“highways And Byways” The 2007 Great Romantics Festival

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Founded in 1964Volume 23, Issue 2, Summer/Fall 2007An oFFIcIAl publIcAtIon oF the AmerIcAn lISzt SocIety, Inc.“highways and byways”the 2007 Great romantics Festivalthree days packed with performances, lectures . and fun!tAble oF contentS1“highways and byways”:the 2007 Great romantics Festival3president’s Announcement3letter From the editor5chapter news5member news7“Liszt and the MortalityEnmeshed in His Music”7A thank you from William Wellborn7piano competitions Aroundthe Worldthe 13th annual Great romantics Festival will take place thursday,october 4 through Saturday, october 6, 2007 in hamilton, ontario, canada.Dr. Alan Walker once again hosts this marvelous event, which is presented by thecity of hamilton in association with the American liszt Society and mcmasteruniversity’s School of the Arts. this year’s Festival has as its theme “highways andbiways” and will feature piano and organ recitals, lieder recitals, chamber musicconcerts, and an orchestra concert interspersed with presentations, all topped offwith a fabulous reception. here is a daily schedule for the GrF. For further detailsand updates, go to www.artset.net/greatromantics.html.thurSDAy mornInG, october 4conVocAtIon hAll9:30am - openInG remArKS: Dr. Alan Walker10:00am - ross Alley: “In praise of Virtuosity”11:00am - pIAno recItAl: Gergely Szokolay“moonlight, Flowers and birds” - piano transcriptions of romantic Vocal musicSchubert-liszt: Ständchen (Serenade); trockne blumen (Dry Flowers);Sei mir gegrüsst (Greetings)Strauss-Gieseking: Ständchen (Serenade); heimkehr (homeward);Freundliches Vision (Friendly Vision); Schlechtes Wetter (Dreadful Weather)Glinka-balakirev: zhavoronok (the lark) 1840Alabieff-liszt: le rossignol (the nightingale) 1842rachmaninov: Daisies; lilacslunch breakPerpetuating the ideas of FranzLiszt through excellence in musicperformance and scholarship(continued on page 2)

preSIDentthomas mastroiannithe catholic university of AmericaSchool of musicWashington D.c. 200642007 Great Romantics FestivalpreSIDent emerItuSFernando laires(continued from page 1)VIce preSIDentJay hershbergerconcordia college music Departmentmoorhead, mn 56562chrISt’S church cAtheDrAlexecutIVe/memberShIpSecretAryJustin Kolb1136 hog mountain roadFleischmanns, ny 12430treASurernancy roldánpeabody conservatory Facultythe Johns hopkins university5617 Knell Avenuebaltimore, mD 21206AlS JournAlrene charnin muellerFaculty of Arts and Sciencenew york university24 Waverly place, room 268new york, ny 10003AlS neWSletteredward rathSchool of musicuniversity of Illinois1114 W. nevada Streeturbana, Il 61801boArD oF DIrectorSpaul barnesGila GoldsteinJay hershbergerGeraldine KeelingJustin Kolbelyse machthomas mastroiannirena charnin muelleredward rathnancy roldánrobert rouxhelen Smith-tarchalskiSteven SpoonerAlan WalkerWilliam Wellbornrichard zimdars2:00pm - orGAn recItAl: christopher teeuwsenreger: toccata in D minorbrahms: organ chorales - herzliebster Jesu (Ah, Dearest Jesus);es ist ein ros’ entsprungen (lo, a rose e’er blooming); o Welt, ich muss dichlassen (o World, I now must leave thee)Franck: cantabilereger: monologue; Introduction and passacaglia in F minor3:00pm - lIeDer recItAl: lita Klassen (soprano) and Allan behan (piano)mahler: lieder eines fahrenden Gesellen - Wenn mein Schatz hochzeit macht;Ging heut’ morgen übers Feld; Ich hab’ ein glühend messer;Die zwei blauen Augen von meinem Schatzhahn: A chloris; quand je fus pris au pavillon; trois jours de vendage;le printempsmussorgsky: nursery Songs - With nurse; In the corner; the beetle; lullaby to arag Doll; evening prayer; the hobby horse; the naughty cat4:00pm - receptIon in myler hall, hosted by the Dante Alighieri SocietyhAmIlton plAce8:00pm - hAmIlton phIlhArmonIc orcheStrA concert:horst Foerster (conductor) with Valerie tryon (piano)brahms: Variations on a theme of haydn, op. 56abeethoven: piano concerto no. 3 in c minor, op. 37Dvorak: Symphony no. 8 in G major, op. 88FrIDAy, october 5conVocAtIon hAll10:00 am - pIAno recItAl: lisa yuiFranck: prelude, Fugue and Variationsbeach: transcription of richard Strauss’ “Ständchen”, op. 17, no. 2.Gottschalk: Souvenirs de puerto ricochopin: Scherzo no. 2, in b flat minor, op. 3111:00am - Donald manildi: “preserving the past: the International piano Archivesat maryland.”www.americanlisztsociety.orglunch break(continued on page 4)

President’sAnnouncementthe theme of the 2008 Festival of theAmerican liszt Society will be “liszt,literature and painting.” the event willbe held in Washington, Dc may 30 - June1, 2008. the Festival will be hosted bythe catholic university of America,the national Gallery of Art, and otherinstitutions in the nation’s capitol.the choral Arts Society will be presentedby the national Gallery of Art in the finalconcert of the Festival. A large committeeof workers from the baltimore/Washingtonchapter is actively arranging the detailsthat will contribute to your enjoymentof this event. Further details will appearin the next Newsletter and on the website. I will serve as Festival directorand fund raiser. please contact me atmastroianni68@aol.com if you would likecontribute your talent or financial resourcesto the Festival. Washington is beautiful inmay, so do plan to be with us!American liszt SocietyLetter from the EditorEdward RathSoon, the Great romantics Festival will be upon us. read about the fascinating events that Dr.Alan Walker has planned for all in attendance. there’s a wealth of piano literature to be heard,some of which is seldom played any more. plus, lieder recitals, an organ recital by the fabulouscanadian organist, christopher teeuwsen, the beethoven third with Valerie tryon, chambermusic . . . the list goes on! Do try to be in hamilton in early october, and also start yourplans for the may-June meeting of AlS in Washington. As tom mastroianni points out, that’sa beautiful time in Washington, and the crowds of tourists haven’t become as large as they willlater in the summer.tons of thanks are due to bill Wellborn for organizing a fabulous festival at the new SanFrancisco conservatory this past spring. As I walked into the recital hall, I could understandhow excited bill and his colleagues must be to have such beautiful surroundings. they havebeen waiting many years for the new facility to become a reality, and I am sure it was worth thewait! unfortunately, as some of you know, a family matter required that I leave San Franciscoonly 18 hours after arriving, so I did not have the privilege and musical pleasure of hearing themany fine concerts and lectures - and to miss playing on the Gala concert and the champagnereception was indeed a loss for me. rest assured that life has a way of taking in stride thosesudden changes of plans that we all face here and there, and all is well!I was, however, able to attend the board of Directors meeting on Wednesday evening beforethe start of the Festival. there was spirited discussion on many topics. I raised a point forconsideration and, at the suggestion of the board, I would like to share it with you: Shouldwe phase out the printed Newsletter of AlS and go to an entirely web-based system ofcommunications via the Internet?there are definitely pros and cons to such a move. In terms of time, efficiency, and expense,eliminating the mailing of approximately 600 printed newsletters twice a year would be animprovement. Focusing on the website will allow the membership to have current news ofimportance at the press of a button - or perhaps a few more keystrokes might be necessary! Atthe same time, not all of our membership uses the Internet: some, like I, use it all the time aspart of our daily work responsibilities, but I know that others are reluctant to use web-basedservices, and that’s certainly oK. there may be some who do not even have a computer in theirhome or office, although I am confident that those numbers will be lower and lower as we endthe current decade.So, on the recommendation of those members of the board in attendance at the San Franciscomeeting, I would like to ask for your written opinions on this matter. It is my plan to collectyour responses, be they sent by e-mail or “snail mail,” informally tally them, and then reportback to you in the next printed version of the Newsletter, which will come out in about sixmonths - approximately January 15 - 20, 2008. It is my intention to include in the nextNewsletter salient and well-written comments that I receive so that you can have the opportunityto read for yourself what has been shared with me. next spring, when we have our board ofDirectors meeting in Washington, I will present the board with a collection of all commentsreceived, and perhaps we will make a decision as to keeping the printed version, or phasing it outover a short period of time, probably a year.preSIDentthomas mastroiannin e W S l e t t e r e D I to redward rath, Associate DirectorSchool of musicuniversity of Illinoisurbana, Il 61801tel: (217) 244-2670erath@uiuc.edufax: (217) 244-4585Submit change of address information to:e x e c u t I V e S e c r e tA ry / m e m b e r S h I pJustin Kolb1136 hog mountain roadFleischmanns, ny 12430mellon@catskill.netDesign: john@bonadiescreative.comThe ALS Newsletter is published twice annually, with a circulation of approximately 600 per issue.In the meantime, helen Smith tarchalski and I will be conferring on ways to make the websitemore useful and attractive. She has already suggested that perhaps one of the pictures of liszt asa young man in paris would be a nice alternative to the aged liszt now on our home page. AndI think purple is not the color of vibrancy, unless you are considering the merits of a fine glass ofcabernet, so we will be looking at some new color schemes as well.one thing that would be helpful, no matter which way we go on this, is for you to send menews items about yourself, especially as it pertains to liszt. If we have such informationreasonably in advance of an event like a concert, for example, we can put that information onthe website and help promote your performances or lectures, new books that you have writtenor are recommending to others, etc. you have my promise that our home page and other pages,including some new ones, will be up and running by around September 1.that’s about it for this issue. I am on my way to burgos and madrid Spain to supervise achamber music festival for three weeks, and then returning to the first site of my europeanodysseys: three days of relaxation in Glion, Switzerland overlooking the city of montreux andlake Geneva. of course my thoughts will be on book I of the Années de Pelèrinage, but I amalso looking forward to tasting Gruyère in the village by that name, and seeing if Stephan stillmakes those tasty strawberry tarts in his patisserie like he did in 1974 . . . or perhaps now theywill be made by his children. ¡Hasta luego! and a bientôt!An official publication of the American liszt Society, Inc. 2007 AlS, all rights reserved.Volume 23, Issue 2, Summer/Fall 20073

Great Romantics Festival(continued from page 2)SAturDAy, october 5centenAry unIteD church2:00pm - lIeDer recItAl: “robert and clara Schumann”Janet obermeyer (soprano), leslie De’Ath (piano)clara Schumann: Sechs lieder, op. 13 - Ich stand in dunklen träumen (heine);Sie liebten sich beide (heine); liebeszauber (Geibel); Der mond kommt stillgegangen (Geibel); Ich hab’ in deinem Auge (rückert);Die stille lotosblume (Geibel)robert Schumann: Frauenliebe und -leben (chamisso), op. 423:00pm - recItAl: Jose cueto (violin), nancy roldán (piano)beethoven: Sonata in F major (“Spring”), op. 24Grieg: Sonata in c minor, p. 45conVocAtIon hAll8:00pm - pIAno recItAl: eric zuber1st prize Winner: hilton head International piano competition, 2007Schubert: Sonata in A major, D. 664liszt: three transcendental Studies (1851) - no. 10 in F minor;no. 3 in F major (paysage); and no. 5 in b flat major (Feux-follets)liszt: Vallée d’obermann (from the years of pilgrimage, book I, “Switzerland”)Schumann: Scenes of childhoodtchaikowsky/pletnev: concert Suite from the nutcracker, op. 72a10:00pm - reception in Student centre, hosted by mcmaster universitypresident Dr. peter George7:30 WebSter roomhAmIlton conVentIon centreGreAt romAntIcS FeStIVAlcAnDlelIGht bAnquetSee website for menu:www.artset.net/greatromantics.htmlmake your reservations now to be amongthe many lucky persons attending wonderfulconcerts and presentations, while sharingideas about music and the arts. here are twoconference hotels recommended by Dr. Walker:Sheraton hamilton hotel116 King St. W.hamilton, on l8p 4V3room rate:Single/double occupancy - 139.00reservations: plaza hotel hamilton(formerly the ramada plaza hotel)150 King St. e.hamilton, on l8n 1b2room rate:Single/double occupancy - 96.00phone: 905-528-3451www.plazahamilton.comSAturDAy, october 6centenAry unIteD church10:00am - mike Spring: “too many piano concertos: An Introduction to thehyperion record series, by the man who put it together.”11:00am - recItAl: coenraad bloemendaal (‘cello), Valerie tryon (piano)popper: Suite for cello and piano (“Im Walde”)Saint-Saëns: cello Sonata no. 2 in F majorlunch breakcentenAry unIteD church2:00pm - ross Alley: “chopin, the poet of the piano”2:45pm - pIAno GAlA: “homage to chopin”William Aide: nocturne in D flat major; ballade no. 4 in F minorJay hershberger: polonaise Fantasie; Scherzo no. 1 in b minorberenika zakrzewski: Fantasie in F minor, op. 49; Andante Spianato andGrande polonaiseAlexandre Dossin: ballade no 1 in G minor; polonaise in A flat major4American Liszt SocietyNEXT ISSUEthe deadline for all materials to beincluded in the next issue of theAmerican liszt Society newsletter isSaturday, December 15, 2007. Allphotos should be e-mailed as attached.jpeg files or sent via regular mail asblack and white photos - no colorphotos, please. photographic materialsshould be addressed to edward rath,School of music, university of Illinois,1114 West nevada Street, urbana,Il 61801. please send articles ornews items only by e-mail text orattachment to edward rath, editor,at erath@uiuc.edu. be sure to includeAlS newsletter in the subject line.typed, word-processed hardcopy, andphotocopied materials will not beaccepted - only electronic versions areacceptable. thank you.

Chapter NewsBaltimore-Washington Chapter(Nancy Roldán, president,nancyroldan@comcast.net)the 2007 AlS-b/W William GarrisonFestival and piano competition will beheld September 14 - 16, 2007 at thecollege of notre Dame of marylandin baltimore. the deadline for allcompetitor applications is may 25,2007. Detailed information (includingfurther contact info) can be found at thecompetition’s website,www.garrisonpianocompetition.org, or bywriting to:the American liszt Society/baltimore-Washington chapterGarrison Festival/piano competitionp.o. box 26288baltimore, mD 21210New York/New Jersey Chapter(Gila Goldstein, Founder-president;David Whitten, Vice-president)the AlS ny/nJ chapter hosted itsannual spring concert at montclair Stateuniversity’s cali School of music in nJon thursday, may 10, 2007. pianistArtis Wodehouse (www.artiswodehouse.com ) performed rare pieces by liszt onboth the piano and harmonium. (Sheowns an 1875 trayser harmonium).the program included “ungarns Gott”;Hungarian Rhapsody No. 18; Nuages Gris;a world-premiere of a work by Americancomposer eva Wiener - Prelude, Fugueand Variations on “Nuages Gris”; theWagner/liszt “pilgrims’ chorus” fromTannhäuser; and the Via Crucis, withchoir and performed on the harmonium(except for the last movement, which wasperformed on the piano). It wasa very interesting version consideringthe harmonium sound, and with a smallchoir, the performance created anintimate atmosphere permeated bysadness. the concert was unique for ouraudience, greatly performed by Artis andappreciated by the audience members.the chapter’s next concert will be innew york on thursday november 15 at7:30pm in the piano Salon at yamahaArtist Services, 689 Fifth Avenue(northeast corner of 54 Street), newyork city. Featured artist will be pianistSandro russo in recital. For furtherinformation contact Gila Goldstein atgilagoldstein@aol.comMember NewsErnest Ragogini was the featured artistin the February 2007 issue of clavierand the photo subject of that issue’scover. the interview dealt with hiscareer and his lifelong “unwelcomedpartner,” arthritis. During thisextended period, he continued an activeteaching and performing career, playinghundreds of concerts in the unitedStates, canada, europe, and north andSouth America as soloist, collaborativemusician, and with orchestra. In spiteof surgery on his left hand in 2003,he resumed a full performing schedulewithin six months. this past February,surgery on his right hand again curtailedhis activities somewhat, but he wasback on stage briefly in may, and willreturn to full time performing againnext season. of his often debilitatingsituation he says, “I don’t consider it astruggle or a battle. It has less power byconsidering it an ‘annoyance’. regardlessof the stops along the way, music winsout. So do I.” you may contact him bywriting ernest ragogini, professor ofmusic, Director of music at cnDconcert Series, college of notre Dameof maryland, 4701 north charles Streetin baltimore, mD 21210. his phonenumber is 410-532-5386, and the e-mailaddress is eragogini@ndm.edu.the bel-etre ensemble - pedro pinyol(violin), mariusz Skula (cello), and AlSmember Madeleine Forte, (piano),will perform on Sunday, September 9at 4:00pm at harkness hall in Sudlerhall at yale university. their programincludes works by martinu, bloch, oppel,and rodrigo, along with a selection ofSouth American tangos for piano trio.madeleine was selected to be Acme(Artists, composers, musicologists, andeducators) honoree in the Spring issueof the triangle of mu phi epsilon.madeleine joined forces with Allen Forteand pedro pinyol as resident artists atthe university of north texas in April.Allen conducted classes on composersberg, Schoenberg, Webern, and coleporter, and on the subject of AdvancedSchenkerian Analysis. mme. Forteconducted a masterclass entitled “Debussyand Friends.” cuban-American violinistpedro pinyol joined her in a programof Jewish and lost composers (such asGermans oppel and Weisse) in postWorld War II world premieres.William Wright of Ayr, Scotlandwrites, “I am trying to track downthe manuscript of a ‘master Antoinerubinstein concerto, arranged byliszt.’ According to at least two sources,the work was performed in londonby the then eleven-year-old russianpianist/composer on 20 may 1842. Anyinformation that might lead me to theuncatalogued rubinstein/liszt autographwill be warmly welcomed.” pleasecontact William at williamgcwright@hotmail.com.(continued on next page)Volume 23, Issue 2, Summer/Fall 20075

Member NewsGila Goldstein writes that a friendbrought to Gila’s attention the name ofpianist ernst levy (1895-1981). “heseems to be practically unknown in thecurrent piano community!” born inbasel, he moved to paris in 1928, andthen moved to America in the mid30s. his piano teachers included raoulpugno and egon petri. levy was aprofessor at the university of chicagoand other schools, including brooklyncollege. he was also a composer,conductor (especially of choral works),and a musicologist. he wrote this bookwith his colleague from the university ofchicago, Austrian-American Siegmundlevarie, entitled Musical Morphology: ADiscourse and a Musical Dictionary (www.blacksquirrelbooks.com/si/56931.html).levy retired in 1966, moved back toSwitzerland and died there 1981.marston records has released threevolumes of his piano performances. Gilaconsiders levy to be “ . . . a true lisztian,and his liszt Sonata, in my humbleopinion, is the best ever. Just incredible!Also very important: he recorded missachoralis in paris in 1935 on polydor,the first-ever recording of a liszt sacredchoral work. I have yet to find out ifthis recording is available or will be inthe future on cD. As well, he premieredchristus in paris in the early 30s!” theliner notes on his cD are written byAlS member Frank cooper. Donaldmanildi, Director of the Internationalpiano Archives and a presenter at theGreat romantics Festival this comingoctober, was the producer of the threediscs. For more information, go to www.marstonrecords.com/levy/levy liner.htm(liner notes), www.marstonrecords.com/levy/levy tracks.htm (volume 1),www.marstonrecords.com/levy2/levy2 tracks.htm (volume 2), and www.marstonrecords.com/levy3/levy3 tracks.htm (volume 3).6Reginald Gerig, former AlSmembership Secretary and professorof piano emeritus at Wheaton (Il)college, has had his “classic” 1974volume, Famous Pianists & TheirTechnique, published in a new, revisededition by Indiana university press,bloomington, in June 2007. Inthe original 20 chapters, the laws ofpianistic nature are explained in aninteresting and historical way that notonly instructs the reader, but tells agreat story about the 300 year history ofthe piano, its most notable performers,and their technique. the new materialcontains a Foreword by Alan Walker,10 appendices that serve as a studyguide to the book, and a supplementarybibliography that includes an annotatedlist of wellness resources. the text is inpaperback and totals 632 pages. Fora review of the new edition, see theAmerican music teacher (mtnA) forJune/July 2007Justin Kolb informs us that one of thefounders of the American liszt Society,Davis Charles Lee, passed ad astra onJuly 22, 2006. “bob,” as he was knownby friends, had not been a member ofAlS for many years. he studied witha student of martin Krause, becamea pianist and teacher, and consideredhimself a musicologist. A FulbrightScholar in poland and an Irex Scholar(liszt) in budapest, he earned a ph.D.in musicology. his wife, an artist andteacher died in 1991. bob is survivedby an elderly brother and a niece.bob’s partner for the past almost threeyears and a friend of forty-five years,ms. edna natkin, is the executrix ofthe estate. (ms. natkin is a formerclassmate of AlS president thomasmastroianni.) the estate does containsome liszt memorabilia, including anAmerican Liszt Society1886 Steinway “b.” the piano needsabout 20,000 worth of rebuilding.there are also more than 2000books that are being donated tolocal community libraries, schools,etc. Some of what edna describedas “world class” late lisztiana andrelated materials are also part of theestate, although no inventory as suchis available. Interested parties mayspeak with edna, as items are availablefor purchase. phone 206-329-5568,or write her at 1219 e. newtonStreet, Seattle, WA 98102-4103. Sheis very pleasant and is under the gunto finish “ packing off “ the estateand liquidating it. If anyone in theAlS membership knows more aboutDr. lee, please contact edward rath,editor of the AlS Newsletter.Ian Hobson, Swanlund professor ofpiano at the university of Illinois andconductor of Sinfonia da camera,recently completed his 2-cD set ofthe complete works for piano andorchestra by Sergei rachmaninov withthe Sinfonia Varsovia of Warsaw - asboth pianist and conductor! (zephyrlabel, scheduled for release July 17.)Ian is certainly no stranger torachmaninov, having already recordedmany of the great pianist-composer’sworks, including the preludes, etudestableaux, early works, and thecomplete transcriptions. Ian recentlyled Sinfonia da camera in concerts inpeking, beijing, and Shanghai. he isagain a member of the artist faculty atthe Amalfi Festival, along with manyAlS members.Want to see your name and activities in thiscolumn next issue? It’s easy: send edwardrath your news stories by the December 15deadline, and he will do his best to includeyour information for all to read! electronicversions only: erath@uiuc.edu. Watch for yourname and news next time!

Liszt and the MortalityEnmeshed in His Musicby Mark S. PorterIn his mid-teens, in the 1820s, Franz liszt was hailed as one of the preeminentpianists in europe. In the mid-19th century, liszt created the “tone poem,” aninnovative musical structure that proved unpopular with many of his audiences. bythe 1870s, and before he died in 1886, liszt had become disenchanted by the lackof popular acceptance of his later musical compositions.About 120 years after his death, many liszt fans now cherish his later works.According to the [new york/new Jersey chapter of the] American liszt Society,it will present its annual new Jersey concert next thursday, may 10, in the caliSchool of music at montclair State university. Artis Wodehouse will perform theconcert of several liszt compositions on piano and harmonium.“I’m trying to show some aspects of the late liszt,” Wodehouse told the times.“there’s something about the music that’s almost painful. he’s dealing with hisown mortality. “he’s following his solitary pathways into the future.”Wodehouse, the music director of the unitarian church of montclair, will beaccompanied by the church choir on liszt’s “Via crucis.” “I found this group to bepretty amazing in their commitment to projects,” she said of the unitarian churchof montclair choir. “We in the choir are relishing our experience,” said Juliancaplan, a longtime bass in the choir. “She brings out the best in us because she setssuch a high standard.”Wodehouse is an acclaimed pianist known for her jazz deliveries. citing herperformances of Jelly roll morton, Duke ellington and George Gershwincompositions, caplan enthusiastically pronounced: “She did jazz and it wasmagnificent.”She will perform some liszt compositions on a harmonium, which is a keyboardinstrument similar to a pipe organ in producing sounds by pushing air overvibrating brass reeds. the mSu concert was postponed from march due to repairsbeing made to her trayser harmonium, which suffered cracks when exposed to cold,dry air this past winter. “We’ve repaired all these cracks,” Wodehouse said. “It’sbeen brought back.”(this article originally appeared in the Wednesday, may 2, 2007 edition ofThe Montclair Times. reprinted by permission of The Montclair Times)(editor’s note: a fascinating article by Wayne t. moore dealing with “liszt’s monsterInstrument: the piano-harmonium” may be found in the August 1970 edition of TheDiapason. this source was brought to our attention by randolph herr, Artis Wodehouse’sharmonium technician, via Gila Goldstein.)Volume 23, Issue 2, Summer/Fall 2007A thank youfromWilliam WellbornI want to extend my sincerest thanksto all who made the liszt Festival inSan Francisco such a success. thereare simply too many people to thankindividually in this venue, but I hope tohave expressed my gratitude in writingor verbally to all the performers andpresenters, and the behinds-the-scenesstaffers in the intervening three months.We had 131 people preregister, butthere were many more walkups andpeople who attended the individualconcerts. I am still getting commentsfrom people who attended and whoexpressed their enthusiasm with theprogram and the overall high levelof musicianship and scholarship. Iwish you the very best for a wonderfulsummer. For me, I am off to “lisztland,” again teaching at the Franz lisztSummer piano Academy and Festival inSopron, hungary.piano competitionsAround the WorldIf you are interested in finding our moreinformation about the many pianocompetitions that exist throughout theworld, the Internet is arguably your bestresource! using your favorite searchengine(s), simply type in the wordspiano competition and hit enter. Wantto focus on a particular country? Justadd that country after the words listedabove! you might get news about pastcompetitions, but chances are you willget plenty of materials for you and yourstudents. Give it a try!!!7

1136 hog mountain roadFleischmanns, ny 12430r e t u r n S e rV I c e r e q u e S t e DprSrt. StD.u.S. postagepAIDchampaign, Ilpermit no. 540

Glinka-balakirev: zhavoronok (the lark) 1840 Alabieff-liszt: le rossignol (the nightingale) 1842 rachmaninov: Daisies; lilacs lunch break “highways and byways” the 2007 Great romantics Festival 1 “highways and byways”: the 2007 Great romantics Festival 3 president’s Announcem

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Lean Support to Highways England 2015 2020 2 Foreword Highways England has three imperatives: . We use Lean policy deployment to develop specific plans with each of our internal customers, . Tool (HALMAT) which was based on industry standard models. The launch of Highways England and the growth challenges presented during Road Period 1

tulang dan untuk menilai efektivitas hasil pengobatan. Hasil pemeriksaan osteocalcin cukup akurat dan stabil dalam menilai proses pembentukan tulang. Metode pemeriksaan osteocalcin adalah enzyme-linked immunosorbent assay (ELISA). Nilai normalnya adalah: 10,1 9,4 ng/ml.8 Setelah disintesis, OC dilepaskan ke sirkulasi dan memiliki waktu paruh pendek hanya 5 menit setelah itu dibersihkan oleh .