Roles Will Normally Be Treated As Self-employed Provided .

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1Roles will normally be treated as self-employed provided specific criteria from either column A or B, or both are met. (formerly Appendix 1).Column A - CriteriaColumn B - * Refer to thecriteria in ESM 4115.Production roleWhat they doDIRECTOR OFPHOTOGRAPHYHas control over execution*of tasks and conductspreparatory work away fromengager's premises. Forfurther details seeESM0520, ESM0522 andESM0542Director of Photography Designs lighting and photography.Responsible for the overall look of theproduction. Decides on cameras andlighting and other technical equipmentto be used. Is often autonomous indecision making in relation to look, feeland technical equipment and advisesthe director. Responsible to theDirector.AERIAL/UNDERWATERDIRECTORHas control over execution*of tasks and conductspreparatory work away fromengager's premises. Forfurther details seeESM0520, ESM0522 andESM0542Aerial/UnderwaterDirectorSpecialises in Arial or Underwatersequences. Designs lighting andphotography. Responsible for theoverall look of the production. Decideson cameras and lighting and othertechnical equipment to be used. Isoften autonomous in decision makingin relation to look, feel and technicalequipment and advises the director.CAMERA OPERATORWhere the contract requires *the provision of substantialequipment to provide theservice without increasedfee or other payment. ForCamera SupervisorStudio or Outdoor broadcasting (OB)based, senior camera person.Responsible for the look of theproduction and management of camerateam.OFFICIAL

2further details see ESM0540and ESM0542Camera OperatorProvides and operates cameraequipment, may work to a Director ofPhotography or camera supervisor.Responsible for technical operation ofcamera equipment.Clapper Loader /Second AssistantCamerasResponsible for the rushes, equipmentand running of the camera team.Liaising between camera team,production, post production, camerarental houses.Responsible for adjusting the cameralens to follow the action.Focus Puller/1stAssistant CameraPersonOFFICIALModel, Drone or AerialCamera PersonOperator of drone-type camera usedfor aerial filming. A person whooperates a remotely operated aircraftto provide aerial cinematography andphotography.Hot Head Operator (JibOperator)Cameraperson responsible foroperating remote camera attached tojib or boom. Provides own kit. Knownmore in UK as jib operator.Digital ImageTechnicianLiaison between camera departmentand post production - advising on howto get the best from the camera toenable required changes in post.Manages camera cards, digitises intopost production system.Stills PhotographerTakes still images of cast, crew, set,location for publicity and marketingpurposes.

3LIGHTS CAMERA PERSONWhere responsible fordesigning lighting orphotography*Steadicam OperatorPerson who operates a very mobilecamera kit which is strapped to theirbody allowing for shots other camerasjust couldn't achieve. Usually providesown gear and booked on a day/weekbasis.Lighting camerapersonSingle camera shoots. Responsible forthe look of the production includingthe lighting.DESIGNHEAD OF ARTDEPARTMENTHas control over execution*of tasks, conductspreparatory work awayfrom engager's premisesand payment by fixed fee onpresentation of invoice. Forfurther details seeESM0520, ESM0522 andESM0542Head of ArtEnsures designer's vision is achieved.Department/Production Responsible for art department andDesignermakes sure that the script andauthenticity within it is realised.ART DIRECTORMultiple and/or overlapping *clients, worker exercisesrare skill and judgement andclient has no right to switchworker to other tasks. Forfurther details seeESM0520, ESM0528 andESM0553 and Hall &LorimerArt DirectorEnsuring designer's vision is achieved.Plans, organises and controls the visualaspects of a set.Standby Art DirectorResponsible for dealing withchanges/improvements/repairs/refitsto set during the shoot.OFFICIAL

4ASSISTANT ARTDIRECTOR*Assistant Art DirectorTurns any initial sketches into workedup drawings or 3D models. Surveyslocations and works with constructionmanager on set construction. Helps theArt Director to source props andresearch viewing locations.Responsible for designing andsupervising smaller sets.VFX ART DIRECTOR*Specialist Art DirectorroleEnsuring VFX vision is achieved. Plans,organises and controls the visual aspectsof vfx sequences from work of VFX artistsArt director for visual effects specific sets,locations, scenesDRAUGHTSPERSON*Set designDesigns the look and feel of sets.ILLUSTRATOR*IllustratorProduces art work related to theproduction, usually relating to thestory.*Animatronic ModelDesignerDesigns and produces the workingmodels, props, and/or puppets for stopmotion animation.Production DesignerCreates physical look and feel of theproduction including the set, props,visual effects. Manages art departmentand responsible for design budget.Digital Set DesignerCreates physical look and feel of theproduction including the set, props,visual effects. Manages art departmentand responsible for design budget.Graphic ArtistCreates designs for maximum visualimpact on screen.DESIGNERWhere the majority of thework is not carried out onthe engager's premises, orthe contract requires theprovision of the necessary,substantial equipment toprovide the service. Forfurther details see ESM0540and ESM0542OFFICIAL

5CONSTRUCTIONMANAGERWhere the contract requires *the provision of thenecessary, substantialequipment to provide theservice. For moreinformation see ESM0540OFFICIALGraphic DesignerCreates designs for maximum visualimpact on screen.Lettering ArtistCreates designs for maximum visualimpact on screen.Lettering DesignerCreates designs for maximum visualimpact on screen.Creature DesignerDesigns and makes masks/bodyparts/actual creatures to be used in afilm.Scenic ArtistPaints backdrops and murals on sets.Scenic DesignerDesigns the look and feel of the filmset.Set DesignerDesigns the look and feel of studio sets.3D Set DesignerCreates physical 3D models to informlook and feel of the productionincluding the set, props, visual effects.Construction ManagerBuilds the set to realise the designer'screative vision.

6SET CONSTRUCTION –PLASTERERPAINTER METALWORKERCARPENTERSIMILAR CRAFT ROLEWhere the contract requires *the provision of thenecessary, substantialequipment to provide theservice. For moreinformation see ESM0540Highly SkilledBuilds the set to realise the designer'sCraftsperson engagedcreative vision.to build the sets andwho has itinerantpattern of work –constructing sets for anumber of clients/ usingtheir craft skills in theirconstruction businessGARDENERWhere the contract requires *the provision of thenecessary,substantialequipment to provide theservice.For moreinformation see ESM0540Gardener/GreensAdvisor (formerlyGreensman)Provides horticultural skills on sets.Jewellery MakerMakes jewelsModellerDesign and creation of models.Model DesignerCreates look of any models required.Model MakerPhysical manufacture of ModelDesigner's vision.Prop Modeller HoDDesign and creation of models.Senior Prop ModellerDesign and creation of models.Prop ModellerDesign and creation of models.JEWELLERY MAKERMODELLER*Where the contract requires *the provision of thenecessary, substantialequipment to provide theservice, the associatedfacilities and materials. Formore information seeESM0540OFFICIAL

7SCULPTORPROPERTY SUPPLIERPROPERTY HANDWhere the contract requires *the provision of thenecessary, substantialequipment to provide theservice, the associatedfacilities and materials. Formore information see&*Where the contract requiresthe provision of thenecessary, substantialequipment to provide theservice and/or the facilities.For more information seeESM0540PRODUCTION BUYER/GREENS BUYER*SET DECORATOR & SET Where the contract requires *DRESSERset design performed otherOFFICIALAssistant Prop ModellerDesign and creation of models.SculptorPhysical manufacture of ProductionDesigner's/Art Director's vision.Creature FabricatorPhysical manufacture of CreatureDesigner's vision.Property HandHandles the movement of props whenin studio or on location.Standby PropsResponsible for dealing withchanges/improvements/repairs/refitsto props during the shoot.Property Supplier(Formerly PropertyMaster/Mistress)ArmourerSources and negotiates price of props.BlacksmithPhysical manufacture of props orequipment.Production Buyer, SFXbuyer, Costume buyer,Construction buyer,Plants buyerMakes or sources props, costumes,plants or equipment.Set DecoratorMakes and sources propsDesigns/builds/sources and handles allweapons (Armoury).

8than on premises providedby the engager. Maintainsown premises. For furtherinformation see ESM0522Set DresserDressing sets according to relevantthemes and with certain products.Drapes masterMakes or sources set decorating materials.Multiple and/or overlapping *clients. Client has no right toswitch worker to othertasks. Provides equipment,For further information see *ESM0533, ESM0528,ESM0520 and ESM0540Animation DirectorInterpret the brief from the Director.Guide, supervise and review the workproduced by the Animators andAssistant Animators.Animation ProductionCoordinatorResponsible for logistics of productionprocess.ANIMATORWhere the majority of thework is not carried out onthe engager's premises andthe contract requires theprovision of the necessary,substantial equipment toprovide the service. Formore information seeESM0522 and ESM0540AnimatorAnimate models or puppets one frameat a time to provide the action outlinedin the storyboard. Stop frame/motionanimation. Includes “stop-frame andalso use of animation software 3D/CGIand 2D animationSENIOR SPECIAL EFFECTSTECHNICIANMultiple and/or overlapping *clients. Client has no right toswitch worker to othertasks. Provides equipment,For further information seeESM0533, ESM0528,ESM0520 and ESM0540Senior Special EffectsTechnicianRealises the SFX designers’ vision.Responsible for budget and staff.ANIMATION DIRECTORANIMATIONPRODUCTIONCOORDINATOR*OFFICIAL

9*Special Effectssupervisory rolesRealises the SFX design and oversees safeexercise of SFX. Responsible for budgetand staff.Has control over executionof tasks. Conductspreparatory work awayfrom engager's premises.Payment by fixed fee onpresentation of invoice. Forfurther information seeESM0520, ESM0522 andESM0542*StylistsDresses people or sets with preexistingclothes or props.Costume StylistsDresses people or sets with preexistingclothes or props.Film StylistDresses film sets with pre-existingclothes or props.Photographic StylistDresses photographic shoots with preexisting clothes or props.Where the majority of thework is not carried out onthe engager’s premises orthe contract requires theprovision of the necessary,substantial equipment toprovide the service. Forfurther information seeESM0522 and ESM0540*Scenic/BackgroundArtistPaints backdrops and murals on sets.EditorCrafts assembled raw footage intocoherent editorial story.Offline EditorCrafts/copies raw footage andassembles into coherent editorial storyleaving original material intact.SPECIAL EFFECTSWORKSHOPCO-SUPERVISORFLOOR SUPERVISORSFX CHARGEHANDSTYLISTSCENIC/BACKGROUNDARTISTPOST PRODUCTIONEDITORHas control over execution*of task. Worker exercisesrare skill and judgement. For*further information seeESM0520 and ESM0528OFFICIAL

10*VT EditorCrafts assembled raw footage intocoherent editorial story. May edit onlyinserts into programmes, but not thefull programme.*Online EditorResponsible for the technical aspects ofa final, finished programme. Ensures itmeets all broadcaster technicalstandards.*Video TechnicianResponsible for maintenance of videoequipment.VIDEO TECHNICIANWhere the contract requiresthe provision of thenecessary, substantialequipment to provide theservice. For moreinformation see ESM0540POST PRODUCTIONSUPERVISORHas control over execution*of task. Worker exercisesrare skill and judgement. Formore information seeESM0520 and ESM0528Post ProductionSupervisorResponsible for the overall postproduction and delivery process.EVS OPERATORWhere the contract requiresthe provision of thenecessary, substantialequipment to provide theservice. For moreinformation see ESM0540*EVS OperatorPerson who operates the kit whichenables replays of goals or tennis rallieswithin seconds. Booked by theday/week.*Video PlaybackOperatorResponsible for the building andoperating specialized video playbackequipment to realise Director andProducers vision.VIDEO PLAYBACKOPERATOROFFICIAL

11AERIEL DITWhere the contract requiresthe provision of the necessary,substantial equipment to providethe service. For more informationsee ESM0540*Where the contract requiresthe provision of the necessary,substantial equipment to providethe service. For more informationsee ESM0540*Liaison between cameradepartment and postproduction - advising on howto get the best from thecamera to enable requiredchanges in post. Managescamera cards, digitises intopost production system.ELECTRICAL & LIGHTINGGAFFERGafferLighting hand (formerlyBest Boy)ElectricianCrane Head TechnicianSets equipment to realisedesigner's and director'svision.Sets lighting equipment torealise Designer's andDirector's vision.Operates lightingCrane TechnicianOperates lightingHead technicianSets lightingBalloon OperatorOperates type of lightingBalloon technicianOperates type of lightingLibra Head OperatorOperates type of cameracraneOperates type of cameracraneLighting ElectricianOTHER RELATEDSPECIALIST LIGHTINGROLES / CAMERA ROLESWhere the contract requiresthe provision of the necessary,substantial equipment to providethe service. For moreinformation see ESM0540*Libra Head TechnicianOFFICIALSets lighting equipment torealise designer's anddirector's vision.Sets lighting equipment.

12GRIP (INCLUDING KEYGRIP)Where the contract requiresthe provision of the necessary,substantial equipment to providethe service. For more informationsee ESM0540GripResponsible for the buildingand maintaining of kit whichsupports the camera andoperator e.g. dollies or cranes.Key GripResponsible for the Gripdepartment, building andmaintaining of kit whichsupports the camera andoperator e.g. dollys or cranes.Lighting Desk OperatorOperates lighting deskConsole OperatorOperates consoleRigging Desk OperatorOperates rigging deskShooting DimmeroperatorOperates shooting dimmerWhere responsible for designing*lighting or photography. For lightingdesigner where work performedother than on premises provided bythe engager. For more informationsee ESM0522Lighting DirectorEnsures the Designer's visionis achieved.Lighting DesignerCreates the lighting design fora production.Where the contract requires theprovision of the necessary,substantial equipment to providethe service or meets the conditionsin Hall v Lorimer. For moreinformation see ESM0522Vision Controller/Vision EngineerPerson responsible for theexposure and quality of thetelevision picture during liveor recorded studio or OBrecordings. Works to thelighting director.OPERATOR ROLESLIGHTING DIRECTORVISION CONTROLLER/VISION ENGINEER***OFFICIAL

13VISION SUPERVISORWhere the contract requires theprovision of the necessary,substantial equipment to providethe service or meets the conditionsin Hall v Lorimer. For moreinformation see ESM0522*Vison SupervisorTeam Leader. Personresponsible for the exposureand quality of the televisionpicture during live or recordedstudio or OB recordings.Works to the lighting director.Where the contract requires theprovision of a standard make-up kitor the majority of the work of thework is not carried out on theengager's premises. For moreinformation see ESM0540 andESM0522*Makeup ArtistResponsible for the overalldesign, application and care ofmake up during production.Makeup designerResponsible for the overalldesign, application and care ofmake up during production.Makeup supervisorResponsible for the overalldesign, application and care ofmake-up during production.Responsible for managementof staff and dept budget.Responsible for the designand realisation of the anyspecial prosthetics that needto be created for theproduction.MAKE-UPMAKE-UP ARTISTPROSTHETICS DESIGNER & Where the contract requiresSUPERVISORthe provision of the necessary,substantial equipment to providethe service. For more informationsee ESM0540*Prosthetics Designerand SupervisorHAIRDRESSER*HairdresserWhere the contract requires theprovision of necessary, substantialequipmentOFFICIALResponsible for the overalldesign, application and care ofhair during production.

14(includes wigs) and/or the majorityof the work is not carried out on theengager's premises. For moreinformation see ESM0540 andESM0522*Chief HairdresserResponsible for the overalldesign, application and careof hair during production.Responsible for managementof staff and departmentbudget.Where the majority of the work isnot carried out on the engager'spremises. Formore information seeESM0522*WigmakerResponsible for the overalldesign, application and careof wigs during es or supervisesrecording of original musicaltracks to accompanyproduction.Writes the words toaccompany the musicCONDUCTING COACH*WIGMAKERMUSIC AND COMPOSITIONREHEARSAL PIANISTMost musicians are self-employed.See also theguidance for musicians ESM4121MUSICAL ARRANGERWhere the majority of the work isperformed other than on premisesprovided by the engager. For moreinformation see ESM0522*Musical ArrangerOFFICIALArranges pre-existing music tosuit the feel of theproduction.

15MUSICALASSOCIATE/SUPERVISORSubstantial work away fromengager's premises. Payment byfixed fee on presentation of invoice.For more information seeESM0522 and ESM0542Worker exercises rare skill andjudgement. Client has no right toswitch worker to other tasks. Formore information see ESM0528 andESM0520*Musical AssociateSuggests music to be includedin a production, according torelevant theme.*Musical Score ReaderTranscribes scores intoindividual musical instrumentadaptations.MUSICAL DIRECTORWorker exercises rare skill andjudgement. Client has no right toswitch worker to other tasks.Preparatory work done away fromengager's premises. For moreinformation see ESM0528, ESM0520,andESM0522*Musical DirectorDiscusses musicalinterpretations with director,suggests music to be used inproduction, and adaptscompositions to suit the styleof production.MUSICAL COPYISTWhere the majority of the work isperformed other than on premisesprovided by the engager. For moreinformation see ESM0522.*Musical CopyistCopies musical scores andindividual instrument piecesfor different musicalarrangements.*WriterOriginator of script.*ScriptwriterOriginator of script.Script EditorEdits original script offeringalternativestorydevelopments.MUSICAL SCORE READERSTORYWRITERSCRIPT WRITERExcept reporting scriptsOFFICIAL

16SCRIPT SUPERVISORWhere script breakdown is anintegral part of the contract*Script SupervisorContinuityResponsible for breakdown ofscripts into filming blocks andensures that if recorded outof sequence, they willcoherently fit back togetherin postproduction. Can alsowork on music and event/liveprogrammes. Can also becombined with continuityrole.Responsible for ensuring thatwhen sequences are filmed ina non-linear way, the shotswill match up when they areput together inpostproduction.Reads unsolicited scripts anddecides which to takeforwards for furtherconsideration.SCRIPT READERWhere the majority of the work isperformed other than on premisesprovided by the engager. For moreinformation see ESM0522*Script ReaderSTORYWRITERExcept reporting scripts*StorywriterOriginator of script.*Provider of OccasionalInformation*Researcher (FormerlyLeg-man)Expert in relevant fieldoffering contributions to thenarrative arc of the story. Canbe on and off-screen.Provides factual information.CONTRIBUTOROFFICIAL

17TRANSLATORWhere used on an occasional basis.For more information see ESM0548*TranslatorLanguage AssessorTranslates foreign interviewsor full programmes / films.May include Sign Languagetranslators.Checks style and delivery offoreign languageprogrammes. May includeSign language interpretersand presenters.EDITORIALPRODUCERWhere the majority of the work isnot carried out on the engager'spremises. For more information seeESM0522*Co-producerProducerProducer DevelopmentOFFICIALWill have input into theeditorial storyline and roughcuts to fulfil coproducer'srequirements.Can be the creator of storyidea, responsible fordelivering the vision, tone,content and look of theproduction. Hiring manager,financial, creative and health& safety responsibility.Originates ownstory/programme ideas orprogresses ideas suggested byothers.

18Producer/DirectorProducer/Director DevelopmentFirst Assistant DirectorProducer - ArchiveProducer - CastingOFFICIALDirectors are responsible forvisualisation of the scriptand/or the shaping of creativecontent/ editorial narrative byplotting camera movementsand shot composition,working with the crew, cast,contributors, or presenters,and directing the editing ofthe creative content to form itinto a cohesive final product.As above. Also responsible forthe creation of the storyideas.Responsible in pre-productionfor all organisational aspectsof the shoot, breaking thescript down into a filmingschedule and adjustments asnecessary. Manages 2nd and3rd Assistant Director. Doesnot go into post production.Researching, sourcing,negotiation of price and rightsfor film, TV and stills clips thatare appropriate toenhance/illustrate narrative.Sourcing suitable candidatesto participate in theprogramme e.g. realityprogrammes.

19Producer - CelebrityProducer - LiveProducer - OnlineProducer - Challengesor gamesProducer - VT InputProducer - QuestionsOFFICIALSourcing suitable celebritycandidates to participate inthe programme e.g. realityprogrammes.Responsible for look, feel andtone of live events.Responsible for look, feelcontent and tone of onlinecontent.Creates and delivers thevision and tone of any formatchallenges with aprogramme.Responsible for look, feel andtone of inserts into theprogramme.Sets questions appropriate toprogramme, verifies themand attends recording.Producer - Script orStoryResponsible for the creationand delivery of story ideaswithin strands/series e.g. aregular magazine show.Producer - Edit (inclsenior producer edit)Responsible for assemblingthe feel and tone of aprogramme/series in the editsuite after it has been filmed.

20Executive ProducerSeries Editor (editorial)Series ProducerSenior ProducerUltimate guarantor of thequality of the production andthe fulfilment thecommissioner's expectations.Ultimately responsible for allaspects of production e.g.quality, content, financial,health & safety, etc.Usually works on long runningstrands or returning series.Responsible for the look andfeel of the series/strand andbudget. Hiring manager andHealth and Safetyresponsible.Responsible for the look andfeel of the series/strand andbudget. Hiring manager andhealth & safety responsible.Usually applies to discreteseries.Works on major series orstrands and may have specificresponsibility for key editorialarea.Supervising ProducerSegment ProducerField ProducerTradeout ProducerCulinary ProducerOFFICIALMarketing partnerships andproduct placement

21Challenge ProducerSpeciality ProducerTradeout AssociateProducerCulinary AssociateProducerSpeciality AssociateProducerVFX ProducerVFX Line ProducerVFX EditorVFX Pre VIS/ Post VISEditorNews EditorContent EditorDIRECTOR*DirectorOFFICIALChoice of stories, editorialangle, duration of story andrunning order.Choice of stories, editorialangle, duration of story andrunning order.Responsible for visualisationof the script and/or theshaping of creativecontent/ editorial narrative byplotting camera movementsand shot composition,working with the crew, cast,contributors, or presenters,and directing the editing of

22the creative content to form itinto a cohesive final product.Director - SeriesDirector - studioDirector – GalleryOFFICIALAs above. Responsible fordirecting a significant portionof the episode/ series andestablishing the overall visualsignature of a work.As above. Studio Directorsoften direct in a multi-cameraenvironment, directingseveral cameras at once,usually in TV studios oroutside broadcast trucks,working on both live or prerecorded programmes, givingdirection to the crew, cast(and/orcontributors/presenters)As above. Gallery Directorsoften work on reality or fixedrig programmes directingseveral cameras at once asthey follow a story unfoldingin real time.

23Director - OBDirector - VTDirector - DVDirector - Shooting P/DASSOCIATE PRODUCERGenerally self-employed exceptwhere engaged primarily for generalresearch.*Associate ProducerOFFICIALAs Above. OB Directors oftenwork on major live eventsincluding sport,entertainment andnational/political eventsdirecting several cameras atonce covering an event as ithappens.A VT Director makes shortfilms for inserts into studio,entertainment or factualprogrammes.DV Director is a juniordirecting role. Shapes thecreative content/ editorialnarrative by directingperformers, presenters andcontributors while alsooperating camera. May takeresponsibility for shaping theedit.As above. Shooting PDsdirect while also operatingcamera.As producer but may alsohave raised some of thefinance for thescript/production. May alsohave input into the script.

24ARCHIVE RESEARCHERWhere the majority of the work isperformed other than on premisesprovided by the engager. For moreinformation see ESM0522*Archive ResearcherSPECIALIST RESEARCHERWhere the individual has an existingprofession, specialist knowledge andis engaged for a specific project. Formore information see ESM0528*Specialist ResearcherAUDITIONERMultiple and/or overlapping clients.Client has no right to switch worker toother tasks. ESM0533, ESM0528,ESM0520 and ESM0540*AuditionerCASTING DIRECTORMultiple and/or overlapping clients.Client has no right to switch worker toother tasks. For further informationsee ESM0533,ESM0528, ESM0520 andESM0540*Casting DirectorExtras Casting DirectorCelebrity ExecutiveOFFICIALResearches archived material(e.g. video and stills) whichsupports editorial thrust ofstory. Contributes ideas forprogrammes, sourcescontacts and contributors,collects, verifies and preparesarchive material.Experts in their chosen fielde.g. architecture, costume,historical era, aeroplanes etc.Responsible for providingrich, accurate detail to ensureauthenticity within theprogramme.Suggests actors forappropriate roles andauditions them alone and withother potential cast members.Organises and facilitates thecasting of actors forappropriate roles andauditions them alone and/orwith other potential castmembers.Uses established list ofcontacts and initiative basedon current entertainment,sporting and general news

25events to book exciting andinteresting guests.STORYBOARD ARTISTWhere the majority of the work isperformed other than on premisesprovided by the engager. For moreinformation seeESM0522*Storyboard ArtistDraws a series of illustrationsto visualise how certainscenes will work.*Production ManagerResponsible for managing allaspects of production, worksclosely with editorialcolleagues to achieveeditorial ambition withintimescale and financialconstraints.Responsible for sourcing,negotiating and hiring filmcrew. Works together closelywith Production Manager.PRODUCTION MANAGEMENTPRODUCTION MANAGER Has control over execution of task.Multiple and/or overlapping clientsFor more information see ESM0520and ESM0528PRODUCTIONSUPERVISORAs above Has control over execution of *task. Multiple and/or overlappingclients For more information seeESM0520 and ESM0528Production SupervisorPRODUCTIONEXECUTIVEHas control over execution of task.Multiple and/or overlapping clientsFor more information see ESM0520and ESM0528Production Executive*OFFICIALResponsible for all aspects ofproduction including budgetand schedule, working closelywith production colleagues toachieve production ambitionwithin timescale and financialconstraints.

26VFX PRODUCTIONMANAGERHas control over execution of task.Multiple and/or overlapping clientsFor more information see ESM0520and ESM0528*Variant on ProductionManagerVFX SUPERVISORHas control over execution of task.Multiple and/or overlapping clientsFor more information see ESM0520and ESM0528*Variant on ProductionSupervisorLINE PRODUCERHas control over execution of tasks.Conducts preparatory work away fromengager's premises. For moreinformation seeESM0520 and ESM0522*Line ProducerLOCATION MANAGERWhere the role includes preliminaryplanning, arranging accommodation,setting the stage and restoring thesite to its original condition. Thisshould include providing a completeoffice service which may involvehiring staff and equipment. For moreinformation see ESM0545*Location ManagerOFFICIALResponsible for managing allaspects of VFX production,works closely with editorialcolleagues to achieve editorialambition within timescale andfinancial constraints.Responsible for sourcing,negotiating and hiring filmcrew. Works together closelywith Production Manager.Responsible for all aspects ofproduction including budgetand schedule, working closelywith editorial colleagues toachieve editorial ambitionwithin timescale and financialconstraints.Responsible for finding andnegotiating access toappropriate locations.Manages all logistics with thesite. Can manage others e.g.transport or cateringmanagers and locationassistant.

27PRODUCTION IT &NETWORKING HOD*Production IT &Networking HODResponsible for the overallproduction technologyprocess through prep,production, and post.Responsible for productiontechnology budget and staff.Responsible for the overallproductiontechnologyprocess.PRODUCTION IT &NETWORKINGSUPERVISOR*Production IT &Networking SupervisorPRODUCTION IT &NETWORKINGCOORDINATOR*Production ITcoordinationWorks with production IT &networking supervisorPRODUCTION IT &NETWORKINGTECHNICIAN*Technical supportSupports production IT &networking teamPRODUCTION IT &

Graphic Designer Creates designs for maximum visual impact on screen. Lettering Artist Creates designs for maximum visual impact on screen. Lettering Designer Creates designs for maximum visual impact on screen. Creature Designer Designs and makes masks/body parts/actual creatures to

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