YOUNG FRANKENSTEIN By - Script Slug
,,."YOUNGFRANKENSTEIN"ScreenplayByGene Wilder&Mel Brooks',·THIRD DRAFTDecember 17, 1973343
,,."YOUNGFRANKENSTEIN"FADEINEXT. FRANKENSTEINCASTLE- NIGHT1A BOLTOF LIG ING A CRACKOF THUNDER!On a distant,rainy hill,the old FrankensteinCastle, asby ANOTHERBOLT OF·we knew and loved it, is illuminatedLIGHTNING.MUSIC:· AN EERIE TRANSYLVANIANLULIABYbeginsthe b.g.to PIAY inCREDITSBEGIN, as we MOVESLOWLYCLOSERto the castle.Itis completely dark, except for one room -- a study in the·corner of the castle -- lit only by candles.Now we are just outside a rain-splatteredwindow of the study.'!he CREDITSENDand we PASS THROUGHTHEWINDOWand SEE:''INT. STUDYA closed' 2coffintowards the frontrests on a table.As the CAMERASEMI-CIRCLES·of the coffin A clock, that ha pensto cross our path, BEGINS TO CHIME:"One," "Two," 11'lhree,""Four . " We might notice thatboth its hands are pointing to·12.Now we are FACINGthe front of the coffinand begin toABOVE it."Five,""s1x, 1 "Seven," "Eight "RISE SLOWLY'!he heavily ENGRAVEDLETTERSon. the curved lid of' the coffinreveal themselves to. us, from bottom to top, inch by inch:FRANKENSTEINWe are"Eleven,"'!he lidALMOSTDIRECTLYOVERthe coffin.1111T WE L V E !of' the coffin"Nine,11"Ten 11FLINGS OPENwith , a CRASH.CUT TO:
2THEEMBALMEDHEADOF BEUFORTFRANKENSTEIN3Half of his face stillclings to the waxen balm; the otherhalf has decayed to skull,Below his head is a skeleton,whose bony fingers clutch a metal box .4A HANDreachesin to grasp the metal box,It liftsfingersthe box halfway out of the coffin -- the skeleton'srising,involuntarily,with the box.'lhen, as if by force of will, the skeleton'sfingersto grab the,box back and place it where it was.seem'NQW"'lhe Hand" -- with the help of its other hand -- grabsthe box back from the skeleton'sfingers which no longerresist.ANGLE ON CORNELIUSWALDMAN5whose 'Hands I we have just seen, carriestable.He takes a tiny key out from hisbeginsto unlock he metal box.the box to a smallvest pocket andNINE PEOPLEwatch'.him ·closely,in the study, waitingBeaufort Frankenstein'scentury Transylvanian,They are seated on chairsto hear the contents of·.will.·Their dress is turn of-the-Cornelius Waldman fumbles with the ancient lock, emi tinglittlegrunts as he tries to open it,As he is grunting,Heir, 11 as·the CAMERAPASSES the face of each "Potentialhe or she mutters in frustrationor anger.WALTERlife i,s in thatcsa t open it. box and heIU E(his wife.)Sbhh!Hurry, A{his. wife)Quiet, Heinrick,We've waitedseventy years -- another three.four seconds won't hurt,·orCont.
35 Cont.NINETY-YEAR-OLDVILLA.GERAnother three or four seconds?·c ld be dead by then.IAGATHAShhh!A MAN. What if your beloved Great Uncle left you out of his will?·HEI,F;r,m(HIS GIRLFRIEND)Shut your beloved'mouth!. ANASTASIA { A MIDDLE-:AGEDWOMAN)Oh, Miltti --- :r hardly remember.Did the Baron.reallylike me whenI was a child?Like a father!MARLENE(HER MOTHER)WOLFGANG(muttering tohimself)Wenn dieser Bloder kerl sich nichtbeeilt verde ich verruckt.·was zumTeufel machte?. MARLENE'Shhhh!Vas?Sha&!Ah! Ya!,-.WOLFGANGMARLENEWOLFGANGCornelius Waldman finallyopens the lock.He takes out anold parchment, puts on his glasses,coughs and sputtersafew times and then begins to read.CORNELIUSWALDMAN(reading)'I, Beaufort Frankenstein,in thismy eighty-thirdyear of life,dohereby declare the followingstatements as my last will andtestament to be read upon theoccasion of my one hundredth birthday.And r direct my"executor,Cornelius Waldman, to assemble thosepersons previouslydiwlged to him,that they may hear -- .2!!l. voice -the: final dispositionof my property. Cont."-
45 Cont.1At the words 111n my own voice"exchange curious glances.the nine "PotentialCornelius Waldman nods to a clerk,standing nearby.Heirs"HERRFALKSTEIN,who isHERR FALKSTEINcranksan old Victrola and places the needleonto an already spinning record.It SCRATCHESand thenbeg1ns to PLAY.VOICE OF BEAUFORTFRANKENSTEIN(deep and majestic)'The once proud name of Frankensteinhas been dragged, by my only son,Victor, into an abyss of shame. ere was a time when the name1 FrankE!nste1n 1 conjureddreams ofvirtue,o·r honor and devotion.Now, no guilt, no malignity, nomisery can be found to equal mine.And the catalogue of sins of myonce devoted son will not ceaseto rankle in my wounds until deathshall'closethem forever --·sosupremely frightfulis th effectof any human endeavor to mock thestupendous mechanism of the Creatorof the wo ld.(tc:i an Assistant)Did you get all that?Are you sureyou got ' rankle 1n my wounds ? 1 I 1 11k111 you if you screw this up. Allright, all right -- get the hell outof the way. You're sure I'm closeenough to this thing?All right,shut up!,again).(for posterityNow as to the dispositionof my estate.Everyone 1n the room sitsTo my cousins,alert.VOICE OF BEAUFORTHeinrich and Agatha CUT TO:THE NINETI-IEAR-OLD6VILLAGER AND HIS WIFEVOICE OF BEAUFORT and to my cousin Walter and hiswife, llse.·CUT TO:-.
5WALTERAm) ILSE7VOICE OF BEAUFORT. and to my niece Helene.CUT TO: HELENE, SITTING WI':!l{ HER BOYFRIEND8VOICE OF BEAUFORT and my dear nephew, Wolfgang, CUT TO:. WOLFGANG,SITTING ALONE9. VOICE OF BEAUFORT and lastly,to my cherished oldbosom My cherished old bosomfriend,- Marlene, and to her charmingdaughter. (to the Assistant)What did she finally name it afterall the fuss?VOICE OF ASSISTANT{whispering)Anastasia!VOICE OF BEAUFORT{back. into themicrophone) Anastasia CUT TO: .ANASTAS.IAAm MARLENE10VOICE OF BEAUFORT to all of you, in equal shares,I hereby give, devise and bequeath,absolutely&nd without anyrestrictionswhatsoever, all propertyof every sort and description,whetherreal, personal or mixed, to which myesta e shall be entitled.Heinrich and.Agatha are hugging each other .Walter and naeare hugging each other.Helene and h'!r Boyfriendare hugging each other.Cont.
610 Cont.Anastasia and Marlene are hugging each other.W lfgang is hugging himself.VOICE OF UFORTUNLESS They alllook up suddenlyfrom theirhugging.SCRATCH,SCRATCH,SCRATCH the needleof the firstaide.Herr Falkatein·He placesliftshas reached the endthe arm off and turnsthe recordHERR FALKSTEINIt's(apologetically)a severity-eight.the needleon the record. VOICE OF BEAUFORT. unleaa my only male heir,my great-grandsonFrederick whom I have never seen but who is,at the time of this recording,tenyears of age and reaiding'inAmericawith my granddaughter Katherine -has, by: his own free will, embracedMed1cine as his career, and hasacqu1tted himself with aoiiiemeasureThen to him I leave of' . esteem.EVER!'lli11'11.HThe.nine "Potent1alHeirs"Oh.,,mein Gott!are expressionless HEINRICHAGATHASha! What's· the matter with youZHe's probably not even a Doctor.VOICE OF BEAUFORTcastle,together with its laboratory,its publlc and private library,allacreage surrounding my- estate,plus all1ncome and principalthereof in thefond hope that yet another Frankensteinshall lift our family name to anem1nence of d1gn1ty that·.1t onceenj eyed.As for my dear friends andrelations,should this latter1mprobabil1ty come to be -- I know thatI·-· have '· r.
710 Cont.lVOICE OF BEAUFORT(Cont.)For the path to salvationand- repentance must be climbed u-p thebarren mountain of m, soul, andnot up yours, up yours, . up yours,up you s, up yours Herr Falkstein removesthe needlefrom the finishedCORNELIUS WALDMANHerr Falkstein!Did you informFrederick Frankesteinof thisassembly and all the particularsof time and place?I did,sir.He takes a cablegram'HERR FALKSTEmout from his pocket . HERRFALKSTEmBut I received a cable only thismorning, saying that he cou-ld notcome.,.CORNELIUS WALDMANWas he aware of the importanceof this occasion?HERR FALKSTEmYes. sir, he was. But he saidhe was obligated to give a,lecture.CORNELIUS WALDMANWhat lecture could be moreimportant than the will ofBaron Beaufort Frankenstein?HERR FALKSTEm(reading the cable) Functional areas of the cerebrum1n relationto the skull. 1The Ninety-Year-OldVillagerpassesout.HELENE ( very ·sweetly)Excuse me, Mr. Waldman -- excuse mefor interrupting.But is Frederick,then a medical doctor?Cont.record.
810 Cont.2Yes, my dear,CORNELIUSWALDMANhe is.HELENEAnd has he achieved any specialdegree of eminence?lHe is the fifthin his field.CORNELIUSWALDMANleading authority.HELENE(sinking her,headinto her hand)Oh, shit.CORNELIUSWALDMANHerr Falkstein!- You must go atonce and present Dr. Frankensteinwith all the detailsof hisinheritance.'lhe estate will providefor your journey.BET.ENEI object, Herr Wall1man! If thebeloved great-grandsoncared at allro.r the Uouse or Frankenstein,hewould have shown it by being heretonight.I think we shouldcompletely disregard the a'fterthoughtsof a very old man WALDMAN. CORNELIUSthe 'foundation o'f civilizationrests upon adherence to the law. Andthe Law-is the Law. DADGESET'l ISTDAS GESET'llMadam --Wolfgang -- the newphew who mutters 1n German -- CRASHESthe back o'f his head halfway INTO THE WALLbehind him.Herr Falkstein!instructions!· Yea,. sir!CORNELIUSWALDMANYou have yourHERR FALKSTEINC.ORNELIUSWALDMANI have taken an oath that eachletteror this statement shall beexecuted . and :ezGod, it shall done!Cont.
910 Cont.3'A BOLTOF LIGHTNINGCRASHES'mRU A WINDOWand into the room. '!he RECORDthatwas just'!he lid of Beaufortby itself.played SHATTERSinto pieces Frankenstein'scoffinSLAMSSHUTDISSOLVETO:INT. MEDICALARENA- TIMORE, MARYLAND ,Herr Falksteinenters the balcony of an arena packed withyoung MEDICALSTUDENTS. A lecture is in progress LECTURER'SVOICE(o.s.)If we look at the base of a brainwl'lich has just been removed froma skull, the1"1!1 S very littleof the,midbrain that we can actually see.IHerr Falkstein proceeds, almost on tiptoe,along the aisle -his footsteps ECHOINGlightly against the cold stone flooras he passes the faces of students,intense withconcent ation.He is carrying the small metal box from theprevious scene.LECTURER'SVOICE(o.s.)Yet, as I demonstratedin mylecture last ' week, if the . underaspects of the temporal lobes aregently pulled apart, the upperportion of the stem of the braincan be seen.FalksteineventuallyfindsLONGSHOT-FALKSTEIN1 S ''of our famous lecturer:lecturing with a scalpela vacant placeP.o.v.and sitsdown.12YOUNGDOCTORFRANKENSTEIN,who isand a model of a brain
1012 Cont.FREDDYTh1s so called 'brain stem'consists of the midbrain, arounded protrusioncalled the pons,and a stalk tapering downwardscalled the medulla oblonii:ata . ·which passes out of the skullthrough the foramen magnum and becomes,of course the spinal cord. Whichbrings us directlyto the demonstrationprepared for today.Are there anyquestions before we proceed?MED:CCALSTUDENT(rising):C have one question,Dr. Frankenstein.CUT TO:.f343
11EXTREMECLOSEUP- FREDDY13FREDDY'Fronkonsteen.'That'sMEDICALSTUDENTI beg your pardon?FREDDYMy name is pronounced!!:2!!, ·!2!1s teen MEDICALSTUDENTOh! .I thought it wasDr. Frankenstein.No, it'sFREDDYDr. Fronkonsteen!MEDICALSTUDENTBut you are the grandson of thefamous Dr. Victor Frankenstein? who ingeniouslydug up andtransformed dead components FREDDY{interrupting),I KNOWWHATHE DID! I know whatbe did.But I prefer, by far, tobe remembered for my own smallcontributionsto s·cience, andnot because of my genetic·relationshipto a famous Looney Tune.Politelaughterfrom the Students.FREDDYNow, if you don't mind, canwe get on to your question?MEDICALSTUDENTWell sir I'm not sure Iunderstand the distinctionbetween'Reflexive'and 'Voluntary'nerveimpulses. FREDDYVery good! Since our lab work todayis a demonstrationof Just thatdistinction Why don't we proceed?Freddy motionsPATIENT.to his Assistant,Freddy moves behind the PatientCARLSON,.who wheels in aon the table.Cont.
1213 Cont.FREDDYMr. Hilltophere -- with whom Ihave never worked or given anyprior instructionsto -- hasgraciouslyoffered his servicesfor this afternoon'sdemonstration,.!!!:,. Hilltop!HILLTOPYes, sir?FREDDY. Have we ever seen each other beforethis afternoon?HILLTOPNo, sir.FREDDYHILLTOP(turning to the MedicalStudents)·No, sir -- we haven't.FREDDY· ( to his audience)Do I lie? .(to Mr. Hilltop)Would you be kind· enough to hopup on your feet and stand besidethis: table?.Mr. Hilltopgets. off of the operating· Mr. Hilltop!leftMr. HilltopFREDDYWould you raisek:ciee, please!?.raiseshis lefttableand standsyourknee.FREDDY.You have just witnessed a 'Voluntary'nerve impulse.It begins as astimulus from the cerebral cortex,passes through the brain stem andthen to the particularmusclesMr. Hilltop,you mayinvolved.lower ·your knee He lowers his knee.Cont.erect.
1313 Cont.lFREDDY,,'Reflex' movements are those whichare made independentllof the will,but are carried out a ong pathways.which pass between the peripheryand the central nervous system.You filthy,rotten,yellow·son-of-a-BITCH!Freddy pokes his knee close to Mr. Hilltop'sreacts accordingly.testicles.Mr. HilltopFREDDYWe are not aware of these impulses,neither do we intend them to contractour muscles. Yet -- as you can see--.they work by tµemselves.By thisa littletime, Mr. Hilltopnervously.has lowered his protectivethigh . FREDDYBut what if we block the nerveimpulse by simply applying localpressure which can be d·one withany Qrdinary metal clamp.Freddy reaches out his hand. Carlson hands him a bicycleears.clamp. Freddy places the clamp behind Mr. Hilltop'sFREDDY Just at the swelling on theposteriornerve root -- for, oh,say, five or six seconds A shortpause.Freddy looks at his watch.FREDDYWhy you mother-grabbingBASTARD!.Freddy jerks his knee into Mr. Hilltop'stesticles.Thistime Mr. Hilltop does not move. His eyes cross in exquisiteagony. He is almost ready to pass out.:FREDDY· Because of· this clamp, allcanmunication is shut off.Inspite of our mechanical magnificence,if there is not this continuousstream. of motor impulses .(removes the clamp) we would collapse like abunch of broccoli.Cont.
1413 Cont.2Mr. HilltopcollapsesA smatteringonto the floor.of POLITE APPLAUSE.Carlson reaches-down and liftsscious, back onto the table.Mr. Hilltop,FREDDYit should(to Carlson)Give him an extra dollar.In conclusion,bewho is uncon-noted CARLSONYes, sir.FREDDY that more than common injuryto the nerve roots is alwaysserious,because once a nervefibre is severed there is noway. in Heaven or on earth, toregeneratelifebackinto-it.Are there anyiiiore questionsbefore we leave?··MEDICALSTUDENTDoctor Fronkonsteen!FREDDYYes?MEDICALSTUDENTIsn't it true that Darwin preserveda piece of' vermicelliin a glasscase until,. by some extraordinarymeans, it actually began to movewith voluntary motion?A pieceFREDDYof' what?Vermicelli.MEDICALSTUDENTFREDDYAre you speaking of the worm,or the spaghetti?Why MEDICALSTUDENTthe worm, sir.Cont.343
1513 Cont.3FREDDYAh! In science you must be veryprecise -- ·it can spell thedifferencebetween life and death.(to Carlson)I don't want that fellow in classnext semester.Yes, sir.CARLSONFREDDYHe has a big mouth.(to the Medical Students)Yes! It seems to me I did"readsomething about that incident asa student.But you have toremember that a worm -- with veryfew exceptions -- is not a humanbeing.A small TITTER from the Students.MEDICALSTUDENTBut wasn't that the whole basis ofyour grandfather'swork, sir ?The reanimationof dead tis ue?MygrandfatherFREDDYwas a sick man.MEDICALSTUDENTBut as a Franken as a 'Fronkonsteen,'aren-'t you the least bit curiousabout it, Doctor? Doesn't thebringing back to life what wasonce deadhold any intriguefor- you?FREDDYYou are talking about the nonsensicalravings of a lunatic mind. Dead isdead!MEDICALSTUDENTBut look at what's been done with·hearts and kidneys rFREDDYHearts and kidneys are Tinker Toys!I'm talking about the CentralNervous System.Cont.343
1613 Cont.4But, sir MEDICALSTUDENTFREDDY ! Not aI am a scientistphiloso her.··(holds up his scalpel)You have more chance of reanimatingthis scalpel than you have of mendinga broken nervous system.MEDICALSTUDENTBut your grandfather'swork, sir!FREDDYMy grandfather'swork was Doo-Doo!I'm not interestedin. death!Thereis only one thing that. concerns me,and that is the preservationof !POLITE APPLAUSE. However, on the word "Life," Freddy hasplunged the scalpel into his thigh by mistake.No one butPreddy and the Movie Audience is aware of this.FREDDY 'Class is dismissed!The Studentsbegin to leave.Carlson!Yes, sir?FREDDYCARLSONFREDDYBring me some surgical gauze, alittletape, and some mercurichrome;CARLSON(seeing the wound)Mercurichrome?But, sir, don'tyou want me to bring you some. iodine?FREDDYBurns.Yes, sir.CARLSONHe runs off.Herr FalksteinapproachesFreddy with the metal.box.Cont.
1713 Cont.5HERR FALKSTEINDr. Frankenstein?(throughFron kon steen!FREDDYhis pain)HERR FALKSTEINMy name is GerhartFalkstein.CUT TO:14EXT . A CITY STREET- EVENINGHerr Falkstein and Freddy are walking along the sidewalk.In the distance,a littleOLDVIOLINIST, wearing a Tyroleanhat, PLAYSa cheerful tune on his violin.His open violincase rests on the ground beside him.FREDDYOne hundred thousand dollars?HERRFALKSTEINOh, at least,sir.The land aloneis worth a small fortune. (FREDDYBut I can't just drop·everythingand leave.I have obligations.For Heaven's sake, man I'm beingmarried in two weeks. What dothey expect of me?Herr Falksteinlooks down for a moment, in sympathy.ThelittleOld Violinisthas finished his cheerful tune.Henow PLA!S the EERIE TRANSYLVANIANLULLABYthat was heard at the opening of the film.HERRFALKSTEIN(meekly.)You also have an obligationtothe family.FREDDYHang the family!I've said Iwon t do it, and that'sthat!!HERRFALKSTEINBut you can be back in a week's time,Doctor -- ten days at most.Cont.
1814 Cont.FREDDYOh, leave me alone, can't you?What you're asking of me isludicrous.It's not so easy justto pick up and Freddy stops -- the music seepingcorner of his brain.intoa dark and forgottenFREDDYCurious melody! Haunting, isn'tit?(rubs his temples withhis fingertips)·Of course ! don't want the familyto think of me as a spoil sport.Does thatHERR FALKSTEINmean FREDDYExcuse me a moment.Freddy, followed by Herr Falkstein, ··walks back a few stepsand stands next to the Old Violinistas he plays.What's thatFREDDYtune you're playing?OLDVIOLINISTZis is an old TransylvanianLullaby.FREDDYIt has something!Such a quaint· lit'Iletune. ·Freddy reaches into his pocket and takes out severalpocket.He stuffs them into the Old Violinist'sOLDVIOLINISTOh, sank you,. sir.FREDDYMay I see your violin?OLDVIOLINIST(handing Freddiethe violin)It's an honor for me, sir.Youplay the violin?Oh, justNice!FREDDYa little.(examines the violin)Nice littlebalance to it.Cont.bills
1914 Cont.lOLD VIOLINISTJa,ja.Freddy, without emotion, smashes the violin over his kneeand then hands the two halves back to the Old Violinist.FREDDYThank you so much.The Old Violinisttakesthe two halves,open-mouthed.FREDDY(to Herr Falkstein)Well, if you're sure I could accomplisheverything in a week HERRFALKSTEINWhy did you do that?What?Break thatFREDDY'HERRFALKSTEINold man's violin.FREDDY .I didn'tdo that.HERRFALKSTEINThe.Old Violinist-- you smashedhis violin over your knee.FREDDYI did not do that.Why would Ido a t'E'Iiig like that ? Areyou insane? ---HERRFALKSTEIN(in solitaryecstasy)He - is - a - Frankenstein!.FREDDY· All right, then, I suppose I owethe family that much. But you' 11have everything ready for me whenI arrive?HERRFALKSTEINOh, yes, sir.I'lltake care ofeverything.You don't know howhappy this makes me.Cont.
2014 Cont.2One week at'theOne.week -- I'll. Herr Doktor!FREDDYmost!HERR FALKSTEINsee to it,.As Freddy disappears into the distance,Herr Falksteinout bis wallet,and, as be walks past the Old Violinisthe drops out a few bills into the open violin case.ANGLEON THE OLDVIOLINISTHe nods appreciativelyTransylvanian Lullaby-- then beginson the top halftakes 15to PLAYtheof his violin.The CAMERAMOVESIN SLOWLYto his face, which is now justeerie as he plays under the shaft of light from alittlestreet lamp.DISSOLVETO:343a
21.EXT. TRAIN STATION- NIGHT"l.6Freddy, with a large suitcase and small briefcase,standsnext to a lot of steam -- behind which there appears to be awaiting train.With Freddy is his h, my sweet darling oh, mydearest love I 1 ll count thehours that you're away.FREDDY(moving to kiss her)Oh, my darling-- so will I.Not on the lipsELIZABETH?FREDDYWhat?ELIZABETHI'm going to that silly party atNana and Nicky's later.I don'twant t9 smear my lipstick youunderstand.Of course.(o.s.)BOARDIFREDDYCONDUCTORAl.l. aboard.Oh, dear .ELIZABETH.---FREDDYWe1l I guess this is it.ELIZABETHFreddy I Darling I How can I say1n a few minutes what it'stakenme & lifetimeto understand?FREDDYELIZABETHAll right you re tops with me.,.Cont.
2216 Cont.FREDDYDarling!ELIZABETHI'm yours!All of me!else can I say?WhatFREDDY. (putting his faceagainst her cheek)Oh my sweet love!ELIZABETHThe hair!been set.Ohlthe hair IFREDDYSorry.I hope you likeweddings.You 'reELIZABETHold fashionedFREDDYI prefernights.Justold fashionedweddingELIZABETHincorrigible!Does thatFREDDYmean you love me?ELIZABETHYou bet your boots it does . FREDDY· (taking her by thewaist)Oh my on'ly love YELIZABETHI mean my dress --·it's'Wrinkles so easily.,-.taffeta.Cont.
2316 Cont.lFREDDYOhlBOARDICONDUCTORALL ABOARDIELIZABETHThere's that horrid man again.HUrry DOif -- before I make af'ool of' myself'.I don't trustthis no run' mascara.Freddy,elbow.not knowing where to touch her, sticks out hisShe sticks out hers. and their elbows kiss good-bye.FREDDYGood-bye, darling.ELIZABETHGood-bye, Freddy.Freddy DISAPPEARSINTO THE STEAM.DISSOLVE TO:f17INT. TRAIN - NIGHTFreddy is sittingin a passenger. PEOPLEsit near him.car,readinga book.A FEW18A CONDUCTORwalks down the aisle.New Yo k nextl--CONDUCTOREveryone out :f'orNEWYORKIFreddy looks out the window.19CLOSEUP- FREDDY'SFACEANDTHE WINDOWWhen Freddy looks back, the same People are sittingwherethey were, but now they are wearing Tyrolean clothing.·Theseatshave a more European arrangement.20THE SAME CONDUCTORwearing a oleanConductor'shat.walks down the aisl&.Cont.
2426 Cont . CONDUCTORnachste I JederTransnvaniaauste gen tiir TRANSLYVANIAIFreddy reaches up and'takeshis·su1tcaseand briefcaseoff ofthe rack above him.Then he raises his window and looks out:A TWELVE-YEAR-OLDGERMANBOYdressed in lederhosen,back, passes by.a cap,21and a shoeshinekiton hisFREDDY(callingout to him)Pardon me, boy! Is this theTransylvaniaStation?Ja,HewalksGERMANBOYTrack twenty-nine.ja.OFF.Then suddenlyTURNS BACK.GERMANBOY .Oh, can I give ·you a shine?Thank you,FREDDYno.DISSOLVE TO:EXT. TRAIN STATION - NIGHT22Freddy gets off the ancient train wearingcarrying his coat over one arm. · He looksmight be there to meet him.The trainleaves.his hat andfor someone· who(o.s.)Th stationis completelydeserted.blows an old newspaper past Freddy A sudden gustof wind.LOWTHUNE ER.From :the distantapproaching.shadows,The SOUNDcomes closerfoggy, that.nodefinitethere is:Freddy HEARS the SWND of someone'and closer,but it is so dark, and·form can be perceived.Finally,··A CRACK OF LIGHTNING!illuminatingA FACE, one footaw from Freddy's.Cont.
2522 Cont.IGORFrankenstein?Fron kon steenlYou're putting.No it'sFREDDYIGORme on.FREDDYpronounced Fron kon steen.IGORAnd do you also say FRO derick?No, Why isn'tIt. 1 s not.erick,FREDDYIGORit FroderickIt'sFREDDY erickIGORI· see,Fronkensteen?Fronkonsteen,r· Now Freddy can see the whole man facingfellow with a hunched back.him.He is a strangeFREDDYYou must be Igor.Igor thinksa moment.No, it'sIGORpronounced AYEgor.-'-'FREDDYBut they told me it was EE gor.IGORWel , they were wrong then,they?weren'tFREDDY,You were sent by Herr Falkstein,wereii'Tryou?Cont.
2622 Cont.lIGORYes, that'sright.My grandfatherused to work for your grandfather.Herr Falk.stein thought-itmightbe ironicallyappropriateif I workedfor you.FREDDYHow nice.IGOROf ourse the rateshave gone up.FREDDYcourse, of course.I'm ·surewe '.ll get on sp1endidly. OfIn his uneasiness,Freddy slapsIgor on his hump.FREDDYOh I'm sorry.You know, Idon't mean to embarrass you inany way, but I'm a rather brilliantsurgeon.Perhaps I can help youwt.th that hump.IGOR,·What hump? Let's(tryingFREDDYto recover)golFreddy reaches down to take his briefcase.Igor grabs itfirst and walks off -- leaving Freddy'to struggle with thelarge sUitcase.He follows after Igor.They pass under a danglingsign:"TRANSYLVANIA STATION"CUT TO:23EXT. SOMEWHERENEAR THE STATIONIgor and Freddy approacha cartdraWll by TWOHORSES.IGOR(climbing into thedriver'sseat)I think you'll be more comfortablein the rear.Freddy climbs up on the spokes of one· wheel and throws hissui.tcase into the cart.Cont.
2723 Cont.WOMAN'SVOICE(o.s.)OoohlFREDDYWhat was that?IGORThat must be Inga.They thoughtyou might need a artand sees:A LARGE-BREASTEDLABORATORYASSISTANT lyingINGAWould you likein the hay?Freddyin the hay.to have a rollDISAPPEARSfrom sight.He REAPPEARSon the wheel.FREDDYI get yourI'm not sure11"",·drift.INGAYou shouldShe be-gins to rolltryit-- it1s fun Iover and over 1n the hay.herselfINGARoll,Roll,Igorinto(singing)roll rollroll rollCRACKS a whip.theIgor joinshay."in the hay;in the hay The horsesstartOFF as Freddyscurriescart.in SINGINGwithInga:"Roll,roll rollCLOSEUP - FREDDY'S EYESas he li:stensto thein the24singing.DISSOLVE TO:. 25EXT. COUNTRYROAD - A FEW MINUTES LATERThe carttrane ls up a windingroad.Cont.
2825 Cont A BOLTOF LIGHTNING.Inga snugglesquicklyintoFreddy. 1 s arms. INGASometimes· lightning.I 1m af'raidof' theFREDDYJust an atmosphericdischargenothing to be afraid of'.A HORRIFYINGCRYOF A RThere!FREDDY,What?(pointingwoods)· There wolf' I·(p9intingroad)There castle IIGORto theup theFREDDYWhyare you talking:C.thoughtway?IGORyou wanted to.No, I don'tSuitthatFREDDYwant to.yourself'IGOR-- I'm easy.A BOL'XOF LIGHTNING.IGOR(pointingto the topof' the hill).Well there it is ICUTTO:
2926THE CASTLE (Miniature)illuminatedby lightning.As we see thecastle.:Home.(o.s.)IGORFREDDY(to himself)Hemet.DISSOLVE To:·.EXT. THE CASTLE--NIGHT27As they approach the giganticfronta t.orch.iniron sconce on each sidethe art and walks up to the door.door -- illuminatedbyIgor steps down fromHe grasps hold of:28· CLOSER SHOT - DOORTWO ENORMOUS.,WROUGHT-IRONKNOCKERSIgorraps them againstthe door.ECHOINGthroughthecastle.-The SOUND can be heardFREDDY(watching. the door 1namazement as he-helpsIn down from the cart),.What knoe rs IINGA(shyly}Thank you, Doc.tor.Igor goes back to the cart, takesand begins to unh1 tch the horses.down Freddy'sANGLE ON THE FRONT DOORThe massiveframe slowlybriefcase29CREAKS open and A WOMANappears.jFRAUI am. Frau Blucher.BWCHERLIGHTNING.At the sound of her name, the HORSESREAR.Cont.
3029 Cont. ,-.{thinkinglightning)Steady!Steady.IGORit ·was. the·Freddy sets his and Inga's approaches Fr u Blucher.suitcaseonto, the ground an4FREDDYHow do you do? I amDoctor Fronkonsteen.ThisInga, may Iis my assistant.present Frau Blucher.At the sound of' her name, the HORSESREAR.Easy.Easy!IGORSt ady .now.FREDDYI wonder what I s got. intothem?FRAUBLUCHERYour rooms are ready, Herr Doktor.If you will follow me, please.FREDDYAyegor I Bring the bags· as soonas. you' re done Yes,ArterAs thesir.FREDDYyou, Frau Blucher.HORSES REAR, FrauINTO the castle.IGORBlucher,'IInga and Freddy DISAPPEARIGORDownI Get down, you beastsDown, I saylICUT TO:INT. RECEPTIONHALL- NIGH'rFreddy and Inga gaze 1n awe as they enter30the greathall.
31THEIR P O.V. - RECEPTION HALLA fireis burning 1n the enormousSHADOWSon the walls.,31firep ace,castingCUT TO:32EXT. CASTLEIgor has picked up all the luggage and, as he walks to thefront door, he turns suddenly toward the horses and SHOUTS:IGORBLUCHER!IThe HORSES REAR and RUN OFF.CUT TO:
32INT. RECEPTIONHALL33Frau Blucher picks up a large, UNLIT CANDELABRAfrom a smalltable and startstowards the staircase.Igor has enteredand joins the others.FRAUBLUCHERFollow me, please.She leads Freddy,right side, thereDOWN.Inga and Igor UP THE STAIRCASE. On theDROPis a wall; the left side is a SHEEl t·,rFRAUBLUCHER.(ho'lding up herunlit candelabra).Stay close!This stafrcasecanbe treacherous.'F eddy and Inga look at each other but follow As they ascend the staircas'e,ti:Inga.politely.Igor pushes past' Freddy andIGOR(to Frau Blucher).Do you mind if I walk near you?I can't see a bloody thing backthere.QUICKDISSOLVETO:INT. FREDDY'S BEDROOM.34lit in the fireplace.sconces.One wall is devoted·tobeen placed on a chaise lounge.A fire-isCandles are lit·inwallbooks.Freddy's bags haveFRAUBLUCHERAnd this is your room. I hope youfind it comfortable it was yourgrandt'ather Victor'sroom.She turns to a PORTRAITOF VICTORFRANKENSTEIN. (It bearsremarkable resemblance to Freddy,)It seems fine You'llin mycastle it onFREDDYFRAUBLUCHER(turning back to Freddy)find the keys to all the roomscas all the rooms in youron this ring. · I 1 11 leavethe table.Cont,a
3334 Cont.Does that. oratory?FREDDYincludethe key to theFRAUBLUCHERYou mean the laboratpry.FREDDYYesl the la atory.FRAUBLUCHERHo, the laboratory was destroyeda tire long ago. ·inFREDDYI see.{examines the bookcase)There s.eem to be quite a few. books.'l'his was Victormedical library.I see.privateFRAUBLUCHER1 s . . the Baron I sFREDDY And where islibrary?my.grandfather ·sFRAUBLUCHER:r don't know what you mean, sir.FREDDYWell, there was a public and a atelibrary -- it says so in the· These books are all very general -&DY' doctor might have them in his study.FRAU
"YOUNG FRANKENSTEIN" FADE IN EXT. FRANKENSTEIN CASTLE - NIGHT A BOLT OF LIG ING A CRACK OF THUNDER! 1 On a distant, rainy hill, the old Frankenstein Castle, as ·we knew and loved it, is illuminated by ANOTHER BOLT OF LIGHTNING. MUSIC:·
323. Firewire Game 324. Robot Fight 325. Happy Maca 326. Car Warrior 327. Glove Battle 328. Sun Child 329. Complete War 330. Galaxy 331. The Following 332. Exotic 333. Metal Slug 334. Metal Slug 335. Metal Slug 2 336. Metal Slug 2 337. Metal Slug X 338. Metal Slug X 339. Metal Slug 3 3
for blank will be parts, punch with heel die clearance is less than 0.1mm 4 Die Punch Punch Die Slug ejector Slug ①Material is cut off at [A] part. Punch Die Slug A B C ②The slug is compressed in the process of punching at [B] part. ③Drags the slug through the relief. ④[B] part is narrower than [C] part so the slug cannot comes up. Die .
these slug catchers are usually designed as pipe and fittings, rather than as pressure vessels. The pipe fitting type slug catcher provides good slug separation and slug storage volume atareasonable cost. Small particle separation is poor, but it improves at low flow rates.Aslug catcher of this type can be used to protect a centrifugal typeFile Size: 982KB
The North Pole and various stops in a voyage of memory. It is the summer solstice — the last day or the first day, depending on the point of view. CHARACTERS Frankenstein, a scientist Creature, Frankenstein’s creation Victor, a memory of Frankenstein as a young man Adam, a memory
context ‘Frankenstein’ was written in I can describe the way Mary Shelley’s personal experiences or viewpoint might shape her ideas AO3: show links to the context ‘Frankenstein’ was written in I can link Frankenstein to what has happening in the early 19th century society AO4: Use a range of vocabulary and punctuation accurately
reproduce. The Creature takes his revenge by killing Frankenstein's wife. The Creature and Frankenstein live out the rest of their days locked together in a battle to the death. For further resources to help you teach . Frankenstein, including our . full-length . production. and . Practical Workshop Guide, visit . www.digitaltheatreplus.com
script. Fig. 1 shows examples of the same TCC characters in all five major styles. Figure 1. Standard script, clerical script, seal script, cursive script, and semi-cursive script (From left to right) The standard script is used in daily life. The clerical script is similar to stan
The Audit and Accounting Thresholds . AAT is a registered charity. No. 1050724. 3. Accounting Threshold The . regulations apply in respect of financial years beginning on or after 1 January 2016 whereby the audit threshold and the accounting threshold have become the same for private limited companies. The requirements for a private limited company that is also a charity are different. Please .
