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11Art NouveauHistory of Contemporary ArchitectureAA 2016/2017Prof. Michela Rosso

11/biblio referencesFRAMPTON: 64-77CURTIS: 53-66

Art Nouveau

VIOLLET LE DUCEntretiens sur l’architecture(Conversations on Architecture)1872A buildng is TRUE according to VLDif1. It responds to the requisitesof the functional program2. All materials are employedaccording to their nature and intrinsic qualities

Art Nouveau: diffusion

Art Nouveau: diffusionregional - national editions and denominations

Art Nouveau: contradictions

Art Nouveau: interpretations and critique

The historiography on Art Nouveau

Art Nouveau: interpretations

Art Nouveau: interpretations

Art Nouveau: who produced and when?

Art Nouveau: where?AN is by definition an urban phenomenonhappening in capital and big urban centres

Art Nouveau: for whom?

Art Nouveau: for whom?

AN promotes the idea ofthe home as a total work of artThe private home is a framefor a daily life conceived asan all-comprehensive aesthetic experience

Art Nouveau: languages and materials

The total work of art in the detailsDETAILS ofAtelier/MaisonHorta, and MaisonSolvay, Brussels

Art Nouveau: languages and materials

Art Nouveau: languages

Art Nouveau: how did it spread?

Art Nouveau: how did it spread?

Antonì Gaudì(Reus 1852/Barcelona 1926)Gaudì’s cultural backgroundMasters and intellectual fathersRuskin and Viollet le Duc

1 to revive the local tradition of architecture (e.g. traditional construction techniques, suchas the CATALAN VAULTS/ or TIMBREL VAULTS and enamelled ceramic tiles)1 to create entirely new forms of art and architecture

Catalan modernismand catalan Nationalism

Church of the ColòniaGüel commissioned byEusebi Guell to Gaudì in1898

enamelled ceramic tiles

Art Nouveau and the different culturalidentities of BELGIUMTwo cultural and linguisticentitiesFLANDERS (Flemish)WALLONIE (French)

Antagonists of Belgian Art Nouveau

Torino 1902

Torino and its future expansion areasinside the perimeter of the customs fence, 1869

Raimondo d'AroncoVilla Javelli (1904)via Petrarca, 44

Pietro FenoglioPalazzina Scott (1902)corso Giovanni Lanza, 57

Pietro FenoglioCasa La Fleur (1902-1903)corso Francia, 6

Antonio VandoneCasa Maffei (1909)Corso Montevecchio, 50

Giovanni GribodoCase in via Piffetti, 5 e 7(1904)

Art Nouveau History of Contemporary Architecture AA 2016/2017 Prof. Michela Rosso . 11/biblio references FRAMPTON: 64-77 CURTIS: 53-66 . Art Nouveau . . Solvay, Brussels The total work of art in the details . Art Nouveau: languages and materials. Art Nouveau: languages . Art Nouveau: how did it spread?

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