User’s Guide - Cinematography
User’s Guide3922 496 49801PRINTED: January 2004LDK 7500 LDK 5490VIPER - DIGITAL CINEMATOGRAPHIC CAMERA SYSTEM
Declaration of ConformityWe, Thomson Broadcast Solutions B.V., Kapittelweg 10, 4827 HG Breda, The Netherlands, declare under our sole responsibility that thisproduct is in compliance with the following standards:EN60065: SafetyEN55103-1: EMC (Emission)EN55103-2: EMC (Immunity)following the provisions of:a. the Safety Directives 73/23//EEC and 93/68/EECb. the EMC Directives 89/336/EEC and 93/68/EECFCC Class A StatementThis product generates, uses, and can radiate radio frequency energy and if not installed and used in accordance with the instructions,may cause interference to radio communications.It has been tested and found to comply with the limits for a class A digital device pursuant to part 15 of the FCC rules, which aredesigned to provide reasonable protection against such interference when operated in a commercial environment.Operation of this product in a residential area is likely to cause interference in which case the user at his own expense will be required totake whatever measures may be required to correct the interference.CopyrightFür diese Unterlage behalten wir uns alleRechte vor (Gemäß DIN 34). TechnischeÄnderungen im Zuge derWeiterentwicklung vorbehalten.Copying of this document and giving it toothers, and the use or communication ofthe contents thereof, are forbiddenwithout express authority. Offenders areliable to the payment of damages. Allrights are reserved in the event of the grantof a patent or the registration of a utilitymodel or design. Liable to technicalalterations in the course of furtherdevelopment. Copyright Thomson Broadcast and Media Solutions 2004Toute communication ou reproduction dece document, toute exploitation oucommunication de son contenu sontinterdites, sauf autorisation expresse. Toutman-quement à cette règle est illicite etexpose son auteur au versement dedommages et intérêts. Tous nos droits sontréservés pour le cas de la délivrance d'unmodèle d'utilité. Sous réserve demodification au cours de l'évolutiontechnique.
ViperDigital Cinematographic CameraOperator's ManualThe Viper FilmStream Camera combines two different applicationconcepts in a single camera. By selecting the operation mode, thecamera operates either as a HD video camera or as a digital film camera.The digital film camera mode is known as the FilmStream mode.Using this manualThis manual is divided into two parts:Part 1Describes how to set-up and use the camera as a digital film camerain the FilmStream mode.Part 2Describes how to set-up and use the camera as a HD video camera.03.18.5i
Contents - Part 1 - FilmStream modeImportant Precautions . ivIntroduction . 1-1Selecting operational mode . 1-2Streaming modes . 1-3Technology . 1-4Access and Security . 1-6Assembling the Units . 2-1Lens . 2-22-inch Viewfinder . 2-4Positioning the 2-inch viewfinder . 2-6Tripod Adapter Plate (optional) . 2-8Shoulder Pad . 2-10Configurations . 3-1Configurations . 3-2Camera Controls . 4-1Power Supply . 4-2FilmStream Connectors . 4-4FilmStream Camera Functions . 4-6Viewfinder Indicators . 4-12System Menu Control . 4-17Auxilary Functions . 4-18Set-up and operation . 5-1Setting up the camera . 5-2Operating the camera . 5-4Using the Menus . 6-1Introduction . 6-2Menu System . 6-3Menu Structure . 6-6Security Menu . 6-7Files Menu . 6-8iiViper
Contents - Part 2 - HD Video modeIntroduction . 1-1Selecting operational mode . 1-2HD Video mode . 1-3Technology . 1-4Access and Security . 1-6Assembling the Units . 2-1Transport Case . 2-2Lens . 2-42-inch Viewfinder . 2-6Positioning the 2-inch viewfinder . 2-82-inch Viewfinder Accessories . 2-10Microphone . 2-12Shoulder Pad . 2-14Top Light (option) . 2-15Tripod Adapter Plate (option) . 2-16Configurations . 3-1Configurations . 3-2Camera Controls . 4-1Power Supply . 4-2Video Connectors . 4-4Video Functions . 4-6Viewfinder . 4-12Viewfinder Indicators . 4-14Audio . 4-18System Menu Control . 4-19Auxilary Functions . 4-20Set-up and operation . 5-1Setting up the camera . 5-2Operating the camera . 5-4Shooting screens . 5-10Using the Menus . 6-1Introduction . 6-2Menu System . 6-3Menu Structure . 6-6Security Menu . 6-7Files Menu . 6-8Install Menu . 6-10Appendix03.18.5iii
Important PrecautionsTo ensure continual high performance from the camcorder take thefollowing precautions into consideration:Avoid very damp places. If the environment is wetor damp a rain cover must be used to protect theunit.Do not subject the unit to severe shocks or vibration.Do not expose the camera to extremes oftemperature.Do not leave the unit in direct sunlight or close toheating appliances for extended periods.Do not allow sunlight to shine into the viewfinder.ivViper
WarningIf the camera is in a wet or damp environment, a rain cover must beused to protect it for personal safety reasons (EN60065). The optionalrain cover protects the camera according to safety specificationEN60529 up to level IPX2 (spraying water).FCC Class A StatementThis equipment generates, uses, and can radiate radio frequencyenergy and if not installed and used in accordance with the instructions,may cause interference to radio communications.It has been tested and found to comply with the limits for a class Adigital device pursuant to part 15 of FCC rules, which are designed toprovide reasonable protection against such interference when operated in a commercial environment.Operation of this equipment in a residential area is likely to causeinterference in which case the user at his own expense will be requiredto take whatever measures may be required to correct the interference.03.18.5v
viViper
Section 1IntroductionThis section describes the FilmStream mode of operation andoutlines the technology used in the Viper. The access andsecurity features of the camera are also explained.ContentsSelecting operational mode . 1-2Streaming modes . 1-3Technology . 1-4Access and Security . 1-6IntroductionFilmStream mode1-1
Selecting operational modeTo operate in the FilmStream mode you must ensure that the camerais switched to this mode. The output signals and the control functionsthat are available depend on the mode you select.The factory default for the mode setting is the FilmStream mode, sonormally you do not have to switch modes to operate the camera asa digital film camera.If a different mode has been set up, then you need to switch to theFilmStream mode by changing a menu setting (for more details referto Section 5).To1.2.3.4.change modes:Open the menu system.Go to the Install menu.Select Output mode item.Change the value to FilmStream or HDStream.The camera remembers the last selected mode, so it remains in theFilmStream mode even when switched off and on again.MonitoringTo provide a monitoring signal for viewing, a separate channel is usedwhich undergoes some video processing to make it acceptable forviewing on monitors and viewfinders. Although derived from the samesensor signals, this channel is entirely separate from the main FilmStreamoutput.The Viper does not have any adjustable visual parameters for theFilmStream outputs. Framing, focussing, exposure setting, shutterangle and optical filtering are the only operations required of thecamera and lens operators.1-2FilmStream modeViper
Streaming modesFilmStream modeThe FilmStream mode differs from the HD video mode in that itcaptures all information in a scene and stores it digitally withoutaltering any parameters. By avoiding video processing in the raw RGBdata, the output signal is a true and faithful representation of the lightfrom the scene. Thus the FilmStream digital data signals are full-rangesignals suitable for film post-production without any loss of information.Capturing the lightThe Viper uses three high-definition CCD sensors to register the lightfrom the lens. The signals from these sensors are converted to R, G, andB data values using 12-bit A/D converters. Using logarithmic calculationsthis data is then converted to 10-bit values and transferred to a recorderusing a dual HD-SDI link. Full resolution is maintained: true-progressive1920 x 1080 pixels for every color. No color sub-sampling, no colorspace conversions, no irreversible video manipulations, no furtherquantizations, and no compression is carried out.HDStream modeThe output mode can also be set to HDStream. This mode providessignals similar to the FilmStream signals but in a 4:2:2 HD-SDI format.These HDStream signals are subject to white balancing in the camerabut like FilmStream signals, they do not undergo any other videoprocessing. HDStream mode is ideal when storage capacity is limitedor for applications where lower resolution signals are sufficient, suchas background for keying.IntroductionFilmStream mode1-3
TechnologyCCD sensor technologyThe Viper FilmStream Camera uses three unique 9.2 Megapixel HDDPM CCD sensors that allow the camera to work in several formats;1080 lines at 24/25/30 frames per second or 720 lines at 24/25/30/50/60 frames per second.This CCD sensor is based on the Frame-Transfer principle which is bestsuited for progressive images. The Viper uses a mechanical shutterwhich means that the CCD exposure has a similar ramp to film cameras,thus providing similar motion characteristics.FormatsThe 0i720p720p720p720p720pformats can be selected in the Install menu:at 23.98Hzat 24Hzat 25Hzat 29.97Hzat 50Hzat 59.94Hzat 59.94Hz - 23atatatatat23.98Hz25Hz29.97Hz50Hz59.94HzThe sensor consists of 1920 horizontal pixels and 4320 vertical subpixels. By grouping the vertical sub-pixels, the vertical line count canbe set. Full resolution is preserved and the horizontal viewing anglestays the same. 1080PWhen four vertical sub-pixels are combined, the total line countbecomes 1080 lines. So, a 1920 x 1080 image sensor is obtained witha 16:9 aspect ratio.1-4FilmStream modeViper
1080iWhen eight vertical sub-pixels are combined, the total line countbecomes 540 lines. The second field is shifted four pixels to give aninterlaced picture. 720PWhen six vertical sub-pixels are combined, then the total line countbecomes 720 lines. So, a 1920 x 720 image sensor is obtained with a 16:9aspect ratio. When set to 60 frames per second, slow motion effects canbe achieved during post-production at different playback speeds. Cinemascope Aspect RatioWhen three vertical sub-pixels are combined, 1440 vertical lines areobtained. By using the middle 1080 lines, a 2.37:1 aspect ratio isachieved without the need for anamorphic lenses while maintainingfull 1920 x 1080 resolution. There is no need to crop the image or loseresolution to get this aspect ratio.IntroductionFilmStream mode1-5
Access and SecurityCamera cardsThree camera cards are delivered with each camera; one owner’s cardand two user cards. An owner’s card is linked to the serial number ofthe camera and is unique to that camera. It cannot be used as anowner’s card for another camera.The owner’s card acts as: an access control device to the security settings of the camera. a storage card for four scene files and two operator files.The user card stores four scene files and two operator files.Operator files contain information relating to the set-up of generalcamera preferences. Scene files contain information relating to thevideo settings of the camera head.Owner’s card1-6User cardFilmStream modeViper
Access controlThe owner’s card or the PIN code is used to access special set-up andsecurity features of the camera. Inserting the owner’s card into thecamera gives direct access to the Security menu. If you select theSecurity menu without this card inserted, you must enter the correctPIN code to gain access to this menu.User levelsFour user levels can be set in the security menu. These restrict access,in varying degrees, to the operational controls. The appendix indicateswhich functions are available at each user level.ClearStar 4PStar 6PSoft focA 1ClearB 2ND1/4C 3ND 1/14ND 1/6us D6411Camera card slotInsert your camera card into this slot with the chip on the card facingthe front of the camera. Push the card home until it fits snugly.A camera card is not required for normal operation of the camera.NoteOnly use an original camera card.Store the owner’s card in a safe place.IntroductionFilmStream mode1-7
1-8FilmStream modeViper
Section 2Assembling the UnitsThis section provides information on the physical assemblyof the camera and on the mounting of accessories.ContentsLens . 2-22-inch Viewfinder . 2-4Positioning the 2-inch viewfinder . 2-6Tripod Adapter Plate (optional) . 2-8Shoulder Pad . 2-10Assembling the UnitsFilmStream mode2-1
Lens123452-2FilmStream modeViper
Attach a lens to the camera head as follows:a. Ensure that the lens locking ring (1) is in the unlocked position turned counterclockwise.b. Remove the dust protection cap (2).c. Slot the lens into the lens mount (3).CautionDo not attach a lens weighing more than 5 kg to thecamera without a support.d. Turn the lens locking ring (1) clockwise to lock the lens in place.e. Connect the lens cable, if any, to the lens connector (4) at the rightside of the camera.f. Place the lens cable into the bottom clip at the front of the cameraand clip (5) located at the side. (Pull and twist clip (5) to open it.)g. In the Lens menu, set the Lens Type item to Std for a standard lensor to WA for a wide angle lens.h. Select the lens manufacturer in the Lens menu. Select Ang forAngenieux, Can for Canon, Fuj1 or Fuj2 for Fujinon or select Otherfor other lens manufacturers.Note:Always mount the dust protection cap when the lens is not connectedto the camera.When a new lens is fitted to the camera it may be necessary to carryout some adjustments to optimize its use, for example, back focus. Formore information about these adjustments refer to the lensmanufacturer’s documentation.Assembling the UnitsFilmStream mode2-3
2-inch Viewfinder3216542-4FilmStream modeViper
Mounting the 2-inch viewfinder and microphone holderTo mount the 2-inch viewfinder proceed as follows:a. Loosen locking ring (1) of viewfinder support bracket (2) at thefront of the camera handle. (As seen from the rear of the camera,turning the locking ring counterclockwise moves it towards thehandle.)b. Slide the viewfinder onto the viewfinder support bracket.c. Tighten the locking ring (1) by turning it clockwise (as seen fromrear) so that the viewfinder is mounted securely to the support.d. Connect the viewfinder cable to the viewfinder connector socket(4) at the top right of the camera.e. Slide the microphone holder (5) onto the viewfinder and securewith the knurled screw (6).CautionAlways fit the microphone holder (5) even if you don’t usea microphone as it functions as a safety stop for theviewfinder.f.To improve the comfort of the skin contact when using theviewfinder, fit the eyepiece cover (3) to the rubber eyepiece.Assembling the UnitsFilmStream mode2-5
Positioning the 2-inch viewfinder12352-64FilmStream modeViper
The horizontal position of the viewfinder can be adjusted as follows tosuit your requirements:a. Loosen the locking ring (1). (As seen from the rear of the camera,turning the locking ring counterclockwise moves it towards thehandle.)b. Slide the viewfinder horizontally along the rail to the desiredposition.c. Tighten the locking ring (1) by turning clockwise.The dioptre hood and eyepiece of the viewfinder can be rotatedvertically.The viewfinder can be positioned backwards and forwards along thecamera axis. Loosen the support bracket round bar retaining lever (2)and slide the round bar (3) forwards or backwards. When the desiredposition is reached tighten the support bracket round bar retaininglever (2) again.To use the viewfinder at a distance press the button (4) below or abovethe eyepiece tube and swing it free of the associated clip (5). Thedisplay can now be seen from further away.Assembling the UnitsFilmStream mode2-7
Tripod Adapter Plate (optional)Clear A1ClearStar 4P B1ND1/4Star 6P C1ND 1/16Soft focus D1ND 1/6415342To mount the camera on a tripod, the tripod plate (LDK 5031 isavailable as an option) must first be attached to the tripod.Follow the tripod manufacturer’s instructions to mount the wedgeplate supplied with the tripod and the tripod adapter plate firmly ontothe tripod.2-8FilmStream modeViper
Attach the camera to the tripod adapter plate as follows:a. Slide the camera horizontally along the tripod adapter plate fromback to front ensuring that the front of the camera engages the Vslot (1) at the front of the tripod adapter plate, and that the slot onthe bottom of the camera engages the stud (2) at the rear of thetripod adapter plate.b. Firmly push the camera forward until it clicks into place.c. When the camera is mounted on the tripod tighten thE lockinglever (5) to ensure that the stud (2) at the rear of the plate is lockedfirmly in place.CautionFailure to attach the camera to the tripod adapter plate inthe correct manner could result in an unsecured camera.Ensure that the rear stud (2) is engaged and that the cameraclicks into place.To remove the camera from the tripod proceed as follows:a. When removing the camera first open the locking lever (5) to freethe rear stud (2).b Press the red locking lever (3) against release handle (4) on thetripod adapter plate and hold.c. Ensure that you have a firm hold of the camera.d. Pull the release handle (4) forward.e. Move the camera backwards and up. The camera is now free fromthe tripod adapter plate.Assembling the UnitsFilmStream mode2-9
Shoulder Pad1To change the position of the shoulder pad press and hold lever (1).The shoulder pad can now be moved backwards and forwards alongthe axis of the camera. Adjust the shoulder pad when all units havebeen mounted so that the best balanced position can be obtained.2-10FilmStream modeViper
Section 3ConfigurationsThis section describes how the Viper can be connected toexternal equipment and how it can be configured with anexternal recorder.ContentsConfigurations . 3-2ConfigurationsFilmStream mode3-1
ConfigurationsFilmStream system diagramA 1ClearB 2ND1/4C 3ND 1/16sD 4t focuND 1/64ClearStar 4PStar 6PSofBreak-outboxHD-SDI viewingCVBSFilmStream/RGB/YUVHD-SDI viewing, CVBSRec. StartTally returnCam. Audio 1xHD-SDconverterSDIHard disksto post-productionHard diskcapturesystemSDoff-linerecorder(Off-line copy fromSDI or CVBS)More audioTime codeTo off-line editingOff-line tape3-2FilmStream modeViper
HDStream system diagramAClearStar 4PStar 6P1ClearB 2ND1/4C 3ND 1/164ND 1/64sDSoft focu12V power2nd HD-SDICVBSBreak-outboxYUV(HD-SDI)(Rec. Start)(Tally return)Cam. Audio 1xTo post-productionTo off-line editingConfigurationsOn-line terorSDIMore audioTime codeOff-line tapeFilmStream mode3-3
3-4FilmStream modeViper
Section 4Camera ControlsThis section shows the physical location of the controls andconnectors on the camera. These are grouped according totheir function so as to provide a quick reference guide to theoperation of a particular aspect of the camera.ContentsPower Supply . 4-2FilmStream Connectors . 4-4FilmStream Camera Functions . 4-6Viewfinder Indicators . 4-12System Menu Control . 4-17Auxilary Functions . 4-18ControlsFilmStream mode4-1
Power Supply1236DC outLCPCVBSVF451Power switchThe power supply to the camera is switched on and off by the powerat the front-left of the camera. The power switch has two positions:On: Power to camera is switched on.Off: Power to camera is switched off.NoteWhen you switch off the power, the access rights are reset and thecamera starts at the assigned user level when switched on again.4-2FilmStream modeViper
2Power source switchPower can be supplied to the camera in either of two ways: via the multicore cable and connector, or directly, via the DC IN power socket on the rear of the camera.Set the power source switch at the rear of the camera to the positionthat corresponds to you chosen method:Ext.: Powered via DC IN socketMulti: Powered via multicore3Power on indicatorThe power indicator lights when power is supplied to the camera andthe camera power is switched on.4Circuit breaker buttonIf excessive current flows the circuit breaker shuts off the power. If thishappens check for faults and if necessary take corrective action beforepressing the circuit breaker button to reset the power.5Power output socketThis socket provides a nominal 12 Vdc supply (20VA max.) forpowering accessories.6Power input socketThis socket accepts a DC supply of 12V Nominal (11V to 17V) to powerthe camera. Nominal power consumption is 44W.CautionThe input voltage must not exceed 17 Vdc.ControlsFilmStream mode4-3
FilmStream Connectors213DC outLCPCVBSVF451Viewing channel output connector (HD-SDI)This BNC connector supplies a serial digital video output (Y/Cr/Cb4:2:2) for monitoring purposes.4-4FilmStream modeViper
2Multicore connectorThis multicore connector provides the FilmStream output, viewingchannel output signals, control signals and the camera microphonesignal. DC power can also be supplied to the camera via this connector.The connector accepts a playback video signal for display in theviewfinder. The start/stop control signal for an external recorder is alsopassed via this connector.3FilmStream output connectorsThese BNC connectors together supply the dual link FilmStream outputfor a recording system or for a post-production suite.4Viewfinder output connectorThis BNC connector supplies an analog video output signal of theviewfinder signal. Markers and menus similar to those in the viewfindercan be superimposed on this signal.5Viewing channel output connector (CVBS)This BNC connector supplies a CVBS output signal for viewing.ControlsFilmStream mode4-5
FilmStream Camera Functions1ClearStar 4PStar 6PcuSoft foA 1ClearB 2ND1/4C 3ND 1/sD41664ND 1/625341Filter switchRotate these switches to move the optical filter wheels:The outer (bigger) filter switch has four positions:1 :Clear2 :ND 1/4 filter ( 2 stops)3 :ND 1/16 filter ( 4 stops)4 :ND 1/64 filter ( 6 stops)The inner (smaller) filter switch has four positions:1 :Clear2 :4-point star*3 :6-point star*4 :Soft focus*The status of the filterwheel is shown in the viewfinder for a fewseconds. If an ND (Neutral Density) filter is selected, the ND/REindicator in the viewfinder lights.* The type of filters used in this filter wheel may vary from camera to camera.4-6FilmStream modeViper
2Std Scene File buttonThe standard scene file button is a momentary button which, whenpressed for two seconds, recalls the standard scene file values. Thesevalues only take effect when the camera is not recording.3Colour Bars switch (Bars)The Bars switch turns the colour bar test signal on and off. The lens iriscloses automatically when the colour bars are switched on.4Clean Scan button (shutter angle)Press the Clean Scan button for two seconds to directly access theshutter angle function. Press the Clean Scan button for two secon
Viper Digital Cinematographic Camera Operator's Manual The Viper FilmStream Camera combines two different application concepts in a single camera. By selecting the operation mode, the camera operates either as a HD video camera or as a digital film camera. The digital film camera mode is known as the FilmStream mode. Using this manual
reduces jitter) and re-cinematography (that creates directed motions) are given in §5.1, e.g. Fig 9. Re-cinematography avoids the limitations of image mo-saicing by breaking video into a series of shorter segments, and choosing appropriate virtual camera motions for each. Th
The 5 C's of Cinematography Camera Angles How to show the audience what is happening and helps emotionally tell the story Composition Arrangement of the elements in the frame. Continuity Creates the flow of the film. Situates ou
cinematography; explain differences in lighting s tyles; evaluate cinematic production tools; and apply techniques to produce a short video or film. C. Course Competencies: Upon successful completion of this course, each student will have demonstrated through written examinations, and ind
3. The sample question paper is mainly focused on Cinematography Specific Area , not in exhaustive list but just a suggestive list. 4. As JET - 2018 doesn't have any specific syllabus, so any question related to General Knowledge/Current Affair can be asked. 5. Since Cinema has been an amalg
Cinematography - Merit Badge Workbook Page. 4 of 5 3. Do ONE of the following: a. With your parent's permission and your counselor's approval, visit a film set or a television production studio and watch how production wor
Cinematography Display » Full range of Cine speeds (1 1000 fps) » Shutter angles from 1 270 degrees » Aperture and EV readout Light measurement Display » Incident readings in Foot Candles/Lux » Reflected light readings in Foot Lamberts and Cd/m² Full-featured exposure analyzer for toda
Cinematography is more than just Photography; it is the process of taking ideas, words, actions, emotional subtext, tone and all other forms non verbal communication and rendering them in visual terms Cinematography Theory and Practice. The Art
Teaching Cinematography - From Film to Digital GEECT - EFSN Conference / La Fémis / Feb 2013, 23-26 3 a Fémis organizes its annual European film school network conference on February 25 and 26 with the support of the Media program, in partnership with the LFS, VSMU and the Northern Film School, part of the Leeds Metropolitan University.
