toneEb7alt or A/Ebb9#9#11 b13 Eb7b6 or Ab- 7/Eb Aebersold's "Hindu" scale Eb7sus 2-Maj. pent., 21-MixolydianEbsusb9 or Fb/EbR.H.voicing1-PhrygianUse for b62-Mode 2, minorWH diminished (octatonic)Gº or Gº7 or whwhwhwhor F#/GUse for §6sub for Eb7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.8

Ab major tonic function chords3-Blues 2-Maj. pentatonic Ab 1-Ionian/Major Maj,1 4-Major bebop§5#5 Ab b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6Ab minor1-Minor-majortonic function chords 2-Bebop melodic minor OR Bebop minor no. 2 Ab- Key of Db Gb #4 or Ab/Gb IV functionPredominant function (II/IV/VI) chordsLydianEb-7 or Gb/Eb II in major#5Lydian augmentedGb #5 or Gb #4#5 or Bb/GbIV function 1-Dorian2-Minor pentatonic3-Bebop dorian OR Bebop minorb3 §3 EbØ or EbØ7 or Fb/EbII in minor mode§51-Locrian or half-diminished2-Bebop Bb-b6 Aeolianb5 §53-Half-diminished #2/Locrian #2#2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.9

dominant function chords-key of2-MajorDb pentatonic 3-Bebop dominant Ab7 1-Mixolydian Ab7#5 b7 §7Whole tone Ab7#11 Lydian dominantAb7b9 or h w h w h w h w Ab/A or 2-HW diminished/HW octatonic1-Aebersold's "Spanish" or "Jewish"F/Ab Ab7alt or D/Abb2b6Altered/dim. whole toneb7 Ab7b6 or b9#9#11 b13Aebersold's "Hindu" scaleDb- 7/Ab 2-Maj. pent., 2 Ab7sus 1-Mixolydian1-Phrygian 2-Mode 2, minor Absusb9 or A/G#R.H.voicingUse for §6Use for b6WH diminished (octatonic)Cº orCº7 or whwhwhwhor B/Csub for Ab7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.10

Db major tonic function chords Db 1-Ionian/Major Maj,13-Blues2-Maj. pentatonic 4-Major bebop§5#5 Db b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6Db minor1-Minor-majortonic function chords 2-Bebop melodic minor OR Bebop minor no. 2 Db- Key of F# Predominant function (II/IV/VI) chords LydianB #4 or C#/B IV function 1-DorianG#-7 or B/G# II in majorII in minor mode 2-Bebop3-Half-diminished #2/Locrian #2 AeolianD#-b6 2-Minor pentatonic1-Locrian or half-diminished G#Ø or G#Ø7 or A/G##5Lydian augmentedB #5 or B #4#5 or D#/BIV function §53-Bebop dorian OR Bebop minor b5 §5b3 §3 #2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.11

dominant function chords-key of F# C#7 1-Mixolydian2-Major pentatonic3-Bebop dominantb7 §7 C#7#5 Whole tone C#7#11 Lydian dominanth w h w h w h wC#7b9 or C#/D or A#/C#b2b6 b72-HW diminished/HW octatonic1-Aebersold's "Spanish" or "Jewish"C#7alt or G/C# Altered/dim. whole toneb9#9#11 b13 C#7b6 or F#- 7/C# Aebersold's "Hindu" scaleC#7sus 1-MixolydianR.H.voicing2-Maj. pent., 2C#susb9 or D/C# 1-PhrygianUse for b62-Mode 2, minorwhwhwFº or h w h Fº7 or or E/FUse for §6WH diminished (octatonic)sub for Db7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.12

F# major1-Ionian/Major Maj,1tonic function chords2-Maj. pentatonic3-Blues F# 4-Major bebop§5#5 F# b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6F# minor1-Minor-majortonic function chords 2-Bebop melodic minor OR Bebop minor no. 2 F#- Key of B Predominant function (II/IV/VI) chordsE #4 or F#/E IV functionLydianC#-7 or E/C# II in major§5#5Lydian augmentedE #5 or E #4#5 or G#/EIV function 1-Dorian3-Bebop dorian OR Bebop minorb3 §3 b5 §5C#Ø or C#Ø7 or D/C#II in minor mode2-Minor pentatonic1-Locrian or half-diminished G#-b6 Aeolian2-Bebop3-Half-diminished #2/Locrian #2#2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.13

dominant function chords-key of B2-Major pentatonic3-Bebop dominant F#7 1-Mixolydianb7 §7 F#7#5 Whole tone F#7#11 Lydian dominanth w h w h w h w F#7b9 or F#/G or D#/F#b2b6 b72-HW diminished/HW octatonic1-Aebersold's "Spanish" or "Jewish"Altered/dim. whole tone F#7alt or B#/F# b9#9#11b13 F#7b6 or B- 7/F#Aebersold's "Hindu" scale2-Maj. pent., 2 F#7sus 1-Mixolydian1-Phrygian F#susb9 or G/F# R.H.voicing 2-Mode 2, minorUse for b6whwh w h w h A#º or A#º7 or or A/BbUse for §6WH diminished (octatonic)sub for F#7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.14

B major tonic function chordsB 1-Ionian/Major Maj,13-Blues2-Maj. pentatonic #5§54-Major bebopB b6 B- no 45-augmented scaleb6#2Harmonic major; Uncommonb6B minor1-Minor-majortonic function chords §5 #52-Bebop melodic minor OR Bebop minor no. 2 Key of E A #4 or B/A IV functionPredominant function (II/IV/VI) chordsLydianLydian augmented A #5 or A #4#5 or C#/AIV function F#-7 or A/F# II in major1-DorianII in minor modeC#-b6 1-Locrian or half-diminished F#Ø or F#Ø7 or G/F#2-Minor pentatonic Aeolian2-Bebopb5 §53-Bebop dorian OR Bebop minor b3 §3 3-Half-diminished #2/Locrian #2#2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.15

dominant function chords-key of EB7 B7#5 B7#11 1-Mixolydian3-Bebop dominant2-Major pentatonicb7 §7 Whole tone Lydian dominant2-HW diminished/HW octatonich w h w h w h w1-Aebersold's "Spanish" or "Jewish"B7b9 or B/C or G#/Bb2b6 b7 B7alt or F/B Altered/dim. whole toneb9#9#11 b13B7b6 or E- 7/B Aebersold's "Hindu" scaleB7sus 1-Mixolydian 2-Maj. pent., 2R.H.voicing 2-Mode 2, minorBsusb9 or C/B Use for §6Use for b61-PhrygianwhwhwhwD#º or h D#º7 or or D/EbWH diminished (octatonic)sub for B7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.16

E major tonic function chords3-Blues2-Maj. pentatonic E 1-Ionian/Major Maj,1 4-Major bebop§5#5 E b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6E minor1-Minor-majortonic function chords E- 2-Bebop melodic minor OR Bebop minor no. 2 Key of A Predominant function (II/IV/VI) chords D #4 or E/D IV functionLydianB-7 or D/B II in major§5#5Lydian augmentedD #5 or D #4#5 or F#/DIV function b3 §31-Dorian 2-Minor pentatonic 1-Locrian or half-diminishedBØ or BØ7 or C/B II in minor mode3-Bebop dorian OR Bebop minor b5 §5 F#-b6 Aeolian2-Bebop #2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.17 3-Half-diminished #2/Locrian #2

dominant function chords-key of A E7 1-Mixolydian2-Major pentatonic3-Bebop dominantb7 §7 E7#5 Whole tone E7#11 Lydian dominant E7b9 or E/F or C#/Eb2b6 b72-HW diminished/HW octatonich w h w h w h w1-Aebersold's "Spanish" or "Jewish"Altered/dim. whole toneE7alt or Bb/Eb9#9#11 b13E7b6 or A- 7/EAebersold's "Hindu" scale E7sus 1-Mixolydian 2-Maj. pent., 21-PhrygianEsusb9 or F/ER.H.voicing 2-Mode 2, minorUse for b6whwhw h w h G#º or G#º7 or or G/AbUse for §6WH diminished (octatonic)sub for E7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.18

A major tonic function chords3-Blues2-Maj. pentatonic A 1-Ionian/Major Maj,1 4-Major bebop§5 5-augmented scale#5 A b6 b6no 4#2Harmonic major; Uncommonb6A minor1-Minor-majortonic function chords A- 2-Bebop melodic minor OR Bebop minor no. 2 Key of D G #4 or A/G IV functionPredominant function (II/IV/VI) chordsLydian§5#5Lydian augmentedG #5 or G #4#5 or B/GIV function2-Minor pentatonic3-Bebop dorian OR Bebop minor E-7 or G/E II in major1-DorianEØ or EØ7 or F/E II in minor mode b3 §31-Locrian or half-diminished 2-Bebopb5 §5 B-b6 Aeolian3-Half-diminished #2/Locrian #2#2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.19

dominant function chords-key of D 2-Major pentatonic 3-Bebop dominant A7 1-Mixolydian A7#5 b7 §7Whole tone A7#11 Lydian dominant 1-Aebersold's "Spanish" or "Jewish" A7b9 or A/Bb or F#/Ab2b6 b72-HW diminished/HW octatonich w h w h w h wAltered/dim. whole tone A7alt or Eb/A A7b6 or b9#9#11 b13Aebersold's "Hindu" scaleD- 7/A A7sus 1-Mixolydian1-Phrygian Asusb9 or Bb/A 2-Maj. pent., 2 R.H.voicing 2-Mode 2, minorUse for b6whwhwhwhC#º or C#º7 or or C/DbUse for §6WH diminished (octatonic)sub for A7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.20

D major tonic function chords D 1-Ionian/Major Maj,13-Blues2-Maj. pentatonic 4-Major bebop§5#5 D b6 5-augmented scaleno 4#2b6Harmonic major; Uncommonb6D minor1-Minor-majortonic function chords D- #52-Bebop melodic minor OR Bebop minor no. 2 Key of G Predominant function (II/IV/VI) chords LydianC #4 or D/C IV function§5Lydian augmentedC #5 orC #4#5 or E/CIV function2-Minor pentatonic3-Bebop dorian OR Bebop minor A-7 or C/A II in major1-Dorian 1-Locrian or half-diminishedAØ or AØ7 or Bb/A II in minor modeb3 §33-Half-diminished #2/Locrian #2 E-b6 Aeolian2-Bebopb5 §5 #2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.21

dominant function chords-key of G D7 1-Mixolydian2-Major pentatonic3-Bebop dominantb7 §7 D7#5 Whole tone D7#11 Lydian dominantD7b9 or D/Eb or B/Db2b6 b71-Aebersold's "Spanish" or "Jewish" 2-HW diminished/HW octatonich w h w h w h wD7alt or Ab/DAltered/dim. whole toneb9#11 b13#9 D7b6 or G- 7/DAebersold's "Hindu" scale D7sus 1-Mixolydian 2-Maj. pent., 2R.H.voicing 2-Mode 2, minorDsusb9 or Eb/D1-PhrygianUse for b6whw h WH diminished (octatonic)whwhF#º orF#º7 or or E#/F#Use for §6sub for D7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.22

G major tonic function chords3-Blues 2-Maj. pentatonic G 1-Ionian/Major Maj,1 4-Major bebop§5 5-augmented scale#5no 4#2 G b6 b6Harmonic major; Uncommonb6G minor1-Minor-majortonic function chords G- 2-Bebop melodic minor OR Bebop minor no. 2 Key of C Predominant function (II/IV/VI) chords F #4 or G/F IV functionLydian§5#5Lydian augmentedF #5 or F #4#5 or A/FIV function D-7 or F/D II in major 1-Dorian2-Minor pentatonic 1-Locrian or half-diminishedDØ or DØ7 or Eb/D II in minor mode3-Bebop dorian OR Bebop minor 2-Bebop A-b6 Aeolianb5 §5 b3 §3 #2 (or §2)VI function; not played often.Often use dorian instead,or subsistute V/IICopyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.23 3-Half-diminished #2/Locrian #2

dominant function chords-key of C2-Major pentatonic3-Bebop dominant G7 1-Mixolydianb7 §7 G7#5 Whole tone G7#11 Lydian dominantG7b9 or G/Ab or E/Gb2b6 b71-Aebersold's "Spanish" or "Jewish" 2-HW diminished/HW octatonich w h w h w h wAltered/dim. whole tone G7alt or Db/Gb9#9#11 b13 G7b6 or C- 7/GAebersold's "Hindu" scale G7sus 1-Mixolydian1-Phrygian Gsusb9 or Ab/G 2-Maj. pent., 2 R.H.voicing 2-Mode 2, minorUse for b6whwhwhwhBº or Bº7 or or A#/BUse for §6WH diminished (octatonic)sub for G7Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.24

C major tonic function chords C 1-Ionian/Major Maj,1 3-Blues2-Maj. pentatonic #5§54-Major bebop C b6 5-augmented scale#2no 4b6Harmonic major; Uncommonb6C minor1-Minor-majortonic function chords C- §5 #52-Bebop melodic minor OR Bebop minor no. 2Copyright 2005 by Mark Feezell. All Rights Reserved. Visit www.drfeezell.com for more scores and reference sheets.25

Jazz Chords/Scales Encyclopedia By Mark Feezell - Chord symbols are grouped by function within the keys in a circle-of-4ths (descending 5ths) pattern. - The key of C is listed in its entirety at the end of the encyclopedia. - Remember that in jazz a key may be in ef

Related Documents:

Jazz Piano, ABRSM Publishing: Level 1, Level 2, Level 3, Level 4, Level 5 Jazz Piano from Scratch, Dr. Charles Beale Shelton Berg: Jazz Improv: Goal-Note (Book/Cd), Shelton Berg Bill Boyd: Jazz Keyboard Basics, Bill Boyd An Introduction To Jazz Chord Voicing For Keyboard, Bill Boyd Intermediate Jazz Chord Voicing For Keyboard, Bill Boyd Exploring Traditional Scales And Chords For Jazz Keyboard .

7 ESSENTIAL JAZZ GUITAR SCALES FOR BEGINNERS earning jazz guitar scales can be complicated and often beginners wonder which scales they should learn first. The 7 scales on the chart below are a good place to start. These scales are essential for beginning jazz guitarists and enable you to play over almost any jazz standard.

The following lessons introduce some of the basics of jazz guitar chords. Topics include: 1. Some of the most common chord voicings used 2. Intervals 3. Triads 4. Seventh Chords, Drop 2 and Drop 3 5. Extensions and Sus chords 6. Quartal Chords 7. Freddie Green Style 8. Sample Comping Rhythms 9. Bossa Nova Style 10. Chords with Bass Line

Piano Scale Books Hirschberg Scales and Chords Are Fun: Bk. 1 (Major), Bk. 2 (Minor). Schaum, Scales and Pieces in All Keys: Bk. 1, Bk. 2. Palmer, Manus, Lethco: Scales, Chords-1st Book Palmer, Manus, Lethco: Complete Book of Scales Ada Richter: Know Your Scales and Arpeggios The Brown Scale Book Franz Schulz: Scales and Chords in all Keys

Master the chords used in jazz. This chord dictionary includes over a hundred jazz chord forms, from basic 7th chords with all standard tension substitutions and alterations to guide tone chords to triads over bass notes. It is organized to reveal relationships between different types of chords

Basic Jazz Guitar Chords p. 9 . More Advanced Jazz Guitar Chords p. 10 . More Useful Guitar Stuff p. 11 . Learn and Master Guitar Review . Here is the guitar chord chart for bar chords. Learning bar chords can be a frustrating experience, your fingers seem to have the wrong shape in the beginning .

Scales, Arpeggios and Broken Chords for Piano Dion Kara 12 Strings Music School Images: 12 Strings (top); healingdream (bottom) / FreeDigitalPhotos.net. Major Scales C Major scale C Major arpeggio C Major broken chords . G Major scale G Major arpeggio G Major broken chords . D Major scale D Major arpeggio D Major broken chords .File Size: 1MBPage Count: 46

Anatomi dan Histologi Ginjal Iguana Hijau (Iguana iguana) Setelah Pemberian Pakan Bayam Merah (Amaranthus tricolor L.). Di bawah bimbingan DWI KESUMA SARI dan FIKA YULIZA PURBA. Bayam merah merupakan tumbuhan yang mengandung beberapa zat gizi antara lain protein, lemak, karbohidrat, kalium, zat besi, dan vitamin. Di sisi lain, bayam merah juga memiliki kandungan oksalat dan purin yang bersifat .