GUIDE TO THE FRANK CHIN PAPERS 1940-2001
University of California, Santa BarbaraDavidson LibraryDepartment of Special CollectionsCalifornia Ethnic and Multicultural ArchivesGUIDE TO THEFRANK CHIN PAPERS1940-2001Collection Number: Wyles, MSS 103.Size Collection: 68 linear feet (120 document boxes; including 1 oversize container; located in Del Norte oversizerack).Acquisition Information: Acquired from Frank Chin, 2003 and 2009Access restrictions: None.Use Restriction: Copyright has not been assigned to the Department of Special Collections, UCSB. All requestsfor permission to publish or quote from manuscripts must be submitted in writing to the Head of SpecialCollections. Permission for publication is given on behalf of the Department of Special Collections as the ownerof the physical items and is not intended to include or imply permission of the copyright holder, which also mustbe obtainedProcessing Information: Collection processed by Michelle Wilder; Alexander Hauschild June 2007; and CallieBowdish and Paola Novo, February and March 2009.Location: Del Sur.M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc1
BIOGRAPHICAL SKETCHFrank Chin is a UCSB graduate (1965) and is widely recognized as the most influential Asian American dramatist andwriter (novels, short stories, essays) in the country. He is one of a handful of top literary figures in Asian Americanliterary and cultural communities, and he is distinguished as being the first Asian American playwright produced in NewYork City. He founded the Asian American Theater Workshop in San Francisco which later evolved into the AsianAmerican Theater Company (AATC). In discussing the value of the papers, Chin remarked, "I hope that my collectionof research, letters and experimental manuscripts will stimulate a more traditional study of Asian American literature,beginning with an introduction to the Asian children's stories shared by China, Korea, and Japan since pre-historic times,and the "vernacular novels" developed to spread Chinese heroic tradition of the Ming, as a conscious expression of themyth of civilization throughout Asia.” “By making my papers available to the public, I hope that my efforts to treatknowledge of Asia and America as equally important will be seen and used.”Born February 25, 1940, Frank Chin describes himself as a fifth generation Chinaman. His great-grandfather helpedbuild the Southern Pacific Railroad and his grandmother was a steward. He worked as a brakeman for the line before hebegan writing. Frank Chin’s work broke new ground in the exploration of Chinese and Chinese American mythology,iconography and cultural misconception. At a time when most writers and scholars were merely examining the way thatChinese Americans experienced stereotypes, Frank Chin was confronting and destroying the perceived foundations fromwhich those stereotypes evolved. In 1975 Frank Chin described his efforts as an activist for Chinese-American identity toStanley Eichelbaum for the San Francisco Examiner, to fight what he described as “anti-yellow, love-em to death andextinction racism”, which he believed was still widely practiced here in the United States. “Not Chink-hating racism buta more subtle form that deprives us of identity and locks up our seven generations of history and culture in America.”Growing up in Oakland California, Chin attended UC Berkeley and UC Santa Barbara and joined the Program inCreative Writing at the University of Iowa. He is both prolific and varied in his output, having produced documentaries,written novels, short stories, comic books, essays, plays and Hollywood scripts, as well as teaching classes in AsianAmerican literature. Chin co-edited one of the marquee Asian American Anthologies entitled Aiiieeeee!, published in1974, and a second volume entitled, The Big Aiiieeeee!, published in 1991. Among Frank Chin’s many contributions toAsian American literature and Asian American literature studies, is his tireless effort to fight against the emasculation ofthe Asian and Asian American male identity. In a letter to Margaret Chew for her term paper for Holy Family Academy,Chin clearly defines his views on his own writing and his views on cultural identity.“My ideas on Asian America aren’t radical. What makes my ideas seem radical isthat they are no longer popular. Whites wiped out the Chinese truth about China. Theradical new idea is the current popular one about Chinese culture being passive,humble, docile, non assertive. That’s all bullshit. In schematic, here’s the old, thetraditional, the classical vision of Chinese America.”Chin believed, and continues to believe, that the cultural identities of the “Confucian” Chinese man or the serene andpeaceful “oriental mind” are externally produced stereotypes, first introduced by white observers as a way to furtherdehumanize that which they could not understand. Because of his efforts, he has been criticized by many scholars asbeing misogynistic or homophobic, claims which Chin has boldly and outspokenly confronted in many of his writings,earning him notoriety and grudging respect. In Gunga Din Highway (1994), Chin articulates a visionary rejection ofcenturies of Chinese emasculation through stereotype, by presenting protagonists who identify with the warrior spirit oflegendary Chinese figures such as Kwan Kung. It is no small sign of his prescience that his ideas are becoming morewidely accepted in the modern American popular culture.SCOPE NOTEThe Frank Chin Papers contain personal and professional materials generated by Chin during the period 1940-2001. Thecollection is divided into four series spanning 112 archival boxes. The bulk of the collection consists of Chin’smanuscripts, including essays, articles, novels, scripts (film and theater) and notes. Also included are severalcorrespondence files relating to Chin’s personal life and professional projects as well as extensive correspondence withother notable contemporary writers (including but not limited to Maxine Hong Kingston, James “Jimmie” Omura, MichiWeglyn, Mei Berssenbrugge). The second largest component of the collection are the subject files, which includesM:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc2
numerous folders relating to specific individuals, historical events and subjects. Altogether, the collection providescritical insight into Chin’s creative, personal and professional life as a contemporary Chinaman author and playwright.(It is important to note that Frank Chin refers to himself as a Chinaman, not a Chinese American, though he was born inAmerica of Chinese decent.)SERIES DESCRIPTIONSeries I: Biographical Information, 1940-1998 (Box 1). This series consists of a wide variety of primary resources,including Chin’s baby book, astrological chart, awards and certificates, articles and interviews. The material in thisseries is arranged chronologically, then alphabetically within years; material with no date (n.d.) is placed at the end of thechronological order.Series II: Correspondence, 1950-2000 (Boxes 2-10). This series is divided into sub series as follows: Incomingcorrespondence by Subject includes family, personal and professional correspondence arranged alphabetically by thename of the subject. These subjects were indicated by Chin or are based on the preponderance of material in each folder.Incoming Correspondence Alpha Series contains correspondence arranged by Chin under alphabetical headings wherethe preponderance of material is not from one writer. Incoming Correspondence, Chronological covers miscellaneouscorrespondence collected from specific periods of time by Frank Chin. This sub series is maintained in its originalformat, (individual folders covering overlapping bulk dates) to reflect that these letters were grouped together by Chin.Outgoing Correspondence includes family, personal and professional correspondence; Dorothea Oppenheimer,author’s representative (incoming & outgoing) contains incoming and outgoing correspondence with DorotheaOppenheimer, Chin’s agent from 1970-1980.Series III: Manuscripts, 1958-1998 (Boxes 10-40). This series is the largest in the collection. Contained herein areessays, short stories, novels, scripts (for film and theater) as well as notes in various forms, including published versionsand early and final drafts. There are two important notes about this series: (1) Frank Chin was in the habit of startingcorrespondence to someone (friend, relative, acquaintance, professional contact, etc.) and then turning thecorrespondence into a writing project (such as a script or an essay) therefore those folders which indicate correspondencein this series actually contain partial correspondence and partial manuscript work in the same document; (2) due to theextensive breadth of Chin’s writing this series has not been sub divided into published and unpublished work for variousreasons (including but not limited to chapter titles changing, printed excerpts of previously unpublished work that hassince been published, titles of articles and essays differing where content is the same or visa versa) and has thereforebeen arranged here in one alphabetical order, arranged chronologically where titles are the same.Series IV: Subject Files, (1899-2000) 1941-2001 (Boxes 41-116). This series is divided into six sub series as follows:Combined Asian American Resources Project contains a considerable number of interview transcripts as well as aproject summary and a few administrative files such as correspondence with and grants to the National Endowment forthe Humanities; Media has been divided into groups based on the type of media or the individual being represented;Omura, James “Jimmie” contains; Weglyn, Michi contains personal and professional correspondence between Chin andWeglyn relating to a particular projects on which either author was working as well as files related to the Day ofRemembrance Tribute to Michi Weglyn (see also sub series World War II , sub group Day of Remembrance); WorldWar II & Japanese Internment in the U.S. has been divided into eight groups based upon available materials (note: thesub group Born in the USA: Japanese America 1889-1947 (formerly Return of the Fair Play Committee) were theoriginal research files for the documentary Return of the Fair Play Committee, a project with which Chin as involveduntil the project was halted at which point Chin used the research to write the book Born in the USA); Miscellanycontains those files whose topics cannot be categorized in the aforementioned groups. All of the sub series and subgroups are arranged alphabetically by title and chronologically within the same dates.Oversize. Oversize boxes are stored in the oversize rack in Del Norte along with other CEMA collections. The Oversizesection consists of one box (119)SeparationsThe following items have been catalogued separately and are available by searching Pegasus:Davis, Clyde, Brion, The Great American Novel, New York, Toronto, Farrar & Rinehart, inc, 1938.M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc3
Mori, Toshio, The Chauvinist and Other stories, introduction by Hisaye Yamamoto, Los Angeles, Asian AmericanStudies Center, University of California, c1979Pacific Citizen, Vol. 83 No. 26; Vol. 85 No. 26; Vol. 87 No. 2007, 2015, 2023-2024; Vol. 88, No. 2025-2026, 2028,2034, 2038, 2040-2042, 2044-2045, 2047-2048; Vol. 89 No. 2065, Vol. 90 No. 2091, 2095-2096, 1976-1980M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc4
CONTAINER LISTSERIES I: BIOGRAPHICAL 89101112131415Lilac Chin (mother), correspondence with Frank and family photographs, 1935-1970Frank Chin’s Baby Book “All About Our Baby,” ca. 1940Report card, Crocker Highlands, Oakland public schools, June 13, 1951James D. Phelan Award in Short Story, 1966Astrological chart, 1968California Association of Teachers of English Award of Merit, 1973Frank Sullivan’s Christmas Greeting, New Yorker, Dec 23, 1974“Charlie Chan’s Nemesis,” S.F. Examiner, Jan 19, 1975“The Evolution of ‘Chickencoop’,” San Francisco Chronicle, May 1, 1975Interview, “I’m Not Chinese. I’m A Chinaman,” City, April 2-15, 1975Chew, Margaret, “Frank Chin: Chinese-American Manhood,” June 1975Speaker of the Quarter photographs, Naval Supply Center, 1976National Endowment of the Arts, Literature Fellowship Recipient Certificate, 1979Turner, Morrie, Soul Corner, 1980“Playwright Chin Supports Kashiwagi’s Charges,” Hokubei Mainichi, March 14, 1989Interview, “I See Asian Culture, Asian Civilization in American Threatened,”The Study of Current English 2, Feb 1994111111161718192021Audio on cassette, Printed versionArticles and reviews about Frank and Gunga Din Highway, 1994Articles regarding Heart Mountain Fair Play Committee project, 1998Photographs of Frank and Kathy Chin, children, and friends, n.d.Photographs of Frank, n.d.Photographs of Frank and others, n.d.SERIES II: 45678910111213141516Incoming correspondence by subjectIncluding AATW and CW Players, 1966-1979Book Printers/ Dealers, 1976Burgess, Jackson ca, 1973Chan, Jeff and Jeff, 1969Chicken coop Chinaman, 1972-1975Chin’s Parents, 1950Chin Family, 1965-1978Chin Family, 1968-1981Chin, Suzanne (Sue) Ex-wife, 1969-1973Chin, Kathleen, 1976-1979Civil Liberties Public Education Fund (CLPEF), Japanese American Red Press, 1998Fisher, 1958-1967Film Stills, 1967 (See also Series III Media Film Stills)Fujimoto, Isao 1970-1972Greenfield Review/ Joe Bruhac, 1973-1974Hattenbach, 1960-19633312-8Hohri, William / Redress, 1979Inada, Lawson (with possible communication from Lawson under alias), 1970-1979M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc5
39333333333101112131415161718Independent TV Documentary on Resistance in Camps. (Includes Photographs of Chin)1995Intersection, (Frank Chin Board Member), 1978Ishii, Amy Uno, 1978-1979Ishii, David ca, 1973-1976Kantor, Michael, at Noon Theatre, 1973- 1979C King Screen Productions, 1969KOED, 1973Kuo, Alexander, 1973-1974Lum, Wing Tek Correspondence. & Poems, 1973-1979Mar, Laureen, 197645444444444444412234567891011121314Mar, Laureen, 1977-1979Masaoka, Mike with Hosokawa, Bill They Call Me Masaoka: An America Saga, 1987NEA, 1974-1976Nee, (de Bary) Victor and Bret, 1971-1973Quo, Beolah 1972- 1974Riisna, Eve, 1971-1975Sakamoto, Misao & Seriguchi, Karen, 1980Scripts ‘Out’, 1975-1978Silko, Leslie, 1974-1978Slemmons, 1962-1972Speaking Invitations, 1975-76Speaking and Reading Engagements, 1975Speaking Engagements, 1975-1978Speaking Engagement Naval Supply Center, 1975Spear, Lilah, 1963- 19765555555551345-67891011-13Taylor, Ward, 1961-71Tanaka, Togo Interview notes, 1976-1977Correspondence with University of California (Berkeley), 1971-1972Correspondence with University of Washington, 1976-1981Wilson, Betty, 1963-1972Wong, Shawn, 1971-1974Wong, Shawn, 1974-1980Yamamoto (de Soto), Hisaye (includes Photographs), 1971-1978Collected subject correspondence, 1971-19796666666666661-2345678910111213Incoming Correspondence, alpha series 1“C”, Personal 1968-1978“E”, 1972-1976“G”, 1961-1978“H”, 1968-1978“H”, 1973-1978“J”, 1965-1975“K”, 1962-1985“N”, 1974-1979“R”, 1964-1979“U”, 1972-1975“W”, 1968-1981“Y-Z”, 1970-19791-35Incoming Correspondence, alpha series 2A-Z“A”- “Z”,7M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc6
112-131415161718-192021Correspondence 1961-1963Correspondence 1965-1966Correspondence 1968-1984Correspondence 1986-1989Correspondence 1995-2000Outgoing“H”, (includes Sierer, Ed) 19681969-19711971-1981 (Including Inada, Lawson poetry prose and photographs)1972-1974 (including Rissna, Ene)1978-1979 (including Wong, Suzi)1980 (including Sakamato, Misao and Karen Seriguchi)19831988 (including Universal Asian Lit. Correspondence,)19921993-1994 (Ishii, David)1997-1998International Examiner, n.d.Regarding writing a book about Japanese Americans, n.d.922-28Oppenheimer, Dorothea, author’s representative (incoming & outgoing)With and concerning Frank, 1961-19721010101-181920With and concerning Frank, 1 of 2, 1980Abominable Snowman, 1968After the Opera, 1975-1977SERIES III: MANUSCRIPTS AND WRITINGSBoxFolderContents1021AIIIEEEEE! 1 of 4, 1974111111111-3456AIIIEEEEE! 2 –4 of 4, 1956, 1961, n.d.AIIIEEEEE! Clips, 1974-1976 (see oversize)AIIIEEEEE! Preface and introduction, 1973-1979 (see oversize)Reviews of AIIIEEEEE! and Yardbird 3, 1974-197612012078-12“The American Death and Chinese Life of Kwan Kung the God of War” (Early Version)“The American Death and Chinese Life of Kwan Kung the God of War” (March 24, 2009)111111789111110-1112-14Asian American Studies III: Alienation and the Asian American, Spring, 1970American More or Less, 1976The American Mountains, “Make All Things News”, Scripts and Research Materials,1968The American Mountains, 1-2 of 2, 1968-1969American Peek A Boo Kabuki, World War II, and Me, A Play in Three Acts, Chin,3 of 3, ca.198512121212123-56American Wilderness, 1968“America’s Concentration Camps”, Willamette Valley Observer, Nov. 17, 1978(see oversize)Archie Moore Project: 1967Architecture, 1966-1967M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc7
121278Asian American Broadcast paper, 1972Becker, Raymond T. (Tiny), 196912129-1112The Big AIIIEEEEE!Master, 1-3 of 3 ca. 1990Original, 1 of 4 ca. 1990131313131313131-3456789Original, 2-4 of 4 ca. 1990Black History and Culture, 1969Black History Operetta, “Our Country Too!” 1969The Boys of Mountainview San Jose, Script, ca. 1992Brakeman, 1966-1969Brakeman, n.d.Budd Boeticher: Westerns, 1960-197013141414141410-111-23456Bulletproof Buddhists and other essaysBulletproof Buddhists and other essays, authors pages, signed, 1-2 of 4, 1998Bulletproof Buddhists and other essays, 3-4 of 4, n.dBunny Hop, 1978Bus to America; pub. San Francisco Fault, 1971 (see oversize)The California Pelican, Vol. 66, Frank Chin editor, Feb-May, 1960Chapple, Stanley, ie Chan on Mauimanuscript, 1973manuscript, 1975I- My Old Man, n.d.II-Twang Slanty’s World War Two, n.d.Ch. 3 Maui, The Valley Isle, n.d.IV-The Daughter of Charlie Chan, n.d.IV, n.d.V- “The Eat and Run Midnight People”, n.d.VI- Longtime Californ’ [sic], n.d.VII- n.d.VIII- Excerpt “Dear, Kids”, 789101112131415161718IX- Moby Tom, n.d.X-The All Oriental Bambi, n.d.XI- To Die in Chinatown, 1973Epilog- Charlie Chan’s Number One Son Remembers, n.d.Ch. 1-6, n.d.Ch. 1-3, nd.Ch. 4 and 5, n.d.Epilog-Charlie Chan’s #1 Son Remembers, 1978“The Eat and Run Midnight People”, n.d.Epilog, Colombia University Writing Division, ca. 1978“Harry Hom speaks: Childhood”, 1974-1975“Harry Hom speaks: GEE, POP!”, 1974“Harry Hom speaks: Longfingers Mama Fu’s Takeout”, 1974-1975Hawaii, n.d.Gee Pop, 6, 1975The Iron Moonhunter, Ch. 10, n.d.Ch. 7 Longtime Californ’ [sic], n.d.161612Raw, 1974-1977Ruby Chow, 1976M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc8
1616161616161693456789Tam goes back to Frisco. 4, 1974-1975Tam Goes Back to Hawaii, n.d.Tam Goes to New York: To do Longfingers on TV, 1974Writing Division, Slanty’s World War II, n.d.Two- Shopping Bags & The Opera, 1975“Charlie Chan Racist”, Intellectual Digest, July 1973“Charlie Chan Remembers”, “Confessions a #1 Son”, Ramparts, March 1973, Vol. No.(see 345678910Script Copy, 197587 pgs. n.d.87 pgs. n.d.128 pgs. n.d.Final Draft, 1972First Draft, stage version, 1972Notes, miscellaneous, 1975-1980CSU Long Beach, photographs including Chin portraits, 1975Reviews, 1972Scenes, n.d.181812American Place Theatre-script, review, handbills, 1972Editions, notes, n.d.1818181818183-456789Pregnant pausePregnant Pause, Seattle, 1-2 of 2, 1972Pregnant Pause, n.d.Pregnant Pause, copy #3, Asian American Studies, University of Washington, n.d.The Chickencoop Chinaman was an Education, n.dThe Children’s Television Workshop, n.d.Chilean politics, The Political Parties of Chile, n.d.18181818181011121314Chinaman’s Chance“Chinaman” n.d.Chinese American Theatre, unpublished chapter, ca. 1981Chinaman’s Chance, 1978Chinaman’s Chance, n.d.Chinaman’s Chance, ca. 171819-201Chinaman’s Chance, n.d.A Portrait of Changing Chinese-America, 1971Chinks and the CACA, East West, 1970 (see oversize)Pacific & Frisco, n.d.Pacific & Frisco R.R. CO, n.d.Chinatown Mortuary, first draft, 1976Chinatown Rooms, n.d.“Chinese American Literature”, old draft from The Big AIIIEEEEE, 1 of 4, n.d.Chinese American Theatre, 1976Chinese Family/GEE POP! 1-2 of 2, n.d.A Chinese Lady Dies, coversheet, n.d.The Chickencoop ChinamanAmerican Place Theater, San Francisco, 1972Reviews, New York Open, 1972American Place Theatre, news, vol. IV no.4, includes an article by Frank Chin, 1972American Place Theatre, article “The Theatre Off Broadway” The New Yorker, June1972M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc9
19Uncorrected first draft to A Chinese Lady Dies, 1964-1967Columbia River film proposal, n.d.The Comic, n.d.The Comic/The Cosquillas Ride, includes correspondence, ca. 1981Coming Home to The Sixties, n.d.“Confessions of the Chinatown Cowboy”, “Bulletin of Concerned Asian Scholars”, SpecialIssue: Asian American, Vol. 4 no.3, includes draft, Fall 1972“Confessions of the Chinatown Cowboy”, n.d.Confessions of the Chinatown Cowboy, photocopies, n.d.“Confessions of a # 1 Son”, content page, n.d.“Confessions of a # 1 Son”, n.d.“Confessions of a # 1 Son”, Ramparts magazine, March 1973“Construct a Script Contest” by Chin, Correspondence to Gerry Gawne, n.d.211-2The Cosquillas, cience and ConstitutionProject description, ca. 1996Fair Play Committee, Civil Liberties Education Fund, correspondence, 1993-1998,(See oversize)Progress report, Fall 1997Impressions, 1998Script, May 15, 1998 (Floppy Disk, reproduction available on request)Fair Play Committee, A Story of Japanese American Script, Civil Liberties EducationFund, 19981998Website, 1998June 10, 2000Complete script, n.d.Incomplete draft, n.d.22222222222222221-23456789Incomplete draft, n.d.Days of Remembrance, n.dDear Lo Fan Fangwai Whitney Honey Babe, 1970The Death and Life of James Earl Deaver, 1969Deaver, James Earl, n.d.Decision Series, 1969Deserter, 1969“A Dime For Your Time”, Redress, 23231112-1617-19N.d.Original manuscript pages, Ch. 15-19, n.d.Ch. III, Fall 1972Ch. 11, n.d.Ch. 12, inc., n.d.Ch. 14, n.d.Ch. 17, incomplete, n.d.Miscellaneous original manuscript pagesPages 255-280, n.d.N.d.Donald Duk, Original Manuscript pages, n.d.M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc10
112-131415251625251718“Don’t Pen Us Up in Chinatown”, New York TimesOctober 1972November 1972Dragon Diary, 1983“Dragon Ran on Tennis Shoes”, Chin, n. d.“The Eat and Run Midnight People”, ca. 1980-1990El ChinoAshland, Lizard City, 1977Ashland, Raw, 1976-1977Ashland Story, 1977A Chinatown movie about me as a western movie, Aug. 7, 1976Death in Disneyland, n.d.Dog Biscuit, Charlie Chan Jr. 1976Mama Fufu, 1973-1974Raw, 1974Ashland, Lizard City, The Forging of Weapons (original manuscript pages), 1977Early Writings, Chin’s First Stories, correspondence with Dorothea OppenheimerAuthor’s Representative, (1958-1959), ca. 1984Come For Summer, n.d.Correspondence, 1984A Death Somewhere, n.d.Enough of that Noise, n.d.Grey Floor, n.d. Makes Things Grow, n.d.Play the Label, n.d.Shrine of Burnt Punks, n.d.The Endless War, n.d.Farewell to Manzanar, 1976Film Criticism, 1968-1969Food For All His Dead, James D. Phelan Awards in literature and art, 1966Food For All His Dead, 1967For Better Americans in a Greater America, n.d.Fred, 1977Gee Pop, Charlie Chan on Maui, The Greasy Chop Suey, n.d.“Goong Hai Fot Choy”, from A Chinese Lady Dies, from 19 Necromancers From Now,1970Harry Hom Raw, 1976Harry Hom Speaks, Annie Moy, 1975-1976Have You Seen Liberation? 1973The Heroes of K2, 36 Factory Workers Bubblegum Cards, K2 Corporation, 1971The History of Japanese American in Literature, n.d.Home Games, a documentary novel, signed September 7, 1997Honey Bucket handbill, Director Frank Chin, signed by company, 1976The Horse, n.d.How to Watch a Chinese Movie with the Right “I”, n.d.I Am Talking to the Strategist, Sun Tzu about Life When the Subject of War Comes Up,signed, April 21, 1997If Anything Happens to Me Put a Copy of This Review in a Plain White Envelope andSend it to the Cops, review of Fires of the Dragon, ca. 1992Infinite Energy, 1968-1969“In Praise of Famous Men”, James Matsumoto Omura, 1912-1994M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc11
2519“In Search of the Asian Northwest,” Asian Northwest Weekly, 19782526262626201-45-91011The Iron MoonhunterThe Iron Moonhunter, n.d.manuscript, 1975Charlie Chan on Maui, Ch. 8-12, n.d.Kids, 1976Columbia University, Writing Division, Shopping Bags, ca. 82828567891011121314151617Jean Carey Bond, 1975-1977Just Plain Lars, Ch. 2, Tuning the Guitar, n.d.Kantor, Michael, photographs/written material, 1975-1976The Kid Inside the Dragon: An Art and a Reality of Chinese-America, film script byWilliam Wong and Chin, 1971“King Pu is Unfair to Chinese”, Chin, New York Times, March 24, 1974Kwan Kung, 1975-1976Laguna Pueblo Film Project, the script, 1980No Place Like Home Land Reform in Vietnam: Prosterman, n.d.The Last Organized Resistance, Rafu Shimpo supplement Xerox, 12/1981Lone Ranger, n.d.Lorenzo Milam, manuscript pages, n.d.Me and Freddy at the Festival, The Sky River Rock Festival, Chin, ca. 1980-1990The Midnight Culture/ “My Friend the Pornographer”, n.d.Mom’s in Paraguay, 1978The Most Popular Book in China, ca. 1980-1990Mustangs, n.d.My Dad, n.d.2929291-345My Name is Donald Duk, I Am Not a Cartoon, n.d.The Nisei Sociological View of the Nisei, n.d.Number One Son’s Last Chance, n.d.“Is Japanese America Ignorant of its History?”Rafu Shimpo, F, Chin, January 27, 1983James Omura, Nisei Newsmandrafts, July 1997drafts, n.d.JAL (Japanese Air Lines) 1969Japanese America: Contemporary Perspectives on InternmentJapanese America: Contemporary Perspectives on Internment, draft of book, 1980Japanese Americans II: Writings on the Relocation Internment Day ofRemembrance, 1978-1979Original Manuscript Pages, Correspondence and Oofty GooftyOriginal Manuscript Pages, Correspondence and Oofty Goofty, 1979Correspondence, El Chino and Oofty Goofty, 1974-19781975-1976Original Manuscript Pages, Correspondence and Oofty Goofty, 1976-1977Correspondence and Manuscript Originals, 1978-1979Miscellaneous, Manuscript pages and Correspondence, 1976-1980Outgoing correspondence, miscellaneous manuscript pages, 1976-1978Miscellaneous original manuscript pages, includes correspondence, 1976-1977Miscellaneous Manuscript pages and correspondence, 1974-1975M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc12
292929292929296789101112NotesBetaville, Chin Progress, 1968Thomas Mann, Death in Venice, Literary Notes, n.d.Lin Chong and the Rescue at Wild Bear Forest, Episode 1, n.d.“The House that Tai Ming Built”, August 23,1970Literary Notes, 1967Literature Notes, 1975-1977No-No Boy, 195729291314-15The Only Real Daydraft, 1960draft, n.d.2929292916171819Oofty GooftyDavid Ishii, copy, 1980-1981Original, 1980-1981Outs, David Ishi, 1980-1981Rough draft, 1011-121314San Francisco State University, School of Ethic Studies, n.d.Partial, n.d.Miscellaneous manuscript pages, n.d.drafts and notes, (1974),1980drafts and notes, n.d.The Happa Boy, n.d.Opera-Shopping Bags, 1976Our Life is War, n.d.323232323212345The Proof of Loyalty, n.d.Questionnaires, 1968Race & Film, 1970-1977Railroad Folklore, manuscript, 1969Rashomon Road: The Tao to San Diego, ressCarbon copy manuscript pages, 1983Original manuscript pages, 1980-1981Original articles, plus copies of letters, 1978Resistance, 1982For Japanese Americans? What For? A Dime for your Time(n.d.)Redwoods, 1968 (see oversize)Rescue at Wild Boar Forest, Water Margin Press-012-Chin:Comic Books, 1988Rescue at Wild Boar Forest, Episode 2, n.d.“Roaming Inside the Chickencoop Chinaman ’s Pregnant Pause”, n.d. (see alsoChickencoop Chinaman)“Roaming Inside the Chickencoop Chinaman”, n.d.331-10Ruby Chow by Ruby Chow, as told to a godson, Frank Chin, n.d.Rough draft, November, 1981A play in three acts, actors Theatre of Louisville, State Theatre of Kentucky,December 15, 1982Original, two acts, 1983Original #1, 1979Original manuscript pages, n.d.Pgs. 14-73, n.d.M:\CEMA COLLECTIONS\Chin Frank\Chin Frank Archives guideUpdate(April2009).doc13
33113212Seattle Magazine articles, columns and reviews“Anti-Racism”, Hollywood Style, June 1968“The Thinking Man’s Star Trek”, July 1968“Shooting Up the Ghetto”, August 1968“Freak Out at Sky River”, October 1968All the Lonely People, November 1968“Nights in the Gardens of Rolf”, December 1968“Assaulting the Senses”, January 1969“Year of the Monkey”, February 1969“The Faces of Cassavetes”, April 1968At Large, May 1969At Large, July 1969N.D.“The Cinemantics of War”“Gift of the Mail-Order Magi”September 11, 2001, Pearl Harbor Revisited, 20013313-16Shakespeare in Chinatownfirst draft, unedited, (1-4 of 8), ca. 12335353535354567835359103535353535111213
American literature. Chin co-edited one of the marquee Asian American Anthologies entitled Aiiieeeee!, published in 1974, and a second volume entitled, The Big Aiiieeeee!, pu
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Silat is a combative art of self-defense and survival rooted from Matay archipelago. It was traced at thé early of Langkasuka Kingdom (2nd century CE) till thé reign of Melaka (Malaysia) Sultanate era (13th century). Silat has now evolved to become part of social culture and tradition with thé appearance of a fine physical and spiritual .
On an exceptional basis, Member States may request UNESCO to provide thé candidates with access to thé platform so they can complète thé form by themselves. Thèse requests must be addressed to esd rize unesco. or by 15 A ril 2021 UNESCO will provide thé nomineewith accessto thé platform via their émail address.
̶The leading indicator of employee engagement is based on the quality of the relationship between employee and supervisor Empower your managers! ̶Help them understand the impact on the organization ̶Share important changes, plan options, tasks, and deadlines ̶Provide key messages and talking points ̶Prepare them to answer employee questions
Dr. Sunita Bharatwal** Dr. Pawan Garga*** Abstract Customer satisfaction is derived from thè functionalities and values, a product or Service can provide. The current study aims to segregate thè dimensions of ordine Service quality and gather insights on its impact on web shopping. The trends of purchases have
Chin languages are generally classified under the Kuki-Chin-Naga branch of Tibeto- Burman (Shafer 1966, Benedict 1972, Bradley 1997), and are traditionally subgrouped as Southern Chin, Central Chin, Northern Chin
Chính Văn.- Còn đức Thế tôn thì tuệ giác cực kỳ trong sạch 8: hiện hành bất nhị 9, đạt đến vô tướng 10, đứng vào chỗ đứng của các đức Thế tôn 11, thể hiện tính bình đẳng của các Ngài, đến chỗ không còn chướng ngại 12, giáo pháp không thể khuynh đảo, tâm thức không bị cản trở, cái được
Le genou de Lucy. Odile Jacob. 1999. Coppens Y. Pré-textes. L’homme préhistorique en morceaux. Eds Odile Jacob. 2011. Costentin J., Delaveau P. Café, thé, chocolat, les bons effets sur le cerveau et pour le corps. Editions Odile Jacob. 2010. Crawford M., Marsh D. The driving force : food in human evolution and the future.
