Rock Art Studies: A Bibliographic Database

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Rock Art Studies: A Bibliographic DatabasePage 1United States: Montana (201 citations) Compiled by Leigh MarymorPt. Richmond CA 02/20/16Anonymous1961"Montana Pictograph Survey" in The cal Society, Sheridan, Wyoming.ISSN: 0043-9665.Lookout Cave, 24PH402, Montana. United States. NorthAmerica. Dark zone rock art.Biblio.MONTANA. NORTHWESTERN PLAINS. United States.North America. PICTOGRAPH SURVEY.RABNPV.Barry, P.S.1991Mystical Themes in Milk River Rock Art, :129 pgs, University of Alberta Press, Edmonton,Canada.Anonymous1961"Montana Pictograph Site Visited" in TheWyoming Archaeologist, Vol. 4(7):3, WyomingArchaeological Society, Sheridan, Wyoming.ISSN: 0043-9665.MILK RIVER, WRITING-ON-STONE, ALBERTA,CANADA. MONTANA. United States. North America.PLAINS INDIAN ROCK ART. SHAMANISM. HUMANFIGURE (SPIRIT IN HUMAN GUISE), SHIELDBEARING FIGURES, SKELETAL FIGURES, HEARTLINE, PHALLUS, CUP-AND-GROOVE, VULVA, YONI,BOW-SHAPED ANIMALS, MONUMENTALLY LARGEANIMALS, BIRD, HORSE MOTIF(S).LMRAA.MONTANA. NORTHWESTERN PLAINS. United States.North America. PICTOGRAPH SITE.RABNPV.Arthur, George1961"Pictographs in Central Montana: Part III Comments" inMontana State UniversityAnthropology and Sociology Papers, (21):41-44,Montana State University, Missoula, Montana.SMITH RIVER, MONTANA. United States. North America.(3) SITES.RANMAB, NADB #5191277.Associated Press2002 (Apr. 23)"Oil Co. Won't Drill at Sacred Site" inAssociated Press, 3 pgs, Associated Press.Weatherman Draw, Montana. United States. North America.Cultural resource management. Conservationandpreservation. Oil drilling averted. Mineral rights donated toNational Trust for Historic Preservation. The Trust will holdthe mineral lease until it expires. The Bureau of LandManagement intends to withhold issuance of new leasespending development of a new management plan.LMRAA (internet download).Barnier, Cecil1969"Lookout Cave (24PH402), a Preliminary Reporton Surface Materials" inArchaeology inMontana,Vol.10(3):13-33,MontanaArchaeological Society.Biddle, Nicholas, ed.1962The Journals of the Expedition of Capts. Lewisand Clark to the Sources of the Missouri, thenceacross the Rocky Mountians and down the RiverColumbia to the Pacific Ocean, performed duringthe years 1804-5 - 6 by Order of the Governmentof the United States, Vol. 2 volumes:540 pgs,The Heritage Press, New York, New York.Missouri, Nebraska, North Dakota, Montana. United States.North America. Lewis and Clark expedition. See thefollowing entries (special thanks to Fred Coy, Jr. for the basicresearch to pinpoint these citations):May 23, 1804 - (The Tavern, Osage Woman River). "Thecave is one hundred and twenty feet wide, forty feet deep,and twenty high, it is known by the name of the Tavern,among the traders who have written their names on the rock,and painted some images which command the homage of theIndians and French."June 5, 1804 - (Torbett Springs Pictographs). ". . . a strangepainted figure resembling the bust of a man with the horns ofa stag painted on a projecting rock."June 7, 1804 - (Big Manitou Rock Pictographs, MissouriRiver). ". . . Big Manitou Creek, near which is a limestonerock inlaid with flint of various colours, and embellished, orat least covered with uncouth paintings of animals andinscriptions."July 12, 1804 - (Nemaha River, above the confluence withthe Missouri). "On the south side of the Nemahaw, and abouta quarter of a mile from its mouth, is a cliff of freestone, inwhich are various inscriptions and marks made by theIndians." Artificial mounds, or graves, are described as lyingnearby in the same dated entry.February 21, 1805 - (Visited by the Big White and Big Man,Mandan Villages, North Dakota). "Oheenaw and Shahakacame down to see us, and mentioned that several of theircountrymen had gone to consult their medicine stone as tothe prospects of the following year. This medicine stone isthe great oracle of the Mandans, and whatever it announces isbelieved with implicit confidence. Every spring, and on someoccasions during the summer, a deputation visits the sacred

Rock Art Studies: A Bibliographic DatabasePage 2United States: Montana (201 citations) Compiled by Leigh MarymorPt. Richmond CA 02/20/16spot, where there is a thick porous stone tweny feet incircumference, with a smooth surface. Having reached theplace the ceremony of smoking to it is performed by thedeputies, who alternately take a whiff themselves and thenpresent the pipe to the stone, after this they retire to anadjoining wood for the night, during which it may be safelypresumed that all the embassy do not sleep; and in themorning they read the destinies of the nation in the whitemarks on the stone, which those who made them are at noloss to decipher. The Minnetarees have a stone of a similarkind, which has the same qualities and the same influenceover the nation."July 25, 1806 - (Pompeys Pillar, Montana) - "The Indianshave carved the figures of animals and other objects on thesides of the rock, and on the top are raised two piles ofstones." Clark carved his name and the date at this site. (Thedate is still clearly visible).LMRAA.Boreson, K.n.d.The Alberton Petroglyph Site, 24MO505,Western Montana, Archaeological and HistoricalService, Eastern Washington University,Cheney, Washington.ALBERTON PETROGLYPH SITE, 24MO505, WESTERNMONTANA. United States. North America.Biblio.Bouchet-Bert, Luc1999"From Spiritual and Biographic to BoundaryMarking Deterrent Art: A Reinterpretation ofWriting-on-Stone" in Plains Anthropologist,Vol. 44(167):27-46, Plains AnthropologicalSociety, Lincoln, Nebraska. ISSN: 0032 0447.Writing-on-Stone, along the Milk River, Alberta, Canada (onthe Montana border). North America. Blackfoot boundarymarker function proposed for this rock art site, in additiion tospiritual context. Biographic art style. Plains Indian.Abstract: "Writing-On-Stone art has long been interpreted ashaving been created only for spiritual reasons. While notdenying that spiritualism was important at Writing-On-Stone,an examination of the social, political, and geographiccontexts of its historic rock art leads to the theory thatWriting-On-Stone was also a Blackfoot boundary-marker,and a warning to their enemies not to cross it. Writing-OnStone was located between the Blackfoot and numeroushostile nations to the south, in an area through which manydifferent groups passed on military and hunting raids intoBlackfoot territory. Because Natives used narrative art toboast of prowess and skill and to elevate their "LMRAA (photo copy), SCI, Biblio, Questia,, Refdoc.fr.Castle, Florence1962"Two Pictograph-Petroglyphs, Castle Coulee,Carbon County, Montana" in The ical Society, Sheridan, Wyoming.ISSN: 0043-9665.CASTLE COULEE, CARBON COUNTY, MONTANA.NORTHWESTERN PLAINS. United States. North America.RABNPV.Chaffee, Scott D., Loendorf, Lawrence L.,Hyman, Marian and Rowe, Marvin W.1994"Dating a Pictograph in the Pryor Mountains,Montana" inPlains Anthropologist, Vol.39(148):195-201,PlainsAnthropologicalSociety, Lincoln, Nebraska. ISSN: 0032 0447.ELK CREEK CAVE, a tributary to SAGE CREEK, PRYORMOUNTAINS,MONTANA. United States. NorthAmerica. Pictograph. Archaeometry. Inorganic pigments:plasma extraction of organic carbon with AMS radiocarbondating.LMRAA (REPRINT), SCI, MWRBRAD.Chamberlin, Lee C.1972"The Medicine Rock of Malta" in Our PublicLands, Vol. 22(1):8-11, U.S. Bureau of LandManagement, Washington, D.C.MALTA, MONTANA (?). United States. North America.RABNPV.Conner, Betty Lu1967"Montana Rock Art" in20(1):12-13.Montana Arts, Vol.MONTANA. NORTHWESTERN PLAINS. United States.North America.RABNPV.Conner, Stuart1962"A Preliminary Survey of Prehistoric PictureWriting on Rock Surfaces in Central and SouthCentral Montana" in Anthropological Papers ofthe Bilings Archaeological Society, (2):1-31,Bilings Archaeological Society, Billings,Montana.

Rock Art Studies: A Bibliographic DatabasePage 3United States: Montana (201 citations) Compiled by Leigh MarymorPt. Richmond CA 02/20/16CENTRAL and SOUTH CENTRAL MONTANA. UnitedStates. North America. REGIONAL SURVEY. Shieldbearing warrior, v-necked human figure motif(s).RANMAB, DBNPS, NMLAB/R 665 (1962?), NADB#5191073.Conner, Stuart W.1964"Indian Rock Petroglyphs" in The Trowel andScreen, Vol. 5(2):6-7, Billiings ArchaeologicalAssociation, Billings, Montana.Conner, Stuart W.1960"The Owl Canyon Pictograph Site" inArchaeology in Montana, Vol. 2(3):7-11,Montana Archaeological Society, Missoula,Montana.Indian Caves, Billings, Montana. Northern Plains. UnitedStates. North America. This site was destroyed by highwayconstruction prior to 1964. Photo records are archived withthe Billings Archaeological Society.WELLM, RABNPV, LMRAA.OWL CANYON, MONTANA. NORTHWESTERNPLAINS. United States. North America.RABNPV, NADB #5190190.Conner, Stuart W.1961Comparison of Prehistoric Picture Writing atWriting-On-Stone Provincial Park, Alberta, withthat of Central South Central MontanaUnpublished manuscript, :5 pgs, GlenbowFoundation, Calgary, Canada.WRITING-ON-STONE PROVINCIAL PARK, ALBERTA,CANADAandCENTRALSOUTHCENTRAL,MONTANA. NORTHWESTERN PLAINS. United States.North America.RABNPV, LMRAA.Conner, Stuart W.1961Popo Agie Petroglyph Site, AnthropologyDepartment, Universtiy of Wyoming.POPO AGIE, MONTANA (?). United States. NorthAmerica.NADB #901624Conner, Stuart W.1962"The Fish Creek, Owl Canyon and GrinnvollRock Shelter Pictograph Sites in Montana" inPlains Anthropologist, Vol. 7(5):24-35, PlainsAnthropological Society, Lincoln, Nebraska.ISSN: 0032 0447.FISH CREEK, OWL CANYON and GRINNVOLL ROCKSHELTER, MONTANA. United States. North America.SITE DESCRIPTIONS.RANMABConner, Stuart W.1964"Provinse Pictographs (24CB408)" inTheTrowel and Screen, Vol. 5(3):4-5, BilliingsArchaeological Association, Billings, Montana.Provinse Pictographs (24CB408), aka Castle Coulee,Montana, Northern Plains. United States. North America.Shield bearing motif(s).RABNPV, LMRAA.Conner, Stuart W.1966"The Joliet Petroglyphs: Some Interpretations" inThe Trowel and Screen, Vol. 7(6):2-3, BilliingsArchaeological Association, Billings, Montana.Joliet (24CB402), Montana. Northern Plains. United States.North America. Shield bearing warrior with horse motif(s).RABNPV, LMRAA.Conner, Stuart W.1967"Pictorial Sketch of Pictograph Cave" inArchaeology in Montana, Vol. 8(3):1-15,Montana Archaeological Society, Missoula,Montana.PICTOGRAPH CAVE, MONTANA. NORTHWESTERNPLAINS. United States. North America.RABNPV, NADB #5190195.Conner, Stuart W.1976"Pictograph Cave: An Early Photograph" inArchaeology in Montana, Vol. 17(3):15-18,Montana Archaeological Society, Missoula,Montana.PICTOGRAPH CAVE, MONTANA. NORTHWESTERNPLAINS. United States. North America.RABNPV, NADB #5190197.

Rock Art Studies: A Bibliographic DatabasePage 4United States: Montana (201 citations) Compiled by Leigh MarymorPt. Richmond CA 02/20/16Conner, Stuart W.1980"Historic Period Indicators in the Rock Art of theYellowstone" in Archaeology in Montana, Vol.21(2):1-13, Montana Archaeological Society,Missoula, Montana.YELLOWSTONE,MONTANA.NORTHWESTERNPLAINS. United States. North America. HISTORICMOTIF(S).NADB #5190199.Conner, Stuart W.1984"Petroglyphs of Ellison's Rock (24RB1019)" inArchaeology in Montana, Vol. 25(2):123-145,Montana Archaeological Society, ORTHWESTERN PLAINS. United States. North America.Shield-bearing warrior, v-necked human figure motif(s).Introduction of the horse into the region.NADB #5190201Conner, Stuart W.1989"ProtohistoricHorsePanelPetroglyphs(24CH757) in Eagle Creek Canyon" in CulturalSuccession at the Hoffer Stie (24CH669), LeslieB. Davis, ed. Archaeology in Montana, Vol.30(1-2):92-111,MontanaArchaeologicalSociety, Missoula, Montana.SITE 24CH757, EAGLE CREEK, MONTANA. UnitedStates. North America. HORSE MOTIF(S).NADB #5190701.Conner, Stuart W. and Conner, Betty Lu1971Rock Art of the Montana High Plains, (2):67pgs, The Art Galleries, Univerisity of California,Santa Barbara, California."The Gros Ventres of Montana - Part II, Religionand Ritual" in Anthropological Papers, CatholicUniversity of America Press, Washington, D.C.MONTANA. United States. North America. GROSVENTRES ETHNOGRAPHY. See pages 1, 20, 385, and418.SUPERNATURAL BEINGS. "GHOST MEN".RANMABDarroch, John I.1976"A Hoof, Hand and Footprint PetroglyphBoulder Recovery from Valley County" inArchaeology in Montana, Vol. 17(3):19-28,Montana Archaeological Society, Missoula,Montana.VALLEY COUNTY, MONTANA. United States. NorthAmerica. HOOF, HAND, FOOTPRINT MOTIF(S).RABNPV, NADB #5190210.Davis, Carl M.2008Archaeological Testing of the Bear GulchArchaeological Site (24FR2), Fergus County,Montana Manuscript on File, Montana StateHistorical Presevation Office, Helena, Montana.Bear Gulch, Fergus County, Montana. Northern Plains.United States. North America.Biblio.Dean, J.C.1992Pictograph Cave, Billings, Montana: A BasicCondition Report of the Rock Art and Site inGeneral Report on file, Montana Department ofFish, Wildlife and Parks.Pictograph Cave, Billings, Montana. United States. NorthAmerica. Cultural resource management. Conservation andpreservation. Condition assessment.Biblio.MONTANA. NORTHERN PLAINS. United States. NorthAmerica. "An exhibition organized by Stuart and Betty LuConner for the Art Galleries, Univeristy of California, SantaBarbara, April 6 - May 16, 1971." SHOSHONI, HIDATSA,CROW INDIAN ROCK ART. Shield-bearing warrior, vnecked human figure motif(s).LMRAA, WELLM, NADB #5191074.Dean, J.C.1997Pictograph Cave Conservation Project: August1997 Field Season Report on file, MontanaDepartment of Fish, Wildlife and Parks.Cooper, John M.1956Pictograph Cave, Billings, Montana. United States. NorthAmerica. Cultural resource management. Conservation andpreservation.Biblio.

Rock Art Studies: A Bibliographic DatabasePage 5United States: Montana (201 citations) Compiled by Leigh MarymorPt. Richmond CA 02/20/16Dean, J.C.1997Final Report on the Assessment of PotentialMineral Removal Methods, Pictograph Cave,Montana, August 19-30, 1996 Report on file,Montana Department of Fish, Wildlife andParks.The Magazine of Western History, Vol. 2(3):5155.Pictograph Cave, Billings, Montana. United States. NorthAmerica. Cultural resource management. Conservation andpreservation.Biblio.Ewers, John C.1968"Plains Indian Painting" in The American West.The Magazine of Western History, Vol. 5(2):415, American West Publishing Company, aPublication of William F. Cody Museum.Dempsey, Hugh A.1956"Stone "Medicine Wheels", Memorial toBlackfoot War Chiefs" in Journal, WashingtonAcademy of Science, Vol. 46(6).MEDICINE MOUNTAIN, BIG HORN MOUNTAINS,MONTANA. United States. North America. ROCKFEATURE: GEOGLYPH, ROCK CIRCLE, MEDICINEWHEEL.Biblio.Eichhorn, Gary1958"Petroglyphs in Porcupine Lookout, A Site inRosebud County" in Archaeology in Montana,Vol. 1(1):3-5, Montana Archaeological Society,Missoula, Montana.PORCUPINELOOKOUT,ROSEBUDMONTANA. United States. North America.WELLM, RABNPV, NADB #5190242.COUNTY,Elrod, Morton John1908"Pictured Rocks. Indian Writings on the RockCliffs of Flathead Lake, Montana" in BulletinUniversity of Montana No. 46, Biological SeriesNo. 14, 3-30, University of Montana, Missoula,Montana.FLATHEAD LAKE, MONTANA. NORTHWEST. UnitedStates. North America. SITE DESCRIPTION W/MAPSHOWING LOCATION.LMRAA (photo copy)Ewers, John C.1952"The Medicine Rock of Marias: A BlackfootShrine Beside the Whoop-Up Trail" in Montana,MARIAS,WHOOP-UPTRAIL,MONTANA.NORTHWESTERN PLAINS. United States. North America.MEDICINE ROCK. BLACKFOOT.RABNPV.Montana. United States. Canada. North America.Pictographs. Petroglyphs. Pictograph signatures. Shield,horse, horse and rider motif(s).Bancroft.Fossati, Angelo Eugenio2008"Shields and Warriors: Similarities andDifferences in the Rock Art of Bear Gulch,Montana, and Valcamonica - Valtellina, Italy" inAmerican Indian Rock Art, Billings, MT, Vol.34:105-122, American Rock Art ResearchAssociation, Tucson, Arizona. ISBN 978-09767121-5-2.Bear Gulch, 24FR2, Montana. Northern Plains. UnitedStates. Valcamonica, Valtellina, Italy. Europe. NorthAmerica. Shield, warrior motif(s). Comparitive study.Abstract: "The paper deals with the subject of the shieldfigures in two different areas in America and Europe: BearGulch (Montana) and Valcamonica-Valtellina (Italy) wherethousands of shield bearing warriors are visible painted and/or engraved on the rocks. The author tries to findconnections and similarities among the two rock arttraditions, but also underlines the morphological andinterpretational differences. In Valcamonica-Valtellinashields figures are quite important, because they have beenused to construct the basis of the entire chronology of theIron Age rock art tradition. Few other examples of shieldwarrior figures (sculptures, vessels or funerary paintings)from the Italian peninsula are brought to the attention of thereaders."LMRAA.Fossati, Angelo Eugenio, Keyser, James D.and Kaiser, David A.2010"Flags and Banners in Warrior Rock Art:Ethnographic Comparisons for Valcamonica andBear Gulch Rock Art" in American Indian RockArt, Bakersfield, CA, Vol. 36:109-124,

Rock Art Studies: A Bibliographic DatabasePage 6United States: Montana (201 citations) Compiled by Leigh MarymorPt. Richmond CA 02/20/16American Rock Art Research Association,Tucson, Arizona. ISBN 978-0-976121-6-4.Bear Gulch and Atherton Canyon, Montana. Northern Plains.United States. Valcamonica, Italy. Europe. North America.Flag, banner, warrior motif(s). Comparative ethnography.Abstract: "Flag and banner representations are a specialsubject, but not so well known in the rock art studies. Figuresof banners appear in the rock art tradition in Valcamonicaduring the Iron Age (1st millennium B.C.) among the usualwarrior imagery, such as weapons (axes, knives, shields,spears), footprints, and swastikas. In Bear Gulch, Montana, aspecial place for the Plain shield-bearing warrior rock arttradition that predates the horse and gun introduction, flagsare a very special and sometimes elaborate image. The erpretations of flag/banner images in both places, BearGulch and Valcamonica."LMRAA.Francis, Alberta E.1970"A Petroglyph Site in Yellowstone County (24YL 610)" in Archaeology in Montana, Vol.11(4):31-37, Montana Archaeological Society,Missoula, Montana.YELLOWSTONE COUNTY (24 YL 610), MONTANA.United States. North America.DBNPS, RABNPV, NADB #5100264.Francis, Julie and Lowendorf, Lawrence2001Ancient Visions: Petroglyphs and Pictographs ofthe Wind River and Bighorn Country, Wyomingand Montana, 239 pgs, University of Utah Press,Salt Lake City, Utah.Wind River. Bighorn Country. Wyoming. Montana. NorthernPlains. United States. North America. Plains Indian rock art.Dinwoody Tradition. Physical and cultural environment.Shamanism. Metaphors of the imagery. Style andclassification. Typology. Cation ratio dating calibrated withAMS radiocarbon dating. Incised, painted and outlinepecked images. Chronology. Distribution.Biblio, LMRAA, MWRBRAD.Francis, Julie E., Loendorf, Lawrence L. andDorn, Ronald I.1993 (Oct)"AMS Radiocarbon and Cation-Ratio Dating ofRock Art in the Bighorn Basin of Wyoming andMontana" inAmerican Antiquity, Vol.58(4):711-737,SocietyforAmericanArchaeology, Salt Lake City, Utah. ISSN: 00027316.BIGHORNBASIN.WYOMING.MONTANA.NORTHERN PLAINS. United States. North America.Dinwiddy Style. Shield bearing warrior motif(s). Cation ratiodating calibrated with AMS radio carbon dating.Author abstract: "Samples of organic matter and rockvarnish from seven rock art sites in the Bighorn Basin ofWyoming and Montana were collected for dating purposes.Petroglyphs sampled include Dinwoody-style figures, shieldbearing warriors, and other well-known Plains rock artmotifs. Accelerator mass spectrometry (AMS) dating of 10petroglyphs yielded dates from the Early Archaic to theProtohistoric periods. A strong numerical relation betweenvarnish leaching and

and painted some images which command the homage of the Indians and French." June 5, 1804 - (Torbett Springs Pictographs). ". . . a strange painted figure resembling the bust of a man with the horns of a stag painted on a projecting rock." June 7, 1804 - (Big Manitou Rock Pictographs, Missouri River).

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