DEREK UPDEGRAFF - APU
DEREK UPDEGRAFFAzusa Pacific UniversityDepartment of English901 E. Alosta AvenueAzusa, CA 91702CURRENT ACADEMIC APPOINTMENTAssociate Professor of English, Azusa Pacific UniversityEDUCATIONPh.D. (2013), English, University of Missouri, Columbia.Concentrations in Medieval Literature and Creative Writing, Poetry.M.A. (2008), English, University of Missouri, Columbia.Emphasis in Language and Linguistics.M.F.A. (2005), Creative Writing, Fiction, California State University, Long Beach.B.A. (2002), English, California State University, Long Beach.Concentration in Creative Writing.BOOKSPaintings That Look Like Things (Stephen F. Austin State University Press, 2018).A collection of poems and translations. [in press]The Butcher’s Tale and Other Stories (Stephen F. Austin State University Press, 2016).ISBN 978-1-62288-128-4. A collection of short stories and flash fiction.SHORT STORIES AND FLASH FICTION IN JOURNALS“The Stubborn Child,” The Greensboro Review 104, forthcoming.“Husky,” the minnesota review 90 (2018): 41-46.“Audition,” TSR: The Southampton Review 12.1 (2018): 191-193.“Cinder,” North Dakota Quarterly 84.3/4 (2017): 179-190.“It Takes a Village,” Yemassee 24.2 (2017): 48-49.“The Bull from Kelp Forest,” Raleigh Review 7.2 (2017): 64-74.“In Olden Times,” Storm Cellar 6.2 (2017): 21-22.“Release from the Ceramic Doghouse,” The Carolina Quarterly 66.3 (2017): 118-127.“The Incident at Our Lady,” Tikkun (2017): web [tikkun.org].“At the Dog Park,” CutBank 86 (2017): 39-40.“His Early Paintings Looked Like Things,” Noctua Review 9 (2016): 15-17.
Updegraff 2“The Butcher’s Tale,” Palooka 6 (2016): 9-12.“Into the Ends of the World,” Overtime 40 (2016): 1-31. [Single-story chapbook].“Story at Midnight,” Rosebud 60 (2015): 136-37.“Café,” Posit: A Journal of Literature and Art 8 (2015): web. [positjournal.com].“Some Substantial Thing,” Chiron Review 100 (2015): 33-38.“Chrysalis,” Bayou Magazine 63 (2015): 45-46.“In a Laundromat in Long Beach,” Gravel (2015): web. [gravelmag.com]“Thursday Morning at A. R. Valentien,” Sierra Nevada Review 26 (2015): 98-106.“A Small, Distant Thing,” Cave Region Review 3 (2011): 9-16.ARTICLES AND ENCYCLOPEDIA ENTRIES“Ælfric, Alliterative Linking, and the Idea of a Vernacular Verse Line,” Pacific CoastPhilology 53.1 (2018): 23-42.“The Gifts of Men,” “The Fortunes of Men,” and “The Rhyming Poem,” in TheEncyclopedia of Medieval Literature in Britain, ed. Siân Echard and Robert Rouse(Wiley-Blackwell, 2017).“The Translatability of Manuscript Pages Containing Old English Verse (with an IllustrativeTranslation of The Exeter Book, Folios 98r-101r and 124r-124v),” Texas Studies inLiterature and Language 56.1 (2014): 1-41.“The Old English Verse Line in Translation: Steps toward a New Theory of PagePresentation,” Oral Tradition 26.2 (2011): 645-52.TRANSLATIONS IN JOURNALSÆlfric’s Life of St. George, Metamorphoses 23.2 (2015): 58-67.Verse translation with Old English edition made from manuscript facsimile.Ælfric’s Life of St. Æthelthryth, Metamorphoses 20.2 (2012): 20-29.Verse translation with Old English edition made from manuscript facsimile.Anonymous Old English poem “A Dream about the Cross” (common editorial title: TheDream of the Rood) and the anonymous Old English poem “Cædmon’s Hymn,”Windhover 16 (2012): 56-62.Anonymous Old English “Charm for Unfruitful Land,” Natural Bridge 26 (2011): 14-19.Prosimetric translation with prose and verse sections.Catullus’s Carmen 46 translated as “First Spring in Columbia, Missouri,” Cave RegionReview 3 (2011): 30-31.Literal translation and Latin text beside the verse adaptation.Horace’s Odes 1.38 translated as “Ostentatious Liqueurs,” The Classical Outlook: Journalof the American Classical League 87.1 (2009): 44.
Updegraff 3Catullus’s Carmen 22 translated as “Catullus to Varus, Regarding a Mutual Friend” andHorace’s Odes 2.14 translated as “Horace to Postumus, Regarding a Somber Truth,”The Raintown Review 7 (2008): 35-37.Chaucers Wordes unto Adam, His Owne Scriveyn translated as “Chaucer’s Words to AdamAmanuensis,” Ship of Fools 62 (2008): 12.Catullus’s Carmen 5 translated as “A Multitude of Kisses”; Catullus’s Carmen 43 translatedas “A Warm Welcome to the City”; Catullus’s Carmen 85 translated as “I Hate andLove My Girl”; and Catullus’s Carmen 96 translated as “To a Man of Letters, On aTragic Occasion,” Ezra: An Online Journal of Translation 2.1 (2008): web.Horace’s Odes 1.11, The Classical Outlook: Journal of the American Classical League 84.2(2007): 79.Chaucer’s “To Rosemounde” and “Of Pedro, King of Spain,” ll. 2375-90 from The Monk’sTale, Chiron Review 80 (2005): 26.CHAPBOOKSTwenty Gently Used & Pre-owned Poems (The New Formalist Press, 2012). e-book.Poems and translations.Between Pit Stops at Late-night Diners (dOOm-AH Books, 2008).ISBN 978-0-97420-990-6. Poems. 300 copies printed.The Edge Where Atlas Stands (dOOm-AH Books, 2008).ISBN 978-0-97420-997-5. Poems and translations. 300 copies printed.POEMS IN ANTHOLOGIES“A Husband’s Reassurance,” in Because I Said So: Poems on the Happiness and Crappinessof Parenthood, ed. Kevin Patrick Lee (Aortic Books, 2011), 14.“An Early Lunch at La Valencia,” “Long Beach Madsong for Elizabeth,” “100 Miles to OneMore Game of 9-Ball,” and “The Edge Where Atlas Stands,” in Beside the City ofAngels: An Anthology of Long Beach Poetry, ed. Paul Kareem Tayyar (World ParadeBooks, 2010), 177-81.POEMS IN JOURNALS1 poem in Measure: A Review of Formal Poetry, forthcoming.1 poem in THINK: A Journal of Poetry, Criticism, and Reviews 7.1 (2016): 32.1 poem in The Rotary Dial 40 (2016): 12.2 poems in Front Range Review (2016): 60-62.1 poem in The Rotary Dial 37 (2016): 3.1 poem in Windhover 20 (2016): 80.1 poem in The Maine Review 2.1 (2015): 24-25.
Updegraff 41 poem in Christianity & Literature 64.3 (2015): 369.2 poems in Saint Katherine Review 4.3 (2014): 25-26.1 poem in The Raintown Review 11.1 (2013): 35.1 poem in The Lyric 92.2 (2012): 44.1 poem in Cave Region Review 3 (2011): 101.1 poem in Blue Unicorn 33.3 (2010): 12.2 poems in Re)verb 6 (2010): 13, 61-63.1 poem in Chiron Review 90 (2010): 26.1 poem in The Eclectic Muse 15 (2009): 32.1 poem in Chiron Review 88 (2009): 31.1 poem in The Classical Outlook: Journal of the American Classical League 87.1 (2009): 44.1 poem in Bellowing Ark 25.4 (2009): 14.1 poem in The Deronda Review 2.2 (2009): 30.1 poem in Re)verb 5 (2009): 18.1 poem in The Lyric 89.1 (2009): 14.1 poem in The Deronda Review 2.1 (2009): 17.1 poem in The Ghazal Page (2008): web.1 poem in Chiron Review 83 (2008): 46.2 poems in Lucid Rhythms (2008): web.1 poem in Blue Unicorn 31.3 (2008): 9.1 poem in Light Quarterly 60-61 (2008): 15.1 poem in The Deronda Review 1.2 (2008): 26.1 poem in The Pennsylvania Review (2008): web.1 poem in The New Formalist 8.1 (2008): 16.1 poem in Over the Transom 17 (2007): 4.1 poem in descant 46 (2007): 58-59.2 poems in Bellowing Ark 23.6 (2007): 11.1 poem in The Raintown Review 6.2 (2007): 42.1 poem in The Lyric 87.3 (2007): 95.
Updegraff 51 poem in Bellowing Ark 23.4 (2007): 24.1 poem in Blue Unicorn 30.3 (2007): 45.1 poem in The Deronda Review 1.1 (2007): 19.2 poems in The Neovictorian/Cochlea 10.1 (2007): 34.1 poem in Iambs & Trochees 5.1 (2006): 7.1 poem in Chiron Review 80 (2005): 26.1 poem in The Classical Outlook: Journal of the American Classical League 82.3 (2005): 111.1 poem in The Diddler 8 (2004): 3.2 poems in The Lummox Journal 9.4 (2003): 25.INTERVIEW“An Artist in Translation: An Interview with Derek Updegraff,” Sierra Nevada Reviewwebsite. Interview published as the main page feature on October 22, 2015. view-with-derek-updegraff/CONFERENCE PAPERS“The Poetics of Listing in the Old English Catalogue Poems,” at the 113th AnnualConference of the Pacific Ancient and Modern Language Association, Portland, OR(November 6-8, 2015).“Manuscript Layout, Old English Poems, and Visual Lineation: Reassessing the Uses ofAural Verses and Visual Lines in Modern Translation,” in the Special Session“Manuscript Context for Early Anglo-Saxon, Caroline, and Germanic Verse” at the49th International Congress on Medieval Studies, Kalamazoo, MI (May 8-11, 2014).“Editing Ælfric’s Alliterative Lives Using a-verse/b-verse Lineation,” in the Special Session“Editing Old English: Ælfric’s Lives of the Saints” at the 47th International Congress onMedieval Studies, Kalamazoo, MI (May 10-13, 2012).“Pinning Down Ælfric’s Notion of Bellum Iustum in His Lives of Saints,” in the SpecialSession “Theology in the Lives of Anglo-Saxon Saints” at the Annual Meeting of theMedieval Academy of America, St. Louis, MO (March 22-24, 2012).“Scribal Rhythm in Julius E.vii” (poster presentation based on the pre-conference workshop,“Making (and Theorizing) the Early Medieval Book,” July 29-30, 2011), at the BiennialConference of the International Society of Anglo-Saxonists, Madison, WI (July 31-Aug5, 2011).“Warnings against Pride in Three Old English Poems: Not yet Discussed Analoguesbetween the Gifts of Men and Genesis A and B,” at the 35th Conference of the MidAmerica Medieval Association, Kansas City, MO (February 25-26, 2011).
Updegraff 6“The Mind as Enclosure in the Old English Gifts of Men,” in the Special Session “Enclosurein Medieval Literature” at the 45th International Congress on Medieval Studies,Kalamazoo, MI (May 13-16, 2010).“Ælfric’s Treatment of Land Marking in his Life of St. Oswald,” at the 34th Conference ofthe Mid-America Medieval Association, Conception, MO (February 26-27, 2010).CREATIVE WRITING READINGS (SELECTED SOLO AND GROUP READINGS)Poetry reading and panel discussion. “Paintings That Look Like Things and Other Poems,”in the Standing Session “Creative Writing: Poetry” at the 115th Annual Conference ofthe Pacific Ancient and Modern Language Association, Honolulu, HI (November 1012, 2017).Poetry reading and craft talk. “Syntax, Rhythm, and the Poetic Line,” for the Fall 2016Faculty Colloquium, Sponsored by the College of Arts & Sciences, California BaptistUniversity, Riverside, CA (December 1, 2016).Fiction reading and panel discussion. “The Butcher’s Tale,” in the Standing Session“Creative Writing: A Shimmer of Possibility: Short Fiction and the Question ofClosure” at the 114th Annual Conference of the Pacific Ancient and Modern LanguageAssociation, Pasadena, CA (November 11-13, 2016).Additional invited readings at such venues as the University of Mary Hardin-Baylor (Belton,TX), Salvage Bar & Lounge (downtown Los Angeles, off-sight AWP reading), and OrrStreet Studios (Art Gallery in Columbia, MO).SESSION CHAIR AND ORGANIZER“Old English Literature, Including Beowulf” at the 116th Annual Conference of the PacificAncient and Modern Language Association, Bellingham, WA (November 9-11, 2018).“Old English Literature, Including Beowulf” at the 115th Annual Conference of the PacificAncient and Modern Language Association, Honolulu, HI (November 10-12, 2017).“Old English Literature, Including Beowulf” at the 114th Annual Conference of the PacificAncient and Modern Language Association, Pasadena, CA (November 11-13, 2016).PROGRAM DESIGNDesigned a B.F.A. major in Creative Writing, California Baptist University.Sole designer of a 51-unit major in Creative Writing. Built new creative writing coursesto accompany existing courses in creative writing, literature, and linguistics to form thenew major. Showed new syllabi and program design to the provost and undergraduatecurriculum committee and received approval. Designed from January 2014-May 2015.Launched in August 2015.Reorganized 18-unit Creative Writing minor, California Baptist University.Assisted in reorganizing structure of M.A. in English program, California Baptist University.Worked with colleagues to adjust requirements and course sequencing. Developed twograduate creative writing seminars. Assisted in creating new M.A. in English
Updegraff 7comprehensive exam reading list, writing the list for British literature from the medievalto early modern periods and collaborating on the literary theory section.EDITING AND PUBLISHING EXPERIENCEFounded a new literary journal of student writing for CBU. Published spring 2014 to 2018.Journal title: The Dazed Starling, in reference to Richard Wilbur’s poem “The Writer.”Issue 1 (spring 2014), 132 pp. of poetry and fiction. Edited, formatted, designed, andpublished by me.Issue 2 (spring 2015), 146 pp. of creative nonfiction, poetry, and fiction. Edited,formatted, designed, and published by me.Issue 3 (spring 2016), 156 pp. of poetry, flash fiction, creative nonfiction, and fiction.Edited, formatted, designed, and published by me with assistance from the studentsenrolled in my newly designed class “Literary Journal Editing and Publishing.”Issue 4 (spring 2017), 116 pp. of poetry, flash fiction, creative nonfiction, and fiction.Edited, formatted, designed, and published by me with assistance from the studentsenrolled in “Literary Journal Editing and Publishing.”Issue 5 (spring 2018), pp. of poetry, flash fiction, creative nonfiction, and fiction.Edited, formatted, designed, and published by me with assistance from the studentsenrolled in “Literary Journal Editing and Publishing.” [in progress]ACADEMIC APPOINTMENTSAssociate Professor of English, Azusa Pacific University (2018-present)Associate Professor of English, California Baptist University (2017-2018)Assistant Professor of English, California Baptist University (2013-2017)Graduate Instructor of English, University of Missouri (2007-2013)Adjunct Instructor of English, San Diego Mesa College (2005-2007)TEACHINGAzusa Pacific University (starting in fall 2018).Creative Writing: PoetryWriting 2: Writing about LiteratureCalifornia Baptist University (fall 2013-spring 2018).4-6 courses of the following per semester:English 599: Special Topics (directed studies in fiction writing and narrative theory).English 596: Graduate Research Seminar (for thesis writers).English 576: Graduate Workshop in Writing Poetry.English 575: Graduate Workshop in Writing Fiction and Creative Nonfiction.English 498: Senior Capstone in Creative Writing.
Updegraff 8English 485: Advanced Poetry Writing (prerequisite English 385).English 484: Advanced Fiction Writing (prerequisite English 384).English 431: Literary Journal Editing and Publishing.English 411: Topics in Creative Writing: Fantasy and Science Fiction.English 411: Topics in Creative Writing: Multi-genre and Hybrid Texts.English 386: Writing Creative Nonfiction.English 385: Writing Poetry.English 384: Writing Fiction.English 273: Introduction to Creative Writing (covers poetry, fiction, creative nonfiction).English 123: Intermediate Composition.English 113: Composition.English 103: Writing for University Success.California State University, San Bernardino, Palm Desert Campus (spring 2015).English 301B: Analysis and Writing of Poetry.California State Polytechnic University, Pomona (fall 2014).English 401: Chaucer.University of Missouri (fall 2008-spring 2013).1-2 courses of the following per semester while MA/PhD graduate student:English 2510: Intermediate Fiction Writing.English 2100: Writing about Literature.English 1520: Introduction to Poetry Writing.English 1510: Introduction to Fiction Writing.English 1210: Introduction to British Literature.English 1000: Composition.Teacher’s Assistant for the following undergraduate/graduate courses:English/Linguistics 4200/7200: Introduction to Old English.English/Linguistics 4600/7600: Structure of American English.San Diego Mesa College (fall 2005-spring 2007).2-3 of the following per semester after MFA and before entering MA/PhD program:
Updegraff 9English 101: Reading and Composition.English 064: Essay Writing.English 051: Basic Composition.English 043: English Review.The Bishop’s School, La Jolla, California (fall 2005-spring 2007).Substitute teacher for Advanced Placement Latin.ADDITIONAL SERVICE (SELECTED)Creative Writing Club faculty advisor, CBU (fall 2013-spring 2018). Worked with studentpresident and vice-president to plan and run meetings and open-mic readings on campus.Member of faculty senate, CBU (fall 2014-spring 2018).Search committee member for an Assistant Professor of English with expertise in linguisticsand phonology, University of Missouri (fall 2011-spring 2012). Served as the 1 graduatestudent member of a 5-person committee. Search resulted in a successful hire.GRANTS AND AWARDSFinalist. Conium Review Flash Fiction Contest. “A Boy and His Mother.” 2017.Finalist. Sunshot Prose Prize, from Sunshot Press/New Millennium Writings (for a fiction ornonfiction collection). The Bull from Kelp Forest. (12 stories). 2017.Semi-finalist. Elixir Press Fiction Award (for a novel or fiction collection). The Bull fromKelp Forest (12 stories). 2017.Finalist. Prose Chapbook Award (single-author issue). Iron Horse Literary Review andTexas Tech University Creative Writing Program. The Bull from Kelp Forest (7 stories).2017.Finalist. Force Majeure Flash Contest. Storm Cellar Literary Magazine. “In Olden Times.”Publication. 2017.Runner-up. Big Sky, Small Prose: Flash Contest. CutBank Literary Magazine andUniversity of Montana Creative Writing Program. “At the Dog Park.” Cash award andpublication. 2016.Semi-finalist. Black River Chapbook Competition (poetry or prose). Black Lawrence Press.Release from the Ceramic Doghouse (3 stories). 2016.Best of the Net Anthology Fiction Nomination, from Posit: A Journal of Literature and Artfor “Café” (published 2015). Nominated 2016.Pushcart Prize Fiction Nomination, from Bayou Magazine for “Chrysalis” (published 2015).Nominated 2016.Elizabeth T. Barnes Memorial Graduate Fellowship. University of Missouri, Department ofEnglish. Spring 2013.
Updegraff 10Richard A. and Harry J. Hocks Dissertation Fellowship. University of Missouri, Departmentof English. Fall 2012-spring 2013.Graduate Student Travel Grant. University of Missouri, Department of English. Spring 2012.Scholarship and Acceptance, International Society of Anglo-Saxonists Pre-conferenceWorkshop, “Making (and Theorizing) the Early Medieval Book,” directed by JonathanWilcox (University of Iowa) and Michelle P. Brown (University of London). Travel,lodging, and conference fees awarded. Funds provided by the International Society ofAnglo-Saxonists and the University of Wisconsin, Madison. Summer 2011.Graduate Student Travel Grant. University of Missouri, Department of English. Spring 2010.Departmental Teaching Fellowship. University of Missouri, Department of English.Awarded three semesters of load reduction from two courses to one without reductionin pay. Fall 2008-spring 2013.Finalist. Morton Marr Poetry Prize. Southwest Review. 2008.Winner. Quarterly Poetry Prize. The Lyric Magazine. “To Polyphemus.” 2007.DISSERTATION, THESES, AND GRADUATE COURSEWORKPh.D. dissertation, University of Missouri, “Style and Structure, Politics and Preaching: TheLives of Saints and Other Alliterative Works by Ælfric of Eynsham.”Committee: Johanna Kramer (chair), Emma Lipton, Alexandra Socarides, RabiaGregory (Dept. of Religious Studies), Britt Mize (Texas A&M Univ, Dept. of English).John Miles Foley was a member before his passing; Britt Mize joined the committee toreplace John Miles Foley as an Old English metrist.Ph.D. comprehensive exams. Primary area: Old English literature. Secondary area: MiddleEnglish literature. Critical area: Translation Theory and Poetics. Committee: JohannaKramer, John Miles Foley, Emma Lipton, Sean Ireton (Dept. of German).M.A. thesis, University of Missouri, “‘Fore ðære mærðe mod astige’: Two New Perspectiveson the Old English Gifts of Men.” Committee: Johanna Kramer (chair), Emma Lipton,Rabia Gregory (Dept. of Religious Studies).Ph.D./M.A. coursework. 72 units (semester). Multiple seminars in literature, linguistics, andcreative writing (poetry). Completed interdisciplinary graduate minor in medieval studies.4 poetry workshops in creative writing program, from Scott Cairns and Aliki Barnstone.M.F.A. thesis, California State University, Long Beach, “The Portly Woman’s Son & OtherStories.” Committee: Stephen Cooper (chair), Suzanne Greenberg, Lloyd Kermode.M.F.A. coursework. 60 units (semester). 4 fiction workshops, from Stephen Cooper, SuzanneGreenberg, and Rafael Zepeda. Also had additional coursework from writers GeraldLocklin and Charles Harper Webb.REFERENCESAvailable upon request
Catullus’s Carmen 5 translated as “A Multitude of Kisses”; Catullus’s Carmen 43 translated as “A Warm Welcome to the City”; Catullus’s Carmen 85 translated as “I Hate and Love My Girl”; and Catullus’s Carmen 96 translated as “To a Man of Letters, On a Tragic Occasion,” Ezra: An Online Journal of Translation 2.1 (2008): web.
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Students who wish to obtain specific information about the university not contained in the catalog are advised to make a personal inquiry to the Office of Undergraduate Admissions, Azusa Pacific University, 901 E. Alosta Ave., PO Box 7000, Azusa, CA 91702-7000, (626) 812-3016 or (800) TALK-APU [(800) 825-5278], admissions@apu.edu.
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