Major Scales - Mrmaglocci
Learn & Master GuitarMajor ScalesMAJOR SCALES are the building blocks for all of music. Major scales are built on a specific pattern of half-step andwhole-step intervals. The pattern for a major scale is Whole-step, Whole-step, Half-step, Whole-step, Whole-step,Whole-step, Half-step. Starting on any note, if you follow this pattern you will build a major scale in the note's key.Directions: Fill in major scale notes following the interval pattern. Determine the number of sharps or flats. Listsharps or flats in order. I have filled in some of the spaces for you.Check your answers at www.LearnandMasterGuitar.com/answerkeyCWhole Whole HalfWhole Whole Whole HalfDEHow many#'s or b's?What are they?noneThe following scales all contain SHARPS.GF#F#,DF#C#F#,C#,A3 #'sEBF#E#The following scales all contain FLATS.FBbBbEbAb3 b'sAbBb,Eb,Ab,DbDbGbCbSESSION 745Barre Chords on the 6th String
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Learn & Master GuitarMajor Scale TableMajor Scales are the foundation upon which all of the upcoming theory is going to be built. Just like multiplication tables need to be memorized, major scales and the key signatures that they generate have to be learned andmemorized. KEY SIGNATURES are the pattern of sharps or flats that each major scale generates.Directions: Fill in the major scale noteson the following table. Remember, thenaturally occurring half-steps are betweenE-F and B-C.Check your answers pC DFABbEbEbBbFAbCDbGbGbE#F#G#BBEDAF#DG ASession 7 Assignment· Memorize the Notes on the Sixth String. (page 43)· Memorize the 6th String Barre Chord Forms. (page 44)· Play through 6th String Barre Chord Exercises. Make sure each chord is sounding clear and that the chordschange at the right time. (page 44)· Play Home on the Range, both notes and chords. Try to use all barre chords. (page 47)· Play Yellow Rose of Texas, both notes and chords. (page 47)· Complete the Major Scale and the Major Scale Table Worksheets. (pages 45-46)SESSION 746Barre Chords on the 6th String
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Learn & Master Guitar4.5.6.7.Keys & Key SignaturesKEY SIGNATURES are derived from the flats or sharps found in a major scale. Each major scale produces a uniquecombination of sharps or flats as its key signature. A key signature will never have both sharps and flats in it simultaneously. The order of the sharps and flats in a key signature come in a predictable sequence. The key signatureorder of sharps is F#, C#, G#, D#, A#, E#. The order of flats is Bb, Eb, Ab, Db, Gb, Cb.Directions: Using your major scales, determine the proper key and list the key signature. Put sharps or flats in theproper order.Check your answers at www.www.LearnandMasterGuitar.com/answerkey1) What key has 4 flats in its key signature?What are they?2) What key has 3 sharps in its key signature?What are they?3) What key has 2 flats in its key signature?What are they?4) What key has 4 sharps in its key signature?What are they?10) What key has 2 sharps in its key signature?What are they?11) What key has 5 sharps in its key signature?What are they?5) In the key of G, what note(s) are sharped/flatted?6) In the key of F, what note(s) are sharped/flatted?7) In the key of C, what note(s) are sharped/flatted?8) In the key of Db, what note(s) are sharped/flatted?9) In the key of B, what note(s) are sharped/flatted?SESSION 849Barre Chords on the 5th String
Learn & Master GuitarTheory Tips & Tricks.How to determine a key by looking at the key signature.For Keys with Sharps: The key is one half-step up from the last sharp in the key signature.For example, if the key signature is F#, C#, G#, then the last sharp is G#. One half-stepup from G# is A. The key is A.For Keys with Flats: The key is the next to last flat in the key signature.For example, if the key signature is Bb, Eb, Ab, the next to last flat is Eb. So, the key is Eb.12)If the key signature has a Bb and an Eb in it, what's the key?13)If the key signature has an F#, C#, G#, and a D#, what's the key?14)If the key signature is F# and C#, what's the key?15)If the key signature is Bb, Eb, Ab, and Db, what's the key?16)If the key signature is F#, C#, G#, D#, A#, and E#, what's the key?Relative Major and Minor ScalesThere is a unique relationship between the keys of major scales and minor scales. This relationship is called RELATIVE.Relative major and minor scales share the same key signatures. To derive a relative minor scale: Go to the6th step of the major scale and build an 8 note scale in that key. You can get to the 6th step of any major scale byeither going up six steps from the root or down two steps. So, the C major scale and the A minor scale share thesame key signature. Therefore A is the relative minor of C major and conversely C is the relative major of A minor.C Major ScaleA Minor ScaleF Major ScaleD Minor ScaleSession 8 Assignment· Memorize the 5th String Barre Chord Forms. (page 48)· Play through 5th String Barre Chord Exercises. Make sure each chord is sounding clear and that the chordschange at the right time. (pages 48-49)· Play Jamaica Farewell in F, both notes and chords. Use 6th and 5th string barre chords. (page 51)· Play Jamaica Farewell in G, both notes and chords. Use 6th and 5th string barre chords. (page 51)· Complete the Keys & Key Signatures Worksheet. (pages 49-50)SESSION 850Barre Chords on the 5th String
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Learn & Master Guitar3.4.Diatonic IntervalsINTERVALS are the distance between two notes. DIATONIC refers to intervals that are found within the major scale.You will be given the key and a specific scale step and then you will need to derive the specific note. Here aresome examples 1) In C, what is the 3rd step? The C scale is C - D - E - F - G - A - B - C. The 3rd step is E.2) In A, what is the 6th? The A scale is A - B - C# - D - E - F# - G# - A. The 6th step is F#.Diatonic Intervals WorksheetDirections: Fill in the correct note corresponding to the diatonic interval asked for.Check your answers at www.LearnandMasterGuitar.com/answerkey1) In C, what is the 4th ?F11) In G, what is the 5th ?2) In F, what is the 6th ?D12) In D, what is the 7th ?3) In Ab, what is the 4th ?13) In A, what is the 3rd ?4) The 4th in D is14) The 6th in Gb is5) The 6th in E is15) The 7th in Db is6) In D, what is the 6th ?16) In Bb, what is the 6th ?7) In G, what is the 7th ?17) In F, what is the 7th ?8) In Db, what is the 2nd ?18) The 2nd in B is9) The 2nd in F# is19) The 3rd in F# is10) The 3rd in D is20) The 3rd in Gb isSESSION 953The Secret to Great Strumming
Learn & Master GuitarHarmonic Intervals WorksheetDirections: Fill in the correct note corresponding to the harmonic interval asked for. Add double sharps or flatsif needed.Check your answers at www.LearnandMasterGuitar.com/answerkey1) In C, what is the minor 6th ?Ab6) The minor 2nd in D is2) In F, what is the augmented 2nd ?G#7) The augmented 6th in E is3) In Bb, what is the diminished 5th ?8) The minor 7th in B is4) In Eb, what is the minor 3rd ?9) The minor 6th of F# is5) In Ab, what is the diminished 5th ?10) The minor 7th of G isSession 9 Assignment· Practice all of the Strumming Examples given. Start slowly, then gradually increase your speed. Rememberto use good technique and to always keep your strumming hand going. (pages 52-53)· Play La Bamba, both notes and chords, using the strumming pattern given. (page 55)· Play The Wabash Cannonball, both notes and chords, with the strumming pattern. (page 56)· Play Blues in E, both notes and chords, with the strumming pattern. (page 56)· Complete the Interval Worksheets. (pages 53, 55)Jam Along CD #3Track 2 - Slow VersionTrack 3 - Medium VersionTrack 4 - Fast VersionSESSION 9La Bamba55The Secret to Great Strumming
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Learn & Master GuitarTriad Examples in C1) A C Major triad would use the 1st, 3rd and 5th scale tones from the C major scale. So, a C Major triad would be C,E and G.2) A C Minor triad would use the same scale tones, but we would need to lower the 3rd a half step. So, a C Minor triadwould be C, Eb, and G.3) A C Augmented triad would require us to raise the 5th step up a half step. So, a C Augmented triad would be C, E,and G#.4) A C Diminished triad would have us lower the 3rd and the 5th scale tone down a half step. This would make a CDiminished triad be C, Eb, and Gb.Triad WorksheetDirections: Fill in the proper letter names for each triad.Check your answers at www.LearnandMasterGuitar.com/answerkey1) F MinorFC11) F Major2) G MajorG B D12) G Minor3) C Diminished13) Bb Diminished4) Bb Augmented14) D Augmented5) Eb Major15) Eb Minor6) D Minor16) A Major7) A Diminished17) Ab Minor8) Ab Major18) E Augmented9) E Minor19) Db Major10) C Minor20) B MinorAbSession 13 Assignment· Practice all of the Pentatonic Forms with Blues Notes in all keys for the full range of the guitar. (page 72)· Memorize the Blues Chord Progression. (pages 72-73)· Memorize the four Triad Types and complete the Triad Practice Worksheet. (pages 73-74)· Play Jammin the Blues and Johnny’s E Blues with the Jam Along CD. Practice playing the chords and soloing using the pentatonic forms with blues notes. (page 75)SESSION 1374Playing the Blues
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Learn & Master GuitarSeventh ChordsA SEVENTH CHORD is a combination of FOUR notes played together.CEDThere are SIX common types of seventh chords. With the addition of theseventh scale step, the number ofways all these tones can be adjustedadds up to more chord variations.Although these are not all of the possible combinations, the followingchart shows the most commonlyused forms.GFBACSeventh TypesFormulasAbbreviationsMajor 7thMinor 7thDominant 7thAugmented 7thDiminished 7thHalf-Dim. 7th1-3-5-71 - b3 - 5 - b71 - 3 - 5 - b71 - 3 - #5 - b71 - b3 - b5 - bb71 - b3 - b5 - b7Cmaj7, C 7Cmin7, Cm7, C-7C7, C7, G7, D7Caug7, C 7Cdim7, C o , C o 7C half-dim, C o7Seventh Chord WorksheetDirections: Fill out the appropriate scale tones in each seventh chord. Remember to adjust them as needed to fulfill the formula for the triad type. Use double sharps or flats as needed.Check your answers at www.LearnandMasterGuitar.com/answerkey1) Gmaj711) Bbm72) Cm712) Ebmaj73) F 713) Ab 74) Bb714) C#o 75) Ebo15) Gbmaj76) Abm716) Bmin77) Db717) E o78) F#min718) A79) Baug719) Dm710) E720) Gaug7SESSION 1790Going Beyond the First Position
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MAJOR SCALES are the building blocks for all of music. Major scales are built on a specific pattern of half-step and whole-step intervals. The pattern for a major scale is Whole-step, Whole-step, Half-step, Whole-step, Whole-step, Whole-step, Half-step. Starting on any note, if you follow thi
Scales, Arpeggios and Broken Chords for Piano Dion Kara 12 Strings Music School Images: 12 Strings (top); healingdream (bottom) / FreeDigitalPhotos.net. Major Scales C Major scale C Major arpeggio C Major broken chords . G Major scale G Major arpeggio G Major broken chords . D Major scale D Major arpeggio D Major broken chords .File Size: 1MBPage Count: 46
But what are the best scales on this chromatic? - 10-note scales have only 1 semitone, not enough for musical interest. - 12-note scales have 5 semitones, but this makes scale notes very closely spaced. - 11-note scales have 3 semitones, which seems a good compromise (1 more semitone than classical scales). Scales on 19-note chromatic 59
Piano Scale Books Hirschberg Scales and Chords Are Fun: Bk. 1 (Major), Bk. 2 (Minor). Schaum, Scales and Pieces in All Keys: Bk. 1, Bk. 2. Palmer, Manus, Lethco: Scales, Chords-1st Book Palmer, Manus, Lethco: Complete Book of Scales Ada Richter: Know Your Scales and Arpeggios The Brown Scale Book Franz Schulz: Scales and Chords in all Keys
The Pentatonic Scale on Piano 10 The Pentatonic Scale and the CAGED System for Guitar 11 Hearing Pentatonic Scales 12 Beyond the Major Pentatonic 13 . seventh chords, minor or major scales, church modes, and more. Soloing with the pentatonic scale over chord progressions is very comm
7 ESSENTIAL JAZZ GUITAR SCALES FOR BEGINNERS earning jazz guitar scales can be complicated and often beginners wonder which scales they should learn first. The 7 scales on the chart below are a good place to start. These scales are essential for beginning jazz guitarists and enable you to play over almost any jazz standard.
1.3 MMPI-A 1.4 MMPI-2-RF 2 Current scale composition 2.1 Clinical scales 2.2 Validity scales 2.3 Supplemental scales 2.4 PSY-5 scales . K, VRIN, TRIN), 31 Harris Lingoes subscales, 15 content component scales, the Personality Psychopathology Five (PSY-5) scales (AGGR, PSYC, DISC, NEGE, INTR), three social introversion
Bass Fundamentals Column #14 – Putting Scales To Work As you know, scales are simply a sequence of notes played one at a time. And one of the first scales you learn is the Major scale, shown below in the key of G over two octaves. And you should know that scales ar
Anne Harris Sara Kirby Cari Malcolm Linda Maynard Renee McCulloch Maria McGill Jayne Grant Debbie McGirr Katrina McNamara Lis Meates Tendayi Moyo Sue Neilson Jayne Price Claire Quinn Duncan Randall Rachel Setter Katie Stevens Janet Sutherland Katie Warburton CPCet uK and ireland aCtion grouP members. CPCET Education Standard Framework 4 v1.0.07.20 The UK All-Party Parliament Group on children .
