Lessons From The First Series English Hub School Networks .

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AQARealising potentialGCSEEnglish LiteratureEnglish Hub School networks, Autumn 2017Lessons from the first seriesPublished: October 2017Nun- cc nfiden ha I

AQA Education (AQA) is a registered charity (number 1073336) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is AOA, Devas Street, Manchester MIS 6EX.2 of 44

ContentsContentsPageSession slides4Poetry: unseen and comparison22Focus on A03: context34Text choices40ADA Eduraton (ADA) is a registered char:y (r.umber 2073336) and a company limited by guarantee rejistered inEn!and and Wales (number 3644723). Our r&stered address is ADA. Devas Street. Marthester MiS 6EX.3 ci 64

Session slidesAOA Education (AOA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wa’es (number 3644723). Our registered address is AOA, Devas Street, Manchester MiS 6EX.4 of 44

AQAGCSE EngLish LiteratureLessons from the first series (June 2017)Autumn 2017-SrZLZAtjr,flAgenda IntroductionsPoetry: unseen and comparisonFocus on A03: contextText choicesAQA

Poetry: unseen and comparisonP UNCAUdJThnOWMfllWAQAWhat makes a good unseen response?The best responses are: genuinely personal engaged with the poem’s ideas on some level supported by an awareness of how and why the poet’stechniques have an effect on the reader.4ACAA]tt.’’”rnAAQA

Question 27.1Question 27.1 has essentially two elements: the writers methods —AOl (ie understanding!explaining/exploring the poem’s ideas the treatment of ideas/theme A02 (how.?).—Ccpytt ACA.,,d,,.II.,,,,n A: ,.ti t*r’,.dQuestion 27.1AOl and A02 should not be thought of as separate, butrather students should aim to integrate them.Talking pointIdentify the single biggest difficulty for students inintegrating these elements.What are your preferred teaching methods for thisquestion?ADA‘“‘‘‘AQA

Question 27.1Always link writing about technique to writing abouteffect.Talking pointLook at the poem ‘Autumn’ from this year’s paper With theperson next to you, find and discuss three elements of thepoem that could be useful in this regard.7trctAQAQuestion 27.1Technique and method are perhaps better seen as toolsfor students to use which can support their own thinkingabout the poem.Students must try to engage with the poet and N.,.cAQA

Planning for Question 27.1Your teaching of anthology poetry is an obvious place tostart when it comes to preparing for the Unseen section ofthe paper.P[anning for Question 27.1 (contd.)If you give students a simple framework and ask them towrite down examples and then comment on their effects,you are empowering students straight away to makedecisions and trust their own judgement.AQAC

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Responding to 27.2See the mark scheme extract.Students are being judged solely on their comparison ofthe writers’ use of language and the effects of thosemethods on the reader.Cj,;M AQAA::lQht.,.nResponding to 27.2See the question wording.‘What are the similarities and/or differences between theways the poets present these attitudes?’The words in bold above are the focus for thisquestion.IICopr:W,I C ACA “dflAQA

Teaching ways of responding to 27.2This question is also ‘only’ worth a maximum 8 marks, butthis can still make a huge difference to both an individualstudents, and your centre’s, results.So.-Is-tLoacI,CC-c i‘AQATeaching ways of responding to 27.2The ideal is for students to have a very efficient way ofanswering this question so they must know exactly what isrequired of them.Talking pointHow else you could help students prepare for this task?/-QClBClwlttA4. I EI.[-,B,lAIlil,dAQAC1.A,

Focus on A03: contextcm “0*M’t’n’AQAWhat is ‘context’?What do you understand by the term ‘context in terms ofthis exam?aLeAQA

What is ‘context’?Discuss what you understand by the term ‘context’ in termsof this exam.What is ‘context’?We can say that there are two main ways in whichstudents can deal with context in the exam.The best answers integrate both.AQA

v4 cadWhat is ‘context’?Two main ways students can deal with context:1) Specific knowledge which students have acquiredthroughout their course, usually taught by/exppred withteachers. Example would be eg the class system and theconflict between capitalism and socialism in the first half ofthe C20 for ‘An Inspector Calls’.2) Students’ direct response to the context implicit in thequestion they are answering eg ‘How far does Priestleypresent Mrs Birling as an unlikeable character?’AQASome exampLesSee the three short examples in your handout.Talking pointDiscuss what levels you would give to these threeresponses.22C AQA sd ‘‘‘ ,,ntAQA

ContextWhat were the strengths and weaknesses of each?How would you advise the students who produced each ofthese responses on how to improve?2]Crr!]h:AQAAI !Qh!.,.,!IAQAContextWhat did you do to prepare students? How and what mightyou change for this year?C,ryhtAQA

Text choices—a—-AQAYour text choicesWhat were the reasons you chose the texts you did?For many it will simply be what was in the store cupboard.The most frequently-chosen texts were: Macbeth and Romeo and Juliet A Christmas Carol and Dr Jekyll for Paper 1 An Inspector Calls, Lord of the Flies and Animal Farmfor Paper 2.AQA

June 2017 Feedback coursesGCSE English Literature: Feedback on the examinationsLocationDateNewcastle Upon tyne 20 November 2017Manchester21 November 2017Guildford22 November 2017Online22 November 2017Birmingham24 November 2017Oxford24 November2017Liverpool30 November 2017Online04 December 2017London08 December2017Manchester08 December 2047C ,p,rli,IA tAQAAllA All *11 orAdJune 2017 Feedback coursesGCSE English Language: Feedback on the ine16182023312021222222October2017Oclober 2017October 2017October 2017October2017November 2017November 2017November 2017November 2017November 2017CAyll2ht AQA rId d,l:IrtAlI All ht, lliA.lA AQAC

June 2017 Feedback coursesGCSE English Language: Feedback on the examinationsLocationDateSouthampton23 November 2017Oxford27 November 2017Guildford29 November 2017Newcastle upon Tyne 29 November 2017Bristol30 November2017Online30 November 2017Manchester06 December 2017Online08 December 2017London11 December 2017CpyhtA,ht,,cY,dAQAAQAThank youCr,N ACA.,,I,,Ai

Poetry: unseen and comparisonADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA. Oevas Street. Manchester MIS 6EX.22 of 44

What makes a good unseen response?The best responses are: genuinely personal engaged on some level with the poem’s ideas supported by an awareness of how and why the poet’s techniques have an effect on the reader.If you are disappointed with the marks some of your students received for this section, it may beworth getting a few scripts back across a range of marks to look at them as a department. Yourschool examinations officer will help you with this, and tell you the fees.Visit: resultsADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA, Devas Street, Manchester MiS 6EX.23 of 44

Question 27.1In briefQuestion 27.1 has essentially two elements: the writer’s methods AO1:how? the treatment of ideas/theme A02: eg understanding/explaining/exploring the poem’s ideas.These two elements should not be thought of as separate, but rather students should aim tointegrate them.Tips for studentsIt is probably better to work from the text outwards, in other words, don’t decide what the poem isabout and try to make the words ‘fit’ this interpretation.Instead, look at the poet’s word choices and using knowledge of poetic methods, and see whatthese suggest to you.Talking point IIdentify the single biggest difficulty for students in integrating AOl and A02.Discuss your preferred teaching methods for this question.Always link writing about technique to writing about effect.For example:‘The writer uses enjambment all the way through the poem’The above is level 1-2, but the below is towards level 3-4.‘The writer uses enjambment throughout the poem, for example, ‘covering his tracks/Witha deep multitude.’, to suggest the confusion caused by Autumn’ADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wale5 (number 3644723). Our registered address s ADA, Oevas Street, Manchester MiS 6EX.24 of 44

NotesAQA Educaticn (AQA) is a regEstered charity (number 1073336) ara a ccrnpany I,mted by guarantee reg:scered inEngland and Wales (number 36/4723). Our registered address is AQA, Devas Street. Manchester MiS 6EX.23 of 4

Question 27.1 cant.This example is reproduced from June 2017’s Paper 2. Find full past papers and support materialsin our secure logged in area. Visit aga.org.uk/log-in and navigate to Secure Key Materials (5KM).Section C: Unseen poetryAnswer both questions in this sectionAutumn51015Autumn arrivesLike an experienced robberGrabbing the green stuffThen cunningly covering his tracksWith a deep multitude01 colourful distractions.And the wind,The wind is his accomplicePutting an air of chaosInto the careful diversionsSo branches shakeAnd dead leaves are suddenly blownIn the faces of inquisitive strangers.The theft chills the world,Changes the temper of the earthTill the normally placid skyGlows red with a quiet rage.Alan Boldri I7In ‘Autumn’, how does the poet present the effects of the season of autumn?[24 marks]Talking point 2With the person next to you, find and discuss three elements of the poem that could be useful inthis regard.ADA Educatcon (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA, Oevas Street, Manchester M15 60K.26 of 44

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Question 27.1 cont.Some students are obviously given a checklist of techniques and methods to look for.Examples include (but aren’t limited to): imagery verse/ form and length alliterationrhymeetc, maybe with a mnemonic thrown in.This is not necessarily a bad idea in itself, but it can be very limiting and actually unhelpful ifstudents start with this ‘list’ and see the poem as essentially a technique-spotting exercise.Such responses tend to be mechanistic often determined to make things fit a pattern when theydon’t and limited in the range and quality of interpretation. Technique and method are perhapsbetter seen as tools for students to use which can support their own thinking about the poem.Students must try to engage with the poet and his/her ideas.——Using the anthoLogyYour teaching of anthology poetry is anobvious place to start when it comes topreparing for the ‘unseen’ section of the paper.The nature of the two clusters means that it iseasy to find two poems which share a commontheme, but differ widely in their forms andapproaches.It can give students great confidence to startyour Anthology teaching by presenting themwith, for example, Follower or WarPhotographer and simply asking them whatthey think about it.The more experience studentshave of: a wide range of.poemsmaking their own.judgernentssupporting udgemehts withevidence.the better they will perform.If you then give them a simple framework (eg interesting word choices, figurative language, form,another technique) and ask them to write down examples and then comment on their effects. Bydoing this you will be empowering students straight away to make decisions and trust their ownjudgement.It’s also very revealing if you then ask students to read some or all of the other poems in thecollection just once and ask them to pick one which looks like it might be a good comparison. Theyoften make startlingly sensible and interesting choices.Talking point 3Which poems would you choose from your cluster as these starter-poems and why?ADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723) Our registered address is ADA. Devas Street. Manchester MiS 6EX.28 cr44

Post and Present poetry anthologyPoems from Past and Present poetry anthology are listed below.Schools are supplied with anthologies, but electronic copies are also available on the English eLibrary. See aga.org.uklelibrarvLove and relationshipsArmitage, SimonBarrett Browning, ElizabethBrowning, RobertByron, LordCausley, CharlesDay Lewis, CDooley, MauraDuffy, Carol AnnHardy, ThomasHeaney, SeamusMew, CharlotteNagra, DaIjitSheers, OwenShelley, Percy ByssheWaterhouse, AndrewMother, any distanceSonnet 29 ‘I think of thee!’Porphyria’s LoverWhen We Two PartedEden RockWalking AwayLetters From YorkshireBefore You Were MineNeutral TonesFollowerThe Farmer’s BrideSingh Song!Winter SwansLove’s PhilosophyClimbing My Grandfather-Power and conflictAgard, JohnArmitage, SimonBlake, WilliamBrowning, RobertBysshe Shelley, PercyDharker, imtiazDuffy, Carol AnnGarland, BeatriceHeaney, SeamusHughes, TedOwen, WilfredRumens, CarolTennyson, Alfred LordWeir, JaneWordsworth, WilliamADA Edu:ation (4114)5 a reg;stered charity (number 1073334) and aChecking Out Me HistoryRemainsLondonMy Last DuchessOzymandiasTissueWar PhotographerKamikazeStorm on the IslandBayonet ChargeExposureThe émigreeThe Charge of the Light BrigadePoppiesThe Prelude: stealing the boatcompany Iirn:ted by garantee regstered inEnand and Wales (number 3&44723). Our regstered address is ADA, Oavas Street. Manchester M15 6EX29 of 44

NotesADA Education (ADA) is a registered charity (number 1073336) and a company imited by guarantee registered inEng’and and Wales (number 3644723). Our registered address is ADA, Devas Street. Manchester MiS 6EX.30 of 44

Question 27.2These extracts are from the June 2017 series. Visit aga.org.uk/log-in to access.TodayIf ever there were a spring day so perfect,so uplifted by a warm intermittent breezethat it made you want to throwopen all the windows in the house5and unlatch the door to the canary’s cage,indeed, rip the little door from its jamb,a day when the cool brick pathsand the garden bursting with peonies”10seemed so etched in sunlightthat you felt like takinga hammer to the glass paperweighton the living room end table,releasing the inhabitantsfrom their snow-covered cottage15so they could walk out,holding hands and squintinginto this larger dome of blue and white,well, today is just that kind of day.Billy Collins*jamb the sides of a doorway or openingpeonies flowers—**—27.In both ‘Today’ and ‘Autumn’ the speakers describe attitudes towards theseasons.What are the similarities and/or differences between the ways the poets presentthese attitudes?[8 marks]ADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA, Oevas Street, Manchester MiS 6EX.31 of 46

Question 27.2 cont.Talking point 4What are the keywords in this mark scheme?MarkAOLevel 47—8marksA02Level 35—6marksA02TypicaL features of response .Level 23—4mar kLevel I1—2marks0 marks A02 A02 Exploratory comparison of wrIters’ use of language, structure andform with subject terminology used judiciouslyConvincing comparison of effects of writers’ methods on readerThoughtful comparison of writers’ use of [pyge and/or structureand/or form with subject terminology used effectively to supportconsideration ofComparative examination of effects of writers’ methods on readerRelevant comparison of writers’ use of language and/or structureñd/or form with some relevant use of subjdirminpjogy.Some comparison of effects of writers’ methods on readerSome links between writers’ use of language or structure or formSome links between effects of writers’ methods on readerNothing worthy of credit/nothing writtenThe obvious thing to notice is that there is only one AO, and in every level there is a word whichimplies the need for students to compare. In no other part of the exam is this so explicit, so it isvital that students do it.Writers’ use of languageThe other potential difficulty in this question is that students are being judged solely on theirresponse to ‘writers’ use of language’ and the effects of those methods on the reader.Look at the question from this year’s paper on the previous page.In both ‘Today’ and ‘Autumn’ the speakers describe attitudes towards theseasons.What are the similarities and/or differences between the ways the poets present theseattitudes?The words in bold above are the focus of this question.—We found some students wrote about attitudes and not methods here, and so received verylittle, if any, credit for this.ADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester MiS 6EX.32 of 44

Question 27.2 cont.By this point in the exam, students are generally quite tired and maybe not at their best.This question is only worth a maximum 8 marks, but this can still make a huge difference to bothan individual student’s, and your centre’s, results.Tips for studentsIdeally, students: have a very efficient way of approaching this question to identify exactly what is required ofthem do not have to outline the ideas/attitudes in one or both poems (which is a waste of time). do not feel the need to write more than a side will find methods and effects from both poems and compare them have the annotation skills to find and organise useful things to say.Ta(king point 5Discuss how else you could help students prepare for this task.NotesLOa ‘.e lh1CtCAjQCJc)ADA Educatizn (ACA) is a registered charity (nmLer a073336) and a company Iirnite by guarantee regstered inEnoand and W&es (number 36L4723). Our rqistered address is ADA, Devas Street. Man:hester M15 6EX.!33 of 44J

Focus on A03: contextAQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester MiS 6EX.34 of 44

Focus on A03: contextWhat do you understand by ‘context’ in terms of this exam?The two main ways students approach context are: via specific knowledge acquired throughout the course, usually taught by andexplored with teachers. For example, ‘the class system and the conflict betweencapitalism and socialism in the first half of the C20’ in An Inspector Calls. via direct response to the context implicit in the question. For example, ‘How fardoes Priestley present Mrs Birling as an unlikeable character?’The best answers integrate these two approaches.Student examples of context‘The old generation eg Mr Birling and Mrs Birling do not care that Eva Smith died.’—cicidU.cntt (uu.LOO@‘When Mr Biding congratulates Edna the maid on her cooking Mrs Birling reacts displeased. Wesee here Mrs Birling is a character who does not believe people of a lower class should berespected. She does not value their work.’‘Mrs Birling repeatedly shows no sympathy for Eva Smith. This echoes her social class becauseshe as a higher class woman was not expected to feel sympathy for a lower class person. Thishowever contrasts with the charity that Mrs Birling runs for women in need. Therefore the audiencecan think that Mrs Birling is not running the charity for the good of lower class women but to earnsocial respect and show off her status.’tc.)-Qra3--k\sz atAQA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3646723). Our registered address is ADA, Devas Street, Manchester M15 6EX.Q4OYQ7)ciç ULCLCLu (\35 of 44

The above extracts are indicative of levels 1, 3 and 5 respectively. The summer 2017 seriesshowed most centres had got to grips with ‘context’ for the purposes of the exam.Would you prepare differently?Talking point 6What levels would you have given to the three extracts above?What strengths and weaknesses are shown and how would you advise students to improve?Reproduced below are pages 9-11 from the June 2017 mark scheme for Paper 2. The full versioncan be found on the Secure Key Materials section of eAQA. Navigate to aga.org.uk/log-inMarkAOTypical featuresHow to arrive at a markLevel 6AOlCritical, exploratory,conceptualisedresponse to task andwhole textAt the top of the level, a candidate’s response islikely to be a critical, exploratory, well-structuredargument. It takes a conceptualised approach tothe full task supported by a range of judiciousreferences. There will be a fine-grained andinsightful analysis of language and form andstructure supported by judicious use of subjectterminology. Convincing exploration of one ormore ideas! perspectives! contextual s andexploration26—30marksJudicious use of precisereferences to supportinterpretation(s)A02A03Level 02Analysis of writer’smethods with subjectterminology usedjudiciouslyExploration of effects ofwriter’s methods onreaderExploration of ideas!perspectivesl contextualfactors shown byspecific, detailed linksbetween context! text!taskThoughtful, developedresponse to task andwhole textApt referencesintegrated intointerpretation(s)Examination of writer’smethods with subjectterminology usedeffectively to supportconsideration ofmethodsAt the bottom of the level, a candidate will haveLevel 5 and be starting to demonstrate elementsof exploratory thought and/or anaTysis of writer’smethods and /or contexts.At the top of the level, a candidate’s response islikely to be thoughtful, detailed and developed. Ittakes a considered approach to the full task withreferences integrated into interpretation; there willbe a detailed examination of the effects oflanguage and/or structure and/or form supportedby apt use of subject terminology. Examination ofideas/ perspectives! contextual factors, possiblyincluding alternative interpretations/ deepermeanings.At the bottom of the level, a candidate will haveLevel 4 and be starting to demonstrate elementsExamination of effects of of thoughtful consideration and/or examination ofwriter’s methods onwriter’s methods and/or contexts.readerADA Education (ADA) is a registered charity (number 1073336) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA, Oevas Street, Manchester MiS 6EX.36 of 66

Level 4A03Thoughtful considerationof ideas/ perspectives/contextual factorsshown by examinationof detailed links betweencontext/text/taskAOlClear, explainedresponse to task andwhole textClear understanding16—20marks:A02:.Level 3Explained,structuredcomments11—15marksEffective use ofreferences to supportexplanationClear explanation ofwriter’s methods withappropriate use ofrelevant subjectterminologyUnderstanding ofeffects of writer’smethods on readerA03 Clear understandingof ideas/perspectives/contextual factorsshown by specificlinks betweencontext/text/taskAOl I Some explained! response to task andwhole textA02A03References used tosupport a range ofrelevant commentsExplained/relevantcomments on writer’smethods with somerelevant use ofsubject terminologyAt the top of the level, a candidates response islikely to be clear, sustained and consistent. Ittakes a focused response to the full task whichdemonstrates clear understanding. It uses arange of references effectively to illustrate andjustify explanation; there will be clear explanationof the effects of a range of writer’s methodssupported by appropriate use of subjectterminology. Clear understanding ofideas/perspectives/contextual factors.At the bottom of the level, a candidate will haveLevel 3 and be starting to demonstrate elementsof understanding and/or explanation of writer’smethods and/or contexts.At the top of the level, a candidate’s response islikely to be explanatory in parts. It focuses on thefull task with a range of points exemplified byrelevant references from the text; there will beidentification of effects of a range of writer’smethods supported by some relevant terminology.Explanation of some relevant contextual factors.At the bottom of the level, a candidate will haveLevel 2 and be starting to explain and/or makerelevant comments on writer’s methods and/orcontexts.Identification of effectsof writer’s methods onreaderSome understandingof implicit ideas/perspectives/contextuaI factors shown bylinks betweencontext/text/taskADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngLand and Wales (number 3644723). Our registered address is ADA, Devas Street, Manchester MIS 6EX.37 ci 44

Level 2AOlSupported,relevantcomments6—10 marksSupported response totask and textAt the top of the level, a candidate’s responseis likely to be relevant and supported by someexplanation. It will include some focus on the taskwith relevant comments and some supportingreferences from the text. There will beidentification of effects of deliberate choicesmade by writer with some reference to subjectterminology. Awareness of some contextualfactors.Comments onreferencesA02Identification of writers’methodsSome reference tosubject terminologyLevel 1A03Some awareness ofimplicitideas/contextual factorsAOlSimple commentsrelevant to task andtextSimple,explicitcommentsAt the top of the level, a candidate’s responseis likely to be narrative and/or descriptive inapproach. It may include awareness of the taskand provide appropriate reference to text; therewill be simple identification of method withpossible reference to subject terminology. Simplecomments/responses to context, usually explicit.Reference to relevantdetails1—5 marksA02A030 marksAwareness of writermaking deliberatechoicesAt the bottom of the level, a candidate’sresponse will have Level 1 and be starting tofocus on the task and/or starting to showawareness of the writer making choices and/orawareness of contexts.—At the bottom of the level, a candidate’sresponse will show some familiarity with the text.Possible reference tosubject terminologySimple comment onexplicitideas/contextual factorsNothing worthy of credit/nothing written604 Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is AQA, Oevas Street, Manchester MIS 6EX.38 ci 44

NotesAQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Cur reg]stered address is AQA, Oevas Street, Manchester MiS 6EX.39 ci 44

Text choicesADA Education (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA, Devas Street, Manchester MiS 6EX.60 ci 44

Text choicesWhy did you choose the texts you did? For many it will simply be what was in the store cupboard.All texts were attempted in the summer 2617 series, but these were the most frequently-chosenones.Paper 1Paper 2MacbethAn Inspector CallsRomeo and JulietLord of the FliesA Christmas CarolAnimal FarmThe Strange Case of Dr Jekyll and Mr HydeTalking point 7Some work in departments where text choices and decisions about content are made hierarchicallywith little discussion. There are strengths and weaknesses of this top-down approach; whichapproach do you believe to be most effective and why?Are you allowed to make individual decisions about these issues?Talking point SQuality or availability of teaching and learning resources can impact text choices. Can yourecommend a go-to source or a particular place for a specific text? Networking communities on theTES, Twitter (#TeamEnglish or #EngChat) or Mumsnet can be just as valuable.Use the notes page overleaf to note down new resources or communities to investigate.ADA Educehon (ADA) is a registered charity (number 1073334) and a company limited by guarantee registered inEngland and Wales (number 3644723). Our registered address is ADA. Oevas Street, Manchester M15 ÔEX.41 of 44

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Contact usT: 0161 953 7504E: english-gcse aqa.org.ukaqa .org uk/english.ckriG \efth:cxL’These free networking sessions feature extracts of scripts and student responses.Access a greater number of full—Length student responses with depthcommentaries at a Feedback on the examinations course.aqa.org.uk/Iit-feedback.ADA Education (ADA) is a registered charity (number 1073336) and a company limited by guarantee registered inEngland and Wales (number 3664723). Our registered address is ADA, Devas Street, Manchester M15 6EX.44 of 44 page

AQA Educaticn (AQA) is a regEstered charity (number 1073336) ara a ccrnpany I,mted by guarantee reg:scered in 23 of 4 England and Wales (number 36/4723). Our registered address i

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Le genou de Lucy. Odile Jacob. 1999. Coppens Y. Pré-textes. L’homme préhistorique en morceaux. Eds Odile Jacob. 2011. Costentin J., Delaveau P. Café, thé, chocolat, les bons effets sur le cerveau et pour le corps. Editions Odile Jacob. 2010. Crawford M., Marsh D. The driving force : food in human evolution and the future.

Le genou de Lucy. Odile Jacob. 1999. Coppens Y. Pré-textes. L’homme préhistorique en morceaux. Eds Odile Jacob. 2011. Costentin J., Delaveau P. Café, thé, chocolat, les bons effets sur le cerveau et pour le corps. Editions Odile Jacob. 2010. 3 Crawford M., Marsh D. The driving force : food in human evolution and the future.