Volume 15 Number 4 Dvpaperweights September 2008

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PresidentSTANLEY B. KRUGER5 Johnson LaneVoorhees, NJ 08043(856) 751-7720stanleyk2@comcast.netVice PresidentANDREW SCOTT26 Villa DriveAmbler, PA 19002(215) 540-0510andrew2145@msn.comSecretaryMARTIN MIKELBERG24315 Ann's Choice WayWarminster, PA 18974(215) 675-1639Volume 15 Number 4TreasurerDON FORMIGLI455 Stonybrook DriveLevittown, PA 19055(215) 945-5253www.dvpaperweights.orgSeptember 2008two pairs of jeans or many, many gallons ofgasoline.I then asked myself certainquestions: Did I want to buy paperweights?Answer: “Yes, yes, emphatically yes”. Did Iwant to continue to be a victim of people whodidn’t know what they were selling? Answer:“No. no. no!” What should I do about thissituation?Answer: “Simple; learn aboutpaperweights.” However in 1972 this waseasier said than done. I didn’t know anyonewho collected paperweights. The onlypaperweights I had ever seen were in a displaytable at The Art Institute in Chicago, which Ilooked at a lot in the 1940s. In fact myinsistence on visiting these paperweights everytime I was at the Art Institute was responsiblefor my being given the paperweight in 1970.Guide for the Novice PaperweightCollectorby Zoralyn StahlMy addiction I refer to my passion forcollecting paperweights.began in 1970 whena friend gave me a very old paperweight. Myfirst paperweight purchase was a very old (asdescribed by the seller) paperweight whichsold for 21. Shortly thereafter I went to a localhouse wares gift show where this very oldpaperweight appeared in several displays, allof which had an oval “Made in China” paperlabel on the base and a 3.99 price tag. WhenI attempted to get my money back from theperson who had sold me the very old weight,she told me that she didn’t know anythingabout paperweights and she wouldn’t refundmy money. At that time, 21 was a notinconsiderable sum and would have bought meFortunately for me and my wallet, one of mymother’s cousins worked for HobbiesMagazine. When I showed her my twoMy first Paul Ysart weight, May 1972.My first antique weight, a Clichy purchased November 1971.1

paperweights, she gave me a copy of the latestissue of the magazine and a free ticket to anantique show sponsored by the magazine. Ispent two wonderful days at the show, meetingand talking with paperweight dealers, holdingand looking at genuine antique French andAmerican paperweights and purchased twobooks about antique paperweights. I alsobought two paperweights, a Baccarat scrambleand a Perthshire, learned about the existenceof the Paperweight Collectors Association,found out that my first gift weight was anantique New England Glass Companyscramble worth (then) 35 and joined thePaperweight Collectors Association for exactly 0 as membership was free in 1972.laptop didn't have a Windows program) and Iquickly found the World Wide Web, the Internetand, Glory Be!, eBay!There they were,hundreds and hundreds of paperweights, rightbefore my eyes, in full color, all thepaperweights I could want to see while sittingin an easy chair in my own home. No morechasing around trying to find antique shopsthat were open at hours convenient to me orwaiting for antique shows to arrive. I alsodiscovered that the sellers on eBay were andare similar to the sellers I encountered when Ifirst started buying paperweights. There werelots and lots of Murano, Chinese, Ohio andIndiana paperweights, from sellers who thoughtthey were all worth thousands of dollars.In 1972, I was self-employed with very limitedfunds to support my habit. I had decided that Iwanted to collect antique paperweights. I sentpostcards to the paperweight dealersadvertising in Hobbies Magazine stating that Iwas a beginning collector and that I couldspend up to 300 for an antique Frenchpaperweight.This guide is for beginning, that is, novice,paperweight collector(s), those who want tolearn about the paperweights being offered forthem to buy. There is much more informationavailable to you today than there was for mewhen I began, and for that you should begrateful. There are reference books galore andpeople willing and able to help you, many ofthem on eBay. In just 13 years eBay beganin September 1995 eBay has changed theentire business of buying and selling antiquesand collectibles but that is another story. Hereis my Guide for the Novice PaperweightCollector. I pray this makes your paperweightcollecting odyssey easier, more pleasurableand eventually more rewarding.Thirty-six years later paperweight collectingcontinues to be my primary addiction. In thebeginning finding antique paperweightsinvolved attending antique shows, scroungingthrough flea markets, browsing through antiqueshops and meeting up with dealers who mighthave weights for sale. All this took time, energyIn 2001 I acquired a new computer (my old1972 Perthshire, acquired in 1972.Baccarat with a "Clichy" rose.2

1) BUY WHAT YOU LIKE! DON’T BUYWHAT YOU DON’T LIKE! In other words,buy what “sings” to you. Remember, whenconsidering the things that appeal to you,you only regret the things you don’t buy!Company, Union Glass Company, Mt.Washington (Pairpoint) and some Whitefriars,Millville, Bohemian, Italian, Russian. The vastmajority of these WERE NOT SIGNEDAND/OR DATED. Be wary about diamond pensignatures; this tool was not available in theperiod 1840-1920's.2) FOLLOW THE CARDINAL RULE OF“BUYER BEWARE!”Don’t believeanything a seller tells you. Sellers want tosell. If you make a mistake, you pay for it,plus shipping, handling, and insurance.Vintage paperweight – Weights made morethan 35 years ago. Thus the Perthshire Ipurchased in 1972 can now be described as a“Vintage Perthshire paperweight”.EXAMPLES FROM RECENT EBAY LISTINGS:“Antique French Baccarat Pansy Paperweight”,which was really a 1930s Chinese copy of aSandwich poinsettia; “Millefiori BaccaratOverlay Paperweight Signed” which was reallya 1970s Murano concentric with a fake acidetched Baccarat logo; “Baccarat flower”,another Chinese copy. Beware the terms“rare”, “beautiful”, “gorgeous”; "must be oldbecause of wear on the bottom", "colorful".these are the seller’s unknowledgeableopinions. Only you, the buyer, can determinerarity, beauty and pertinence to a particularcollection. My personal opinion --- most of thesellers pictures of their offerings make itextremely difficult to recognize a "winner".For simplicity paperweights made after 1970 byBaccarat and St. Louis (Clichy's factory burneddown in the 1850's) usually are signed anddated. This applies also to paperweights madeby Charles Kaziun, Paul Stankard, limitededition Perthshires, Ray and Bob Banford, RickAyotte, et al, and early Paul Ysart weights(1930's-1991). Therefore, this Guide is to helpyou sort out which paperweights are antiquesand which are merely vintage.I've learned that books about paperweights,with lots of pictures, are helpful. The firstdollars you spend are for books my firstpurchases were Paul Hollister's "TheEncyclopediaofGlassPaperweights"published in 1969 and Evelyn Campbell Cloak"Glass Paperweights of the Bergstrom ArtCenter" also published in 1969. Over the yearsI've added many, many more. The digitalDEFINITIONS:Antique paperweight – Weights created over100 years ago (by Baccarat, Clichy, St. Louis,Pantin, St, Mande, New England GlassCompany, Boston and Sandwich GlassContinued on page 8St. Louis mushroom with ring of roses.Paul Ysart signed mini-weight.3

members themselves. Danish, coffee/tea andfruit were made available for members duringthis Social Hour period.At 11 AM, President Stanley Kruger called themeeting to order, noting that Joan Parsley wasthe long-distance winner, having traveled fromWauwatosa, Wisconsin to attend. PresidentStan then quickly launched into his PowerPointpresentation, The American Flag in GlassPaperweights, some of which is quoted below:Review of Events16th Anniversary Celebration WeekendJuly 12 & 13, 2008Of all the patriotic icons available to U.S.citizens – Uncle Sam, the Liberty Bell, Old Abe,the American Bald Eagle, the Statue of Liberty,military and political heroes, etc. – theAmerican flag is the ultimate patriotic symboland has been in all its combinations andpermutations since the founding of this country232 years ago. From the moment in June1776 when Betsy Ross reported to theContinentalCongressinPhiladelphia,Pennsylvania that she had sewed the firstAmerican flag until the present day, the flaghas been an enduring symbol of the freedomswe enjoy in this country and has promptedimmigrants from all parts of the world toventure here. As an illustration of the flag’simpact on this society and, indeed, on theworld community, a recent poll of the 100 mostfamous and important war photographs of alltime, ranging from the American Civil War tothe war in Iraq, found that Joe Rosenthal’sFebruary 23, 1945 photograph Raising theDVPCA’s16thAnniversaryCelebrationWeekend began officially at 10 AM onSaturday, July 12, 2008 with a SummerMeeting at Williamson’s Restaurant inHorsham, PA, our usual venue. Thirty-six hadregistered but only 33 actually attended, insharp contrast to the 53 that had participated inDVPCA’s Summer Meeting the year before.Later, 29 of that number attended the GardenParty/Catered Cookout at the home of loyalmember Andrew Dohan in Wayne, PA, about15 miles from Williamson’s, which ran fromapproximately 4:30 to 9 PM.From 10 AM to 11 AM members perused thepaperweights that were brought by GuestDealer Roger Jacobsen, ably assisted by BenDrabeck.Also on view were members’displays of paperweight books and weights,some of the weights being made by theLooking over the paperweight display by Guest Dealers RogerJacobsen and Ben Drabeck, 7/12/08.Sandy and Marty Mikelberg and President Stan withRoger Jacobsen's weights, 7/12/08.4

Flag on Iwo Jima occupied the Number 1 slot,winning the Pulitzer Prize for photography thatyear, the only photograph to win that prize inthe same year as its publication. It is quitepossibly the most reproduced photograph of alltime.Stan then went on to explore six categories ofweights containing large representations of theAmerican flag: 1) Mid-West American flagweights; 2) Union Glass American flag weights;3) Toledo, Ohio (Libbey Glass) American flagweights; 4) Modern American flag weights; 5)Other American flag weights; and 6) Unknown(or test) American flag weights. He noted thatToledo, Ohio is in the American mid-West,defined by Gary McClanahan as extendingfrom the Ohio River to the Mississippi,bounded on the south by the Ohio River andon the north by Canada, but Stan hadseparated the two categories to allow for amore efficient showing. Some 94 weightscomprised the presentation, the most unusualof which was a 48 star Czech sulphide flagprobably dating from the 1920s or 1930s. Thisprogram was well received and cleverlyGordon Smith and other members at the Summer Meeting, 7/12/08.Guest Dealer Roger Jacobsen and Jim Lefever, 7/12/08.5

presented.demonstrations on Celebrity Cruises and aFacility Coordinator at the Museum. Stan thenread a letter sent by Eric Hansen to bothWheatonArts staff and DVPCA thanking us forincluding him in the program at PaperweightFest 2008. Quoting: “Well, just when I think Imight slow my glassmaking down, I amenergized to take it another step with all thisnew information whirling about in my head. Itwas an honor to meet all of you and hope tosee you next year.”At 11:40 AM, those members who hadattendedPaperweightFest2008atWheatonArts and had acquired items therewere called upon for a “Show and Tell” of theiracquisitions. Each collector described theirweights and their significance. The mostspectacular acquisition, by Joe Freeze, was a20” by 30” shadow box of a compass rosedesign composed of thousands of millefiori andlampwork examples from a large number ofartist, all identified by name in the design.Stan next mentioned a fundraiser from theTexas PCA of a double deck of playing cardswith Parabelle weights pictured for 15 per set.He also implored the attendees for DVPCAprogram ideas, which led to some discussionand one viable idea, that Andrew Scott do atalk on Displaying and Cataloging theCollection. Stan also requested articles for theJust at noon, the program was halted so thatmembers could again peruse the variouspaperweight displays until lunch was served at12:30 PM.At 1:30 PM, President Stanannounced that the Corning Museum of Glasswas soliciting for two positions, Glassblowersat Sea to give live, narrated glassblowingBen Drabeck, Diane Atkerson, 7/12/08.Pat Ackerman, Guest Speaker Kathy Moyerat the Garden Party, 7/12/08.6

quarterly newsletter, lead articles being threepages in length with pictures. He asked howmany planned to attend on Sunday, July 13 forthe guided tour of the Heritage Glass Museumin Glassboro, New Jersey and the Museum ofAmerican Glass in Millville, New Jersey andfound only six hands up. Finally, the Today’sRaffle Prize winners were chosen by lotnumber, three of the prizes being donated bythe Guest Dealers Roger Jacobsen and BenDrabeck.master craftsman. The Summer Meeting wasformally adjourned at 3:45 PM and mosteveryone then followed directions to the Dohanhome in Wayne, PA for the GardenParty/Catered Cookout. Although it was a hotsummer day, the trees and foliage around theDohan home provided natural air conditioningso that the late afternoon and early eveningaffair was quite pleasant.The next day, Sunday, July 13, 2008, sixmembers, Joan Parsley, Andrew Scott andNancy Kenna, Pat Ackerman and Stan andToby Kruger met at around 10:45 AM at theHeritage Glass Museum. There Mary and BillKephart, Museum Board Members, gave thegroup a one hour guided tour of the revampedMuseum. A picture taken of the six appearedin the Gloucester County (NJ) Times onThursday, July 17, 2008 and is available inDVPCA’s Library.At 1:50 PM, President Stan introduced the PMspeaker, Kathy Moyer, former Vice Presidentand Publications Director of PCA,, Inc,speaking on “Beauty and the Beast: ImportantPaperweights at Auction”. Kathy narrated adetailed PowerPoint presentation (after asuitable laptop had been obtained through thecombined efforts of Andrew Scott and RobCampe) picturing the highest priced weights atauction over the past century. The highestpriced of all, at 258,000 on June 29, 1990,was a Clichy basket, and at a figure that is notlikely ever to be exceeded.Five of the six then drove to WheatonArts forlunch at the Paper Waiter restaurant afterwhich they toured the Museum of s from the Gaskill Collection. Thiswas a self-guided tour as the signage in theexhibit was wonderfully clear and explicit.Thus, came to an end DVPCA’s 16thAnniversary Celebration Weekend.At about 3:10 PM, Ken Brown, Ben Drabeckand President Stan formed a “Stump theDummies” panel with four mystery weights tobe examined and identified.The mostmysterious weight was that put forward by PatAckerman, a weight heavily scratched andchipped but found beneath the surfacescratching was a Boston and Sandwich floralwaiting to be discovered and repaired by aRespectfully submitted,Martin MikelbergSecretaryThe Catered Affair at the home ofAndy and DeeDee Dohan, 7/12/08.Digging in to the Catered Affair, 7/12/08.7

Continued from page 3.collector.Once you have met a certainpaperweight dealer and come to know himand/or her and rely on his information, one canreduce the level of “Buyer Beware” whendealing with that dealer. However the first ruleabove remains in effect for all time: BUY WHATYOU LIKE! DON’T BUY WHAT YOU DON’TLIKE! Based on my personal experience overmy collecting years, I strongly suggest that youmake a plan .decide whether you want tocollect antique and/or modern, flowers,animals,certaincolors,magnumsorminiatures, etc. This is how I ended up paperweights containing roses from Pairpoint,Clichy, St. Louis, Baccarat, and Ayotte; blueand turquoise are my favorite colors; millefioricanes because they were more interesting;miniatures! AND MOST IMPORTANTLY (INMYCASE)INEVERBOUGHTAPAPERWEIGHT for the purpose of making aprofit.However, over the years I haveupgraded my collection by trading and/orexchanging paperweights.camera is the greatest tool for beginningcollectors. You can train your eyes to recognizewhat you are dealing with and looking at.Many novice collectors avoid this step andmake many costly mistakes because they don’tknow what they are doing and fall victim tounscrupulous vendors. The following sevenbooks represent a basic paperweight referencelibrary, at a total cost of much less than athousand dollars: Hollister, The Encyclopediaof Glass Paperweights; Kulles, IdentifyingAntique Paperweights: Millefiori; Kulles,Identifying Antique Paperweights: Lampwork;Selman, All About Paperweights; Selman, TheArt of the Paperweight; Melvin, American GlassPaperweights and Their Makers: Revised 1970Edition; and Casper, Glass Paperweights of theBergstrom-Mahler Museum. These are all inmy "library".Everyone makes mistakes.They are anessential part of the learning experience. Butanother old saying is “Knowledge is Power”.Even with my reference books and fought-forexpertise, I still make mistakes but I don’t payfor them because I always consult with myfellow collectors before making a purchase.Two or more heads are better than one, as allthe game shows can attest. In my collectionare three or four paperweights that I haven'tbeen able to identify, but I like looking at them.Remember that this Guide is for the noviceGood luck and God speed on your paperweightcollecting odyssey!About Zoralyn Stahl .I held and looked at myfirst paperweight in 1934 (a snow globe givento me by my Hungarian grandmother). I was 4years old. 10 years later I met the Mrs. PotterPalmer paperweight collection at The ArtInstitute (in Chicago). I attended my firstPaperweight Collectors Association, Inc.1970s era Pairpoint.Paul Ysart floating bouquet.8

convention in 1973 (in Chicago). At thisconvention, I decided to concentrate onantique American and French paperweights,and met Beverly and Marty Schindler, whowent with me to the Bergstrom Museum inNeenah. I started a paperweight collectorsclub in 1975. In case you're wondering mycollection of paperweights - 275 (plus somereceived as gifts, which I don't like or care for).As antique paperweights went up in value overthe years, I started collecting early Paul Ysartweights, Pairpoint Glass, and Perthshires. I donot own any weights made by Charles Kaziun,Paul Stankard, Ken Rosenfeld, Bob or RayBanford, or Debbie Tarsitano (not because Idon't like them but because they were toocostly). I chose to put my money on antiquepaperweights. My life began in 1970 --- Istarted collecting paperweights I loved andtreasured friends who share my love ofpaperweights.antique and modern paperweights with anemphasis on the "unusual". There is also asmall sub-collection of other glass objects andwhimsies.The meeting will start with a hot meal that Jimand Delania will provide.Lunch will befollowed by a talk on scramble paperweightsand a short MD-DC-VA business meeting.There will be plenty of time to peruse Jim'scollection. There is no charge for lunch butplease RSVP to Jim with a head count byOctober 1 so he knows how to plan.Meeting is located at 810 Mount Joy Road,Manheim, PA 17545. Call 717-665-4881 oremail mrglass@redrose.net to RSVP and formore detailed directions if needed.Directions from Philadelphia area: Take PATurnpike west and get off at theLancaster/Lebanon Exit, Exit 266. Take Route72 south 5.7 miles to center of Manheim. Atsquare turn right on West High Street, Rt. 772,and go one mile. Our house is #810. A brickranch style on the right at the top of the hill.INVITATION TO MD-DC-VAMEETING ON OCTOBER 5, 2008MD-DC-VA PCA invites you to join them fortheir October meeting. It will be held at thehome of Jim and Delania Lefever in theLancaster, PA area. The meeting is plannedfor 1:30 PM Sunday, October 5, 2008. Jim willhave the majority of his paperweights out ondisplay that day. Jim's collection of more than1000 paperweights is an eclectic collection ofPeople, here is a great opportunity to visit withone of the largest private collections ofpaperweights in the United States and withineasy driving distance of Philadelphia. Tobyand I plan to attend and we hope you willconsider doing so yourselves.Baccarat mini-weight with two silhouette canes.New England Glass Company concentric.9

THE SCRAMBLE:CALENDAR:ADVANCE MEETING DATES AND GUESTSTHANK YOU Again, we pay tribute to thegenerosity of our loyal members for theircontributions: the Krugers for a mantel clock, afour-lobed bowl and two silvered goblets; theSuttons for the paperback Glass Paperweightsof the Chicago Art Institute; to Diane Atkersonfor four wine glasses; to Roger Jacobsen andBen Drabeck for an early Chris Buzzini weight,an Allan Tillman auction catalog and aCaithness weight. All of these items, andmore, became Today’s Raffle Prizes atDVPCA’s Summer Meeting on July 12, 2008.Thank you all!October 5, 2008 – MD-DC-VA PCA meetingat the home of Jim and Delania Lefever,810 Mount Joy Road, Manheim, PA. RSVPto Jim at 717.665.4881 ormrglass@redrose.net if you plan to attend.October 11 & 12, 2008 - Northeast MarbleMeet, Marlborough. MA. For details,contact Bert Cohen atMarblebert@aol.com.October 24, 2008 – Last day to enter initialbids on Larry Selman’s Fall Auction.PCA, INC, CONVENTION, MAY 20-23, 2009,TOLEDO, OHIO If you are not a member ofPCA, Inc. you cannot attend the group’sbiennial convention, next year in Toledo, Ohio,with the magnificent Toledo Museum of Art andGlass Pavilion as part of the Conventionprogram. DVPCA needs a concerted effort tomake a great showing at this Convention. Ifyou are not yet a member of PCA, Inc.,consider joining now!January 31, 2009 – Winter Meeting: AM:Andrew Scott speaks on “Displaying andCataloging a Paperweight Collection”.PM: Phil Edelman speaks on his career“35 Years a Paperweight Dealer”. GuestDealer: Leo Kaplan, Ltd.April 18, 2009 – Spring Meeting: AM: SwapMeet – Bring in those items you are willingto sell or trade. PM Jim Lefever talks on“Paperweight Doorknobs”. Guest Dealer:Jim Lefever.PROGRAM IDEAS Can you suggest aprogram for DVPCA in the next 12 months?What would you like to see or who would youlike to hear from? All suggestions givenserious consideration. Could you yourself givea talk about your collecting activities? Thinkabout it!April 24, 2009 – Last day to enter initialbids on Larry Selman’s Spring Auction.May 20-23, 2009 – PCA, Inc. biennialConvention in Toledo, Ohio.DAN MCNAMARA DVPCA’s Guest Dealer inApril 2005 and April 2006 passed away in lateJuly, 2008 and DVPCA sent a Sympathy cardto his widow, Therese McNamara. He will bemissed.July 18 & 19, 2009 – 17th AnniversaryCelebration Weekend.October 17, 2009 – Fall Meeting, with BestFinds Contest of 2008/2009.RESPONSEFROMTHERESEMCNAMARA."I was truly overwhelmed bythe outpouring of your kind expressions ofsympathy and support at Dan's passing.Yourfriendship over the years meant the world toDan and I will always treasure it. With gratefulthanks. Therese McNamara"ALL SATURDAY MEETINGS AT WILLIAMSON’SRESTAURANT, Horsham, PA SAVE THE DATES!!!10

Luncheon Reservations – October 18, 2008Fall Meeting AnnouncementChoices @ 17.00 eachOctober 18, 2008Number AttendingSautéed Breast of Chicken, Lemon Wine SaucePasta Primavera, Vegetables, Garlic ButterAt Williamson Restaurant500 Blair Mill Road(Route 611/Easton Road at Blair Mill Road)Horsham, PALocated two traffic lights north of PA Turnpike Exit343 (Old Exit 27/Doylestown/Willow Grove)Telephone (215) 675-545410:00 AMPaperweight Fair with GuestDealer William Pitt11:00 AMJohn D. Hawley repeats hisPaperweight Fest 2008 talk on“Nicolas Lutz and the NewEngland Glass Company”.12:30 PMLunch1:30 PMBusiness Meeting:Announcements, Silent AuctionResults, Reports from the Floor,Raffle Prize Winners, Treasurer’sReport, ELECTIONS.2:00 PMGuest Artist Christopher LeeBuzzini began his glass career inthe early 1970s at California StateUniversity in Chico, CA. Born inYosemite National Park, Buzzinilaunched his professional careerat Orient & Flume In Chico but in1976 moved to New Jersey towork at the Bridgeton Studio fortwo years. Returning to the WestCoast he put in time at LundbergStudios and CorreiaArt Glass andin 1986 opened his own studio.As a successful independentartist, he has also taughtflameworking at Corning Museumof Glass and more recently atStudio First in Ashikaga, Japan inApril,2008. In 2003, Buzziniparticipated in flameworkdemonstrations at the 33rd AnnualGlass Art Society Conference inSeattle, WA. His detailed Luncheon TotalName(s)AddressCity/State/ZipEmailPlease mail this slip with ALL of your selections and check to:DVPCA, c/o Don Formigli, Treasurer455 Stonybrook Drive, Levittown, PA 19055NO LATER THAN OCTOBER 10, 2008!!!botanicals encased in fine crystal are found inthe leading art glass museums, including theMuseum of American Glass in Millville, NJ, theBergstrom-Mahler Museum In Neenah, WI, theCorning Museum of Glass in Corning, NY, theCurrier Museum of Art in Manchester, NH andthe Kobe Lampwork Glass Museum in Kobe,Japan. Today, Buzzini resides in Oregon Cityjust outside Portland, OR where his studio andoutstanding gardens inspire his extraordinaryvision. His topic today: Flowers in Glass and inthe Garden.Buzzini Sunflowers and Berries Weight.11

Address Service Requested5 Johnson LaneVoorhees, NJ 08043-4123ISSUE CONTENTS: Lead Article: “Guide for the NovicePaperweight Collector” by Zoralyn StahlReview of Events: 16th AnniversaryCelebrationWeekend, July 12 & 13, 2008THE SCRAMBLE/CALENDARAnnouncement: Fall Meeting, October 18,2008Dated Reservations Tear-Off SlipEighteen (18) Business Ads12

3) Toledo, Ohio (Libbey Glass) American flag weights; 4) Modern American flag weights; 5) Other American flag weights; and 6) Unknown (or test) American flag weights. He noted that Toledo, Ohio is in the American mid-West, defined by Gary McClanahan as extending from the Ohio River to the Mississippi, bo

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