P.G. DEPARTMENT OF PERFORMING ARTS

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BANGALOREUNIVERSITYNAAC ACCREDITED WITH ‘A’ GRADEP.G. DEPARTMENT OF PERFORMING ARTSJNANABHARATHI, BANGALORE-560056DANCESYLLABUS FOR M.A (CBCS)Effective from 2016-17Dr. Nagesh V Bettakote. Professor of Theatre ArtsChairman, BOS (PG)M.A. DANCE semester scheme syllabus CBCS, scheme ofExamination, continuous Evaluation and other Requirements1

1. ELIGIBILITY: A Degree with Dance as one of the optional subject with atleast 50 Marks in concerned optional subject, a merit intern among theseapplicants OR a graduate with minimum of 50% marks secured in the seniorgrade examination in Dance, conducted by secondary education board ofKarnataka OR graduate with minimum of 50% Marks secured in the PGdiploma OR 2 Years Diploma Or Years certificate course in Dance conductedeither by any recognized Universities of any state outside Karnataka OR centralInstituion/Universities .A) A Degree with senior Exam of Bharathanatyam or any certificate course ofBharathanatyam or Gradation of Doordharshan or diploma in Bharathanatyam.b) Five Years of Learning certified by any veteran Dancer2. Selection processor for P.G: Will have Entrance Written Exam and practical Viva, Candidate should be obtained 35% is Minimum marks in aggregate ofeach put together.3. M.A. DANCE course consists of four semesters.4. I semester will have three theory paper (core), three practical papers (core)and one practical paper (soft core).5. II semester will have three theory papers (core), two practical papers (core),one is project work/Dissertation practical paper and one is practical paper (softcore).6. III semester will have two theory papers (core), three practical papers (core)and one is open Elective Practical paper.7. IV semester will have two theory Papers (core) three practical papers (core),one is Elective paper.8. Each theory and practical paper carries 100 Marks. Theory and practicalExamination for 70 Marks and 30 Marks for Internal Assessment. Witch coverAttendance, Tests, Seminars and assignments. Submission seminars papersand assignments and practical Record compulsory.2

9. II semester will have project Work/Dissertation. Its carries 100 Marks.practical Examination for 70 Marks and 30 Marks for Internal Assessment.Witch cover Attendance, And Submission practical Record compulsory.10. Practical in IV semester will have Filed work/Dissertation. The dissertationcarries 50 Marks (15 35), Field study and Tour Report 50 Marks (15 35)11. Minimum marks to pass in each paper both in theory and practical is 40%and 50% in aggregate of each semesters put together. However, there shall beno minimum marks for continuous evaluation.12. Each theory will have four hours, practical six hours and projectwork/Dissertation/Field work eight hours, soft core three hours, open electivefour hours, Elective six hours per week.13. Medium of instruction is in Kannada and English only.3

BangaloreUniversityDepartment of Performing ArtsCBCS-Syllabus-2014M.A. DanceSemester - ISl. noCore subjectDance of examCredit1.1.1 Theory0430701003hours042.1.2 Theory0430701003 hours043.1.3 Theory0430701003hours044.1.4 Practical0830701003hours045.1.5 Practical0830701003hours046.1.6 Practical0830701003hours047.1.7 soft 1.1 Theory - History of Art1.2 Theory - Theory of Indian Classical Dance and Indian traditional theatre.1.3 Theory - Natya Shastra1.4 Practical - Nritta Compositions.1.5 Practical - Nrithya Compositions.1.6 Practical - Abhinaya Compositions.1.7 Practical Soft Core - Folk Dances of Karnataka.426

BangaloreUniversityDepartment of Performing ArtsCBCS-Syllabus-2014M.A. DanceSemester – IISlNo.Core subject:Dance PapersMarksIAMarksexamTotalmarksDurationof examcredit2.1 TheoryHoursperweek04130701003 Hours0422.2 Theory0430701003 Hours0432.3 Theory0430701003 Hours04452.4 Practical2.5 Practical2.6 Projectwork/Dissertation2.7 Soft core:practical0808303070701001003 Hours3 Hours04040830701003 Hours040330701003 -----------------------26672.1 Theory-Abhinaya.2.2 Theory-Rasa Theory.2 .3 Theory-Concept of Nataraja and History of Folk dance forms.2.4 Practical - Nritta and Nritya.2.5 Practical - Traditional Compositions.2.6 Practical - Project Work/ Dissertation2.7 Practical - Drama.5

BangaloreUniversityDepartment of Performing ArtsCBCS-Syllabus-2014M.A. DanceSemester - IIISl No.Core subject:Dance papersMarksIAMarksExamTotalMarksDurationof ExamCredit3.1 TheoryHoursperweek04130701003 hours0423.2 Theory0430701003 hours0433.3 Practical0830701003 hours0443.4 Practical0830701003 hours0453.5 Practical0830701003 hours040430701003 hours0463.6 OpenElective:Practical.Total36243 .1 Theory3.2 Theory3.3 Practical3.4 Practical 3.5 Practical 3.6 PracticalNatya Gruha.Schools of Bharatanatyam.Nattuvanga and Choreography.Advanced Compositions.Class room Concert [dances to be choosen from thosetaught in the previous semesters].- open elective6

BangaloreUniversityDepartment of Performing ArtsCBCS-Syllabus-2014M.A. DanceSemester - IVSl. NoCore Subject:Dance PapersHoursperweekMarks IAMarksExamTotalMarksDurationof ExamCredit124.1 Theory4.2 Theory0404303070701001003hours3hours040434.3 Practical0830701003hours0444.4 Practical0830701003hours0454.5 fieldstudy/dissertation4.6 046Total40244.1 Theory- Indian and Western Art4.2 Theory- Dance Literature.4.3 Practical- Group Production.4.4 Practical - Rasa and Ashta Nayika4.5 Practical - Field Work.4.6 Practical- Carnatic Music.7

BangaloreUniversityDepartmentof Performing ArtsSnehabhavana,Jnanabharathi campus, Bangaloe-560056Dance 1st SemesterCore subject:(PPR: Papers, HPW: Hours per week, IAM: Internal Assessment, EM: Exam Marks, TM:Total Marks, Cr: Credit, Marks)Exam duration: 3 hoursPPR1.1 - TheoryUnit -1Unit-2Unit-3Unit-4Unit -5TitleHPW4IAM30EM70TM100CR4EM70TM100CR4History of ArtOrigin of fine arts, and interStatus of Dance in the Vedic Period, styles of Indian Architecture,[Dravida, Nagara, Vesara], Dance sculptures in the temples of Karnataka.Painting schools of India, Pala, Jaina, MughalRajput and Pahadi paintings.Indian Aesthetics and art criticism [Dhwani, Vakrokti, Auchitya].Test, Seminar and assignment compulsoryPPR1.2 - TheoryUnit -1Unit-2Unit-3Unit-4Unit -5TitleHPW4IAM30Theory of Indian Classical Dance andIndian traditional theatreA detailed study of South Indian Classical Dance forms Bharatanatyam,Mohiniattam.A study of the Classical Dance forms of North and Eastern regions ofIndia. [Kathak, Manipuri, Odissi, Satria]Study of the forms [Kathakali and Kuchipudi]Origin and development of Indian Traditional Theatre [Therakoothu,Bhagavata Mela, Koravanji, Koodiyattam, Tamasha, Jatra, Bhavai,Nautanki]Contributions of Tanjore Quartet, U.S.Krishna Rao andChandrabhagadevi, Shambu Maharaj, Kelucharan Mahapatra, VedantamSatyanarayana Sharma, Kalyani Kuttiyamma.Test, Seminar and assignment compulsory8

PPR1.3 - TheoryUnit -1Unit-2Unit-3Unit-4Unit -5TitleHPW4Natya Shastra.IAM30EM70TM100CR4Introduction to the author and 36 chapters.Vrittis, Lokadharmi, Natyadharmi, Margi-Desi, Tandava-Lasya, Zonaldivisions.Ten kinds of PlayAngika Abhinaya.[ Mukhaja, Shaarira, Chesthakruta, Charis andKaranas].Aharya Abhinaya.Test, Seminar and assignment compulsoryPPR1.4 tta Compositions.HPW8IAM30EM70TM100CR4Dasha vidha adavus in five jaathis,hasta bhedas according to AbhinayaDarpana [Devata, Dashaavatara, Bandhavya and Nritta hastas.]Viniyogas of Samyutha and Asamyutha hastas with shloka and meaningaccording to Abhinaya Darpana.Alaripu in Khanda Jaathi-1.Kautuvam-1.Jathiswaram in Khanda chapu tala.Assignment compulsoryPPR1.5 –PracticalTitleNrithya -1Kriti-1Keertana-1Antahpurageethe 0CR4Assignment -4UNIT-5TitleHPW8Abhinaya Compositions.Purandaradasa Devaranama-1Kanakadasa Devaranama-1Shloka-1Javali-1Padam-1Assignment compulsory9

Soft core:PPR1.7–PracticalSoft CoreUNIT-1UNIT-2UNIT-3UNIT-4UNIT-5TitleFolk Dances of Karnataka.HPW8Basic folk dance stepsKamsale.KolataNandi koluKoravanjiAssignment compulsory10IAM30EM70TM100CR4

Dance 2nd SemesterCore subject(PPR: Papers, HPW: Hours per week, IAM: Internal Assessment, EM: Exam Marks, TM:Total Marks, Cr: Credit, Marks)Exam duration: 3 Abhinaya.IAM30EM70TM100CR4Characteristics of Pushpanjali, Kautwam, Alaripu, Jatiswaram,Characteristics of Shabdam, Varnam, Kruthi, Keertana, Tillana.Ashta nayikas and their sub categories.Chaturvidha Nayakas and their sub categories.Characteristics of the Abhinaya bandhas [Padam, Javali, Ashtapadi,Devaranama, Vachana, Shloka, churnike.]Test, Seminar and assignment compulsory.TitleHPW4Rasa Theory.IAM30EM70TM100CR4Rasa theory according to the Natya Shastra.Rasa Prakarna according to Bhatta lollata, Shree Shankuka.Rasa principles according to scholars Bhatta Nayaka, AbhinavaGuptaEpisodes to depict rasa from the epics [Ramayana and Mahabharata].Works on Rasa: Sharada Tanaya, B.M. Shreekantaiah, D.V. GundappaTest, Seminar and assignment IT-5TitleConcept of Nataraja and Historyof Folk dance formsHPW4IAM30EM70TM100Spiritual and Philosophical concept of the Nataraja icon, SaptaTandavas.Origin of folk dances[themes and types]Forms and Choreography of folk dances.Ritual and masks in folk dancesFolk dances of India [Kaikottakali, Karaga,Bihu,Keelukudure,Bangra Garbha, Ghoomar, Jhoomar]Test, Seminar and assignment compulsory.11CR4

PWIAMEMTMCRNritta and Nritya.830701004HPW8IAM30EM70TM100CR4Pushpanjali/ Todayam -1Alarippu Mishra jaathi -1Pada Varna -1Vachana -1Javali -1Assignment compulsoryTitleTraditional Compositions.Jathiswaram in Mishra Chapu Tala.One Kannada Poem [Composition of Kuvempu, /Da.Ra Bendre,/ G.S.Shivarudrappa /N.S. Lakshminarayana Bhat.]Ashtapadi -1Padam -1 [Papanasam Shivam/Sarangapani/Oothu kaadu VenkataSubba Iyer]Tillana-1.Assignment compulsoryTitlePROJECT WORK/DISSERTATIONHPW8IAM30EM70TM100CR4Folk dances of India.Indian martial arts [Kalari/ Thang-Ta/ Chau]UNIT-2UNIT-3UNIT-4UNIT-51st to 27th Chapter of the Natya Shastra.Impact of Globalization on Dance. [Effect of stage and lighting,projections, contemporary themes, innovative themes and productions,music and dance forms.]Stage craft/ Aharya in Classical Dances. [influence of stage propertiesand sets, costumes, jewellery and ritualistic forms, influence oftraditional, folk and ritualistic forms.]Assignment compulsory12

Soft core:PracticalPPRTitle2.7-PracticalDramaHPW IAM330Soft coreUNIT-1UNIT-2UNIT-3UNIT-4UNIT-5Acting: mono actingTheatre ArchitectureLightingMake-upStage MusicAssignment compulsory13EM TM CR70 100 4

Dance 3rd SemesterCore subject:(PPR: Papers, ED: Exam Duration, HPW: Hours per week, Cr: Credit, TM: Total Marks,IAM: Internal Assessment Marks, EM: Exam Marks, UT: Units.)PPR3.1 tya GruhaIAM30EM70TM100CR4EM70TM100CR4TM100CR4Ancient Natya Mantapas according to the Natya ShastraPoorvaranga vidhis according to the Natya ShastraStudy of the poorva ranga vidhis in Traditional theatrePlay houses of the Greek and RomansTopography of different types of performing areasTest, Seminar and assignment compulsoryPPR3.2 s of BharatanatyamHPW4IAM30Origin and development.Contribution of Devadasis to Mysore style.Contribution of Wodeyars to Art.Abhinaya composition and their specialities.Study of Tanjavur,Pandanallur,Kalakshetra and Valavoor styles.Test, Seminar and assignment compulsoryPPR3.3 a and ChoreographyHPW8IAM30EM70Introduction to Tala and concept of 35 tala system.Definition of the terms Laya, Jathi, korvai, theermana, kharvey,muktaya, gathi, taala, nadai and jaathi.Tala Dasha Praana, composition of two korvais in two different taalas.Nattuvangam taala playing lessons and the ability to script thechoreography of dance units to the said taala.Dance choreography of the given14

Pushpanjali-1Kannada Varna-1Devaranama-1Tillana-1Note: Composition of one Nritta and one Nritya given by theexaminer.UNIT-5Demonstration of the above choreographed items in Nattuvangam bythe candidate; and conducting of nattuvanga for the nritta studied inthe previous semesters, to the dance, performed by the fellowclassmatesAssignment UNIT-5TitleAdvanced CompositionsHPW8IAM30EM70TM100CR4Sankeerna Alarippu-1Daru Varna-1Kannada Javali-1Ashtapadi-1Tillana-1 (in any different tala other than those studied in the previoussemesters)Assignment compulsoryPPR3.5-PracticalTitleHPW8Class room ConcertIAM30EM70TM100[dances to be choosen from thosetaught in the aripu, Pushpanjali, Sthuti/kruthi/ keertana.Jathiswara, Shabdam.VarnamDevaranama, Padam, Javali, Kannada poem.Ashtapadi, Tillana and ShlokaNote: Students are allowed to learn different items in addition to those taught inthe previous semesters: for the performance, under the guidance ofthe faculty of the department.15CR4

Assignment compulsoryOpen Elective : practical(Per other department idha AdavusChaturvidha AbhinayaSapta Talas and Musical InstrumentsSamyutha and Asamyutha hand gestures, movements of the head, eyes,neck and eyebrowsNavarasas16

Dance 4TH SemesterCore subject:(PPR: Papers, HPW: Hours per week, IAM: Internal Assessment , EM: Exam Marks, TM:Total Marks, Cr: Credit, Marks)Exam duration: 3 hoursPPR4.1-TheoryUNIT-1UNIT-2UNIT-3TitleIndian and Western ArtHPW4IAM30EM70TM100CR4Origin and development of Western Ballet [social beginnings,romanticism, classicism, neo romanticism, neo classicism.]Origin and development of Western art [ancient art, medieval artRenaissance, Mannerism and Baroque]Modern art movements in Western Painting, Sculpture and their relevanceto Dance Choreography. [ neo-classicism, romanticismrealism, impressionism, post impressionism, cubism,expressionism, fauvism, Dadaism, pop art, surrealism,abstract expressionism]UNIT-4Contemporary Dance in India: [Uday Shankar , Chandralekha, RukminiDevi Arundale]UNIT-5Modern Dance Movements in the West. [Ruth St Denis,Mary Wigman ,Martha Graham,]Test, Seminar and assignment compulsoryPPR4.2 –TheoryUNIT-1UNIT-2UNIT-3UNIT-4UNIT-5TitleDance LiteratureHPW4IAM30EM70TM100CR4Ancient texts on Dance. [Lasya Ranjana,Nritta Ratnavali, NartanaNirnaya, Sangeetha Ratnakara]Study of Kannada Literature related to Dance. [Ratnakaravarni andHarihara.]Contributions of contemporary Kannada poets [ Pu Ti Narasimhachar,Lakshminarayana Bhatta]Composers Basavanna, Akkamahadevi, AllamaPrabhuContributions of Kshetrayya, Sarangapani, Swathi TirunalTest, Seminar and assignment compulsory17

PPR4.3 up ProductionHPW8IAM30EM70TM100CR4Theme for Group Production to be chosen from Epics /Puranas /HistoricalPlays / Sanskrit Plays /social / folk / Contemporary issues; in consultationwith the teaching faculty.Reading of Adapted script and Justification of title.Exercises leading to choreography of Group Production.[image ofmusic, mirror image, procession and the like]Martial art exercises; Group Choreography of fight sequence -1Folk dance exercises;Contemporary dance exercises; Group Choreography of Contemporarydance sequence / Dance-1.Libretto, Script Writing and Production.Note: Participation of all the students is compulsory in the production andpresentation. File work of Libretto to be submitted by all candidates iscompulsoryAssignment compulsoryPPR4.4 -practicalUNIT-1UNIT-2UNIT-3UNIT-4UNIT-5TitleRasa and Ashta NayikaHPW8IAM30EM70TM100Nayikas to be depicted under the guidance of the teachers.Swadhinapatika, Vaskasajja, Virahotkhantita, VipralabdhaKhandita, Kalahantarita, Preshitabhrtruka,Abhisaarika.Navarasa (one sequence/Shloka to depict the components of Rasa)Pada Varna-1Kshetrayya Padam-1Assignment compulsory18CR4

PPR4.5 AM30EM70TM100CR4Group Production and Fieldwork/DissertationMethods of field investigation (Study) and its important in Dance andCultureField work of different areas and levels (Dance and Culture), Collectionof field data sampling methods and preparation of questionnaires.Data input processing representation, analysis, interpretation and ReportwritingField study tour is a part of IV semester, study tour is compulsory and tobe conducted between end of the III semester and in the beginning of theIV semester for a duration of one weeks. Study tour report submission iscompulsory.Viva-voice based on dissertation and study tour report.Assignment compulsoryElective: Carnatic MusicJathiswara -1Tana varna-1,Javali, padam-1 eachKruti/ keertanaTillanaAssignment compulsory19HPW8IAM30EM70TM100CR4

Internal AssessmentTheory Max Marks 30:DescriptionMarks allottedAttendance :05Discipline:05Participation in the activities of the Department:05Assignments/ seminar paper presentationAnd paper submission:15Practical Max Marks 30:DescriptionMarks allottedPresentation:10Aharya:05Project work/ Dissertation/ Filed work/Study tour report And Viva:1520

III semester will have two theory papers (core), three practical papers (core) . Unit -1 A detailed study of South Indian Classical Dance forms Bharatanatyam, Mohiniattam. Unit-2 A study of the Classical Dance forms of North and Eastern regions of India. [Kathak, Manipuri, Odissi, Satria]

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