Year 11 General Studies Visual Arts - John Paul College

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Year 11 General Studies Visual ArtsUNIT 1 ‘EXPERIENCES’ (13 weeks)2017 PROGRAMMEUNIT DESCRIPTION: Experiences is the theme studied throughout this unit. Studentsdevelop artworks based on their lives and personal experiences, observations of theirimmediate environment, events and/or special occasions. Students engage in broad andinnovative inquiry practices that conclude in a resolved body of work that reflects theirchosen area.While studying this unit students immerse themselves within the art world throughanalysis and investigation tasks. They analyse art using the frameworks, and considerthe context and place in which the work was created. Students in this unit focus onmodernism. Initial stages of art theory revolve around understanding traditional art andthe canons of modernism. They also study art using the conceptual framework (artist,artworks, audience, world), and further their knowledge of the role art plays in today’ssociety. Students select an appropriate modernist artist that influences their individualpractice to conduct a case study on.ASSESSMENT:The three types of assessments that occur in the unit are production (70%), analysis(15%) and investigation (15%).When making art students need to demonstrate their ability in the following areas;inquiry, visual language, visual influence, art forms media and techniques, art practice,presentation and reflection.When interpreting art students need to demonstrate their ability in the following areas:visual analysis, personal response, meaning and purpose and understanding of social,cultural and historical contexts.C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\ASSESSMENT POLICY:The assessment policy for Visual Arts is in accordance with the whole-schoolassessment policy utilised at John Paul College. Refer to pages 23-24 of the JohnPaul College Diary.MATERIALS:Cambridge Senior Visual Arts Stage 6A3 3-ring PVC FolioA3 plastic sleeves1 x 2b pencilHigh quality coloured pencils2 x black fine line pens** UNIT WEEK refers to the week within the Unit which is run over a 13week time frame, it does not refer to the actual school week.

AssessmentTaskWeightingAssessmentType2017 ASSESSMENT OUTLINE UNIT 1Visual Arts –Year 11 General Studies Unit 1 – ‘EXPERIENCES’DUEDATEAssessment TaskTASK 1a) Exploration ProposalPRODUCTION20%TASK 1b) Visual DiaryANALYSISCONTENTArt Making Visual InquiryVisual LanguageVisual InfluenceArt forms, media and techniques.TASK 1c) Artist Statement50%INVESTIGATIONWRITTEN - Art InterpretationPRACTICAL - Art MakingTASK 1Visual Inquiry & InvestigationsReview of body of work and documentation of visual inquiry thinking and workingpractices for the production of TASK 2 the production of your final studio piece.UNITWEEK15%15%TASK 2Studio PieceProduction of resolved artwork and reflectionTASK 3Critical AnalysisUse a critical analysis framework to analyse artwork.Describe artwork (Australian Artist) using specific arts language and terminology.Your analysis skills will be assessed in class under examination conditions.TASK 3Written Case StudyResearch the media, techniques, and styles used by a Modernist artist. Use yourinvestigation and case studies to inform the development of your own studio work.C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\Art Making Visual LanguageVisual InfluenceArt forms, media and techniquesArt practicePresentationReflectionArt Interpretation Visual Analysis Personal Response Visual LanguageArt Interpretation Visual analysis Visual Language Meaning and purpose Social, Cultural and historicalcontexts

2017 UNIT 1 YEAR 11 GENERAL STUDIES VISUAL ARTSASSESSMENTSPRACTICAL ART MAKINGWRITTEN ART INTERPRETATIONPRODUCTION: Resolved Artwork - ‘Experiences’ANALYSIS – VISUAL ANALYSISThe production is comprised of four components: exploration proposal, inquiry (visualdiary), resolved artwork/s, and artist statement.Using the critical analysis frameworks students will analyse an unknown artwork.Students need to demonstrate their ability effectively communicate their interpretation ofan artwork utilising visual language. Students should offer both subjective and objectivereadings and consistently refer to components of the artwork to support their responses. Exploration ProposalThe exploration proposal articulates the student’s individual approach to the theme ofthe unit – ‘experiences’. The resolved artwork/s for this unit must reflect the concept ofappropriating a well-known art piece to reflect today’s society. The proposal needs togive details of the original artwork from the conceptual frames, as well as initial ideasand approaches to the piece. Inquiry (Visual Diary)Complete a series of investigative drawings varying from still life, portraiture, gestural,etc. Both decorative and plastic space should be explored (2D and 3D drawing).Document your thinking process (annotation) and material explorations (art practice) inyour visual diary. Resolved artwork/sUsing a range of media construct a resolved piece of artwork that responds to the theme‘Experiences’. Careful consideration of the construction of the composition should betaken when making the work. Your piece must express your individual interpretation ofthe theme through use of visual language. Artist StatementWrite approximately a 300 word paragraph that summarises your work. Your statementshould explain the development of your ideas as well as the main messages andmeanings that you are attempting to communicate within your work. Include descriptionsand reasons for choices of materials, techniques and processes used. Your statementshould also include influences and inspirations, in particular other artists.C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\INVESTIGATION - CASE STUDYStudents are to select an artist that influences their production work directly. Conducttheir own research and develop a report that looks at the artist’s significance and artisticpractice. Analyse the artist using the conceptual framework.

General Studies Visual Arts Unit 1 PROGRAMME 2017Week1.11.31.41.5Learning Programme – 1 Semester (13 weeks)AssessmentTeacher CheckpointsNEW STUDENTS DAY (ALL STUDENTS COMMENCE ON TUESDAY)INTRODUCTION TO Year 11 General Studies Visual Arts Course Overview of Visual Arts Year 11 General Studies Unit 1 Unit Content Responsibilities, goal setting, independent work and resources management.Assessment Tasks Production, Critical Analysis and Investigation:Resolved artwork (accompanied with Exploration Proposal, Visual Diary and Artist Statement).Critical Analysis.Case Study. Expectations and requirements. Due dates and whole-school assessment policy.Exploration ProposalsRESOLVED ARTWORK 1 – APPROPRIATING THE PASTHandout and read through the task sheet for the first production task.Use the ‘Appropriation’ PowerPoint to demonstrate how to approach the task and what appropriation is. Useartists such as Dran and Ron English to exemplify the notion of appropriating a work. Explain to students that theywill be looking at modernism and articulate its importance to art today.Students must then begin their exploration proposal – begin by doing a brainstorm based around the conceptualframework.WHAT IS ART?Explain to students why the study of art is important to society, and its significance in understanding history. Gothrough ‘What is Art?’ PowerPoint with students and get them to consider their definition of art. Complete a fewsmall image analysis included in the PowerPoint. This should give a good introduction to visual language and itsrole when interpreting artworks.Textbook – ‘Need to Know’ (Chapter 1), read through ‘why study art?’ on page 1 with students.Exploration Proposals dueINTRODUCTION TO THE FRAMEWORKSUse the ‘Frames 1 – an introduction’ (chapter 4) in the textbook to introduce the notion of using the frames toC:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\ Ensure students haveat home access toimportant documents iTunes U, Schoology,handbook? Introduction to thevisual diary andtextbook. Organise studentfolders and areas inthe classroom. Exemplary explorationproposals Resolved artwork task ‘What is Art?’PowerPoint.HW: explorationproposal. Have examples ofcover pages forstudents to observe.EXPLORATIONPROPOSAL DUETASK 1A Four FramesIntroduce all tasks forunit and requirementsHandout productiontask sheet for‘Experiences’ artworkHW: explorationproposal.

2.12.22.22.3RESEARCHING FAMOUS ARTWORKSStudents research and find a famous artwork of choice to appropriate to today’s concept. Read through the tasksheet before allowing students to begin their research.Read through Case Study task sheetEnsure that students know that the artist of the artwork that they choose will become their case study artist.GESTURAL DRAWING – STILL LIFEDemonstrate to students the idea of gestural drawing to move them away from being ‘precious’ when beginning adrawing. Use still life objects to create a scene for the students to draw.GESTURAL DRAWING – MANNEQUINSDemonstrate to students the idea of gestural drawing to move them away from being ‘precious’ when beginning adrawing. Use still life objects to create a scene for the students to draw.ARTWORK RESEARCH (Laptops or Library needed)Begin the class by reading through selected parts of chapter 7 – ‘Resolution 1 – Conveying Ideas and Concepts’.Students are to research an issue dealt with in society today and begin considering how they will reflect this intheir artwork compositionally. They are to research the issue and find additional influential artists to assist themin forming a successful composition. Students are then to present their research in their visual diaries.2.42.5TRANSCRIPTIONStudents are to draw an A3 transcription of their chosen artwork and annotate the visual language used withinthe piece. A colour image of the piece should also be included in their visual diary.3.1STUDENT FEEDBACKHAND BACK STUDENTS TRANSCRIPTS WITH FEEDBACK3.33.4INTRODUCTION TO THE ELEMENTS AND PRINCIPLES OF ARTPowerPoint that demonstrates the elements and principles of art and design. Get students to complete worksheetwhile discussion of presentation is occurring.ELEMENTS OF ARTElements of Art worksheet:Line - vertical (strength/power), diagonal (movement/tension), horizontal (peace/tranquillity), contour lines(outline), implied lines (using positive and negative space), hatching, etc. Value: high/low key, creates depth by shading (doesn’t necessary need line), understanding of light (hittingobjects, soft/hard light, mood/atmosphere), etc. Colour: colour wheel/spectrum (primary, secondary and tertiary), complimentary colours, analogues,monochromatic, hue, value (white – tint, black – shade), intensity (saturation), etc.Texture: created through utilising other elements. 4 types: actual (real), simulated (illusion/realism), abstract(simplified), invented (made-up), soft/rough/etc.C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\Handout Case StudyHW: Case Study List of famousartworksHW: Case Study Still life objectsHW: Case Study Drawing mannequinsHW: students to furthertheir research at homeHW: Case Study Select parts ofchapter 7 to discuss.Book laptops/library.Check transcriptionsand annotationsHW: Students reviewfeedback /make finalchanges to their designsHW: Case Study Tick students whohave completed theirproposal.Have feedback sheetsready for students tofill in.

3.44.1ELEMENTS OF ART (CONTINUED) and PRINCIPLES OF DESIGNSpace and Perspective: decorative (intentionally flat) and plastic space (three dimensional drawing/sculpture), understandingof horizon line, 1/2/3 point perspective, line (weighting – light behind, bold/heavy – in front), shape (overlapping), colour (warmcolours ascend, cool colours descend), texture (illusion to overlap, more texture at front), value (lighter/darker to create depth),oblique/isometric projection, etc.Principles of Design Worksheet:Balance: ‘visually equal’ through opposing colours, size, similar volumes etc explain the ‘golden mean’, formal/informal,symmetrical/asymmetrical, etc.Emphasis: placement, contrast, size to create a focal point. Where do the eyes move throughout the piece?Rhythm: repetition of pattern to create an illusion of movement.Unity/harmony: one coherent work of art achieved through the use of compatible colours, one texture, etc Movement: how is the viewer’s eye led through the work?Variety: differences, contrasts, etc Proportion: in proportion to something else, golden section/divine proportion (ratio 1:1.618), etc.ELEMENTS AND PRINCIPLES QUIZGet students to complete the quiz under test conditions, whilst it is not going to their grade it will reflect where they need toimprove their understanding.PRACTICE IMAGE ANALYSISAs a class breakdown an artwork that utilises multiple element and principles. Get students to practice writing a structuredanalysis on the artwork. If time analyse both a two and three dimensional piece.4.3PRACTICE IMAGE ANALYSISStudents are to write a short response to 3 different artworks. Be sure to include artworks from different eras,and both two and three dimensional works.4.4ASSESSMENT: IN-CLASS IMAGE ANALYSIS4.5PLANNING: CONCEPT DEVELOPMENT AND INQUIRYStudents are to work independently and further develop their swatches. For example, if they are including a figurethey must practice their figurative drawing and find the figure that they want to include, practice facial features,material explorations, and so on.The scale and medium of the work must be finalised by Friday’s lesson to ensure that an appropriate canvas isavailable.C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\HW: finish work not finishedin class. Elements worksheetEnsure students keepboth their elements andprinciples worksheet intheir visual diaries. Write the elements andprinciples quiz (add afew questions thatcorrespond tomodernism). Add further works theimage analysis eBook. Give students arevision sheet Mark Image Analysis Remind students ofchapter 7 in diary toassist in conceptdevelopmentHW: case studyHW: Visual languagerevisionCase StudyTASK 3IMAGE ANALYSISHW: finalisingcomposition.Scale & medium mustbe finalisedCase Study

5.35.45.566.2PLANNING: CONCEPT DEVELOPMENT AND INQUIRYStudents are to work independently and further develop their swatches. For example, if they are including a figurethey must practice their figurative drawing and find the figure that they want to include, practice facial features,material explorations, and so on.The scale and medium of the work must be finalised by Friday’s lesson to ensure that an appropriate canvas isavailable.Handback Critical Analysis assessmentsJPC SWIMMING CARNIVALPLANNING: CONCEPT DEVELOPMENT AND INQUIRYStudents are to work independently and further develop their swatches. For example, if they are including a figurethey must practice their figurative drawing and find the figure that they want to include, practice facial features,material explorations, and so on.The scale and medium of the work must be finalised by Friday’s lesson to ensure that an appropriate canvas isavailable.LABOR DAYMATERIAL EXPLORATIONStudents explore possible mediums to complete their resolved work in. They choose parts of their final chosencomposition to explore and master their medium before starting their resolved work. Ensure students areselecting small sections of their work to explore.HW: finalisingcomposition.Scale & medium mustbe finalisedCase StudyHW: finalising composition.Scale & medium must befinalisedRemind students ofchapter 7 in diary toassist in conceptdevelopment Remind studentsof chapter 7 indiary to assist inconceptdevelopment Materialtechniquedemonstrationsand techniques Student feedbacksheets Traditional/classicArt PowerPointAccompanyingworksheetCase Study Due: WK6HW: finalising composition.Case Study6.3CLASS REFLECTION/FEEDBACK ARTWORK 1Students are to share their swatches and give feedback or ideas to each other (teacher directed).Case Study6.4TRADITIONAL/CLASSIC ARTStudents to complete worksheet whilst PowerPoint is explored. In-class discussions about qualities of themovement must be had, as well as small image analysis’ to analyse the movement’s characteristics.HW: students to includeaspects of the movement intheir VD.Case Study DueCASE STUDY DUETASK 46.5Art Production: Studio Practice (1 lessons)Students working on their individual studio practice7.1Art Production: Studio Practice (2 lessons)Students working on their individual studio practiceHW: students to includeaspects of the movement intheir VD.HW: students to includeaspects of the movement intheir VD.C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\ Documentation(photographs ofstudent work) Documentation(photographs ofstudent work)

7.37.4REALISM AND IMPRESSIONISMStudents to complete worksheet whilst PowerPoint is explored. In-class discussions about qualities of themovement must be had, as well as small image analysis’ to analyse the movement’s characteristics.Visual Diary dueHW: students to includeaspects of the movement intheir VD.TASK 1BVisual Diary Due Realism andImpressionismPowerPointAccompanyingworksheet Art Production: Studio Practice (1 lessons)Students working on their individual studio practice 7.5Documentation(photographs ofstudent work)Art Production: Studio Practice (3 lessons)Students working on their individual studio practice 8.1Documentation(photographs ofstudent work) 48.59.19.29.510.110.5POST IMPRESSIONISMStudents to complete worksheet whilst PowerPoint is explored. In-class discussions about qualities of themovement must be had, as well as small image analysis’ to analyse the movement’s characteristics.GOOD FRIDAYEASTER MONDAYCEO HOLIDAYArt Production: Studio Practice Students working on their individual studio practiceHW: students to includeaspects of the movement intheir VD. Documentation(photographs ofstudent work)MID PRODUCTION FEEDBACKOn the last day of term teacher is to provide students with an approximate mark and feedback regarding the progression of their work so far. Ensure to allocate time tosit and explain strengths and weaknesses of each individuals work.END OF TERM 1C:\Users\neetha\Desktop\2017 Programs\The Arts\Visual Art\General 11\JPC YR 11 GEN ART PROGRAME .docx\

11.111.211.311.411.512.212.312.112.412.51313.413.5 PUPIL FREE DAYANZAC DAYArt Production: Studio PracticeStudents working on their individual studio practiceFAUVISM AND EXPRESSIONISMStudents to complete worksheet whilst PowerPoint is explored. In-class discussions about qualities of themovement must be had, as well as small image analysis’ to analyse the movement’s characteristics. HW: students to includeaspects of the movementin their VD.Art Production: Studio PracticeStudents working on their individual studio practiceCUBISM, FUTURISM and DADAISMStudents to complete worksheet whilst PowerPoint is explored. In-class discussions about qualities of themovement must be had, as well as small image analysis’ to analyse the movement’s characteristics.Art Production: Studio Practice (3 lessons)Students working on their individual studio practiceWRITING AN ARTIST STATEMENT (laptops)Provide examples of artist statements and demonstrate the way an artist statement can be structured. Explainthat artist statements are short and are a personal articulation of the work from the artists point of view. Givestudents a template that will assist in them writing their artist statement. Ensure students are aware of the wordlimit.RESOLVED ARTWORKResolved artwork must be complete and finalised,JPC CROSS COUNTRYWRITING AN ARTIST STATEMENT (laptops)Provide exa

INTRODUCTION TO Year 11 General Studies Visual Arts Course Overview of Visual Arts Year 11 General Studies Unit 1 Unit Content Responsibilities, goal setting, independent work and resources management. Assessment Tasks important documents Production, Critical Analysis and Investigation: - Resolved artwork (accompanied with Exploration Proposal .

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