Non-Pro Player Warm-Up Handout 2021

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I.T.G. Non-Pro Player Warm-Up Class2021 ConferenceDr. Anne McNamara, Illinois State .comOVERVIEWAs a non-pro trumpet player, you live a busy, non-musical life: a career,family, friends, activities etc., so practicing time may be limited.However, the most important thing one can do for their playing ishaving a consistent warm-up and fundamentals routine.With limited time, quality practicing is more important than quantity ofpractice. One must always incorporate ALL aspects of their playingevery day even for short bursts of time. A well-balanced practicingregimen should cover:Tone/IntonationRangeSingle Tongue ArticulationMultiple Tongue ArticulationFlexibilityScales/ArpeggiosToday’s warm-up is designed to take approximately 20 minutes of time.One can delve deeper into any of these categories to expand the lengthof their warm-up session or can conversely cut the routine to even lesstime if necessary. Think of this as an outline upon which you can alwaysexpand or contract.

Tone & IntonationThe fastest way to improve your tone and intonation is to work with aDRONE! There are several apps available (Tonal Energy, Scale Master)and there are also drones available for free on YouTube. Today we’regoing to do two exercises with a drone.Mouthpiece BuzzingLength: 2 minutesMaterials: Drone and/or piano and mouthpieceProcedure: Gliss one octave scales starting on low C (concert Bb) ashigh as you can in a healthy way. Don’t force it! Some days will bebetter than others.Gliss each octave without breaking the sound. Continue as high as you can.

Flow StudyLength: 5 minutesMaterials: Drone and your favorite flow studyProcedure: Play each flow study in a relaxed manner with theappropriate drone on. Check in with chord tone notes especially andlisten for them to lock in with the drone. It often helps to do these witha breath attack and to play them with rubato, focusing on chord tones.Today we’re going to do flow studies based on descending thirds likethe example below.

RangeI like to put range as the second thing I warm-up each day so that I goafter the upper register when I’m feeling freshest. My favorite way towork on range is to slur scales and incrementally go higher, using thescales as stepping stones into the upper register. You can use any scalesthat you like.Chromatic ScalesLength: 3 minutesMaterials: Bb trumpetProcedure: Begin with the pattern below and transpose it up a half stepas many times as you can until you can no longer play cleanly andeffortlessly. Don’t force it!Keep going as high as you can but rest as long as you play.

Single Tongue ArticulationThere are many different ways to warm-up your single tongue. Todaywe’re going to use one melody from the Arban book and one exercisefrom the Schlossberg book. The idea is to warm-up as many differentstyles of articulation as you can. Challenge yourself to do it differentlyeach day.Light Staccato ArticulationLength: 1 minuteMaterials: Max Schlossberg “Daily Drills and Technical Studies for Trumpet”Procedure: Aim for a light staccato articulation and quarter 120

Legato ArticulationLength: 1 minuteMaterials: J.B. Arban “Complete Conservatory Method”Procedure: Aim for a connected legato articulation and dotted quarter 80

FlexibilityFlexibility exercises often work on lip slurs, which are a very importantof building strength and endurance (and of course, flexibility). Anotherway of being flexible is by having fast and agile fingers. Today’s exerciseis going to work on both lip slurs and finger dexterity.Lip Slurs AND Finger AgilityLength: 3 minutesMaterials: H.L. Clarke “Technical Studies”Procedure: We will be using Clarke Study No. 3. Work on smooth lipslurs by thinking down when you slur up and vice versa while bangingyour valves aggressively for clean finger technique. Use alternatefingerings to do lip slurs where possible. Aim for quarter 120.

Multiple Tongue ArticulationMultiple tonguing is best developed by slowly increasing tempo andrepeating exercises many times. However, since I’ve designed a routinethat is meant to be brief, we’re going to use one exercise fromRich Willey’s “Focal Point” to cover single, double and triple tonguing.You can either focus on one style at a time or switch between styleswith each pitch.Single, Triple, and Double Tongue ArticulationLength: 3 minutesMaterials: Rich Willey “Focal Point”Procedure: Aim for smooth transitions between tonguing styles andquarter 132

Scales and ArpeggiosOne of the fastest ways to become a better sight reader and overallmusician is to program your music theory into your ears and fingers.Practicing as many scales and arpeggios as you can is an easy and freeway to do this. Choose a different set of scales and arpeggios every day,week, or month depending upon your needs.Length: 2 minutesMaterials: Bb TrumpetProcedure: Choose a different set of scales and arpeggios every day,every week or every month depending upon your skill set. Today we’regoing to practice harmonic minor scales with minor arpeggios.

from the Schlossberg book. The idea is to warm-up as many different styles of articulation as you can. Challenge yourself to do it differently each day. Light Staccato Articulation Length: 1 minute Materials: Max Schlossberg “Daily Drills and Technical Studies for Trumpet” Procedure: Aim for a light staccato articulation and quarter 120

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