AUDITION PACKET WEDNESDAY ADDAMS - Phoenix Ent

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AUDITION PACKETWEDNESDAY ADDAMS

SCENE 2(MORTICIA'S BOUDOIR)(Revealing GOMEZ, fencing with LURCH,who holds his foil absolutely stillwhile GOMEZ swipes at itextravagantly.)GOMEZFight sir, fight like a man! Feel the kiss of my Spanishsteel! Ha! Ha! Ha! Ha! Foiled again!(GOMEZ strikes LURCH's sword down.LURCH pokes GOMEZ with it.)Oww! Damn your lightning reflexes!(GOMEZ retains his sword. MORTICIAenters with a bouquet of yellowflowers.)MORTICIAGomez, look.GOMEZUgh! Flowers! Who would send something so tasteless?MORTICIA(reads the card)"The most precious gift there is,More goody-licious than gold,Is that blessing we call friendship,Whether new or very old."GOMEZ"Goody-licious?" Who talks like this?(MORTICIA removes the flowers from thestems,During--)MORTICIAThe Beinekes. Wednesday's friend Lucas and his parents.They're coming for dinner tonight.GOMEZLucas?8

MORTICIAYes.GOMEZBut Lucas is a boy's name.MORTICIAYes.GOMEZWednesday has a friend who's a boy?(They both look at Lurch. Finally--)MORTICIAIt's nothing, darling. Puppy love.(hands Lurch the stems)Put these in water.(WEDNESDAY enters, carrying hercrossbow and a goose with an arrowsticking out of it.)WEDNESDAYMom, Dad, I shot dinner.MORTICIA(taking it)Oh, Wednesday, that's lovely. Wherever did you find it?WEDNESDAYPetting zoo.MORTICIAThank you, dear. Come, Lurch - we'll whip up somethingreally special. And this time, we'll actually cook it.(shares a laugh with Lurch)Oh, Gomez - guests for dinner! Fresh meat!(They exit. WEDNESDAY looks nervouslyafter them.)WEDNESDAYDaddy, I have something very important to tell you.GOMEZWhat?9

WEDNESDAYCan you keep a secret?(WEDNESDAY produces a ring from aroundher neck.)GOMEZOf course.WEDNESDAYLook.GOMEZIf I didn't know any better I'd say that looked like anengagement ring.(she just looks at him)What are you saying?WEDNESDAYOh daddy, Lucas wants to marry me!GOMEZWhat?!WEDNESDAYLucas Beineke loves me and he wants to marry me.GOMEZDo you want to marry him?WEDNESDAYYes. I think so.GOMEZYou think so?WEDNESDAYWell, I've never even met his parents, and he's never metmine, and - I just need to be sure.GOMEZThat he's the one?WEDNESDAYThat the families can get along. I mean, he has to knowwhat he's getting into.10

GOMEZWhat are you saying?WEDNESDAYI'm saying we're who we are, and they're from Ohio.GOMEZ(slicing the air with his sword)Ohio? A swing state!WEDNESDAYThat's what I mean.GOMEZYou're right, this is important. Let's go tell your mother.WEDNESDAYNo.GOMEZNo? But we have to tell your mother –WEDNESDAYDaddy, please! She'll ask a lot of embarrassing questionsand wreck the whole thing.GOMEZYou don't want me to tell your mother you're gettingmarried?WEDNESDAYAfter dinner and we're all friends, then we'll tell her.GOMEZBut I've never kept anything from your mother.WEDNESDAY(getting desperate)Daddy, please!GOMEZBut—WEDNESDAYIf you love me.11

SCENE 6(SOMEWHERE ELSE IN THE HOUSE)(WEDNESDAY enters, pursued by LUCAS.)LUCASYou realize they're gonna freak when we tell them?WEDNESDAYMy father won't.LUCASWhy not?WEDNESDAYI already told him.LUCASWhat? You told your father? Your father, with the sword?You told him we were getting married, just like that?WEDNESDAYHe's totally cool with it. Mostly.LUCASI thought we were gonna tell them all together!WEDNESDAYWe need his help. You don't know my mother. She couldreally screw it up.LUCASI'm not marrying your mother.WEDNESDAYI know. Look - it might seem old fashioned, but I wanttheir blessing.LUCASYou're right, it is old fashioned.WEDNESDAYLucas, do you love me?LUCASOf course.43

WEDNESDAYThen leave it to me. It's all going according to plan.LUCASWhat plan? There's no plan!WEDNESDAYThat's the plan. Improvise. Keep 'em guessing.LUCASYou're really crazy.WEDNESDAYYou say that like it's a bad thing. It's just a simpledinner. What could go wrong? Come on.(She leads him off. FESTER andANCESTORS appear again. The kids' lovehas won over the ANCESTORS.)FESTERAww.#8A BUT LOVE REPRISE 2BE PATIENT AND SOON THE WAY WILL BE CLEARFOCUS YOUR FEARAND TROUBLES ALL WILL DISAPPEARLET'S NOT TALK ABOUT ANYTHING OLDANCESTORSPLEASE DON'T LEAVE US OUT IN THE COLDFESTERLET'S NOT TALK ABOUT ANYTHING ELSEBUT LOVEANCESTORSBUT LOVEFESTERBUT LOVE44

ACT TWOSCENE 1(OUTSIDE THE HOUSE)#15 OPENING ACT II(TASSEL and IT have a flirtation andrun off. FESTER opens the curtain andcloses the gate. WEDNESDAY enters, withsuitcase and crossbow, pursued byLUCAS. The ANCESTORS observe this.)[MUSIC STOPS]LUCASWait, wait! We have to talk this over for a minute.WEDNESDAYTalk what over?LUCASWe can't just run away and get married. You said it wasimportant that everyone got along.WEDNESDAYAnd you said it didn't matter!LUCASYeah, but they wanna kill each other! You want that hangingover our heads?WEDNESDAYBoy, you sound just like your father. The root doesn'tfall far from the tree, does it?LUCASWhat?WEDNESDAYForget it.LUCASThe apple. The apple doesn't fall far from the tree.WEDNESDAYGod, you're annoying.76

LUCASYou know what I think? You don't really wanna get married.You just said that to stick it to your mother.WEDNESDAYDon't psychoanalyze me, Lucas. It's a deep dark hole andyou don't wanna go there. Come on.LUCASWhat'll we do for money?WEDNESDAYStop being so scared of everything.ANCESTORSYeah.LUCASRight, like you're not scared.WEDNESDAYI eat scared for breakfast, honey.ANCESTORSYeah.LUCASLet's go back in the house and make some rationaldecisions.ANCESTORSNo.WEDNESDAYI don't want rational decisions! I want dangerous,impulsive, crazy decisions!ANCESTORSYeah.WEDNESDAYAre you coming or not?LUCASLook - I - I can't run away like this. It's too crazy. I'msorry.77

WEDNESDAYNot as sorry as you're gonna be when you wake up and you'reforty-six and working for your father!(ANCESTORS gesture to respond, butWEDNESDAY cuts them off. She stormsaway. LUCAS calls after her.)LUCASI can be impulsive! I just need to think about it first![MUSIC IN](LUCAS, all indecision, exits back tothe house. FESTER enters.)ANCESTORSAH, AH, AH, AH, AH!FESTERThere you are: Secrets exposed. Marriages threatened.Delicious anarchy. What happens now? Can this be repaired?Or do you all leave in an hour feeling vaguely depressed?Let's find out, shall we?(FESTER parts the gates, revealing--)78

WEDNESDAY 3SCENE FIVE: UNDER THE ADDAMS FAMILY TREEGOMEZ sits on the swing. He listens to the sounds ofthe city and park - culminating in a scream and twogunshots, which relaxes him.WEDNESDAY crosses furiously, with suitcase andcrossbow.GOMEZWednesday!WEDNESDAYDon't even!GOMEZWhere do you think you're going, young lady?WEDNESDAYAway.GOMEZElopement?WEDNESDAYDaddy, would you just please let me GOMEZNo! This is what comes from keeping secrets! If thetwo of you wanted to get married, you should've WEDNESDAY(cutting him off)There's not gonna be any marriage!GOMEZNo? Why?WEDNESDAYHe bailed!What?GOMEZA breach of promise?An outrage!WEDNESDAYHe thought running away was a bad idea.

GOMEZOn the other hand, he does have a point.WEDNESDAYI hate him!GOMEZWell, it's a beginning. Something to build on.WEDNESDAYHe says he can't live without me, and then he lets mego. I love him. Why doesn't he love me?GOMEZYou just said you hated him.Which is it?WEDNESDAYBoth.GOMEZNow you've got it.

06PULLED[Rev. 1/3/12]Music and Lyrics byANDREW LIPPAWEDNESDAY: "This dinner has to go OK.PUGSLEY: "It will if you let me blow up this Lucas guy!"WEDNESDAY: “Oh, Pugsley - ever since I met him, I wanna laugh andcry and everything seems right and wrong at the same time and thensometimes I just want to rip his flesh." [MUSIC](cont.) ".off and eat him up until there's nothing left.”MisteriosoVamp# # # # 4 .4 WEDNESDAY: (last time) 5&4 .œ œ œ œ œ œ œ œ œ œŒ ÓI don't have a sun-ny dis-po - si - tion.œ œ œ œ œ œ œ œ6&œ œ œ œ œ œ œ œ œ œ Œ9My de-mean-or's locked in one po - si - tion.&Œœ œjœœ . . .10œœœŒ Óœ œœ œ œœ œ ‹ œœ # œ œœ œ œœ œ œœ œœ œ œœ œ œ œœ .JŒŒ.œœœ œ œœ œ œœ œSee my face?œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ### # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ#### . .& .œI'm not known for be-ing too a - mused.œœ œ œœœ œ œ œ# # # # 4 . œ œœ œ œœ œ œœ œ œœ ‹ œ # œœ œ œœ œ œœ œ œœ . œ œœ.&4 .psimile# #œ .œ . . .& # # 44 . . .JJ#### 87jœ œ.œ œ.œ œ11œŒœJÓI'm en - thused.Œjœ œœ Œ.œœ œ œœ œ œœ # œ œœ œœ œ œ œ .œœœœ

–2–Piano/Vocal12&####œ œ œ œ œœ œ œ13Sud-den-ly, how-ev-er, I've been&œ œ œ œ# # # # œ œœ œ œœ œ œœ œ œœ&####œ&# # # # 16œœ œ&œ‹œ œ œ œ œ œ #œ œ&# # # # 19‹œAd Lib.why.&&########ggg œœœgg œœ‹ Óœ 17œrit.œ œ ŒŒmuzz - ledœ#œŒÓcry.œ œœ18and I21ÓŸ Ÿ # œ œ gg ggg œggggggggggggggg œœœggg Œ#œœ #œŒœœ œI knowœœœœ# œ œœ œ œœ œ œœ œ œœ œœthinkœ œ œ œ œ œ œ œœ œ œ œ œ œ œ œœ[BIRD sounds.] #œ œ œ œ œ œ œ œ œ15Bun-ny rab-bits make me want to#œin - hi - bi - tions have beenœ14œ œ œ œœ œœœ‹ œ # œœ œ œœ œ œœ œ œœ # œ œœ œ œœ œ œœ œ œœ œœ # œœ œœ œœ œœ œœ œœ œœœœœœ# # # # ‹ œ # œœ œ œœ œ œœ œ œœ&####Ópuzz - led. All myŒ06. Pulled [Rev. 1/3/12]#œU‰ œjœI'mœœ####be - ingUÓ####UÓ? ####

–3–Piano/Vocal22&####Keep It Movingœ œœ œ œ œ23œ Œ "œœ œ œ œpulled in a new di - rec - tion,&##### # # # & ? # # # # &# # # # 26!n œœ . œœ œ. J. œœ œnœ J œœ œ œ œ œŒit.œœ .œ.I think I likeŸ ŒœœœJœœJœœ .œ.Œ ‰ j œœ œ.œ œit.I'm be- ingŸ ŒŒ25n œœœ . (the BIRD responds)in a new di - rec - tion.n œœœœ œ œ œ œ œ œ œ##### # # # . . .& ? #### !31œœœœ.nœ#œThrough my .n œœ .wwww Uœ œ œ œ œ ¿- œ œ œ œ œ œ œpain - ful pur - suit Ón œœœJœ28 œ n things I de - test - ed im - poss&!œ Œ Œ œ27# # # # ‰ œ ‹ œj œ œ # œ œ&J ? # # # # &but I think I likeœ Œ ‰ œj œ œ œœ24œœœJœœJ [The YELLOW BIRD percheson her hand. SHE sings to it.]pulled# # # # 3006. Pulled [Rev. 1/3/12]ib - ly cute.UŸ œ.U U̇ I33doŒUœ Œ Ópulled! . .sub. f œ # œœœ[She breaks the bird's neck.]PUGSLEY: “Wow. You gotsome real issues.”WEDNESDAY: “Fly away, littlebirdie.” [She gives it a littlelaunch-toss and it falls, dead, intothe pit. GO ON]œ œ œ ‰bird - ies took root. All then . .3What doœ œ. œ œ œ œ œn . .œ œ32God!some - how29¿UŒÓœœœ Unœ œ œœ Œ Ó œ Uœ œœœ Œ œœ œ- œ#œœ

–4–Piano/Vocal36&####œ œ œ œ œ œ œ œ37Mo-ther al-ways said "Be kind to# ##& #œ œŒ Ó? # # # # œ œ ‰ œj œœ- œ. œ- œ.(#)&!œ œ œ œ # œœ œ œœ œœœœœ#œœjœ œ‰œ œ Œœ- œ. œ- œ.Œnœ œ œ œ œ bœ bœ œ41I can feel the clear and pres-entœœ œ œœ œœœjœ œ ‰ œ œœ- œ.œ- œ.œ œŒ Œ œ œdan - gerswhen sheŒ œ œ# 42learnsthat the? ####j#œ œ ‰ œ œ Œ# œ- œ. œ- œ.&&####loco44Ó‰j#œ œ ‰ œ œ Œ# œ- œ. œ- œ.»¡¡!45 Heavier qœpulledœ œ œin!a newœ œ43œœ-œœ.ŒPull Backœœœœœœœœœœœœœœœœ"di - rec - tion,!œœœœœœœœœœ!œœœœœœ œ œ œ œœ œ œ œ œ!ŒŒŒœ œ#œœœŒŒœœœœœœ‰ ¿ ¿Jœ œ ŒŒ¿ÓŒ(crank)Œnœ œŒœœœ œ œ œ œbut I think IPUGSLEY:n œœœœœœœœ‰ œj œ Œœ- œ.wœŒœœœ œœœœ œœboyœœ œœœ œœœ œœœ œ46œœŒAaah!!# # # # œœœœœ œœœœœ&? ####jœ œ œHas got me##### ##& #Œœ#œŒ#œ œœ #œjnœ œ ‰ œ œn œ- œ.œ- œ.Ó!# # # # b n œœ b œ œœ œ œœ œ œœ œ n # œœ n œ œœ œ œœ œ œœ œ&nœ œœœ#œ œ œ œcresc. poco a pocoœ Œ39But she does - n't know what they de - stroy.!#### œ œ œ œ œ œ œ œ œ œ&œ œ œ œ œ œ œ œ ‹ œ # œœ œ œœ# # # # 40#œ œ œ œ œ œ œ œ œ38stran - gers."!06. Pulled [Rev. 1/3/12]œœœœœ Œlike

–5–Piano/Vocal&# # # # 47œŒœ.‰jœœ œœit.#### ‰&&&# # # # 51####Œœ œ œœ œœ œ œœ œ œ ####! .53I'll con -fideœŒ ‰¿ ¿ ŒJ Œ ¿Œ œ Œ œn œœœœœœŒ œ œ ‰ œjnœ œŒ œœŒœœœœ œ œ œ œ œ œ54œœœ œœœ œœœœœ œ œœ œ œ œ œlet it go.n œœœœ œœœœœ œ#œ œ nœœœœœ œw!!Aaah!!‰ ¿ ‰ ¿ ŒJ J¿¿Œ!!(crank)(crank)Œœœœœ œœ œ œ œ œ œœ œPup-py dogs with droop-y fac -es,Aaah!! Aaah!!ŒIt's dis -58‰¿J¿œ œnœ nœœœœœœœœ œ .œ57Ó(crank)Œ œœœœthat I've tried but I can'tœœ œ œ #### œ œ œ&œœ œœ œœ œ œ œ n œœœnœœ œ œœ? ####œœ Œœœœ œ œœ œ œi- ble, so,Œ œœœPulled, pulled, pulled.!# ##& #ŒAnd thisAaah!!Œ œœœœn œœœ œœœ œœœ œœœœ œ œœ563gus - ting - ly true,&-œœ œ œloco!!n œœœœn œœ52œœœ œ œœ œ œœ œ œœ œ œœ œ# # # # 55Œœœ Œ Œ¿ ¿¿ ¿ ¿ ¿¿ ¿Do it a-gain!Do it a-gain!Œ œœœœfeel - ing, I know,is im - poss? ####&‰œ Œ Œ œ œ50I'm be - ing pulled in a new di -rec - tion.3!œœœœœ(#)493!#### Œ&‰ j œ œ œœ œ œ œœ œit.Thatwasgood,thatwasgood.# ##& #? ####œœ .Œ¿ ¿ ¿ ¿ ¿ ¿Œ48I think I like06. Pulled [Rev. 1/3/12]œj œ n œ œ œ n œ œ œ nn œœ nn œœ # œœœ‰ œœ nœ œ œœ œ nœ œ(crank)œ‰ J œ nœ œ œ nœ nœ œ œ nœ œŒœœ j Ón œœœsub. PŒÓ‰

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–8–Piano/Vocal86b b b b œ œ3 œ b&b87œŒ œ œbet I'll bite, too.b& b b b b b f? bbbbbbœ.œ. con ped.98b& b bbbb œbb& b b bbœDo what's n .99œ œ œ œœœJ‰Œ œœœJ‰œ œ œœœJ‰‰ œj ‰ jœ bb œœ 3œ œ œ b œ.œ.jœ œ œœ œ œwœŒœ œas I'mn rit.w œœœœ œœœœJ‰ J‰ œ œœœ œœœ œœJ‰ J‰‰ œj Óœ œ œœ 90! œ œœœ œœ œ œœ œœœ3b Œ œ101wUwwwwædi -œœœ œ œœ œœœ n œœœ Œœ œjœ œ œ œ œ œ bœ Œœ œ œ œ œ œ bœ œ.œ. Uwœ œ & wwæœ œrit.91pulled in a newjœ. œ œ œœ. œ œ œ100œ œ .Œ89tru - ly tab - oo,jjœ œ œ œ. œ œ œœ œ œ œ. œ œ œrec - tion. œœœbbbbb&b J‰f? bb b bb b œœœ 8806. Pulled [Rev. 1/3/12]102!!!Œ Óœß?œ Œ Óœfl

19CRAZIER THAN YOU[Rev. 1/14/12]Music and Lyrics byANDREW LIPPALUCAS: "Where'd you--"WEDNESDAY: “Put this apple on yourhead and go stand against the tree.”LUCAS: “Wait - you're gonna--?”WEDNESDAY: “Uh-huh.”LUCAS: “You're crazy.”WEDNESDAY: “And you're not crazyenough. That's the problem.” [GO ON]LUCAS: “No, but see--the lover always comes back. Ulysses.Tristan. Romeo.”WEDNESDAY: "Listen, I'm home-schooled. What's your point?"LUCAS: "I'd rather die than live without you."WEDNESDAY: “Ok. Prove it!”LUCAS: "What."WENDESDAY: "Prove it." [MUSIC]"Here."Bright 4## 4 1& 4q»118rœ œ2 WEDNESDAY:. œ!‰.Once,#& # 44" œ " œ "" r‰"œ. œ- n œ. . . œ. œ. œ.P## 4?!& 4&&####? ##&###& #? ##3-œ œ.ŒÓ4ful." œ " œ " " " œr ‰œœ œœ nœsimile6œLife,Thought!Œœlessœ œ œ!œ.weœ œ.hope -!"œ5œ œwere one.ŒÓ" œ " œ " " " œr ‰œ œœ œ nœ!Œœ.Ó" œ " œ " " " œr ‰œœ œœ nœ!7was" œ " œ "" r‰"œ- n œ.œ. œ. œ." œ " œ " " " œr ‰œœ œœ nœthan per - fect" œ " œ " " " œr ‰œ œœ œ nœIVamp (vocal last time)rœ œ‰.œ.œ ." œ!8 fin'-œlyœœ œ œbe - gun." œ " œ " " " œr ‰œ œœ œ nœ!

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–3–Piano/Vocal# # 18œ&live#& # œœœ? ##œ œ œ œasyourtorb&b œb? bb22œ œthanœœ .œ.œ œ œ bœnoth - ing upŒbœbœœœ'tilb œœœ .‰œ œ œ œcra - zi - er&bb Œ? bbœyou!thanœœ .œ.œŒ‰Œœ œ œœ œ bœ .nowproved mehasœ œ œ œcra - zi - erœ nœœœœ œyou!œœœ" r‰œœœwro‰jœ œjustœ nœoœœœœ.œ‰œ œ œ œŒœœ-œœœthe oœœyou.œIambbbb-œœœ .Œ-"œœ œœœ œœœ œ" jœ.œœœong.I'mœœœœœœj "œœver - view."œ‰œ œ" œ #œ œ" œJ .œ œœœœbbAndœœœœœ œœ .œ œ.œ" œJ .œ œœœœŒœœ2325That'sthanœœœ ."‰b œœ œœœœœœœ œœœrrœ " ‰.œ ‰#œ œœœ" œJ .œJ‰.œœœ . œœœ " œœœ " œœœ " œœœ œœœ œœœ ‰J""j ‰"œ. œ œ œ œ œ œ ‰ œ œ œ œJœœœ œœ .œ œ.jœ œ When21I'm" r‰œœœ19wife?" œJ .œ œœœœŒœœb 24œb&yourœ œ œ.œ œ œ œb Œf? bbœandœœ œœ œœœ .œ œ œ.&b&bmen - torœœœ œœ " œœ " œœ œœ œœœ œœœ œ œcra - zi - erb&b- w20œ œ œœ œ œ19. Crazier Than You TOUR [1/14/12]So,œœ œ" jœ.œœ œœœ œœ‰œ œ

–4–Piano/Vocalb&b&bb? bb28&26œ œ bœœ œget onboardŒbœbœœœsim-#V # œ‰.I'mplymove‰‰29‰œœ œnotŒ"œ œœ œ-o-œ.‰œo-Óthat ofŒj "œ##œœœ" œ #œ œ ##œ œ!30tru - ly love you.Ó‰.œI'mrœ œœ œnotŒ"œ œœ œ#œ œ #œÓŒ"œ œœ œ!32nœŒButœinœ œthis morœ œœ œ " œœ " œœ " œœ " œ " œœ ‰œœ nœŒ"œ œœ œŒ"#œ œ #œÓ!33œœde - ranged.rrœ œœ œ " œœ " œœ " œœ " œ " œœ ‰ œ œœ œ " œœ " œœ " œœ " œ " œœ ‰œœœ nœœ nœyou."ong.œœœœœœœœœim - pul - sive.#r& # œ œœ n œœ " œœ " œœ " œœ " œœ " œœ ‰œ? ##IŒœœ.# # 31‰&œ œ œ nœ œ œ œ œ œ œ .Œloœ nœ œ œ œ œ œ œ œ œ .And yetr‰"""""œœœœœœœœ&œ œ œ œ œœ œ nœP? ##ŒÓ"œ œœ œ#V # œ-WEDNESDAY:rœ œI'd ne - ver aska##œœœœ27b œœ œœœœœœœ œœœrrœ " ‰.œ ‰#œ œœœ!LUCAS:œ œ bœ ."b œœœ .####orœ œ œ19. Crazier Than You TOUR [1/14/12]œœ. œÓmentrœ œœ œ " œœ " œœ " œœ " œ " œœ ‰œœ nœŒ"œ œœ œŒ"#œ œ #œ

SCENE FIVE: UNDER THE ADDAMS FAMILY TREE GOMEZ sits on the swing. He listens to the sounds of the city and park - culminating in a scream and two gunshots, which relaxes him. WEDNESDAY crosses furiously, with suitcase and crossbow. GOMEZ Wednesday! WEDNESDAY Don't even! GOM

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