WOODWORKERS Woodworkers NEWS Association

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WO O D WO R K E R SNortheasternWoodworkersAssociationNEWSDecember 2017, Vol. 26, Number 10December MeetingFamily NightThursday December 7th at 7:00 PMat the Clifton Park Halfmoon Public Library on Moe RoadWe hope to see you at Family Night again this year as it brings togetherour NWA families for an evening of friendship and socializing.As in previous years, we ask you to bring a dessert or anappetizer to share. It’s such a great opportunity to try out thatnew cookie or pasty recipe as well as hone that classicholiday treat prior to your gathering with family!We will have tables for the Instant Gallery. We would certainlylove to have a few more items you are willing to donatefor the auction that supports the Fiske Fund. Please remember thatwe cannot accept credit cards for auctioned items.This is a fun filled evening of meeting new NWA members andenjoying getting reacquainted with our friends. We are looking forwardto seeing you all there for Family Night.NWA Learning Center – Important News - See Page 2Wanted: DOLLHOUSES!!!The feature exhibit at Showcase 2018 will be DOLLHOUSES! I am requesting any member, (spouseor child of member) that has a dollhouse in their possession and would like to participate in Showcaseby exhibiting said dollhouse and any accessories associated with this hobby, to please contact Sue atshowe@nycap.rr.com, 518-885-9331 or 518-461-3711 (cell). I look forward to hearing from you.

NWA Learning Center – Important NewsThe following message went out to our membership by e-mail on November 6. Please relay any leadson potential new Learning Center sites to David Mobley, Chair of the Facilities Search Committee atNWASearch1@gmail.com. It is very important that we coordinate follow-ups to avoid duplicating efforts.Your input is encouraged.“I have been informed that the lease for our NWA Learning Center on Solar Drive in Clifton Park willnot be renewed when it expires in August 2018. We appreciate that Tony Hynes, President of PVA Inc.,has made it possible for us to lease the space on Solar Drive since 2013, and before that on MustangDrive in Cohoes. Now, Mr. Hynes has let us know that he has other plans for the Solar Drive buildingstarting next August and is willing to work with us in finding another suitable facility.“I have reached out to members of the NWA Board of Directors to share this news. I have formed anad hoc committee to identify and evaluate new space for the NWA Learning Center. I have also asked forrecommendations from the NWA Steering Committee.“The NWA Learning Center has become important in carrying out our mission of woodworkingeducation and service to the community, so we will work diligently to find suitable new space for theLearning Center well before August 2018. As with past NWA projects and activities, I’m confident that youand your fellow NWA members will step forward to help with the many tasks that this move will require.And, as always, your input to the process is encouraged.“This news has no effect on the spaces at the Shaker Heritage Society site where we conduct ourmonthly meetings and store wood.“I will keep you informed through e-mail updates as we move forward to secure a new LearningCenter space.”- Dick Flanders, President, rtflanders@gmail.comShowcase 2018 Needs Co-Chairs!By Wally CarpenterYou’ve heard me say this many times in many ways, but it bears repeating. Without Volunteers,NWA Events Simply Won’t Happen! We are coming closer to crunch time as Showcase 2018 is March23-25. We still have critical needs to fill the following Co-Chair Positions: Volunteer Coordinator (previously Maria Witkins) Judging (previously Pam Curtis) Pen Turning (previously Jay Van Vrankin) Webmaster (currently Kurt Hertzog) Social Media (new position which I feel is critical to keeping Showcase Relevant)I will ensure you get the training and support to be successful as a Showcase Co-Chair. These previousCo-Chairs have served very well and in many cases, are serving in new capacities. I’m grateful to allour Co-Chairs who currently serve in numerous positions. Many have worked for several years in theircurrent positions and do a wonderful job at keeping Showcase a positive and engaging experience forour members and customers.Many thanks to Lee Hilt in assuming responsibility as our new Vendor Coordinator with support fromJeannie Aldous and Steve Woodard as our Videographer Co-chair with support from Troy Fink.Finally, without your support in filling these critical positions, the lack of such can significantly impactour ability to provide the things we have appreciated and accustomed to expecting. PLEASE contact meat your earliest opportunity.Wally Carpentercell: 518-434-1776email: c.j.carpenter@earthlink.net2

OFFICERSPresident - Richard Flandersrflander@nycap.rr.com(h)393-5215 or (c)461-7339Vice President - Joe Pelcherjpelch1@yahoo.com859 4444Secretary - Nancy Reillynreilly@nycap.rr.comTreasurer - Ron Robertsnwatreasurer1@gmail.com845-245-8308Past President - Wally ian - Wayne Distinwdistin@nycap.rr.com674-4171Executive Secretary - Charlie GoddardCgodd@aol.com370-0388CHAIRPERSONSMid-Hudson ChapterJim Lee, President - 845-382-6045dlee1963@aol.comSacandaga ChapterGary Ratajczak, President - 852-1204info@sacandagawoodworkers.orgBanquetRich Noll - 470 3112rich.noll@ads-pipe.comEducationGeorge Jonesnwaeducation@gmail.comYouth ProgramsWayne Distin - 674-4171wdistin@nycap.rr.comFiske FundJohn Kingsleyjkingsley1@nycap.rr.comHospitalityLee HiltJamtgs@earthlink.netLibraryIrv Stephens - 273-4843irvstephens@gmail.comMembershipPeter Lofrumentonwamembers1@gmail.comProgramsJoe Pelcherjpelch1@yahoo.com859 4444PublicationsSusan McDermott - 438-1909s.mcdermott@hvcc.eduPublicityJohn Olenik - 587-0306jolenik@nycap.rr.comShowcase ChairWally Carpenter - 434-1776c.j.carpenter@earthlink.netDarrell Peart: Fiske LecturerBy Susan McDermottOn Thursday November 9, 2016 at 7:00 PM, Darrell Peart presented hisresearch on Greene and Greene furniture at the Prince of Peace LutheranChurch in Clifton Park. The large NWA audience was impressed by Peart’sknowledge and passion for the unique, fine craftsmanship of the Greenebrothers’ furniture and architectural designs. Peart has written for HomeFurniture, Today’s Woodworker, and Fine Woodworking magazines. His woodprojects have appeared in various galleries, and some reside in privatecollections throughout the U.S.His first book Greene and Greene: Design Elements for the Workshop(Linden Press) was published in April 2006. Amazon.com review describesPeart’s book:This manual, written by a nationally recognized furniture maker, providesintermediate and advanced woodworkers with well-illustrated, step-by-stepinstructions for classic Greene & Greene details, including ebony plugs,cloud lifts, legindents, brackets,and pulls. Adiscussion of thedesign philosophyof the periodaccompanieshow-to chapters,and photographsof contemporaryGreene-inspiredfurniture provideideas for projects.NWA audience attending Fiske lectureBiographicalsketches are included for Charles andHenry Greene, Peter and John Hall(who built most of the furniture), andcompeting furniture maker GustavStickley.Before introducing Mr. Peart whohails from Seattle, WA, NWA member,Dave Mobley gave the audiencethe background of the Fiske Fundestablished by Milan Fiske, a friendand mentor of Dave’s. Dr. Fiske was aman of diverse interests and talents.He was a supreme wood turner,manager of GE scientists, memberof the Nobel Prize Committee, andtrustee of the American OrchidSociety. His humility is reflected in hismotto, “One can achieve a lot in lifeif one cares not to get the credit.” TheOlenik’s Greene and Greene end tableUNLESS OTHERWISE NOTED, PHONENUMBERS ARE IN AREA CODE 5183

WOODWORKERS NEWSis published by the NortheasternWoodworkers Association for itsmembers. The Association’s aimis to provide a common meetingground for lovers of woodworking who want to know moreabout wood and the techniquesfor forming it. The newsletter ispublished monthly. The newsletter is available online at www.woodworker.orgYour next issue ofWoodworkers Newswill be publishedin early JanuaryCopy deadline: December 15Susan McDermott, Editor(518) 438-1909s.mcdermott@hvcc.eduElizabeth Keays Graphic oodworkingshow.orgWebmaster - Kurt Hertzogkurt@kurthertzog.comNORTHEASTERNWOODWORKERS ASSOCIATIONP.O. BOX 246Rexford, New York 12148story of Dr. Fiske’s connection tothe Nobel Prize winner can be readat this link: rslater-niskayu wpNWA member, John Olenik,brought his own crafted Greene andGreene end table that illustratesall the beautiful features of thisfurniture style including hiddenjoinery and designs.The photographs demonstrateGreene and Greene characteristics:mahogany with ebony inlay,Interior of Olenik end tableebony plugs, brackets of Chineseinfluence, tapered legs with softround edges, ”waterfall” detail ofthe legs, sycamore interior drawerconstruction.Vice President, Joe Pelcher,then introduced Darrell Peartwho gave a brief biography of theGreene brothers and an illustrativePowerPoint of their furniture and fourCalifornia home interiors.“Greene and Greene was anarchitectural firm established bybrothers Charles Sumner Greene(1868–1957) and Henry MatherGreene (1870–1954), influentialearly 20th Century AmericanFiske vasearchitects. Active primarily inCalifornia, their houses and largerscale ultimate bungalows are primeexamples of the American Arts andCrafts Movement.” (Wikipedia)Both men were influenced byGustav Stickley’s designs. The Hallbrothers built much of the Greeneand Greene furniture. In this video,woodworker and Arts and Craftshistorian Darrell Peart shares hisresearch of the Hall brothers,compiled for his book Greene &Greene: Design Elements for theWorkshop. Caution: Viewing thisDarrell Peartvideo may require membership toFine Woodworking magazine whichmany of you subscribe raftsmen-behindgreene-and-greene4

Louie and Betty AndrewsNWA 2017 Recognition BanquetCelia Carpenter delivered a tribute tothe Andrews which was then followed withamusing stories by Ken Evans and KenWitkins. Here are excerpts from the speechwritten and delivered by Celia Carpenter:The sixth annual banquet at the ItalianAmerican Social Club honored Louie andBetty Andrews by NWA members. This isthe first time that a husband and wife havebeen nominated. Yet, it is representative ofhow many spouses are very much involvedin our organization. Many events havebeen successful, and many positions filledbecause of their contributions.Previous recognized individuals areHerm Finkbeiner, Ken Evans, CharlieGoddard, Wayne Disten, and Austin Spang.We as a group should feel proud of theefforts and contributions of the members.Louie joined NWA after attendinga five-day turning class taught by KurtHertzog. 12 people attended that classand soon after that, the Monday nightpen turning class in Stillwater wasformed. Ken Evans said Louie movedmost equipment by himself in hisown truck for many years for thewoodworkers’ weekends.Louie was also a part of the JimThe Andrews years agoKennedy’s shop, now known as theCrafters SIG. The Kennedy shop met everyTuesday and Saturday to make crafts mostlyfor the Hole in The Woods Camp. Louie seldommissed a meeting. For about ten years Louie, BillCherry, Lou DeMola, and Dave Giroux took lathesto the camp to turn pens, wands and tops for anentire day. For anyone that doesn’t know, theHole in the Woods is Paul Newman’s camp forseriously ill children. The Kennedy shop wouldwork all year making car kits, boats and fish thechildren could assemble and paint.Ken said that Louie was always willing to helpin any way he could, often working well afterLouie and Betty Andrews5

others left to load and take back the equipment. When RoyUnderhill, a woodworker using 19th Century techniques,asked for an 8-foot-long and 20-inch diameter log for hispresentation, Louie drove up the next day with an 8-foot login the back of his truck.There is visible proof of how many things Betty hasdone for NWA. She has organized the turners for bothScaticoke and Washington county fairs for many years. Shehas lined up the demonstration of turners for showcase,ran both the AWA and the NWA libraries, and has beenthe person handing out tickets, taking admission fees atthe annual picnic, and making sure everyone got ticketsfor door prizes at the Holiday party. At Showcase she hasworked in the office at least ten years. She sat behind hertreats at the monthly AWA meetings. Everyone referred toher brownies as” Betty’s Brownies”.Celia CarpenterChapter NewsMid Hudson Chapter Newsthe only cooperexclusively using NYState white oak forhis coopering. All ofhis barrel staves arequarter sawn whiteoak to reduce woodmovement andporosity. The stavescome in a variety ofsizes, but all are airdried for two-threeyears (kiln dried oakcannot be bent).John Cox adds hoop and head to ademonstration barrelThe goal formoisture content is 16-20%.The anatomy of a barrel will feature up to 21staves, each fashioned with a cooper’s joint,angled on two sides. The bung stave is thelargest; this is where the hole or bung is locatedand where the rivets in the hoops are fastened.Each stave-end is rounded over with a Williamsand Hussey overhead planer. The middle of thebarrel is the widest diameter and is called thebilge (i.e., bulge). The head is the round insert attop and bottom. The bung is the plug that istapped to access the liquid all bungs were madefrom soft poplar. Generally, there are six metalhoops that keep the barrel pressed together: twoof each -- head, quarter, and bilge.by Wally CookRoll Out the Barrel: John Cox, proprietor ofQuercus Cooperage of High Falls, NY, provided afascinating overview of the barrel producingindustry. John was owner of a finishing andcabinet shop in New York City, but saw anopportunity to establish a cooperage in theHudson Valley.Coopering was a thriving industry in the 19thcentury, when most goods were shipped inbarrels. In the1850’s, 55 million wooden barrelhoops were made in the Catskills. However, theoccupation fell on hard times during prohibitionand the later use of corrugated cardboard forcontainer fabrication.Cooperages are making a comeback thanks torecent upsurge in small batch bourbonproduction. A federal law mandates that anyproduct called ‘bourbon’ must be made in theUnited States and must be aged in new, charredwhite oak barrels. The Associated CooperageIndustries of America lists fewer than 30-barrelproducers in the US.Coopers are termed either slack (dry goodscontainers), dry-tight (keep moisture out), white(keep liquids in, but not typically covered e.g., abucket), or wet-tight (keep liquids in for shipping).John focuses on the wet-tight application and is6

Barrels have traditionally come in several sizes: a) pins – 5gallons, b) firkins – 10 gallons, c) trenta – 30 gallons, d)hogshead 63 gallons, e) pon or puncheon – 84 gallons, f) butt– 126 gallons, g) tun – 252 gallons. John offers firkins andtrentas.The raising of a barrel is called “mise en rose”. Theprocess starts with steaming the staves for 45 minutes andconforming them to shape with a working hoop andsubsequent quarter and bilge hoops. The ‘hooper’ wastraditionally the cooper’s helper, responsible for placing thehoops. The ‘croze’ is the birdsmouth groove cut inside thecircumference of each set of staves which allows the head tofit tightly when the head hoop is pounded on. Flagging is areed material which is jammed into any gap in the staveconstruction to keep the barrel water tight. Barrels arepressured tested for leakage and are maintained at 16-20%wood moisture by filling the barrel with water before shippingor by wrapping with plastic.After the barrel is raised, it is then toasted – burned on theinside. It is the toasting which imparts flavor by caramelizingsugars in the oak. Toasting may be light (half a minute) tochar (half an hour). Whiskey is typically lightly toasted. Johnuses the cutoffs from the white oak for his toasting.This entire process is time consuming. John reports thathe can make eight barrels a week using hand tools. Check outhis website at qcooperage.com.Anatomy of a barrelPlanes used to cut chimes and croze grooveKaatskill Woodturners’ AssociationBy Wally CookThreaded Inserts: Makin’ an Urnin’ By Turnin’ was the titleof John Franklin’s presentation. The focus of the demonstrationwas on the use of pre-threaded inserts in the construction of urns.Plastic pre-threaded units have the advantage of eliminating theneed to hand chase wooden threads.The inserts are PVC male and female pipe fittings readilyavailable in several diameters in any big-box store. John usesschedule 40 materials. When selecting mating elements, it isSchedule 40 pipe fittings are the raw material forimportant to ensure that the fit is loose enough to allow handthe threaded inserttightening of the first 4-5 rotations.Pipe threads are designed to grow tighter as more threads are engaged. However, for this application,only the first two or three threads are necessary to provide a secure fit of the female and male parts.The entire threaded insert – both male and female -- is mounted in a chuck and the outside diameter isreduced to present a smaller footprint in the urn.To successfully turn PVC on the lathe, John keeps the speed at approximately 700 rpm and usesnegative rake tools or parting tools for a clean cut. He’s found that following the bevel with a gouge leavesa rough cut on the PVC. Since the PVC does heat and soften when turning, it is worthwhile to minimizefriction and consequent heat build-up; he may stop the lathe from time-to-time to allow the PVC to cooldown.7

When the male and femalefittings are cut to the desired outsidediameter, the length is determined,and the excess material is separatedwith a parting tool. While the plasticis softened from the friction, the‘sprew’ is pulled off, leaving a cleancut on the threaded insertThe urn opening has been cut to John cut down the outside diameter to fit intothe urnreceive the insert. The wood itselfmust be dried to a low moisturelevel to minimize wood movement. If the wood is too green, theurn will crack as it shrinks around the threaded insert. To reducewood movement, John will coat the inside and outside of the urnwith epoxy. John feels that CA glue and 5-minute epoxy degrade tooquickly to be a real option, so he elects to use West System epoxy and205 hardener. The epoxy is sanded back between coats and may befinished with urethane without leaving any ‘witness marks’ of priorcoats.The threaded insert is also secured with West System epoxy. First,candle wax is rubbed on the interior threads to be sure that no epoxyfouls the connection. Then, the urn is mounted in the chuck, while asecond chuck is mounted in the tailstock to hold the threaded insert.In this manner, the glue-up of the insert into the urn will be entirelyperpendicular. John also supports the urn with a bowl steady that hemade from plywood.Once the epoxy is set, the male unit is unthreaded from the insertand used as a base for the finial. John stacks components to make afinial and glues the unit to the threaded base. The base itself can bechucked to secure the finial for final sanding and finish.Outreach: The KWA provided a background on woodturning forthe Hurley Seniors organization. Over a hundred attendees showedup to learn about woodturning tools and methods. A PowerPointpresentation and YouTube videos were shown, as well as a show andtell on various spindle turning and hollowing projects.The insert unit is glued inot the urn withhelp from two chucks and a bowl steady restComposite view of the urn and finished male andfemale threaded componentsWally Cook and Ron Wolfield talk at outreachsession on woodturning at the Hurley SeniorsmeetingJerry Grant Presents Shaker Tool Collection toNWA MembersBy Susan McDermottLink to the on line searchable cataloghttps://shakerml.org/pages/libraryOn October 25, 2017 Jerry Grant, Director ofCollections and Research at the Mount LebanonFor a video of Jerry’s talk on Shaker VillageShaker Museum, was invited by MWA memberhttps://www.youtube.com/watch?v bt3sWWisSJMChuck Watson to speak to the NWA membersat the Herm Finkbeiner Learning Center. Chuckhad been trained as a museum guide by Jerry and knew of Jerry’s encyclopedic knowledge of Shakerculture, crafts, inventions, and wood working. Jerry co-authored with David Stocks Shaker FurnitureMakers: Shaker Function, Purity, Perfection.Jerry’s PowerPoint displayed some of the workshops, and Shaker tools that are in the two year process8

of being catalogued and digitized. Some 3500 photographs oftools, manuscripts, and Shaker wood workers will be on-line for thepublic by March 2018. Currently one can view of over 2,200 historicphotographs from the library’s collection.Jerry related the background to the museum’s present dayoperation. John S. Williams, a collector of rare books and investmentbroker in NYC, moved to Old Chatham and began collecting Shakerfurniture and farm equipment in 1935. In the following five years hebought farms in Old Chatham and funded the cash strapped Shakersin Mt. Lebanon. By 1950, he amassed over 4500 items, but 90% ofthem were not Shaker tools. In midsummer that year, he openedthe museum to the public. By 1952 the tools were organized bycategories (hand and machine) in their corresponding workshops.This included a seven ton trip hammer Shakers used to forge largeiron projects, an 1883 wood splitter, eight work benches, and sewingmachine treadles adapted to mechanize jig saws, food processors,coopering, farming, etc. Shakers invented specialized mechanismsto thread pegs, rotate chair frames for webbing, hand carvedspinning wheels, and yarn swifts.Jerry Grant and Chuck WatsonLatheShaker chairs workshopJerry’s PowerPoint presentationShaker made deskShaker woodcarverShaker Dance: The small man is well knowncabinet maker, David RaleighShaker pail with unique hoop9

Wood of the MonthWhite Poplar(Populus alba)and a height of 92 feet (Champion Tree NationalRegister 2017).Tree trunks tend to be straight and free ofbranches well up (30 feet) to the spherical crown.Branches are coarse and crooked. The simplelong-stemmed leaves arealternate, leathery, andsomewhat maple leafshaped, giving the treeanother common name,Maple-leafed Poplar.Leaves are dark green ontop, almost white on theundersides, turning tobrilliant yellow in the fall.As the leaves unfold, theyare covered with white silkyhair which lasts the seasonon stems and undersides.The flowers are aments orpendulant catkins, whichdevelop early and producefruit that matures before thetree is fully leafed.White Poplar, like otherpoplars propagates easily,most often by suckeringshoots and roots extendingfrom tree bases or stumps.The White Poplar is frequently the first species toestablish itself in burn areas and is often plantedand encouraged as ashelterbelt tree.The bark of theWhite Poplar wouldbe a rich source oftannic acid if it werenot so difficult topeel. Bark tea, a bittermedicine to take, wasused by Native andEarly Americans asa tonic for coughs,fever, and menstrualcramps. (Salicin, alsoin the bark, probablyproduced an aspirinYellow in falllike effect.) WhiteA reprint of Ron DeWitt’s seriesc. November 1997The poplars number about35 species worldwide includingeight species native to NorthAmerica and several naturalizedhere in New York. Poplars aredivided into four groups: theWhite Poplars which includeaspen, White and Gray Poplar,the Black Poplars which includethe cottonwoods, and a fourthgroup without a common name(Leucoides) which includes afew odd species with commonleaf characteristics. The poplarshybridize easily, adding to ageneral confusion in identifyingthe trees and wood.Probably more familiar towoodworkers is the Tulip-poplaror Yellow-poplar which is not apoplar at all and is not includedin this article.White Poplar treeThe bark of the WhitePoplar is distinctly different from the other poplargroups. Young light gray or pale green shoots andstems are very smooth. As the tree matures, thebark lightens to near white with black under-barkshowing through stretch cracks for an attractivecontrast.White Poplar, sometimes called SilverPoplar, is an Old World tree, native to NorthAfrica, Southern Europe, and Central Asia. Itwas introduced into North America in the 17thCentury, quickly became naturalized and nowranges from Quebec and Maine to Minnesotaand North Dakota, south to Louisiana and Texas.It usually occurs in large stands, especially innorthern areas where typically it reaches 80 feetwith two-foot diameter stems. It is relatively shortlived - to 75 years-but grows rapidly on a shallowroot system in the poorest of soils.Biggest tree on current record is in Gallatin,Montana with a circumference of 301 inches10

Poplar is a favorite food of many animals including deer,rabbits, porcupines, and especially beavers. (Maybe beaversappreciate the aspirin effect after chewing down trees allnight!)The woods of poplars are all very similar and cannotalways be separated with certainty from each other or frombasswood or willow. Growth rings of poplar are distinct,due to narrow margins of slightly darker, denser fibers,but are not conspicuous. The light-colored sapwood zoneis indistinct. Within a ring, pores are larger and morenumerous in earlywood, decreasing in size in latewood.Poplar is classified as diffuse-porous but could be moreprecisely called “semi-diffuse- porous”. Few pores aresingular, most occur in radial multiples-often as tangentialPoplar bark young and oldmultiples or small clusters. Rays are uniseriate, extremelyfine, invisible without a lens, and barely visible with one.Microscopic anatomy indicates simple vessel perforations,no spiral thickening and large alternate intervessel pitting,the same for all populus species.Wood of the White Poplar is soft, weak, light weightwith a specific gravity of .38 or about 28 pounds percubic foot, similar to basswood, and among the lightestof hardwoods. The heartwood is light tan. The sapwood iscreamy white and quite thick. The wood dries easily andquickly with little shrink or check. The tendencies to warpor stain can be overcome with careful stickering for drying.This straight, uniform, finely grained wood has noodor or taste after drying. It is easily worked by hand orpower with sharp cutting edges to eliminate fuzz, resistssplintering, glues readily, stains and finishes nicely withmost oils and varnishes. It is short lived when in contactwith water or soil. There are no special health hazards inworking with the poplars.Because of the extremely rapid growth rate of poplar,Poplar leavesthe wood was carefully considered as an energy sourceduring the oil crunch of the 1970’s. Poplar chips wereconverted to alcohol in gasohol production trials. In thestate of Maine a power plant was constructed to use poplarwood as its fuel supply. Today, fossil fuels remain moreeconomical.The wood is often used for paper pulp, ideal formagazine production. It’s too weak for structural workbut is used for trim, moldings, or secondary non-visiblefurniture parts. It is also used for crates, boxes, pallets,plywood filler, particleboard, and fiberboard. It is theprimary source for excelsior packing material. Because ofthe absence of splinters, it is used for toys, carving, PopsiclePoplar fruitsticks, and tongue depressors.White Poplar is a wood without distinction, and it is unlikely that anyone other than a wood collectorwould seek it out for a specific application, so reserves are good and not threatened. At the sawmill orlumber yard, it may be included with aspen and cottonwood (and probably Tulip Poplar) as the leastexpensive of our hardwoods.11

Library Catalog Now On the WebBy Irv StephensThe NWA Library now has an online catalog that can be used by using the link labeled, LibraryCatalog, located at the bottom of NWA’s homepage. The library’s website is hosted by LibraryThing,an organization that focuses on providing library services to more than 2 million individuals andorganizations with small libraries. The NWA’s library homepage appears below:You can immediately search for books and magazines by entering one or more words in the searchbox. For example, entering Shaker furniture will retrieve books on that topic in a brief listing. To seemore detailed information about a book, just click on the book’s title, or by clicking on any of the otherblue high-lighted terms you can browse all the library records that are associated with that high-lightedterm.If you want to do a more refined search, click on the small down arrow located to the right of thehomepage’s search box and then click Advanced Search. This opens a template enabling you to searchmultiple specific data fields. One of the template’s options is labeled Collections. If you click on it, youwill see all the categories that correspond to the library’s new shelving scheme. By choosing one of thesecategories and clicking search, you can browse all the books that are shelved in that section.ClassifiedsProject ready specialty wood for flat boarders and turners Rustic Adirondack Pine Slabs; 3” thick, 22-30” wide, 8½’ long, 3 board foot, seasoned 2 years. Cabinet grade lumber surfaced 2 sides; walnut, butternut, cherry, spalted figured maple, red oak, 4/4,5/4, 8/4; up to 30” wide, lengths to 10’, many raw edge; 4-8 board foot, well-seasoned. Turning stock for bowls, platters, vases, pepper mills; box elder, cherry, cherry burl, maple, maple burl,butternut, lathe ready and totally seasoned, just turn and finish, priced per piece.This is my personal stash, milled and processed by me sold at one-third of the price of any lumber yardif they even had anything similar. Custom milling also available of your own logs on my saw m

Dec 01, 2019 · brothers built much of the Greene and Greene furniture. In this video, woodworker and Arts and Crafts historian Darrell Peart shares his research of the Hall brothers, compiled for his book Greene & Greene: Design Elements for the Workshop. Caution: Viewing this video may require membership to Fine

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