Edith T. Martin

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Edith T. MartinA Finding Aid to the Edith T. Martin Papers, 1961–2004,Anacostia Community Museum Archivesby Tonijala D. PennOctober 2007Contact InformationAnacostia Community Museum ArchivesSmithsonian Institution1901 Fort Place, SEWashington. D.C. 20020202.633.4853 (phone)202.287.2422 (fax)www.ACMarchives.si.edu

Table of ContentsCollection Overview . 1Administrative Information . 1Biographical Note. 2Scope and Content Note . 2Subjects . 3Series Descriptions/Container List . 3Series I: Biographical . 3Series II: Memberships, circa 1970s - 2004 . 4Series III: Correspondence, circa 1961- 2004 . 5Series IV: Exhibitions . 6Subseries 4.1: Promotional materials . 6Sub series 4.2: Notebooks . 9Sub series 4.3: Miscellaneous . 9Series V: Printed Materials . 9Sub series 5.1: Newspapers and clippings . 9Sub series 5.2: Newsletters . 10Sub series 5.3: Journals and Bulletins . 11Sub series 5.4: Magazines and clippings . 11Sub series 5.5: Miscellaneous . 11Series VI: Artist Files . 11

Collection OverviewRepository:Anacostia Community MuseumTitle:Edith T. Martin papersCreator:Edith T. MartinDates:1961–2004, bulk 1970–2000Quantity or Extent:11.16 Linear feet, (9 boxes)Abstract:The collection, which dates from 1961 to 2004 andmeasures 11.16 linear feet, documents the career ofartist, curator, and museum technician Edith T. Martin.The papers in the collection include educationdocuments, professional correspondence, sketches,promotional material, news clippings, newsletters,catalogues/magazines from exhibits and artsorganizations, and exhibit photographs and slides.Language(s):EnglishAdministrative InformationProvenanceThe Edith T. Martin papers were donated to the Anacostia CommunityMuseum in 2006 by Edith T. Martin.Processing InformationThe papers were processed in October 2007 by Tonijala D. Penn.Preferred CitationEdith T. Martin papers, Anacostia Community Museum Archives,Smithsonian Institution, gift of Edith T. Martin.Restrictions on AccessThe collection is open for unrestricted research. Use requires anappointment.Ownership and Literary RightsThe Edith T. Martin papers, 1961–2004 are the physical property of theAnacostia Community Museum. Literary and copyright belong to theauthor/creator or their legal heirs and assigns. Rights to work producedduring the normal course of Museum business resides with the AnacostiaCommunity Museum. For further information, and to obtain permission topublish or reproduce, contact the Museum Archives.Page 1

Biographical NoteEdith T. Martin was born in Caroline County, Virginia. She relocated toWashington D.C. and joined the staff of the Smithsonian American Art Museum,Renwick Gallery were she served as a Museum Technician until her retirement.She attended American University in Washington, D.C. where she received adegree in the Fine Arts and continued her education at Georgetown University inWashington, D.C. Martin was affiliated with a host of organizations during hercareer, such as the D.C. Art Association, Smithsonian Institution’s Women’sCouncil, National Conference of Artists, and the Washington Women’s ArtCenter. As an accomplished artist her work is a part of several permanentcollections throughout the nation. She was a participant in, and curator ofcountless exhibitions over the years, which includes the Anacostia NeighborhoodMuseum, Smith-Mason Gallery, and American Art League. In an effort to sharethe talents and creativity of African American artists she partnered with manyorganizations during the span of her career to promote the strengths andaccomplishments of her fellow artists through active community involvement.Scope and Content NoteThe collection is arranged into six main categories: Biographical, Memberships,Correspondence, Exhibitions, Printed Materials, and Artist Files.Series Description1. Biographical: The series is mostly comprised of curriculum vitae, artiststatements, writings, memberships and materials related to her continuededucation while employed at the Smithsonian American Art Museum RenwickGallery. Box 2 consists of sketches and photographs.2. Memberships: The series contains materials from several of the organizationsEdith T. Martin was a member of from circa 1970s thru 2004.3. Correspondence: Arranged chronologically by year consisting primarily ofcorrespondence from 1997-2004, either generated by Edith T. Martin oraddressed to her relating to exhibitions, memberships, as well as organizations,which promoted the visual arts.4. Exhibitions: The series consists of art exhibitions and related materials, whichEdith T. Martin either participated in and/or organized over the span of her careerto include: Association for the Study of American Life and History, NationalConference of Artists, District of Columbia Art Association, as well as theAnacostia Neighborhood Museum.5. Printed Material: Arranged chronologically by year and material type. The seriesconsists primarily of newspapers, newsletters, bulletins, magazines, articles,clippings, as well as miscellaneous materials collected throughout her career inthe visual arts.6. Artist Files: Folders are arranged in alphabetical order from A thru Y consistingprimarily of resumes, biographies, and artist statements. Folders includecorrespondence related to exhibitions, slides and photographs of art.Page 2

SubjectsTopicalAfrican AmericansAfrican American artistsAfrican American women artistsAnacostia Neighborhood MuseumAssociation for the Study of Afro-American Life and HistoryDistrict of Columbia Art AssociationFoundry GalleryNational Conference of Artists (U.S.)Nonprofit organizationsRenwick GallerySmithsonian American Art MuseumSumner School Museum and ArchivesWashington Women’s Arts CenterWomen artistsGeographicalWashington (D.C.)Types of MaterialsNewspaper clippingsCorrespondenceExhibition recordsNewslettersPhotograph printsPrinted ephemeraScrapbooksSketchesSlides (photographs)Series Descriptions/Container ListSeries I: BiographicalThe Biographical Series documents Martin’s personal life. This series is significantbecause it provides insight into her private life through primary documents such asinterviews, awards and her employment with the Smithsonian Institution.BoxFolderTitle1123456Curriculum vitaeArtist statementsInterviewWritingsWritings, MiscellaneousRequired courses and binder, Graduate School, U.S. Departmentof AgricultureCourse description, Smithsonian Institution, Museum of History7Page 3

BoxFolder18910111213142123456789101112Titleand Technology Division of TextilesStatement of Earnings and leave, application for promotion,performance rating, Smithsonian InstitutionAwards and certificatesSlide, “In the fall of life be content”Business cardsInvitations and ProgramsPostcards and greeting cardsMiscellaneousString Instrument illustrationPrintSketchArtist studio (Two Copies)Leigh H. Mosley Curriculum vitae, envelope and photographs(Oversize)B/W Photograph, featuring Edith T. Martin et alColor PhotographPhotographs (4), 1971, 1972B/W Exhibition Photographs (8)Watercolor blotting paperPen and Pencil sketchSketch and line notes with handoutsSeries II: Memberships, c1970s thru 2004The Membership Series contains several of the organizations to which Martin wasaffiliated during her career as both a museum professional and an artist.BoxFolderTitle1151617Association for the Study of American Life and History, 1976Contact Africa (minutes), 1972District of Columbia Art Association, meeting notes and HarlequinBall, promotional materials, 1975- 77District of Columbia Art Association, membership and twohandwritten notebooks, 1974-78District of Columbia Art Association, scrapbook, 1971-73Greater Washington Area Chapter Foundation, Inc., AnnualFundraising Auction, Apr. 19, 1996, Apr. 25, 1997 (Two Copies),Apr. 30, 1999National Conference of Artists, annual conference planningnotices and handwritten notes, 1974-75National Conference of Artists, Draft For 1981 ConstitutionalConventionNational Conference of Artists, Executive Board, 1975, 1977National Conference of Artists, Guidelines for NCA CharterFlights, [1975]National Conference of Artists, meeting notices and handwritten1819202122232425Page 4

BoxFolder1262728293031323334353637Titlenotes, May 4, 1976National Conference of Artists, membership contacts and relatedhandwritten scheduling notes, 1973-76National Conference of Artists, minutes, Oct. 2, 1975National Conference of Artists, questionnaires, 1975National Conference of Artists, 25th Anniversary MembershipDirectory, 1983Smithsonian Women’s Council, evaluation and membership, Jan.31, 1974, Mar. 7, 1975Washington Watercolor Association, membership and courseofferings, 1991-92Women’s Caucus for Art, event program, Apr. 29, 2001Women’s Caucus for Art, membership and resourcedirectory,1994-95Women’s Caucus for Art of Greater Washington, DC, 2001-04National Conference of Artists, membership forms, blank, n.d.National Conference of Artists, exhibition participants, n.d.MiscellaneousSeries III: Correspondence, circa 1961- 2004The Correspondence Series contains letters from Martin’s long professional career in thevisual arts and are either generated by Martin or addressed to 354555657585960Correspondence, c1961-78, 1996Correspondence, 1968, 1969, 1971Correspondence, 1973Correspondence, 1974Correspondence, 1975Correspondence, 1976Correspondence, 1977Correspondence, 1977-92Correspondence, 1978Correspondence, 1979-81Correspondence, 1983Correspondence, 1986Correspondence, 1988Correspondence, 1989Correspondence, 1990Correspondence, 1991Correspondence, 1992-93Correspondence, 1995-00Correspondence, 1999Correspondence, 2000Correspondence, 2001-02Correspondence, 2004Correspondence, n.d.Page 5

Series IV: ExhibitionsThe Exhibition Series is the largest series and consists primarily of exhibitions Martinparticipated in or organized during her career as an artist in the District of Columbia andthe surrounding metropolitan areas.Subseries 4.1: Promotional materialsBoxFolderTitle31A. Salon and the Wilson Center Gallery Exhibitions, 1996-97,2000-01African American Women’s Association, “Paintings and Graphicsby Women on African and Afro-American Themes,” M.L.K.Memorial Library, Apr. 16-28, 1977The American Art and Craft Festival, May 24-26, 1974American Art League, 1976, 1990-93, 1995Anacostia Neighborhood Museum, “This is Africa,” May 1516,1968Anacostia Neighborhood Museum, Calendar of Events, Jan. 14Feb. 18, 1973, Jan.-Mar. 1989Anacostia Neighborhood Museum, 5th Anniversary, Sep. 15, 1973Anacostia Neighborhood Museum, Barnett- Aden Collection, Jan.20- Mar. 3,1974Artists Biographies, n.d.Art-O-Matic Exhibitions, c1999-02The Association for the Study of Afro-American Life and History,Inc., Announcement, Jan. 15, 1975The Association for the Study of Afro-American Life and History,Inc., “The 1975 Black History Month Exposition”The Association for the Study of Afro-American Life and History,Inc., Completed Examination Worksheets, 1975The Association for the Study of Afro-American Life and History,Inc., Call for entries for Christmas cards and calendar art, 1976The Association for the Study of Afro-American Life and History,Inc., Calendars, 1982 (Two copies)The Association for the Study of Afro-American Life and History,Inc., Examination worksheets, n.d.Black History Month at Drummers Village Group Exhibition, Feb.4-29, 1976“Black Women in the Arts: A Bibliography,” Jan. 1976The Business and Professional Women’s League Inc.,“Reaffirming Our Commitment: A Vision for the Millennium,” MaryMcLeod Bethune Council House, Mar. 4, 2000- Jun. 12, 2000Day, Juett and Edith Martin, Artists of the Month, Nov. 19- Dec.28, 1979Day , Juette and Edith Martin, “Choices: Abstracts andInspirational Paintings,” Nov.18, 1986-Jan. 23, 1987Day, Juette and Edith Martin, Art display agreement withChildren’s National Medical Center/Pathology Department, Jun.2345678910111213141516171819202122Page 6

234567Title15, 2001District of Columbia Art Association and the AnacostiaNeighborhood Museum, “Exhibition 73” posters, Jan. 14-Feb. 18,1973District of Columbia Art Association, Scholarship Award program,1973District of Columbia Art Association, Art exhibition, M.L.K. Library,May, 5-29, 1974District of Columbia Art Association, “Exhibition, 1974-75,” Nov.17, 1975-Jan. 29, 1976District of Columbia Art Association, “Nature’s Splendor” exhibitionplans, Jun. 1-Aug. 22, 1975District of Columbia Art Association, Exhibition plans, 1975District of Columbia Art Association, Women Artists exhibitionplans, 1975District of Columbia Art Association, Art Barn Gallery exhibitionflyers and pricelists, Mar. 1-27, 1977District of Columbia Art Association, Autumn Art Show, Oct.16Nov.15, 1977District of Columbia Art Association, Art Barn Gallery exhibitionplans, 1977District of Columbia Art Association, “Exhibition of ContemporaryArt,” M.L.K. Library, Mar.3-30, 1978District of Columbia Art Association, “Exhibition ‘78” catalogue,1978District of Columbia Art Association, Arts and Crafts Festival, Jun.23, 1979District of Columbia Art Association, Multi-Media Exhibition, ArtBarn Gallery, Jul. 18-Aug. 12, 1979District of Columbia Art Association, Art Exhibit , Sumner SchoolMuseum and Archives, Feb. 2-27, 1987District of Columbia Art Association and the Anacostia Museum,“Inspiration,” Catalogue, 1961-89, 1989District of Columbia Art Association, Exhibition, The SumnerSchool, Oct.7-Nov.14, 1991District of Columbia Art Association, Market 5 Gallery, Jul. 12-Aug.10, 1992District of Columbia Art Association, Art Barn Applications forexhibition space, n.d.Foundry Gallery, Membership, 1990, 1992, 1998-2000Foundry Gallery, Invitations and announcements, 1996, 19982001Foundry Gallery, Meeting minutes, 1998-2000Foundry Gallery, Sitting and member exhibition schedules, 19982000Foundry Gallery, Press releases and newspaper clippings, 1999Foundry Gallery, Corporate Documents, n.d.Foundry Gallery, Price lists and artists’ biographies, n.d.Page 7

BoxFolderTitle489Gallery 500, Exhibition plans and programs, 1992-96“Heritage Days: The Black Perspective,” Harpers Ferry NationalPark, Jun. 18-20, 1976Herndon Festival Fine Art Show, Jun. 1-2, 1991Library for the Arts, “Black Women in the Visual Arts: A Tribute toLois Mailou Jones,” M.L.K. Library, Jan. 27-Feb. 28, 1979Library for the Arts, “An Exhibition of Contemporary Art bymembers and guest Artists of the District of Columbia ArtAssociation,” Jul. 26-Aug. 29, 1979Minority Women Artists, “Visual Arts,” Norfolk State College, Oct.14-21, 1977National Capital Orchid Society, Inc., “The Forty- Fourth AnnualOrchid Show and Sale,” Oct. 12-14, 1991National Conference of Artists, Paul Robeson Cultural CenterExhibition, Penn State College, Jan. 6-Feb. 2, 1975National Conference of Artists, “The Women,” Jul. 19-Oct.5, 1975National Conference of Artists, “Black Family” and “Black FamilyPast, Present, Future,” May 15-30, 1976, May 16-Jun. 18, 1976National Conference of Artists, “New Members Exhibit,” 1976National Conference of Artists, Calendar of exhibitions, 1980National Conference of Artists, Blank exhibition loan forms, n.d.National Conference of Artists, Notes on group exhibitions, n.d.The National Conference of Black Lawyers’, “Premiere Art Showand Sale,” Bethune Museum and Archives, Apr. 20-21, 1984OMRA Exhibitions, 21314Rockville Arts Place, 1989-04Second Annual Capital City Community Festival, May 18-20, 1984Six Plus One, “Recent Works by Six Contemporary Area paintersand One Sculptor,” Jul. 2-22, 1978Smith Mason Gallery, “Graphics,” Oct. 15, 1972Smith Mason Gallery, “Natures Splendor,” May 1-Jun. 4, 1977Strathmore Hall Arts Center Exhibitions, c1990s -2001The Sumner School Museum and Archives, Exhibition programs,n.d.The Sumner School Museum and Archives, “InspirationalPaintings by OMRA Edith Martin,” n.d.Washington Watercolor Association, Member’s exhibit, Mar. 9-28,1975Washington Women’s Art Center, “The Creative Line,” Nov. 1-19,1978“Women Artists Part 2,” Opus 2 Galleries, Feb.21, 1975Women’s Caucus for the Arts, “Creative Transitions: ConnectingArt And Life,” May 18-Jun. 14, 2002Women’s Club of Chevy Chase, Maryland, Inc., Community ArtShow, 1990-92Woodbridge Art Guild, Annual Spring Fine Arts Show, 1990-92Page 8

Sub series 4.2: NotebooksBoxFolderTitle61234567Edith T. Martin Art Exhibits, Binder (Blue)Strathmore Exhibits, Binder (Gray)Exhibition plans, Binder (Red)Notebooks (Two)Notebooks (Three)Notebooks (Two)Guest Sign In bookSub series 4.3: MiscellaneousBoxFolderTitle7123Smithsonian Institution related exhibitions, MiscellaneousSmith Mason Gallery Exhibitions clippings, MiscellaneousDistrict of Columbia Library for the Arts, M.L.K. Memorial LibraryExhibits and Programs, MiscellaneousExhibition notes, MiscellaneousExhibition notes, MiscellaneousExhibition loan forms, MiscellaneousExhibition floor plans, MiscellaneousReceipts, MiscellaneousPrice lists, MiscellaneousBrochures and Exhibition catalogues, MiscellaneousApplication for Exhibition spaces (8th Annual Wash Art 84, July 2022, 1984, Washington Convention CenterInvitations, MiscellaneousInvitations, MiscellaneousCall for entries, 213141516Series V: Printed MaterialsThe Printed Material Series contains newspapers, newsletters, journals and clippingsfrom Martin’s personal collections which focused on the arts and feature heraccomplishments as an artist in the community at large.Sub series 5.1: Newspapers and clippingsBoxFolderTitle81234The New York Times, Feb. 1970The Washington Post, Dec. 10, 1970Washington Review, 1974Washington Afro-American and the Washington Tribune, July 29,1975 and Aug. 2, 1975Page 9

BoxFolderTitle85The Washington Star, Aug. 12, 1975, May 11, 1980, July 20,1980, Aug. 3, 10, 1980The Washington Post, Feb. 22, 1976The Washington Post, Sat. Nov. 4, 1978The New Art Examiner, Feb. 1979The Washington Post, Mar. 2, 1979Penn Dutch Traveler, Aug. 22-Sept. 5, 1980Museum of Fine Arts Boston, May 5-August 22, 1982Eye Wash, Vol.3, No. 1 Sept. 1990 (Three Copies), Vol. 3, No. 9,May 1991, Vol. 4, No. 3 Mar. 1992, Vol. 4, No. 12 Feb. 1993The InTowner, Mar. 1992, May 2000 (Two Copies)The Art Paper, No. 13, b series 5.2: NewslettersBoxFolderTitle817181920Museum News, Sept. 1969Washington Artist News, 1974, 1990, 1996, 2000Artletter, Jan. 1975Newsletter of the Washington Women’s Art Center, Vol.1, No. 1,Apr. 1975, Vol. 1, No.2 May, 1975D.C.A.A. Brushstroke, Vol. 1, Winter 1976, Vol. 2, Jan., Feb.,Mar., [1977?]The Attic, Vol. I. No. 2, Jan./Feb. 1977Exhibition of African Contemporary Art Vol. 1, No. 2 Newsletter,Feb. 1977National Conference of Artists, Vol.5 No.2, 1978, Spring 1983Smithsonian Institution Torch, Sept. 1978W.W.A.C. News (Washington Women’s Arts Center) Vol. 8,Number 7, Nov. 1978 (Eleven Copies)Artworks, Volume 1, Number 2, July-Aug. 1980Rockville Arts Place Newsletters, 1989-1993Sketches, Newsletter of the D.C.A.A., Vol. 1 Number 2, Feb. 1990,Vol.1 Number 3, Sept. 1991, Vol.1 Number 4, June 1992Joe Mayer’s Watercolor World, Mar. 1990, Aug. 1990, Winter1991, Summer/Fall 1993Arts Washington, Vol. 13, Number 8, Sept. 1990Washington Women’s Art Center (M.C.A.A.) Vol. XXIV, Number 9and 10, 1990Woodbridge Art Guild, Inc. News, 1990, 1991, 1992, 1993Portfolio, Fall/Winter 1992Washington Watercolor Association, Fall 1992Koan, Ken Oda’s Art Newsletter, Vol. II, Number 1, Sept. 1993Newsletters, e 10

Sub series 5.3: Journals and BulletinsBoxFolderTitle8383940Art Journal XXXVI/1, Mar. 5, 1977Negro History Bulletin, Vol. 40, No.5, Sept.-Oct. 1977The New Art Center Bulletin, Vol. 10, No.2, Feb. 1987Sub series 5.4: Magazines and clippingsBoxFolderTitle8414243Foxtrappe, Dec. 1975 thru Jan. 1976Artary, Vol. 1, No 2, Spring 1984Styles, The premier cultural lifestyles- arts and entertainmentMagazine, Summer/Fall 1999Clippings, Ebony, 1963Clippings, Ebony, 1966Clippings, Columbia University, c1967- 1968Clippings, Tuesday Magazine, Oct. 1969Clippings, Tuesday Magazine, Feb. 1970Clippings, Time Magazine, Apr. 6, 1970Clippings, The Washington Magazine, Oct. 1973Clippings, Interiors, 1976Clippings, Crafts, Jan., Feb. 1977Clippings, Visions, Feb. 25, 197744454647484950515253Sub series 5.5: neousMiscellaneousSeries VI: Artist FilesThe Artist Files Series comprises articles, and other documents collected and organizedby Martin which focused on African American artists in the United States.BoxFolderTitle912345Alston, Frank H.Anderson, RonAndrews, BennyArtis, WilliamAuld, RosePage 11

05152Barthé, RichardBass, AletaBearden, RomareBrown, Sterling and Thomas, AlmaBullock, Barbara J.Burley, ViolaCasey, Bernard T.Eutemey, Karen D.Evans, MinnieFreemen, Gloria TerryGilliam, SamHolmes, ClintHoneywood, Varnette P.Jackson, MarthaJohnson, MarieJohnston, JoshuaJones, Arinthia L.Jones, Lois MailouKennedy, HarrietLawrence, JacobLee-Smith, HughieLloyd, TomMcClarrin, JustineMcNeil, LloydMeo, Dr. Yvonne ColePaige, JoePaige, Robert E.Pippin, HoracePowell, Georgette SeabrookPowell, Judson and Purifoy, NoahRiboud, Barbara ChaseRoberts, Lucille MalkiaSaar, BetyeSnowden, SlyviaSills, Thomas AlbertStewart, George 8XSun-RaTablock, BobTanner, Henry O.Thomas, AlmaThompson, BobThompson, MildredWells, James L.White, CharlesWhite, FranklinYoung, Theresa IndiaBlack Artist Listings (Green Binder)Page 12

Business cards Invitations and Programs Postcards and greeting cards Miscellaneous String Instrument illustration Print Sketch Artist studio (Two Copies) Leigh H. Mosley Curriculum vitae, envelope and photographs (Oversize) B/W Photograph, featuring Edith T. Martin et al Color Photograph P

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