Lecture 4: Curvature - MIT OpenCourseWare

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CurvaturePosition Tangency Curvature - Continuity1

In Defense of the CurveA Story of the Organic2

Hugo HÄringvsL u d w i g M i e s va n d e r R o h e3

In a conversation between Mies van der Roheand Hugo Häring, Mies inquires, “our steelbeams, they have been born straight haven’tthey?” he then argues, “It takes a great deal ofeffort to bend them”.M i e s va n d e r R o h e “ M i e s S p e a k s : I D o N o t D e s i g n B u i l d i n g s . ”A r c h i t e c t u r a l R e v i e w, N o . 8 6 2 , D e c e m b e r 1 9 6 8 : 4 5 2 .4

Edition Axel Menges GmbH (Michael Robinson). All rights reserved.This content is excluded from our Creative Commons license.For more information, see http://ocw.mit.edu/fairuse.Hugo Häring, Friedrichstrasse Office Building, 1922, Competition Entry (left) The Museum of Modern Art (MoMA). All rights reserved.This content is excluded from our Creative Commons license.For more information, see http://ocw.mit.edu/fairuse.Ludwig Mies van der Rohe, Friedrichstrasse Office Building, 1922, Competition Entry (right)5

The Museum of Modern Art (MoMA). All rights reserved.This content is excluded from our Creative Commons license.For more information, see http://ocw.mit.edu/fairuse.Hugo Häring, Country House, 1923/24, Elevation and Plans (left)Ludwig Mies van der Rohe, Brick Country House, 1923, Plan (above) Edition Axel Menges GmbH (Michael Robinson). All rights reserved.This content is excluded from our Creative Commons license.For more information, see http://ocw.mit.edu/fairuse.6

Courtesy of Vicente del Amo Hernández. Used with permission.Eladio Dieste, Church of Christ the Worker, 1958-60 (left)Photograph courtesy of Charles MacEachen on Flickr.Ludwig Mies van der Rohe, S. R. Crown Hall, 1956 (right)7

These images are in the public domain.Source: Federal Housing Administration. Planning Profitable Neighborhoods, Technical Bulletin No. 7. Washington, D.C., Government Printing Office, 1938.8

Photograph of Thonet bending forms incorporating a metal stripremoved due to copyright restrictions.Source: Von Vegesack, Alexander. Thonet: Classic Furniture inBent Wood and Tubular Steel. Rizzoli, 1997.See page 11 of "In Defense of the Curve: Provoked by Reason" for a reference image.Gerrit Rietveld, Red-Blue Chair, 1917–19.Photograph courtesy of defining Design on Flickr.Drawing of Gerrit Rietveld, Detail Connection, Red-Blue Chair, 1917-19removed due to copyright restrictions.Source: Kuper, M., and I. Van Zijl. Gerrit Rietveld 1888–1964: TheComplete Works. Princeton Architectural Press, 1993.See page 10 of "In Defense of the Curve: Provoked by Reason" for a reference image.Photograph of Adolf Loos, Café Museum Chair, 1908removed due to copyright restrictions.See page 12 of "In Defense of the Curve: Provoked by Reason"for a reference image.Drawing of Mies van der Rohe, Plug weld procedure: connection prepared,beam placed, plug weld, connection finished.Image by MIT OpenCourseWare.Michael Thonet, No. 14 Chair, 1859–60.Photograph courtesy of Holger.Ellgaard on Wikimedia Commons.9

Photographs of Charles and Ray Eames, Leg Splint, 1941 (left);Charles and Ray Eames, Body Splint, 1941 (upper right);Leg Splint Demonstration, 1941 (lower right)removed due to copyright restrictions.Source: Neuhart, John, and Marilyn Neuhart. Eames Design. 1st ed. Abrams, 1989.See page 13 of "In Defense of the Curve: Provoked by Reason" for a reference image.10

Photographs of Charles Eames casting fiberglass (left);Charles and Ray Eames, LCW Chair, 1945, Plywood Process (upper right);Charles and Ray Eames, Plastic Armchair, 1950–53, Fiberglass Process (lower right)removed due to copyright restrictions.Source: Neuhart, John, and Marilyn Neuhart. Eames Design. 1st ed. Abrams, 1989.See page 14 of "In Defense of the Curve: Provoked by Reason" for a reference image.11

Ludwig Mies van der Rohe, Drafting exercise for first-year students at the Armour Institute, 1938. Source unknown. All rights re

Gerrit Rietveld, Red-Blue Chair, 1917–19. Photograph courtesy of defining Design on Flickr. Photograph of Adolf Loos, Café Museum Chair, 1908 removed due to copyright restrictions. See page 12 of "In Defense of the Curve: Provoked by Reason" for a reference image. Drawing of Gerrit Rietveld, Detail Connection, Red-Blue Chair, 1917-19

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