The Art Of The String Quartet August – November 2019

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The Art of the String QuartetAugust – November 2019

WelcomeI am delighted to welcome you to theBerwick Music Series.This is a new and unique programmeof musical events, which includesconcerts, lectures, a workshop andthe chance for local musicians to playalongside world-famous internationalperformers. The Berwick Music Series2019 is called The Art of the StringQuartet and I am delighted that, underMike Worboys’ direction, we have puttogether a very strong programmewith absolutely top-class performers,and one which provides a specialopportunity for Berwick musicians.schools, and this has been madepossible by support from the Sir JamesKnott Trust and considerable help fromthe staff at the Music Department inthose schools.Thirdly, the research workshop will bethe first of its kind in Berwick, and wethank the University of Greenwich fortheir support.This series is a new development forBEA on several fronts: Firstly, this isthe first time we have organised livemusical performances, and we are verygrateful to Kate Stephenson for makingthe wonderful Watchtower availablefor our concerts, and to Canon DennisHandley for allowing us the use ofBerwick Parish Church.Finally, Berwick Music Series 2019involves a commitment of resourcesthat would not have been feasible forBEA on its own. The BMS AdvisoryGroup has given generously of theirtime and expertise, and we havereceived financial (and moral!) supportfrom Berwick Town Council, theCoastal Communities Fund andNorthumberland County Council’sCultural Fund, and from ourcommercial sponsor, Simpsons Malt,a long-standing and generoussupporter of Berwick cultural life.We thank them all for their support.Secondly, this is the first time thatBEA has collaborated with Berwick’sPam CampionChair of Trustees, BEA

Visitor InformationTicketsThe primary venue for all ourperformances is the BerwickWatchtower Gallery. Besides havingwonderful acoustic properties, theWatchtower Gallery houses a largecollection of work by the Englishabstract artist Ian Stephenson ra .Each event can be booked separatelyor you can buy a Series Pass, whichgives entrance to all eight events.You can book by mail, usingthe enclosed form, or online atberwickmusic.org.Tickets will also be sold at the door,subject to availability.Find full details of all events atberwickmusic.org1 Berwick Watchtower79 West End, Tweedmouth,Berwick-upon-Tweed TD15 2HE67A112 Berwick Parish Church &3 Berwick Parish CentreParade, Berwick-upon-Tweed TD15 1DF3 HILL716A1TRHIDEWEST ENDEDGWEST1Berwick-upon-TweedERLKWAA1167BANK HILLARYGATECHURCH STREETMEET“The most perfect expressionof human behaviour isa string quartet.”Lectures and Workshop: 6Concerts: 10Community Performance: FreeSeries Pass: 36Patrons Pass: 50The Community Concert will takeplace in the spacious and resonantBerwick Parish Church. Lectures andthe research workshop take place inthe Berwick Parish Centre. All venuesare within a 20 minute walk of BerwickRail station.Introducing theBerwick Music Series2019LMARKETSo wrote the conductor Jeffrey Tatein the New Yorker in 1990. The stringquartet provides the perfect mix ofindividualism and group cooperation.The string quartet repertoire began inthe mid-18th century with the worksof Haydn and continues to the presentday. Almost all major composers havecontributed to this repertoire. Many ofthe most renowned musical ensembleshave been string quartet ensembles.We are very happy to be celebratingthe string quartet – both in its form andits players – in a series of outstandingevents. At the core we have pleasure toannounce three concerts, each performedby an ensemble of international stature.Supporting these performances will bethree lectures that introduce this artform to a general audience, coveringgeneral background, history, contextand cultural significance, as wellas taking a closer look at some keystring quartets, including those to beperformed in the concerts. There willalso be a multi-disciplinary workshop,Sound in Space – Space in Sound, thatexplores relationships and connectionsbetween music and the spaces we livein and of our imaginations. The seasonwill be rounded off with a celebratorycommunity performance led by theinternationally renowned ensembleQuatuor Bozzini.The works to be performed includemany from the established repertoire(for example, Haydn, Mozart, Schubert,Ravel and Shostakovich) but we aredelighted also to be able to showcasethree works by living composers fromthe North East.The quartet concerts will be performedin the wonderful Watchtower Gallery,with its spacious acoustic properties.We are especially grateful to KateStephenson for being so encouragingabout this project and making theWatchtower available.Finally, Berwick Music Series would nothave been possible without leadershipfrom and collaboration with the BerwickEducational Association. I would liketo add my personal thanks to the BEAand sponsors and supporters whohave contributed to making this year’sBerwick Music Series possible.Michael Worboys Artistic Director

Thu 15 August, 1–3pmBerwick Parish CentreSat 24 August, 1pm [1hr 15]Watchtower GalleryThu 5 September, 1-3pmBerwick Parish CentreWed 11 September, 1pm [1hr 15]Watchtower GalleryThe Art of the String QuartetDulcinea QuartetThe Art of the String QuartetFrankland QuartetMichael WorboysBMS Artistic DirectorMinn Majoe violinHaru Ushigusa violinMartin Wray violaKirsten Jenson celloMichael WorboysBMS Artistic DirectorSophie Appleton violinSarah Roberts violinJames Slater violaDaniel Hammersley celloLecture IThis lecture is the first of three thatintroduce the string quartet art formto a general audience. No prior musicalknowledge is assumed. The lectureswill cover general background, history,context and cultural significance, aswell as taking a closer look at some keystring quartets, including those to beperformed in the concerts. The coursewill be supported by audio and videoexamples. Attendance at the concerts,while desirable, is not essential as thecourse can be followed independently ofthe live performances.Content of Lecture One: What is astring quartet? Instruments, generalsetting, structure, early examples,and focus on the works to be playedon 24 August by the Dulcinea Quartet(works by Mozart, Barber and Schubert).Dulcinea QuartetMozart: D minor String Quartet K421Barber: String Quartet Op. 11Schubert: Quartettsatz D703The London-based Dulcinea Quartetwas formed at the Royal Academy ofMusic in 2008. The Quartet performsregularly in Japan, and is part ofANIMA, a chamber ensemble thatplays contemporary music alongsideanimated films. As well as workingclosely with up-and-coming composersand animators, the ANIMA ensemblehas recorded several film scores.Mozart’s D minor quartet wascomposed in 1793, whilst his wifeConstanze was in labour with theirfirst child.The American composer SamuelBarber wrote this, his only stringquartet, in 1935–36. He arranged themiddle movement for string orchestraas his well-known Adagio for Strings.Schubert’s quartet movementQuartettsatz was intended as the firstmovement of a complete string quartetbut, like his Unfinished Symphony, itremained uncompleted.Lecture IIThis lecture is the second of three thatintroduce the string quartet art form toa general audience.Lecture Two in the series will chartthe historical development of thestring quartet and some of its mostrenowned ensembles, and review theworks to be performed on 11 Septemberby the Frankland Quartet (works byHaydn, Medeksaite and Ravel).Frankland QuartetHaydn: String Quartet Op. 103Egidija Medeksaite: Megh MalharRavel: String Quartet in F MajorThe Frankland Quartet was formedby members of the Royal NorthernSinfonia, who have played in orchestrassuch as the Philharmonia, RoyalPhilharmonic Orchestra, Academyof St Martins in the Field and theOrchestra of the Royal Opera House.They performed Haydn and Beethovenon BBC Radio 3 as part of the ‘freethinking’ festival in 2018.In 1803, Haydn, in failing health,accepted a commission for six quartetsfrom Count Moritz von Fries. What wehave are two movements that mayhave been composed earlier in his life.Haydn added the following words to thescore: “Gone is all my strength, old andweak am I.”Egidija Medeksaite lives in Durham.Megh Malhar is a Hindustani classicalraga. The name derives from theSanskrit word Megh, meaning cloud.Maurice Ravel completed his StringQuartet in 1903 at the age of 28. It isdedicated to his teacher, Gabriel Fauré.

Thu 14 November, 1-3pmBerwick Parish CentreThu 21 November, 12 noon [2hrs]Watchtower GalleryThe Art of the String QuartetQuatuor BozziniMichael WorboysBMS Artistic DirectorClemens Merkel violinAlissa Cheung violinStéphanie Bozzini violaIsabelle Bozzini celloLecture IIIThis is the final of three lectures thatintroduce the string quartet art formto a general audience.Lecture Three will select a bucketlist of “unmissable” string quartetsand review the works to be performedon November 21st by Quatuor Bozzini(Weeks, Worboys, Shostakovich). Asalways, no previous knowledge isassumed.“extraordinary playing.”—Alex Ross, The New Yorker“one of the most daringstring quartets”—Bandcamp DailyQuatuor BozziniJames Weeks: LeafleohtMichael Worboys: Properties ofMatter: Expansion and ContractionShostakovich: String Quartet 15 Op. 144Formed in Montréal, Canada in 1999,Quatuor Bozzini has been an originalvoice in contemporary and classicalmusic. Alex Ross, in the New Yorker,has acclaimed the Quartet for their“extraordinary playing”. They havenurtured a diverse repertoire, unbiasedby the currents of fashion. This has ledto almost two hundred commissionedpieces, as well as over three hundredpremiered works and many albums. AQuatuor Bozzini concert is an intenselyshared experience, with meticulous andsensuous attention to detail.James Weeks lives in Durham andrecently won the British ComposerAward. Leafleoht (the title means ‘leaflight’ in Anglo-Saxon) arose from amemory-image of wind in the leaves ofa hedge near the sea.Michael Worboys lives in Berwickupon-Tweed. His work Properties ofMatter: Expansion and Contractionstarts from the premise that sound is amaterial medium, involving vibrationsof matter, with the ability to affect ourthoughts and emotions.The String Quartet No. 15, completedin 1974, was Dmitri Shostakovich’slast quartet and comes from the endof his life. It has been thought of ashis personal requiem. Shostakovich’sQuartet No. 15 is structured as acontinuous sequence of six slowmovements and is one of the mostmoving of all his compositions.Thu 21 November, 2.30pm [2hrs]Berwick Parish CentreSound in Space – Space in SoundA WorkshopThis multi-disciplinary workshop iscurated by BMS Artist Director Prof.Mike Worboys and Dr. John Stell fromthe University of Leeds. The aim is toexplore performative, cultural andformal relationships between space andsound. Short presentations will be givenby academics and other specialists inthese areas. There will be opportunitiesfor questions and discussion.Examples of relevant topics are:Spatial structures, relationships andmetaphors in musical works; Music asevocation of place; Sound in geographicspaces.If you are curious about suchmatters, then this Workshop may be foryou. All are welcome and no particularbackground or experience is required.Thu 21 November, 6.30pm [1hr]Berwick Parish ChurchJames Tenney:In a Large, Open SpaceQuatuor Bozzini andmusicians from the communityJames Tenney’s In a Large, Open Spaceis an exploration and celebration ofthe natural phenomenon of sound.Organised and mentored by specialguests Quatuor Bozzini from Montreal,Canada, BMS presents an immersivemusical experience resonating inthe expansive space of BerwickParish Church. In this performance,the audience may move around theGallery, mingling with the musiciansand the sound.James Tenney (1934–2006) was anAmerican composer, pianist and musictheorist.This concert is free, but placesare limited, so please book atberwickmusic.org. Tickets may beavailable at the door if space allows.Peform with Us!If you are a proficient string or windplayer, or play any instrument capableof sustaining sounds, and wouldlike to be part of the CommunityPerformance, please contact MikeWorboys, BMS Artistic Director, atberwickea@gmail.com.

Other BEA events: Aug – Dec 2019see berwickea.co.uk for more informationAugust 2019October 20192 Oct 12The Art of Widescreen Cinema, lecture and film,1.30–5 pm4 Oct 6‘Richard II’, Richard Moore,10 am – 12 noon9 Oct 12The Art of Jeanne Moreau, lecture and film,1.30–5 pm23 Oct 12Soviet Cinema of the 1950’s, lecture and film,1.30–5 pm3 Aug 8Margaret Tait: Film Makar, Dr Sarah Neely,4–6.30 pm26 Oct –23 Nov 30 or 8per sessionIntro to Astronomy, Adrian Jannetta,10 am – 12 noon, 5 sessions3 Aug –5 Oct 3 or 3.80 onlineWeekly tour of Turner exhibition, Maria Chester1–2 pm31 Oct 30Wilhelmina Barnes-Graham art workshop,Lynda Marwood and Maria Chester, 10 am – 3 pm19 Aug 9Paradise Lost, Elaine Oswald10 am – 1 pm29 Aug 6A Plastic Ocean, film, Sea The Change7–9.30 pmSeptember 2019November 20191 Nov 6Dark Side of the Moon,The Times of Jane Austen,Richard Moore, 10 am – 12 noon4 Nov –2 Dec 30Mesoamerican Civilizations part 1, Maria Chester,10 am – 12 noon, 5 sessions2 Sep –21 Oct 48 or 8per sessionHitler and Stalin, Tony Barrow,10 am – 12 noon, 8 sessions8 Nov 30Wilhelmina Barnes-Graham art workshop,Gill Walton and Maria Chester, 10 am – 3 pm3 Sep –1 Oct 77 percourseIntro to Figure Drawing, Gill Walton,10 am – 12.30 pm and repeated 1–3.30 pm, 5 sessions13 Nov 12From Page to Screen, lecture and film, 1.30–5 pm5 Sep 6Natural Wellbeing, Sea The Change7–9 pm27 Nov 12The Sound of American Cinema, lecture and film,1.30–5 pm6 Sep 6The Meaning of Myth, Richard Moore,10 am – 12 noon29 Nov 36 inc.materialsPrehistoric Art Workshop, Gill Walton and Maria Chester,10 am – 3 pm12 Sep 6The (Eco) House that Dick Built, Sea The Change,7–9 pmDecember 201925 Sep –27 Nov 48 ( 24 BFS In A New Light: Film Studies,members)a series of six lectures and films5 Dec 6Intro to Schubert Mass in A Flat, Mike Worboys,1–3 pm25 Sep 12Transnational Cinema: the Case of Palestinian Cinema,lecture and film, 1.30–5 pm6 Dec 6‘Persuasion’, R Moore,10 am – 12 noon28 Sep –12 Oct 15 or 6per sessionAmerican Culture in the Fifties and Sixties,Mike Fraser, 10am – 12 noon, 3 sessions13 Dec 42 inc.materialsGiotto/Icons workshop, Gill Walton and Maria Chester,10 am – 3 pm

Berwick Music Series 2019at a glanceThu 15 Aug1pmThe Art of the String Quartet IBerwick Parish CentreSat 24 Aug1pmDulcinea QuartetWatchtower GalleryThu 5 Sep1pmThe Art of the String Quartet IIBerwick Parish CentreWed 11 Sep1pmFrankland QuartetWatchtower GalleryThu 14 Nov1pmThe Art of the String Quartet IIIBerwick Parish CentreThu 21 Nov12 noonQuatuor BozziniWatchtower Gallery2.30pmSound in Space – Space in Sound WorkshopBerwick Parish Centre6.30pmCommunity PerformanceBerwick Parish ChurchSupported byCredits Cover: Lighthouse Films; Dulcinea Quartet: Aiga PhotographyQuatuor Bozzini: Michael Slobodian; Design by Fogbank Projects

Barber wrote this, his only string quartet, in 1935–36. He arranged the middle movement for string orchestra as his well-known Adagio for Strings. Schubert’s quartet movement Quartettsatz was intended as the first movement of a complete string quartet but, like his Unfinished Symphony, it remained uncompleted. 4 - event 1 (lecture and concert)

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Barber, Samuel String Quartet No.1, Op.11 Bartok, Bela String Quartet No.2, Op.17 String Quartet No.4 Beethoven, Ludwig van String Quartet No.1 in F major, Op.18 No.1 String Quartet No.2 in G major, “Compliments” Op.18 No.2 String Quartet No.6 in B-flat major, Op.18 No.6 String Quartet No.7 in F major, “Rasumovsky 1” Op.59 No.1