10 Jazz Chord Progressions For Guitar - Jazz Guitar Online
10 JAZZ GUITAR CHORD PROGRESSIONSChord progressions are a succession of chords played one after anotherand during a specified duration. On this page you'll find the 10 mostpopular chord progressions in jazz, a list of songs that use similar chordprogressions and the jazz guitarists who recorded these songs.In this lesson you will learn how to recognize these progressions from a RomanNumeral standpoint, allowing you to quickly transpose them to other keys, as well astwo different ways to comp through each progression on the guitar.It's important that you learn to recognize these classic chord progressions and thatyou practice improvising over them, so grab your axe, turn up your amp and let's digin to these 10 Must Know Jazz Guitar Chord Progressions!
Jazz Guitar Chord Progression 1 - ii V I Majoriim7V7Imaj7%Dm7G7Cmaj7%The 2 5 1 progression is without any doubt the most popular chord progression injazz. I'm not going to give you a list with songs that use this progression, since a jazzstandard without a II V I is almost unthinkable. Some jazz standard chordprogressions are nothing more then a series of II Vs.It can be found in countless tunes, in all 12 keys, and with many differentpermutations, both rhythmically and harmonically. For this reason, it is the best placeto start when working on solidifying and expanding your jazz guitar progressionsrepertoire.Btw, the % symbol means you have to repeat the chord of the previous bar.Here are two examples of how to play this progression in the key of C:Click here to play this example
Click here to play this exampleJazz Guitar Chord Progressions 2 - Rhythm m7A7Dm7G7This chord progression is the first A of a Rhythm Changes. 'Rhythm changes' are akind of chord progression that use the same chord changes as 'I've Got Rhythm', asong written by Gershwin in 1930. People started using this progression to jam onand so many different melodies came into being that use the same chord changes.A list of standards that use this progression:Song TitlePlayed ByMoose the MoochePat MethenyShaw NuffBarney KesselCheek to CheekGeorge Van Eps
Mean to MeBarney KesselIsn't It RomanticTal FarlowLong Ago and Far AwayEarl KlughBuilt around the I-vi-ii-V progression, with a slight variation between the first andsecond two-bar phrases, this chord progression can be deceptively simple, which iswhy a lot of guitarists don't dig deep when exploring this progression. But, for thosethat do lift the hood and explore these changes with a bit more detail, you can learnnew and creative ways of outlining these oft-used chords, taking your RhythmChanges comping to new levels of creativity at the same time.Here are two examples of how to comp through these changes to help get youstarted:Click here to play this example
Click here to play this exampleJazz Guitar Chord Progressions 3 - Descending ii V 7Eb7Imaj7Abmaj7
This is also a very common jazz chord progression. Used in tunes such as "How Highthe Moon" and "Tune Up," descending major ii V I's are a commonly used harmonicdevice that can prove to be kind of tricky when first learning to navigate thesechords.There are 2 modulations in this progression:The chords start in the key of C major.They modulate to Bb major in the 3rd bar.They modulate again in the 7th bar, this time to Ab major.Song TitlePlayed ByHow High the MoonJoe PassTune UpWes MontgomeryCherokeeTal FarlowJoy SpringJoe PassOne Note SambaCharlie ByrdSolarPat MethenyWhen faced with descending harmonic patterns such as this, many of us simplyrepeat the same chords down two frets for each new key. While this can work, moreadvanced players will find ways to ascend up the neck as the chord progressiondescends, providing a nice harmonic contrast during these chords.Here are two examples of how you could practice comping through these changes:
Click here to play this exampleClick here to play this example
Jazz Guitar Chord Progressions 4 - Dim7 Passing ChordsImaj7#I 7iim7#II 7iiim7VI7Cmaj7C# 7Dm7D# 7Em7A7Heard in tunes such as "Cherokee," the use of Dim7 passing tones to connect theImaj7 and iim7 chords, as well as the iim7 and iiim7 chords, in any chord progressionare a commonly used and important harmonic device that can spice up the playing ofany jazz guitarist.Dim7 chords not only add harmonic tension to this progression, but the chromaticbass line helps to build tension, which is then resolved to the iim7 and iiim7 chords inthe following downbeats.Song TitlePlayed ByCherokeeTal FarlowHave You Met Miss JonesKenny BurrellJoy SpringJoe PassBut BeautifulLenny BreauAin't Misbehavin'Django Reinhardt
To get you started, here are two ways that you could work on comping theseimportant chords in your practice routine:Click here to play this exampleClick here to play this example
Jazz Guitar Chord Progressions 5 - Take the A se chords, which feature the cool-sounding and fun to play II7 chord, are mostlyassociated with the classic Ellington track "Take the A Train."The movement from Imaj7 to II7 to iim7 is one that you will see in many differentjazz guitar tunes, including the classic Bossa Nova track "Girl From Ipanema," and istherefore worth working on from both a comping and blowing standpoint.Song TitlePlayed ByTake the 'A' TrainGeorge BensonThe Girl from IpanemaCharlie ByrdDesafinadoCharlie ByrdMood IndigoKenny BurrellHere are two ways that you can work on these chords in the woodshed to help getthem under your fingers and in your ears:
Click here to play this exampleClick here to play this example
Jazz Guitar Chord Progressions 6 - I to IVImaj7(iim7V7)IVmaj7Cmaj7Gm7C7Fmaj7For anyone that has played the blues, you know that the movement from a I chord toa IV chord is a commonly heard sound in the jazz-guitar idiom. While you may be mostfamiliar with this progression from a jazz-blues standpoint, you can also apply thisprogression to a major key situation such as the one seen in the examples below.Song TitlePlayed BySatin DollTal FarlowCherokeeTal FarlowJoy SpringJoe PassHave You Met Miss JonesKenny BurrellThere Will Never Be Another YouGeorge BensonWorking on these two examples, in various keys, will help get this important soundinto your ears and under your fingers, allowing you to confidently bring these changesto your jam sessions and gigs in no time:
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Jazz Guitar Chord Progressions 7 - IV to 7V7Imaj7Dm7G7Cmaj7Used by countless jazz composers, compers and improvisers, as well as many popmusicians such as the Beatles to name buy one band, the IV to iv harmonicmovement is one that every jazz guitarist needs to have under their fingers from botha comping and soloing standpoint.The key to learning to play and hear this progression, is the movement from theIVmaj7 to the ivm7 chord.Song TitlePlayed ByMoose the MoochePat MethenyShaw NuffBarney KesselAll of MeGeorge BensonAll the Things You ArePat MethenyThere Will Never Be Another YouGeorge BensonHere are a few ways that you could comp through this progression to help get youstarted:
Click here to play this exampleClick here to play this example
Chord Progressions 8 - Rhythm Changes Bridge (Bb major)III7VI7II7V7D7G7C7F7As we saw earlier, Rhythm Changes is a tune that is full of classic sounding, and mustknow, chord progressions. Based off of the cycle of 5ths, the bridge to RhythmChanges features four 7th chords moving up by a 4th with each new chord in theprogression. Though there are only four chords, these changes can be tricky tomaster, and therefore are worth exploring.To help you get started, here are a couple ways that you could practice playing thebridge to Rhythm Changes:Click here to play this example
Click here to play this example
Jazz Guitar Chord Progressions 9 - ii V I Minoriim7b5V7im7%Dm7b5G7Cm7%Just like it's major-key cousin, the minor ii V I progression is found in countless tunesfrom many different composers and improvisers.Featuring the ever-tricky 7alt chord, this progression can be a bit tougher to masterthan the major-key version we say earlier, which is why it's important to continue todevelop your minor ii V I vocabulary even for more experienced players.Here are a couple of examples to help you get started with comping through thisimportant group of 3 chords:Click here to play this example
Click here to play this exampleJazz Guitar Chord Progressions 10 - Stray Cat Strutim7im7/b7bVI7V7Cm7Cm7/BbAb7G7Heard in the classic tune "Stray Cat Strut," this minor-key turnaround is one thatevery jazz guitarist should have under their fingers. With a distinctive bass line, simpleyet effective harmonic movement, and a swinging feel, these four chords can addspice to any plain minor-turnaround from a soloing or comping perspective.
To get you started, here are two ways that you could comp through this importantminor-key turnaround:Click here to play this exampleClick here to play this example
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Jazz Guitar Chord Progression 1 - ii V I Major i i m 7 V 7 I m a j 7 % D m 7 G 7 C m a j 7 % T h e 2 5 1 p r o g r e s s i o n i s w i t h o u t a n y d o u b t t h e m o s t p o p u l a r c h o r d p r o g r e s s i o n i n j a z z .
Minor Blues progressions from Guitar.be page 1 / 7 Minor Blues Chord Progressions In this jazz guitar lesson you will learn the most common chord progressions used when playing a minor blues. These progressions will start off rather simply, with what is referred to as the basic minor blues, and will
Jazz Chords/Scales Reference Chart By Mark Feezell - Generally, any chord symbol represents a SCALE (or scales) that works with that chord. - Think scale/chord, not just chord! - Scales are Listed from most common to least common choice (approx.) for each chord symbol. - Primary chord tones (root, 3rd, 5th, 7th) open noteheads.
Just like the popular major chord progressions, the minor scale chord progressions want to resolve and move to the tonic or the dominant of the key. What is different is the quality of the chords. When spelling out the minor chords, keep the key in mind. Listen for resolutions and progressions that bring movement to your song.
Gypsy Jazz Guitar: Rhythm & Chord Progressions Page : 3/5 Here's the second chord progression, a I-VI-ii-V in D major (starts at 9:56 in the video): And here's the third chord progression, a G minor blues (starts at 14:15 in the video):
Title: Chord-Specific Scalar Material in Classical Music: An Adaptation of Jazz Chord-Scale Theory Jazz chord-scale theory identifies scales that can be used to embellish a particular type of chord. It has fostered the notion that chords can generate their own local scales. This idea as well as many of the scale types that jazz chord-scale .
Jazz Piano, ABRSM Publishing: Level 1, Level 2, Level 3, Level 4, Level 5 Jazz Piano from Scratch, Dr. Charles Beale Shelton Berg: Jazz Improv: Goal-Note (Book/Cd), Shelton Berg Bill Boyd: Jazz Keyboard Basics, Bill Boyd An Introduction To Jazz Chord Voicing For Keyboard, Bill Boyd Intermediate Jazz Chord Voicing For Keyboard, Bill Boyd Exploring Traditional Scales And Chords For Jazz Keyboard .
Chord symbols, typically notating the root note and the chord quality, are extensively used yet oversimplied rep-resentation of tonal harmony and chord progressions in popular music. In spite of its convenience, the chord sym-bol notation only provides basic information about the chordal conguration, and leaves much room for inter-pretation.
The Minor 7th Chord The minor 7th chord is exactly the same as the minor chord. The only difference is one note, to create a minor 7th chord you add the 7th degree of the scale. In layman [s terms, the minor 7th chord is a more advanced version of the minor chord. Let [s learn this chord in ALL î
