SUMMER/FALL 2012 BOTANICAL ART & ILLUSTRATION
SUMMER/FALL 2012BOTANICAL ART & ILLUSTRATIONBotanical Illustration is the place whereart and science unite with beautiful results.Certificate Program
S U MMER /FA L L 2 0 1 2 CATA L O GCERTIF IC AT E I N B O TA N I CA L A RT A N D I L L U S TR AT IONBotanical art and illustration is the well-established tradition of portraying plants for scientific purposes, recording vanishingspecies for historical record or rendering the beauty and inspiration we experience in the flora of the world around us.Denver Botanic Gardens’ Certificate in Botanical Art and Illustration program is designed to offer a comprehensive series ofclasses in botanical illustration, providing participants the drawing and painting skills required to render accurate and usefuldepictions of the plant world with a focus on detail. This program is for the dedicated illustrator, as well as the devoted amateur.It culminates in a certificate for some students and offers an ongoing program of botanical classes for others.INTRODUCTORY COURSEStudents wishing to learn more about botanical illustrationor to brush up on their skills before beginning the certificatesequence can take Introduction to Botanical Illustration, whichis not part of the certificate requirements.REQUIRED COURSESThe following 13 courses are required if you wish to receive aCertificate in Botanical Art and Illustration. The recommendedsequence of courses is listed below. This succession isappropriate for both the certificate and the non-certificatestudent. Courses should be taken in the order determined bytheir prerequisites. Courses consist of exercises, critiques,demonstrations and homework assignments. A list of suppliesfor each course will be sent with class al Illustration in Pencil IBotany for the Botanical IllustratorBotanical Illustration in Pencil IIComposition for Botanical IllustrationColor Layering for Colored PencilBotanical Illustration in Colored Pencil IPerfecting PerspectiveBotanical Illustration in Colored Pencil IIColor Mixing for ArtistsBotanical Illustration in Pen and Ink IBotanical Illustration in Pen and Ink IIBotanical Illustration in Watercolor IBotanical Illustration in Watercolor IIPlease note: To receive credit for any course, attendance isrequired at the first class and at 80% of all classes.ELECTIVE COURSESexperience in botanical art. In addition to the 13 requiredcourses, students must select 100 elective hours. The numberof elective classes offered in any one year may vary. Guestinstructor workshops may be taken as electives.SCIENCE AND ART LECTURESSelected lectures at Denver Botanic Gardens can qualify forelective credits. Attendance at one lecture gives one electivecredit hour; students can receive a maximum of 15 credit hoursfrom these lectures. Café Botanique is a lecture series opento Botanical Art and Illustration students, Gardens members,the general public, academia and artists. Pre-registration isrecommended but not required.PORTFOLIO REVIEWUpon completion of all course work, students may apply forportfolio review (held twice a year) by requesting a transcriptfrom the program manager and submitting an application for thereview. Application fee: 30The complete portfolio will contain five (5) finishedbotanical plates:1. Graphite Pencil2. Colored Pencil3. Pen and Ink4. Water Media5. Artist’s Choice: This can be a plate in any of the mediataught within the program or a combination of them.Fall 2012 Portfolio review: Monday, September 17Graduation Ceremony for all 2012 Graduates:November 18, 2012, 1 – 3 p.m.Elective courses serve a variety of purposes. They aredesigned to increase the student’s knowledge, ability and2
G UEST WO R KS HO P STraditional Techniques:Plastic Pencils on FilmFocus on the techniques ofcreating a three-dimensionalhalftone image of a plant subjectusing pencils designed to workon drafting film surfaces. Theuse of halftone or continuoustone media for botanicalillustration is often seen aspreliminary pencil sketches orfor illustrating subjects as fruitor seeds. The class will beginAlice Tangeriniwith choosing a plant, makinga photocopy or scan to work from, and tracing a preliminarydrawing using regular graphite pencils on tracing vellum ormatte acetate. Additional details of the flower or fruit maybe added. Composition will be discussed in order to achievebalance and make the best use of space on the plate withregard to reproduction for publications. Final drawing will bedone on drafting film using the drafting film pencils workingwith the softer (dark) leads or pencils through the hardestleads. Different effects will be explored along with the useof other media in addition to the pencils. The final drawingshould be publication ready. Fee: 270 member, 325 nonmember. Prerequisites: Pencil I, Pencil II Fri. – Sun., Aug. 3 – 5, 9 a.m. – 2:30 p.m. Instructor: Alice Tangerini, National Museum of NationalHistory, Smithsonian, Washington, D.C.No refunds for registration cancellations after July 2 unless yourseat can be filled.Alice R. Tangerini began her illustration career as a freelancecontract illustrator in the Department of Botany in the NationalMuseum of Natural History, Smithsonian Institution. Whilestill a student she was hired as the department’s first staffillustrator in 1972. In this capacity she has illustrated atleast 1,500 species of plants. Her preferred medium is penand brush with ink, and more recently she has been usingthe computer for digital drawing. Her illustrations haveappeared in almost 50 scientific periodicals, a dozen ormore floras, and several books. She is also managing andcurating an extensive collection of botanical illustrations.Alice has conducted classes in botanical and natural sciencedrawing techniques for several botanical gardens as well aslocal colleges and universities, and has given lectures anddemonstrations on illustration techniques to many botanicaland art societies. In addition, she has exhibited her worknationally and internationally.how to continue an almost forgotten art. Hidden Treasures: theHistory and Technique of Fore-edge Painting, written by theinstructor, Jeanne Bennett will be available for purchase witha student discount. Fee: 270 member, 325 non-member.Prerequisites: No prerequisites. Sat. – Sun., Aug. 18 - 19, 9 a.m. – 4 p.m. (12 hr)Instructor: Jeanne Bennett, Austin, TXHidden Treasures: Fore-edge Painting for EveryoneWhy do we rarely see a book with a fore-edge painting?Because it is tucked away in a private collection or library.Inspired by the most glorious period of book decoration, eachstudent in this exciting class will be taught all the techniquesnecessary to create his or her own fore-edge masterpiece.Included in the class are new techniques developed by theinstructor. Students will transform a simple book block into thehidden magic of a fore-edge painting and learn the history andmany other aspects of this practice. At the end of the class,students will take with them this treasure and the knowledge ofNo refunds for registration cancellations after July 20 unlessyour seat can be filled.For more than a decade, Jeanne Bennett has taught workshopsin creative bookbinding and fore-edge painting. She hastraveled throughout the United States to study in private, publicand university libraries. In addition, she studied under MartinFrost, the world’s foremost contemporary fore-edge painter inEngland, as well as researched and photographed fore-edgepaintings at Oxford University libraries.3
G UEST WO R KS HO P SPainting with theNeedle: Silk ShadingLearn the beautiful art ofsilk shading embroidery.Your class will be taughtbySarahHomfray,graduate of the RoyalSchool of Needlework atHampton Court PalaceSilk shaded iris worked by Sarah Homfray.England, full time tutorof hand embroidery, and author of the recently publishedEssential Stitch Guide to Silk Shading. Homfray will provide asimple botanical design to teach you the fundamentals of thishistoric technique, including working long and short stitch andblending colors to build up a simple, but stunning botanicalimage. This class is not suitable for those with no experienceof hand embroidery, but if you have done needlepoint,dressmaking, cross stitch or similar you will find this class theperfect introduction to painting with the needle. Fee: 270member, 325 non-member. Prerequisites: No prerequisites.No refunds for registration cancellations after July 20 unlessyour seat can be filled.Sarah Homfray completed the Royal School of Needlework(RSN) Apprenticeship (Hampton Court, London, U.K.) in 2006and went on to teach the RSN apprentices and other studentsin addition to freelance teaching and commissions. Sarah hastravelled extensively and has recently returned from a year inCyprus where she gained a diploma in fine art. Inspirationfrom her travels often appears in her work and she believesstrongly in observation and attention to detail, embroiderydesign being a particular area of interest. Sarah holds aCertificate in Education from the University of Greenwichand has taught in the USA and in Cyprus. She was a part ofthe team that created the wedding dress, veil and shoes forKate Middleton, the Duchess of Cambridge last year. She haspublished in magazines and her book, RSN Essential StitchGuide: Silk Shading, was released by Search Press in 2011. Wed. – Fri., Sept. 26 – 28, 9 a.m. – 4 p.m. I nstructor: Sarah Homfray, Royal School of Needlework,Hampton Court, U.K.Drawing onTradition:SilverpointBefore the advent ofthe graphite pencil,stylusescontainingvarious kinds of metalwere used as drawingScott Rawlinstools. One of the mostenduring of these was silver. “Silverpoint,” as this mediumcame to be called, has been employed by artists from theRenaissance to the present. Silverpoint drawings are createdby “stroking” the surface of a specially prepared ground withsterling silver wire. Time and patience are required to build upvalue, but the result is a sensitive rendering that possesses atimeless quality. Participants in this workshop will experimentwith silverpoint on a variety of surfaces (including one theywill prepare themselves) and will learn how to highlight andtint elements of their drawings to emphasize relevant features.Fee: 270 member, 325 non-member. Prerequisites: PencilI, Pen and Ink INo refunds for registration cancellations after September 3unless your seat can be filled.Scott Rawlins graduated from Earlham College with a degree inbiology, and holds graduate degrees in museum education andmedical & biological illustration from the George WashingtonUniversity and the University of Michigan, respectively. Scottis a professor in the Department of Art and Design at ArcadiaUniversity, where he teaches scientific illustration, drawingand design. He regularly exhibits his artwork at variousnatural science venues around the country and has served onthe boards of the American Society of Botanical Artists andthe Guild of Natural Science Illustrators. His illustrations haveappeared in Harvard’s Bulletin of the Museum of ComparativeZoology, Invertebrate Biology, Records of the AustralianMuseum and most recently, the Swedish publication ActaZoologica. Scott’s freelance clients have included the NationalMuseum of Natural History, the American Museum of NaturalHistory, and the Academy of Natural Sciences in Philadelphia. Fri. – Sun., Oct. 5 – 7, 9 a.m. – 2:30 p.m.Instructor: Scott Rawlins, Philadelphia, PA4
G UEST WO R KS HO P SSeedpods in ColoredPencilAnn Swan’s award-winningbotanicalsareadmiredaround the world. She bringsher charming nature andAnn Swanremarkable skills to showyou techniques for portraying plants in her signature style.Working with graphite and colored pencil, this class willexplore the diverse structures, shapes and textures of nativeseeds and seedpods. Ann will demonstrate a variety oftechniques and divulge some useful hints, tips and exercises tohelp you improve your colored pencil handling and accuracyof observation. Through demonstrations Ann will show youhow you can achieve more interesting, balanced and excitingcompositions, and how to get your portrait to pop. You’ll havetime to practice with plenty of individual attention. Fee: 270member, 325 non-member. Prerequisites: Pencil I, ColorLayering for Colored Pencil, Colored Pencil I Mon. – Wed., Oct. 22 - 24, 9 a.m. – 2:30 p.m.Instructor: Ann Swan, U.K.No refunds for registration cancellations after September 17unless your seat can be filled.Leaves and AllThings LeafyThis course will give you afresh look at leaf techniquesin colored pencil. It’s a courseyou’ll love to hate but probablydesperately need. Over threedays we will immerse ourselvesAnn Swanin leaves, looking at leaf types,their structure and identification and ways of improvingaccuracy of drawing, shading and foreshortening. Ann willdemonstrate the various techniques she uses for depictingveins, highlights and differing textures plus ways to mix colorfor realistic fronts and backs of leaves. See how Ann interpretselements of arrangement to push the boundaries in her work.Bring it all together to compose a botanical piece that willshowcase all you’ve learned. Fee: 270 member, 325 nonmember. Prerequisites: Pencil I, Color Layering for ColoredPencil, Colored Pencil I Fri. – Sun., Oct. 26 – 28, 9 a.m. – 2:30 p.m.Instructor: Ann Swan, U.K.No refunds for registration cancellations after July 20 unlessyour seat can be filled.Ann Swan works primarily in graphite and colored pencil andis well known for her fine detail, vibrant colors and strongcontemporary style. She champions the underdog in the plantworld, drawing our attention to Brussels sprouts or beetroots,feeling they are just as beautiful as the iris or the tulip. She ispassionate about colored pencils, believing that they are easyto master, forgiving and accessible so that even a completebeginner can very quickly produce work of quality. She firstexhibited in 1990 and now shows her work worldwide.Exhibitions have included The Royal Botanic Gardens at Kewin 1994 and the Hunt Institute’s 8th International Exhibition inPittsburgh, USA. Recently retired from many years exhibitingat the RHS Chelsea Flower Show, Ann is now a judge onthe RHS Picture Committee and still regularly exhibits with theSociety of Botanical Artists. Her work is represented in theprestigious Shirley Sherwood Collection and features in manyprivate collections around the world.From Dancing Ink to Pictures of Ownership: CreatingBook Plates with Symbolic Chinese Botanical MotifsMore than merely decorative,Chinese plant and floral motifsoffer hidden meanings andsymbolize good wishes in life.Based on their own interpretationof the unusual combination ofChinesebotanicalmotifs,Sally Yu Leungstudents in this class will learn tolet the brush dance over rice paper create book plates. Studentswill explore a number of Chinese characters to devise interestingsayings for inclusion in the plates. Fee: 270 member, 325non-member. Prerequisites: No prerequisites. Fri. – Sun., Nov. 30 – Dec. 2, 9 a.m. – 2:30 p.m.Instructor: Sally Yu Leung, San Francisco, CANo refunds for registration cancellations after Oct. 30 unlessyour seat can be filled.Sally Yu Leung is an author, independent curator of Chinesedecorative arts, and also the cultural ambassador of the AsianArt Museum in San Francisco. She has been a teacher ofChinese calligraphy and brush painting at Pixar AnimationStudios for many years.5
IN T RO DUC T O RY C O U R S E SIntroduction to Botanical IllustrationAre you new to drawing? If you can write with a pencil, youcan draw with one. Step-by-step, acquire the techniques youneed to draw what you see. Simple exercises train you toobserve objectively and draw accurately. A relaxed pace andstraightforward instruction will open your mind to your owncreative abilities. Build drawing skills to enter the BotanicalIllustration Program with confidence. Fee: 200 member, 255non-member. Prerequisites: No prerequisites. Note: If you havehad some drawing experience, please go directly to Pencil I.Marjorie LeggittWeekend Workshop Fri. – Sun., Sept. 7 - 9, 9 a.m. – 2:30 p.m.Instructor: Renee JorgensenREQUIRED C O U R S ESBotany for the Botanical IllustratorWhat is the difference between a carpel and a pistil? Wherecan I find the stamen? The science of the subjects you drawdetermines what you see! Put away your pencils for thisenlightening lab class designed specifically for students ofbotanical illustration. Take a close look at plant anatomyand learn to recognize botanical details that will make yourdrawings more accurate and realistic. Learn plant morphologythrough detailed instruction and supporting visuals. All of yourbotanical art will improve when you understand the subjects.No prerequisites.Fee: 220 member, 275 non-member Thur., Aug. 6, 13, 20, 27, Sept. 10, 6 – 9 p.m.Instructor: Mervi Hjelmroos-KoskiFee: 200 member, 255 non-member Mon., Oct. 29, Nov. 5, 12, 19, 26, 9 a.m. - noonInstructor: Mervi Hjelmroos-KoskiComposition for Botanical Illustrationillustrators. Learn how to use compositional elements andprinciples in your botanical illustration. Exercises to create yourown thumbnail compositions develop insight and expertise toenhance all of your future illustrations. Fee: 200 member, 255 non-member. Prerequisites: No prerequisites. W ed., Sept. 5, 9 a.m. – 4 p.m., Sept. 19, 9 a.m. – noon,Sept. 26, 9 a.m. – 4 p.m.Instructor: Marjorie Leggitt Wed., Oct. 17, 24, 31, Nov. 7, 14, 6 – 9 p.m.Instructor: Marjorie LeggittBotanical Illustration inPencil ILearn to draw! Begin with a briefhistory and an overview of thespecific elements of botanicalillustration. Learn the skills of carefulobservation and realistic drawingin graphite pencil, including lineKarla Beattydrawing, shading and perspective.Step-by-step, added techniques help you render accurateperspective, texture and detail. This is the entry course forevery program student and a prerequisite for all requiredcourses to follow. You’ll emerge from this class with the toolsyou need to draw anything. Fee: 200 member, 255 nonmember. Prerequisites: No prerequisites.The arrangement of line, shape and color in artwork is an artform in itself. The difference between a pleasant picture andamazing artwork is often found in composition. This coursebegins with a study of recognized masters and contemporary6
REQUIRED C O U R S ESWeekend Workshop Fri. – Sun., Aug. 10 – 12, 9 a.m. – 2:30 p.m.Instructor: Renee Jorgensen Tue., Aug. 28, Sept. 4, 11, 18, 25, 9 a.m. – noonInstructor: Karla BeattyWeekend Workshop Fri. – Sun., Sep. 14 – 16, 9 a.m. – 2:30 p.m.Instructor: Constance SayasWeekend Workshop Fri. – Sun., Nov. 9 – 11, 9 a.m. – 2:30 p.m.Instructor: Renee JorgensenBotanical Illustration inPencil IISimpleandclassic,pencildrawing is a timeless art form.Expand on the drawing skills youlearned in Pencil I as you reinforceand refine your knowledge ofgraphite pencil. Learn additionalSusan Rubintechniques for shading, texture,perspective, depth and composition. A good drawing is thebasis of botanical illustration in any medium. Group instructionand individual attention are tailored to help you complete abotanical plate in this subtle and striking medium. Fee: 200member, 255 non-member. Prerequisite: Pencil I Mon., Aug. 6, 13, 20, 27, Sept. 10, 1 – 4 p.m.Instructor: Susan Rubin Mon., Oct. 29, Nov. 5, 12, 19, 26, 6 – 9 p.m.Instructor: Karla BeattyPerfecting PerspectiveDo you shy away from complicated plants? Even experiencedillustrators sometimes struggle with foreshortening and simplifytheir subjects to eliminate difficult elements. Work with botanicalsubjects that demonstrate each aspect of perspective and learntechniques for seeing and depicting it accurately. Complete afinal piece that shows your new understanding of perspectiveprinciples. The class will work entirely in graphite pencil, butthe principles apply to all art media. Gain confidence in yourdrafting skills and improve all of your drawings from this classforward. Fee: 200 member, 255 non-member. Prerequisite:Pencil I Wed., Aug. 1, 8, 15, 22, 29, 1 – 4 p.m.Instructor: Marjorie LeggittWeekend Workshop Fri. – Sun., Sept. 28 – 30, 9 a.m. – 2:30 p.m.Instructor: Marjorie LeggittBotanical Illustration in Penand Ink IPen and ink is at the heart ofbotanical illustration. Expandyour drawing repertoire asyou learn techniques to createline, form and texture in blackand white. “Expressive line”and “stipple” become part ofyour artistic vocabulary as youpractice this traditional mediumwith modern and versatileMarjorie Leggitttechnical pens. Step-by-stepinstruction, demonstration and practice will give you thefoundation you need to draw any botanical subject accuratelyand skillfully. Fee: 200 member, 255 non-member.Prerequisite: Pencil I Wed., Aug. 1, 8, 15, 22, 29, 6 – 9 p.m.Instructor: Marjorie Leggitt Mon., Sept. 24, Oct. 1, 8, 15, 22, 9 a.m. - noonInstructor: Renee JorgensenBotanical Illustration in Pen and Ink IITake your pen and ink skills to a new level of sophistication. Explorethe Gardens’ limitless world of color, texture and complex botanyto incorporate this information into black and white illustrations.Working with both technical pen and traditional quill, learnadvanced techniques to make strokes mimic the fuzz on a fern,the down in a milkweed pod or the mottled colors of a variegatedbegonia. Learn how to layer and manipulate lines and stipples todevelop a full range of value, texture and atmospheric perspective.Pen techniques take on new meaning as you flesh out a final inked7
REQUIRED C O U R S ESillustration of a plant of your choice. Fee: 200 member, 255non-member. Prerequisites: Pencil I, Pen and Ink IPencil II. Fee: 200 member, 255 non-member. Prerequisites:Pencil I and Color Layering for Colored Pencil Tue., Sept. 6, 13, 20, 27, Oct. 4, 6 – 9 p.m.Instructor: Renee Jorgensen Tue., Aug. 28, Sept. 4, 11, 18, 25, 6 – 9 p.m.Instructor: Susan Rubin Wed., Oct. 24, 31, Nov. 7, 14, 28, 1 – 4 p.m.Instructor: Marjorie Leggitt Mon., Sept. 24, Oct. 1, 8, 15, 22, 1 – 4 p.m.Instructor: Susan DiMarchiColor Layering forColored PencilBotanical Illustration inColored Pencil IIColored pencil presents aspecialchallenge:mixingcolor directly on your drawing!Learn to use a simple colormixing method adapted tothe application of coloredpencils. Two-, three- and fourSusan Rubincolor mixing will get you to thegorgeous greens and luscious lilacs you’ve been missing. Learnto determine shadow colors for vibrant results. Practice colormatching with a variety of plant material as you create yourown, extensive color workbook to speed color selection andapplication for all future colored pencil drawings. Fee: 200member, 255 non-member. Prerequisites: No prerequisitesTake your colored pencil skills to thenext level and become proficientin this fun, versatile medium. Workthrough a step-by-step processto create a preparatory layereddrawing. Learn techniques toSusan Rubincreate texture, detail and depthto enhance your subject. Experiment with different surfacesand solvents for blending and shading. Add depth withatmospheric perspective and learn finishing techniques thatwill make your drawings pop. Individual attention will guideyou to create a finished botanical plate. Fee: 200 member, 255 non-member. Prerequisites: Pencil I, Color Layering forColored Pencil and Colored Pencil IWeekend Workshop Fri. – Sun., Aug. 24 - 26, 9 a.m. – 2:30 p.m.Instructor: Susan Rubin Mon., Sept. 24, Oct. 1, 8, 15. 22, 6 – 9 p.m.Instructor: Susan DiMarchiWeekend Workshop Fri. – Sun., Sept. 21 - 23, 9 a.m. – 2:30 p.m.Instructor: Susan RubinWeekend Workshop Fri. – Sun., Nov. 2 – 4, 9 a.m. – 2:30 p.m.Instructor: Susan RubinBotanical Illustration in Colored Pencil IYou’ve learned to layer colored pencil, now learn techniquesto draw effectively in this medium. Apply your drawing skillsand learn new methods specific to colored pencils. Techniquesinclude layering, building and burnishing in color. Thisversatile, portable medium is perfect for sketching on locationas well as producing studio pieces. Learn through instruction,demonstration and practice on small studies of botanicalsubjects. You’ll be ready to produce a finished plate in Colored Tue., Oct. 30, Nov. 6, 13, 20, 27, 9 a.m. – noonInstructor: Susan RubinColor Mixing for ArtistsThe first step to watercolor painting is mixing colors. Learn asystem for combining colors consistently to eliminate frustratingtrial and error. Exercises, demonstrations and discussion willshow you how to achieve the broadest possible spectrum.Learn about paint properties and important information aboutchoosing pigments. Practice mixing colors to match a varietyof plant material. You’ll gain confidence and skills to improveall of your color work. Fee: 200 member, 255 non-member.Prerequisites: No prerequisites. Thur., July 19, 26, Aug. 2, 9, 16, 9 a.m. – noonInstructor: Constance Sayas Thur., Sept. 5, 12, 19, Oct. 3, 10, 6 – 9 p.m.Instructor: Constance Sayas8
REQUIRED C O U R S ESBotanical Illustration in Watercolor IBecome part of the watercolor botanical tradition. Combinedrawing skills and your knowledge of color mixing as youdiscover the delight of putting brush to paper to learn thespecific techniques of transparent watercolor. Instruction,demonstration and practical exercises will guide you througha variety of watercolor techniques: flat and graded washes,highlights and dry brush detail. Learn to build washes fordepth of tone and shading, and how to create soft and hardedges. With these foundational skills you’ll be ready tocreate a finished plate in Watercolor II. Fee: 200 member, 255 non-member. Prerequisites: Pencil I and Color Mixingfor Artists Mon., Aug. 6, 13, 20, 27, Sept. 10, 9 a.m. - noonInstructor: Karla Beatty Thurs., Nov. 1, 8, 15, 29, Dec. 6, 6 – 9 p.m.Instructor: Karla BeattyE L E CTI V E CO U R S E SHandwriting BasicsEven in today’s computer drivensociety handwriting can make thefirst impression. Learn how to developand improve your handwriting skillswhile exploring simple methods toimprove your signature. This three-hourworkshop gives you some basic tips to sign and label your nextbotanical illustration without the help of a word processor. Fee: 45 member, 57 non-member. Prerequisites: No prerequisites Fri., Aug. 3, 9 a.m. - noonInstructor: Renee JorgensenImprove Your Handwriting SkillsBotanical Illustration inWatercolor IIWatercolor basics got youstarted, now develop yourconfidence as you work towardcompleting a finished platefrom a live specimen in thismost traditional of botanicalmedia. The emphasis hereis on bringing it all together.Learn and refine additionaltechniques through instruction,demonstration and practice,with special attention givento layering, shading andKarla Beattybuilding form. Discover brushtechniques and colors that enhance perspective and depth.Follow painting steps through completion, from broad washesto final detail. Learn how to fix mistakes and understand whywatercolor is a forgiving medium. Fee: 200 member, 255non-member. Prerequisites: Pencil I, Color Mixing for Artistsand Watercolor IAre you writing with your fingers or with your forearm? Doesyour handwriting have an easy flow or does it look tortured?Handwriting is becoming a lost art, since the personalcomputer and text messaging have become the primarymethods for recording our ideas. Researchers suggest thatdeveloping writing skills will aid the visual identification ofgraphic shapes. During this workshop you will learn how todevelop and improve your handwriting skills while exploringsimple methods to improve your signature and labeling.With practice, you will be able to make neater writing a habit.This workshop gives you the confidence to sign and labelyour next botanical illustration without the help of aword processor. Fee: 120 member, 153 non-member.Prerequisites: No prerequisites Tue., Oct. 9, 16, 23, 9 a.m. – noonInstructor: Renee JorgensenBotangle Wed., Sept. 12, 19, Oct. 3, 10, 17, 1 – 4 p.m.Instructor: Constance SayasAnnie ReiserBased on the worldwide doodling crazecalled “Zentangle” (started by RickRoberts and Maria Thomas) we will learnand practice repetitive strokes that formintricate decorative botanical patterns.Learn to relax and focus as you expressyour style in creating intricate, decorativedrawings that are simple to draw butlook amazing and complicated. We will9
EL ECTIV E CO U R S E Spractice strokes consciously and deliberately, observe botanicalsand mock their natural designs to make our own “botangles” orrepetitive strokes based on plants. Using keen observation andcontour drawing techniques combined with ability to translate plantforms and textures into patterns, you will create your own specialbotangle plate ready to decorate note cards or precious wrappingpapers. Fee: 200 member, 255 non-member. Prerequisites:No prerequisites Fri. – Sun., Oct. 5 – 7, 9 a.m. – 2:30 p.m.Instructor: Annie ReiserJOURNALING, FIELD DOCUMENTINGInto the Wild: ColoradoMontane - Native Plants atCaribou RanchField sketching and watercolorstudies of indigenous Coloradoflora. Selected illustrations fromthis workshop may be included in aBoulder County Open Space fieldguide on Caribou Ranch. Subjectmatter includes herbaceous wildMarjorie Leggittflowers and woody plants at thehistoric Delonde Homestead and surrounding Caribou RanchOpen Space.This field class exposes students to the energy and challengeof working in the field. An introduction and guided tour willfamiliarize students with the floral richness and diversity foundin the montane plant zone at 8,500 feet. Included is instructionand demonstration of plant identification by using wildflowerfield guides and dichotomous keys, how to set up for outdoorsketching and painting, and how to work with a portablelimited palette. Finally, you learn to develop a comprehensiveyet expressive plate that includes all the detailed elementsfor each sp
Botanical Illustration in Watercolor I 13. Botanical Illustration in Watercolor II. Please note: To receive credit for any course, attendance is . hidden magic of a fore-edge painting and learn the history and . published in magazines an
10 Best Botanical Gardens In The World Source: Internet 4. Berlin-Dahlem Botanical Garden and Botanical Museum, Berlin, Germany - Opened to the public in 1910, this botanical garden has an area of 43 hectares and 22,000 plant hespecies. The garden is part of the Free University of Berlin and t Botanical Museum is attached to the garden
HISTORIC The New York Botanical Gardens AND/OR COMMON The New York Botanical Gardens LOCATION CITY. TOWN -VICINITY OF New York COUNTY Bronx STATE New York PHOTO REFERENCE PHOTO CREDIT NEGATIVE FILED AT The New York Botanical Gardens The New York Botanical Gardens DATE OF PHOTO circa 1962; confirmed 1975 IDENTIFICATION DESCRIBE VIEW. DIRECTION. ETC.
Oct 22, 2014 · ART ART 111 Art Appreciation ART 1301 Fine Arts ART 113 Art Methods and Materials Elective Fine Arts . ART 116 Survey of American Art Elective Fine Arts ART 117 Non Western Art History Elective Fine Arts ART 118 Art by Women Elective Fine Arts ART 121 Two Dimensional Design ART 1321 Fine Arts ART
ART-116 3 Survey of American Art ART ELECTIVE Art/Aesthetics ART-117 3 Non-Western Art History ART ELECTIVE Art/Aesthetics OR Cultural Elective ART-121 3 Two-Dimensional Design ART ELECTIVE Art/Aesthetics ART-122 3 Three-Dimensional Design ART ELECTIVE Art/Aesthetics ART-130 2 Basic Drawing
Spring Volume 22 Number 3 Summer Volume 22 Number 3 Convention Volume 23 Number 1 1988 Winter Volume 23 Number 2 Spring Volume 23 Number 3 Summer . Spring Summer Fall 2015 Winter Spring Summer Fall 2016 Winter Spring Summer Fall 2017 Winter Spring Summer Fall 2018 Winter Spring Summer Fall . Author: Joan Thomas
ART 110 . Art Appreciation (2) ART 151 . Introduction to Social Practice Art (3) ART 281 . History of Western Art I (3) ART 282 . History of Western Art II (3) ART 384 . Art Since 1900 (3) ART 387. History of Photography (3) ART 389 . Women in Art (3) ENGL 270 . Introduction to Creative Writing (3)* HON 310 . Art in Focus (3)** each semester .
Printmaking/Digital Media: Art 231, Art 235, Art 270, Art 331, Art 370, Art 492 Painting: Art 104, Art 203, Art 261, Art 285, Art 361, Art 461, Art 492 The remaining 21 credits of Fine Arts electives may be selected from any of the above areas as well as
SPEAKER BIOGRAPHIES IN ORDER OF PRESENTATION . 2 MONDAY March 8, 2021 SHAWN HARDING Shawn Harding was elected President of North Carolina Farm Bureau and its affiliated companies in December 2019. He has been very active in every aspect of Farm Bureau from serving as a local county Farm Bureau President and Board member to serving on state advisory committees, and the State Board of Directors .
