Please Turn Off Cellphones During Screening March 20, 2012 .

Eastwood—THE OUTLAW JOSEY WALES—31971 The Organization, 1970 A Walk in the Spring Rain, 1970Start the Revolution Without Me, 1968 Ice Station Zebra, 1966Seconds, 1964 Seven Days in May, 1963 The Great Escape, 1962The Manchurian Candidate, 1961 By Love Possessed, 1960 TheMagnificent Seven, 1959 Green Mansions, 1958 Cat on a HotTin Roof, 1958 The Law and Jake Wade, 1957 Something ofValue, 1956 Tea and Sympathy, 1956 The Fastest Gun Alive,1956 Forbidden Planet, 1955 Blackboard Jungle, 1952 LoneStar, 1950 Father of the Bride, 1949 Madame Bovary, 1946Undercurrent, and 1945 The Picture of Dorian Gray.Chief Dan George Lone Watie (b. Tes-wah-no, July 24,1899, North Vancouver, British Columbia, Canada – September23, 1981, Vancouver, British Columbia, Canada) has 29 actingcredits, among them 1972-1981 “The Beachcombers” (7episodes), 1980 Nothing Personal, 1979 Spirit of the Wind, 1978“Centennial”, 1976 Shadow of the Hawk, 1976 The Outlaw JoseyWales, 1976 Cold Journey, 1975 “McCloud”, 1974 Harry andTonto, 1974 The Bears and I, 1973 “Kung Fu”, 1971 “Bonanza”,1970 Little Big Man, and 1960 “Cariboo Country.”Sondra Locke Lee (b. Sondra Louise Smith, May 28, 1944,Shelbyville, Tennessee) has 30 acting credits, among them 1999Clean and Narrow, 1984 “Tales of the Unexpected”, 1983Sudden Impact, 1980 Any Which Way You Can, 1980 BroncoBilly, 1978 Every Which Way But Loose, 1977 The Gauntlet,1977 Death Game, 1976 The Outlaw Josey Wales, 1973-1975“Cannon”, 1974 “Planet of the Apes”, 1974 “Kung Fu”, 1972“The F.B.I.”, 1971 Willard, and 1968 The Heart Is a LonelyHunter.Bill McKinney Terrill (September 12, 1931 in Chattanooga,Tennessee – December 1, 2011, Van Nuys, California) has 110acting credits, including 2011 The Custom Mary, 2007 LuckyYou, 2006 The Devil Wears Spurs, 2005 2001 Maniacs, 2003Hellborn, 1999 The Green Mile, 1995 “Batman”, 1992“Baywatch”, 1990 “Hunter”, 1989 Pink Cadillac, 1987 “FalconCrest”, 1983-1985 “The A-Team”, 1985 “Riptide”, 1984 AgainstAll Odds, 1983 Heart Like a Wheel, 1982 First Blood, 1980 AnyWhich Way You Can, 1980 Bronco Billy, 1979 When You Comin'Back, Red Ryder?, 1978 Every Which Way But Loose, 1977 TheGauntlet, 1977 Valentino, 1976 The Shootist, 1976 The OutlawJosey Wales, 1975 “The Manhunter”, 1974 The Parallax View,1974 Thunderbolt and Lightfoot, 1974 “The Execution of PrivateSlovik”, 1974 “Columbo”, 1974 “Mannix”, 1972 The Life andTimes of Judge Roy Bean, 1972 Junior Bonner, 1972Deliverance, 1970 “McCloud”, 1968 Firecreek, 1968 The RoadHustlers, and 1967 She Freak.John Vernon Fletcher (b. Adolphus Raymondus VernonAgopsowicz, February 24, 1932, Zehner, Saskatchewan, Canada– February 1, 2005, Los Angeles, California) has almost 200acting credits, some of which are 2008 Delgo, 2002 WarriorAngels, 2002 Sorority Boys, 2002 Welcome to America, 2000Star Trek: Klingon Academy (Video Game), 1996-1997 “TheIncredible Hulk” (9 episodes), 1996 “Spider-Man”, 1995“Walker, Texas Ranger”, 1992-1994 “Batman” (9 episodes),1993 The Naked Truth, 1993 “Renegade”, 1992 “Tales from theCrypt”, 1992 “The Ray Bradbury Theater”, 1990 Object ofDesire, 1990 Deadly Stranger, 1989 Mob Story, 1988 I'm GonnaGit You Sucka, 1988 Hostile Takeover, 1987 Terminal Exposure,1987 Ernest Goes to Camp, 1985 “Murder, She Wrote”, 1984The Blood of Others, 1983 “Hart to Hart”, 1983 “The A-Team”,1983 Chained Heat, 1982 Airplane II: The Sequel, 1979 “DeltaHouse” (13 episodes), 1978 Animal House, 1978 “Quincy M.E.”,1976 The Outlaw Josey Wales, 1973-1975 “Cannon”, 1975“McMillan & Wife”, 1975 Brannigan, 1974-1975 “Kung Fu”,1975 “Gunsmoke”, 1973 Charley Varrick, 1969-1972 “Mission:Impossible” (6 episodes), 1971 Dirty Harry, 1969 Topaz, 1969Tell Them Willie Boy Is Here, 1968 “Bonanza”, 1968 “FelonySquad”, 1966-1968 “Wojeck” (14 episodes), 1967 Point Blank,1960 “The Unforeseen”, and 1960 “R.C.M.P.”Paula Trueman Grandma Sarah (April 25, 1900 in NewYork City, New York – March 23, 1994, New York City, NewYork) has 37 acting credits, including 1985-1988 “Tales from theDarkside”, 1987 Moonstruck, 1987 Dirty Dancing, 1987 “TheEqualizer”, 1986 Seize the Day, 1984 Mrs. Soffel, 1983 Zelig,1980 Can't Stop the Music, 1977 Annie Hall, 1976 The OutlawJosey Wales, 1975 The Stepford Wives, 1974 Homebodies, 1971The Anderson Tapes, 1969 Paint Your Wagon, and 1957“Decoy.”Sam Bottoms.Jamie (b. Samuel John Bottoms, October 17,1955, Santa Barbara, California – December 16, 2008, LosAngeles, California) has 51 acting credits, including 2007Finishing the Game: The Search for a New Bruce Lee, 2006Sherrybaby, 2005 Winter Passing, 2005 Havoc, 2003 Seabiscuit,2002 True Files, 1997 Snide and Prejudice, 1995 “The X-Files”,1993 The Trust, 1987 Gardens of Stone, 1981 “East of Eden”,1980 Bronco Billy, 1979 Up from the Depths, 1979 ApocalypseNow, 1978 “The Eddie Capra Mysteries”, 1976 The OutlawJosey Wales, 1976 “Marcus Welby, M.D.”, 1974 “Savages”,1973 Class of '44, and 1971 The Last Picture Show.Geraldine Keams Little Moonlight (August 19, 1951,Arizona) has 21 acting credits, among which are 2010 Faster,2010 “Big Love”, 2005 A Thousand Roads, 2003 “Edge ofAmerica”, 2003 Scrambled, 2002 Angels Don't Sleep Here, 2002The Slaughter Rule, 2001 “Dharma & Greg”, 1991 “NorthernExposure”, 1991 “Twin Peaks”, 1982 “Born to the Wind”, 1977The Car, and 1976 The Outlaw Josey Wales.

Eastwood—THE OUTLAW JOSEY WALES—4Woodrow Parfrey Carpetbagger (b. Sydney WoodrowParfrey, October 5, 1922, New York City, New York – July 29,1984, Los Angeles, California) appeared in 191 films and TVseries, among them 1984 “The Yellow Rose”, 1984 “RemingtonSteele”, 1983 “Bay City Blues”, 1976-1983 “Quincy M.E.”,1983 The Sting II, 1983 “The Fall Guy”, 1982 Frances, 1982“Bring 'Em Back Alive”, 1980 Bronco Billy, 1979 “Vega ”,1979 “Dallas”, 1978 “WKRP in Cincinnati”, 1978 “PoliceWoman”, 1978 “Baretta”, 1978 “Little House on the Prairie”,1977 “Charlie's Angels”, 1976 The Outlaw Josey Wales, 1976“The Return of the World's Greatest Detective”, 1976 StayHungry, 1976 “The Blue Knight”, 1968-1975 “Mannix” (9episodes), 1972-1974 “Ironside”, 1973 “Maude”, 1973 Papillon,1973 Charley Varrick, 1973 “Kung Fu”, 1966-1972 “Bonanza”,1971 Dirty Harry, 1971 “The Waltons”, 1970 “TheAndersonville Trial”, 1968 “Judd for the Defense”, 1968“Bewitched”, 1968 Madigan, 1962-1968 “The Virginian”, 1968Planet of the Apes, 1967 “The Flying Nun”, 1964-1966 “TheMan from U.N.C.L.E.”, 1966 “Batman”, 1965 The War Lord,1962-1963 “Perry Mason”, 1962-1963 “The Untouchables”,1963 “Have Gun - Will Travel”, 1963 “Gunsmoke”, 1956“Studio One in Hollywood”, 1954 “Ponds Theater”, and 1950“Danger.”Will Sampson Ten Bears (September 27, 1933, Okmulgee,Oklahoma – June 3, 1987, Houston, Texas) has 25 acting credits,including 1986 Firewalker, 1986 Poltergeist II: The Other Side,1983-1984 “The Yellow Rose” (7 episodes), 1978-1979 “Vega ”(6 episodes), 1977 Orca, 1977 The White Buffalo, 1976 TheOutlaw Josey Wales, 1976 Buffalo Bill and the Indians, or SittingBull's History Lesson, 1975 One Flew Over the Cuckoo's Nest,and 1975 Crazy Mama.John Quade Comanchero Leader (b. John William SaundersIII, April 1, 1938, Kansas City, Kansas – August 9, 2009,Rosamond, California) has 109 acting credits, including 1993“Return to Lonesome Dove”, 1990 “Baywatch”, 1989 “Hunter”,1983-1985 “The A-Team”, 1985 “Hill Street Blues”, 1982“Knight Rider”, 1982 “Quincy M.E.”, 1981 Cattle Annie andLittle Britches, 1980 Any Which Way You Can, 1980 “CHiPs”,1979 “The Dukes of Hazzard”, 1978-1979 “Vega ”, 1979 “BuckRogers in the 25th Century”, 1979 “How the West Was Won”,1978 Every Which Way But Loose, 1978 “Baretta”, 1975-1978“Police Woman”, 1978 “Charlie's Angels”, 1977 “The HardyBoys/Nancy Drew Mysteries”, 1977 “The Bionic Woman”, 1977“Starsky and Hutch”, 1977 “Roots”, 1974-1976 “McCloud”,1976 The Outlaw Josey Wales, 1976 The Last Hard Men, 1976“Kojak”, 1975 “Police Story”, 1975 92 in the Shade, 1975Rancho Deluxe, 1975 “The Rockford Files”, 1974 “Kung Fu”,1974 “McMillan & Wife”, 1973 The Sting, 1973 Papillon, 1973“The Blue Knight”, 1973 High Plains Drifter, 1972 “Ironside”,1972 Bad Company, 1968-1971 “Bonanza”, 1971 “Gunsmoke”,1969 “The High Chaparral”, and 1968 “The Wild Wild West.”John Russell Bloody Bill Anderson (b. John LawrenceRussell, January 3, 1921, Los Angeles, California – January 19,1991, Los Angeles, California) has 71 acting credits, including1988 Under the Gun, 1985 Pale Rider, 1982 Honkytonk Man,1982 “Simon & Simon”, 1981 Six Tickets to Hell, 1979-1981“Jason of Star Command” (12 episodes), 1976 The Outlaw JoseyWales, 1976 Where the Wind Dies, 1975 Noon Sunday, 1974“Police Story”, 1974 “McCloud”, 1974 “Gunsmoke”, 1973“Emergency!”, 1971-1972 “Alias Smith and Jones”, 1969 “ItTakes a Thief”, 1968 If He Hollers, Let Him Go!, 1958-1962“Lawman” (156 episodes), 1958-1960 “Maverick”, 1959 RioBravo, 1955-1957 “Soldiers of Fortune” (52 episodes), 1953 FairWind to Java, 1949 Slattery's Hurricane, 1948 Yellow Sky, 1947Forever Amber, 1945 A Bell for Adano, 1945 Don JuanQuilligan, 1945 A Royal Scandal, and 1939 Mr. Smith Goes toWashington.Charles Tyner Zukie Limmer (June 8, 1925, Danville,Virginia) has 82 acting credits, some of which are 1999 “ER”,1994 “Hart to Hart: Home Is Where the Hart Is”, 1992“Matlock”, 1988 “Dallas”, 1987 Planes, Trains & Automobiles,1985 “Hill Street Blues”, 1984 “St. Elsewhere”, 1982 “TheIncredible Hulk”, 1981-1982 “Father Murphy” (10 episodes),1977 “Charlie's Angels”, 1976 The Outlaw Josey Wales, 1976“City of Angels”, 1976 Family Plot, 1976 “Rich Man, PoorMan”, 1975 “McCloud”, 1974 The Longest Yard, 1973“Mannix”, 1973 “The Waltons”, 1973 Emperor of the North,1973 “Kung Fu”, 1972 Bad Company, 1972 Jeremiah Johnson,1972 Fuzz, 1972 The Cowboys, 1971 “Alias Smith and Jones”,1971 Harold and Maude, 1970 Sometimes a Great Notion, 1970Monte Walsh, 1970 The Cheyenne Social Club, 1969 TheReivers, 1967 Cool Hand Luke, 1964 Lilith, 1961-1963 “NakedCity”, and 1959 That Kind of Woman.John Mitchum Al (b. John Newman Mitchum, September 6,1919, Bridgeport, Connecticut – November 29, 2001, LosAngeles, California) appeared in 143 films and TV series, amongthem, 1990 “A Family for Joe”, 1983 “Quincy M.E.”, 1977Telefon, 1976/I The Enforcer, 1976 Pipe Dreams, 1976 TheOutlaw Josey Wales, 1976 “Little House on the Prairie”, 1975Breakheart Pass, 1975 “Police Story”, 1975 “The Waltons”,1974 “Kolchak: The Night Stalker”, 1973 Magnum Force, 1973High Plains Drifter, 1971 Dirty Harry, 1968-1971 “Ironside”,1971 “Do Not Fold, Spindle, or Mutilate”, 1970-1971“Bewitched”, 1961-1971 Bonanza (7 episodes), 1963-1970 “TheVirginian” (9 episodes), 1970 Chisum, 1969 Paint Your Wagon,1966-1967 “Batman”, 1957-1964 “Gunsmoke” (6 episodes),1957-1962 “Have Gun - Will Travel”, 1958 Johnny Rocco, 1958“Maverick”, 1956-1958 “Dragnet”, 1958 Cole Younger,Gunfighter, 1957 Up in Smoke, 1957 “The Life and Legend ofWyatt Earp”, 1957 “The Adventures of Rin Tin Tin”, 1956

Eastwood—THE OUTLAW JOSEY WALES—5“Sergeant Preston of the Yukon”, 1953 Stalag 17, 1950 In aLonely Place, and 1949 Knock on Any Door.Kyle Eastwood Josey's Son (b. Kyle Clinton Eastwood, May19, 1968, Los Angeles, California) appeared in 7 films: 2011 J.Edgar, 2008 Summer Hours, 2005 The Movies, 1995 The Bridgesof Madison County, 1982 Honkytonk Man, 1980 Bronco Billy,and 1976 The Outlaw Josey Wales.Richard Farnsworth Comanchero (September 1, 1920, LosAngeles, California – October 6, 2000, Lincoln, New Mexico)has 84 acting credits, some of which are 1999 The Straight Story,1994 The Getaway, 1990 The Two Jakes, 1985 Space Rage, 1984Rhinestone, 1984 The Natural, 1983 Independence Day, 1982Waltz Across Texas, 1982 The Grey Fox, 1981 The Legend of theLone Ranger, 1980 Resurrection, 1980 Tom Horn, 1978 Comes aHorseman, 1977 “Roots”, 1976 The Outlaw Josey Wales, 1976The Duchess and the Dirtwater Fox, 1974 Blazing Saddles, 1973Papillon, 1972 The Life and Times of Judge Roy Bean, 1972Ulzana's Raid, 1971-1972 “Bonanza”, 1972 The Cowboys, 1970Monte Walsh, 1970 “The High Chaparral”, 1960-1961“Laramie”, 1960 Spartacus, 1958 “Adventures of Wild BillHickok”, 1956 The Ten Commandments, 1953 The Wild One,1949 Mighty Joe Young, 1948 Red River, 1943 This Is the Army,1939 Gone with the Wind, 1938 The Adventures of Marco Polo,and 1937 A Day at the Races.Christina Berry, “The Story Behind The Education of LittleTree,” All Things Cherokee, 17 March 2012.Most of us have read, or at least heard of The Education of LittleTree, a book by Forrest Carter published in the 1970s and nowcelebrating more than 25 years in print. The book was firstpublished as an autobiography, a touching tale of a Cherokee boyraised by his loving grandparents in the hills of the AppalachianMountains. Readers responded to the naturalist themes andIndian spirituality of the book and it became an instant hit. Thetitle helped to spark an interest in Native American literaturewhich has since blossomed into its own genre. However, the titlehas also sparked decades of heated debate and controversy.In the years since its publication, and the death of itsenigmatic author, this title has gone from the top of critics lists tothe bottom, but no amount of bad press seems to hurt its sales. Sowhat's all the hubbub? Well, it would seem that the book's authorhas a past as an outspoken, professional racist. Forrest Carter,author of Outlaw Josey Wales and The Education of Little Tree,was first known as Asa "Ace" Carter. Always a talented writer,in the 1960s he lent his wordsmithing skills to George Wallace,and is credited with the infamous, "Segregation now!Segregation tomorrow! Segregation forever!" Other inquiriesinto Asa's past connect him with racist publications and theKKK. However, in the 1970s, after losing the race for Alabamagovernor, Asa moved to Florida, changed his name to Forrest (anhomage to Nathan Bedford Forrest, a Confederate general), andbegan to write genre fiction.And so we come to the central question: so what? Doesit matter? After all, the book is fiction, and as such, the questionof merit becomes a personal one. Fiction, an imaginativecreation, is by its nature interpretive. The meaning and merit ofthe work becomes individual—the response of each reader to thework's themes and characters. So the question is: does theauthor's life really matter to you?One issue which complicates the debate is the fact thatthis book -- the touching story of a Cherokee boy who comes ofage, learning about the good and the bad of life through a warmrelationship with his grandparents and abbrasive experienceswith white culture -- was initally marketed as an autobiography.This has since been corrected and the book is now sold as fiction,but when evaluting the cultural worth of the work, this detail isnoteworthy.It would also seem that, upon closer inspection, theauthor hasn't abandoned his earlier convictions. Like his previouswork, Outlaw Josey Wales, this book has a palpable antigovernment stance. In a story about Native American life this isnot entirely unheard of; after all, Native people, among them theCherokee, were some of the first victims in a history of ignorantand intolerant colonial and US government policy. In the end,Little Tree and his family are victimized by white society and thegovernment, and so it would seem to be to their benefit that theylive separate .segregated -- be it in the Mountains or off in "theNations." Interestingly, it was this same paternalistic theorywhich fueled Andrew Jackson's fire in passing the IndianRemoval Act that lead to the Trail of Tears.But again, does it matter? Are those themes relevant ifthe reader derives different meaning from the work? LeniRiefenstahl's photographs and films were pro-Nazi and promotedthemes of racial purity and eugenics. But despite that, she was atalented filmmaker and photographer. At what point do weseparate the art from the artist, the work from its context? TheEducation of Little Tree is a great book. I was moved to tears thefirst time I read it, and when I first learned of the author's past Iwas angry and hurt, but I still like the book.I would argue that the book has actually made anincredibly positive impact. It wasn't long ago that books andfilms filled with blatant sterotypes of savage Indians (played bywhite actors in red paint) was the norm. The mere fact that thistitle has generated so much debate and discussion regarding theplight of Indians in American popular culture is a positive stepforward. Personally, I think that this is a great book, both for thethemes of culture and life that the author himself addresses, andfor the heated historical and cultural debate which has grown outof it.

Eastwood—THE OUTLAW JOSEY WALES—6CLINT EASTWOOD, from The St. James Film DirectorsEncyclopedia. Ed Andrew Sarris. Visible Ink,Detroit/NY/Toronto/London, 1998, entry by Andrew Tudor.American. Education Oakland Technical High School, LosAngeles City College 1953-54. Military Service Drafted into USArmy 1950 .Career Under contract with Universal 1954-55;sporadic work in film, late 1950s; played Rowdy Yates in TVseries Rawhide, 1959-65; went to Europe to make three highlysuccessful westerns with Sergio Leone, 1965; returned to US,1967; formed Malpaso Production company and directed firstfilm, Play Misty for Me, 1971; first effort as producer, Firefox ,1982; mayor of Carmel ,CA, 1968-88. Awards Chevalier desArts et des Lettres, France, 1985 Fellowship of British FilmInstitute, 1993.In 1992, after almost forty years in the business, ClintEastwood finally received Oscar recognition. Unforgiven broughthim the awards for Best Achievement in Directing and for BestPicture, along with a nomination for Best Actor. Indeed, thisstrikingly powerful Western was nominated for no fewer thannine Academy Awards, Gene Hackman collecting BestSupporting Actor for his performance as the movies ruthlessmarshall “Little Bill” Daggett, and Joel Cox taking the Oscar forediting. It seems appropriate, therefore, that this film, whichbrought him such recognition, should end with the inscription“Dedicated to Sergio and Don.” For without the intervention andinfluence of his two “mentors,” directors Sergio Leone and DonSiegel, it is difficult to imagineEastwood achieving his presentrespectability, let alone emerging asthe only major star of the modern erawho has become a better director thanhe ever was an actor.That is not to belittleEastwood, who has always beengenerous in crediting Leone andSiegel, and who is certainly far morethan a passive inheritor of theirdirectorial visions. Even in hisRawhide days of the 1950s and early19060s he wanted to direct; more thanonce Eastwood has told of hisattempts to persuade the series’producers to let him shoot some of theaction rather more ambitiously than asthe TV norm. Not surprisingly, theywere reluctant, but they did in the endallow him to make trailers forupcoming episodes. He was not totake on a full-fledged directorialchallenge until 1971 with Play Mistyfor Me, but in the intervening years he had become a massivebox-office attraction as an actor, first with Leone in Europe in thethree famous and founding “spaghetti westerns,” and then in aseries of films with Siegel back in the United States, mostsignificantly Dirty Harry.It is not easy to untangle the respective influences of hismentors. In general terms, because they both contributed to theformation of Eastwood’s distinctive screen persona, they helpedhim to crystallise an image which, as a director, he would oftenuse as a foil. The Italian Westerns’ “man with no name,” and hismore anguished urban equivalent given expression in DirtyHarry’s eponymous anti-hero. have provided Eastwood withwell-established and economical starting characters for so manyof his performances. In directing himself, furthermore, he hasused that persona with a degree of irony and distance.Sometimes, especially in his Westerns, that has meant leaningtoward stylization and almost operatic exaggeration (High PlainsDrifter, Pale Rider, the last section of Unforgiven), though rarelyreaching Leone’s extremes of delirious overstatement. On otheroccasions, it has seen him play on the tension between theseemingly assertive masculinity of the Eastwood image and thestrong female characters who are so often featured in his films(Play Misty for Me, The Gauntlet, Heartbreak Ridge, and in partat least, The Bridges of Madison County). It is, of course,notoriously difficult to both direct and star in a movie. WhereEastwood has succeeded in that combination (not always thecase) it has depended significantly on his inventive building onthe Eastwood persona.It is important to give Eastwood full credit for hisinventiveness in any attempt to assess his work. His better filmsas a director have a richness to them, not just stylistically—though in those respects he has learned well from Leone’sconcern with lighting and composition and from Siegel’s waywith in-frame movement, editing, and tight narration—but also amoral complexity which belies the one-dimensionality of theEastwood image. The protagonists in his better films, like JoseyWales in The Outlaw Josey Wales,Highway in Heartbreak Ridge, Munny inUnforgiven, even Charlie Parker in theflawed Bird are not simple men either intheir virtues or their failings. Eastwood’sfondness for narratives of revenge andredemption, furthermore, allows him todraw upon a rich generic vein inAmerican cinema, a tradition with abuilt-in potential for characterdevelopment and for evoking humancomplexity without giving way to artfilm portentousness.In these respects, Eastwood isthe modern inheritor of traditionalHollywood directorial values, onceepitomised in the transparent style of aJohn Ford, Howard Hawks, or JohnHuston (himself the subject ofEastwood’s White Hunter, Black Heart),and passed on to Eastwood

“Cannon”, 1974 “Planet of the Apes”, 1974 “Kung Fu”, 1972 “The F.B.I.”, 1971 Willard, and 1968 The Heart Is a Lonely Hunter. Bill McKinney Terrill (September 12, 1931 in Chattanooga, Tennessee – December 1, 2011, Van N