ANNUAL REPORT 2010-2011 - Munson-Williams-Proctor Arts .
ANNUAL REPORT 2010-2011
Cover:John William Hill, American (1812-79)Still Life with Fruit, 1866
THE MUNSON-WILLIAMS-PROCTOR ARTS INSTITUTE’S MISSION IS— to serve diverse audiences by advancing the appreciation, understanding and enjoyment of the arts— to promote interest and participation in the arts— to engender artistic self-expression and personal creativity— to assume a leadership and advocacy role for the arts
Message from the Acting PresidentIt has been my privilege to serve as the Acting President of theContents3Museum of Art6Performing Arts9School of ArtMunson-Williams-Proctor Arts Institute during this, our 75thAnniversary year. While our celebration of this milestone eventwould no doubt please our Founding Families, it is by no meansthe culmination of their vision. The legacy that the Munson,Williams, and Proctor families intended was far broader than justa peerless collection of art. They knew that an appreciation offine art and music, and a sound art education were important to12Supporters16Annual Operating Fund18Annual Attendance19Sponsorscitizens of a modern, progressive society. Their vision of a thrivingcity and region depended upon an institution, such as ours,emerging as a social, cultural and educational center.We are proud that for 75 years we have developed, enhanced,and embraced that vision. We continue to do so today, despiteeconomic and demographic pressures. The national economicrecession has challenged many not-for-profit organizations, particularly those, like us, that rely heavily upon endowmentincome. A diminished market value of the underlying assets anda historically low return on the remaining investments confrontsour governing body with the need to budget carefully in order topreserve the endowment for future generations. This, in turn,requires careful management and more aggressive efforts to seekother streams of revenue to finance our annual operating costs.Despite this environment, the Institute remains committed toproviding the programming and access that our community hasenjoyed and embraced for these 75 years.Demographically, we are in a region that is less populated thanin prior decades and has experienced a dramatic change in thenature of that population. The departure of major employers andthe influx of new arrivals from around the world have combinedto substantially alter the audience we are tasked to serve. WeBoard of TrusteesWilliam L. Boyle, Jr., Ed.D.strive to imagine, develop, and present the programming, exhibitions, and educational opportunities that will be relevant to ourcommunity and remain true to the Proctor’s vision.We celebrate that vision, and share their belief that the InstituteJoseph S. Caldwell, IIIRobert E. CohenMichael D. Cominskyand our role in the community can contribute mightily to a newlyJoseph J. Corasantivibrant and thriving community. I ask that we dedicate ourselvesMichael D. Damskyto enhancing their legacy, to building upon this magnificentRev. Paul J. Drobinfoundation while facing the challenges of today and the next75 years. On behalf of all of us at Munson-Williams-ProctorInstitute our trustees, our staff, and all our members thankMark D. Levittyou for your generosity and for the support you offer us as weF.X. Matt IIImove forward.John B. StetsonAnthony J. Spiridigloizzi2William F. Locke2010-11 Annual ReportLinda B. Vincent
Munson-Williams-Proctor Arts InstituteThe mission of the Museum of Art is to collect, preserve, and exhibit art,artifacts, and articles of importance; to provide instruction, enrichment, andappreciation of these objects; and to facilitate an understanding of the variouspeoples and the cultures who produced and used them.Museum of ArtA vast majority of the artworks that are listedin this report were donated to the Museumduring the 2010-11 fiscal year. They are astunning testament of the generosity of theMuseum’s many benefactors whose gifts willbe enjoyed by numerous generations whovisit the Museum in the years to come. Allthese artworks, spanning the broadest varietyof media, and ranging from the historical tothe contemporary, reflect the amazingly highlevel of quality that has consistently guidedthe growth of our renowned permanentcollection since it was established seventy-fiveyears ago. It is gratifying that so many of theInstitute’s friends and supporters have soughtto enrich the Museum’s legendary permanentcollection in such a tangible way. I am profoundly grateful to each of the donors, whosenames appear in these pages, for their generosity. Each of the artworks that entered thepermanent collection during the past twelvemonths contributes immeasurably to thegrowth and prosperity of the Museum, andenhances its ability to serve the public for thenext seventy-five years and beyond. All theartworks cited in this report were unveiled forthe first time in the Museum’s 75th anniversary celebratory exhibition, Enhancing a Legacy:Gifts, Promised Gifts, and Acquisitions in Honorof the Museum of Art’s 75th Anniversary. Theexhibition revealed in a very dramatic waythe passion and foresight of numerous individuals who enriched the collection that wasinitially established by our founders in 1936.Raoul Hague,Little Beaverkill Walnut, 1959Paul D. Schweizer, Ph.D.Director and Chief Curator2010-11 Annual Report3
Museum of Art AcquisitionsJuly 1, 2010- June 30, 2011PaintingsThomas Nozkowski, American (b.1944)Untitled, 1988Oil on paper75th Anniversary Acquisition. Gift from thecollection of John D. Deardourff andElisabeth Griffith, 2010.34Tony Oursler, American (b.1957)Empathetic Pet, 2004Acrylic and ink on paper75th Anniversary Acquisition. Museumpurchase, 2010.36Theodoros Stamos, American (1922-97)Single Tree, 1943Oil on canvas75th Anniversary Acquisition. Gift from the SavasPrivate Collection, courtesy of GeorgiannaStamatelos Savas, honoring the artist’s wishes,2011.9Works on PaperVictor Pasmore, British (1908-98)Magic Eye 7, 1995Etching and aquatint chine collé75th Anniversary Acquisition. Gift from thecollection of John D. Deardourff and ElisabethGriffith, 2010.35Carrie Mae Weems, American (b.1953)Untitled (from the Kitchen Table Series), 1990Gelatin silver print75th Anniversary Acquisition. Museumpurchase, 2010.37Fernand Léger, French (1881-1955)Untitled, 1922Graphite on paper75th Anniversary Acquisition. Gift of ananonymous donor, 2010.39Felix O.C. Darley, American (1822-88)The Pursuit of Knowledge under Difficulties,not datedInk and opaque white on cream-colored,medium weight, wove paper75th Anniversary Acquisition. Gift of PaulWorman Fine Art, NY, 2010.41Marc Chagall, French (1887-1985)Maternity with Centaur, 1957Color lithograph on white wove paper75th Anniversary Acquisition. Gift of KathrynL. Corcoran, 2011.2Gizan Izuno, Japanese (1885-1957)Landscape, not datedWoodblock on paper75th Anniversary Acquisition. Gift of KathrynL. Corcoran, 2011.3Margery Ryerson, American (1886-1989)Untitled (Mother with Children), not datedDrypoint with roulette on cream wove paper75th Anniversary Acquisition. Gift of MichelleLeclair, 2011.4Charles Banks Wilson, American (b. 1918)Comanche Girl, 1957/1965Lithograph on wove paper75th Anniversary Acquisition. Gift of Martha S.Love in honor of her mother, Margaret Shelton,2011.10John William Hill, American (1812-79)Still Life with Fruit, 1866Watercolor on thin, white wove paper75th Anniversary Acquisition. Purchase andgifts, by exchange, from Joseph and NeilsonRudd in memory of Thomas Brown Rudd andHelen Neilson Rudd, Mrs. Hope F.T. Zarensky,Thomas Brook, and Mr. and Mrs. J.V. Owens,2011.11(below and cover)Decorative ArtsTiffany & Co. (active 1837-present)Watch and Chain, 1907Gold, nickel, enamel, other metals75th Anniversary Acquisition. Gift of HollySeaton Toteno and Charles E. Pannaci, 2010.29Henry Nash (active 1837-39)Still, ca.1837-39Stoneware75th Anniversary Acquisition. Gift of VincentClemente, 2010.40Attributed to White’s Pottery (active 1834-1907)Water Cooler, ca. 1890-1907Stoneware, cobalt and other colored glazes75th Anniversary Acquisition. Museum purchase,2010.42Unknown maker, attributed to Cincinnati, OHClock, ca.1875-85Wood, brass, other metals75th Anniversary Acquisition. Gift of RobertTuggle, 2011.1(above)Mt. Washington Glass Company (active 1837-1955)Ewer, ca.1889-95Glass75th Anniversary Acquisition. Museum purchase,2011.8SculptureRaoul Hague, American (1904-93)Little Beaverkill Walnut, 1959Walnut75th Anniversary Acquisition. Gift of the RaoulHague Foundation, 2010.31James Iritani, American (b. 1948)The Winner Toots, 1990Welded steel75th Anniversary Acquisition. Gift from thecollection of John D. Deardourff andElisabeth Griffith, 2010.32John McCarty, American (b. 1940)Untitled, 1989Stone and steel75th Anniversary Acquisition. Gift from thecollection of John D. Deardourff and ElisabethGriffith, 2010.3342010-11 Annual Report
Lorrie Goulet, American (b. 1925)Aluna, 1985White alabaster75th Anniversary Acquisition. Gift of New YorkArtists Equity Association, Inc., 2011.6Lorrie Goulet, American (b. 1925)Salomé, 1985Black walnut75th Anniversary Acquisition. Gift of New YorkArtists Equity Association, Inc., 2011.7Mixed MediaJane Edden, British (b.1966)Colony, 2004Video installation75th Anniversary Acquisition. Gift of RichardBlumenthal and Linda Morgan, 2010.30Mary Lucier, American (b. 1944)Mandala #4 (Lignite), 2009Video art75th Anniversary Acquisition. Museum purchase,2010.38Benjamin Lord, American (b. 1974)Humaliwo Chambers, 2010Plastic, laminated wood, cardboard, paper, metalmirrored glassPeter Norton Christmas Project, 2010, 2011.5Special Exhibitions“The Dark Manner”: English Mezzotints from theOwen D. Young CollectionAugust 2, 2010 to May 16, 2011A Town So Great They Named It TwiceAugust 3, 2010 to May 1, 2011Ann Reichlin: CounterpointSeptember 11, 2010 to January 9, 2011Glorious Gorham: Silversmith to the NationSeptember 18, 2010 to March 13, 2011Look for Beauty: Philip Johnson andArt Museum DesignOctober 16, 2010 to February 27, 2011Victorian YuletideNovember 26, 2010 to January 2, 2011Exploring Museum Careers Partnership Program:Follow the LightApril 14 to July 7, 2011Certified: Artists and their Wedding DocumentsJune 18 to September 18, 2011Wedded Perfection: Two Centuries of Wedding GownsJune 19 to September 18, 2011Traveling ExhibitionsOrganized by the MuseumPrendergast to Pollock: American Modernism fromthe Munson-Williams-Proctor Arts InstituteFenimore Art Museum, Cooperstown, NYMay 14 to September 22, 2011James E. Freeman 1808-1884: An American Painterin ItalyThe Newington-Cropsey Foundation,Hastings-on-Hudson, NYSeptember 18 to November 18, 2011Grants in Support ofMuseum ProgramsWedded Perfection: Two Centuries ofWedding GownsThe Community Foundation of Herkimer &Oneida Counties, Inc.: 60,000M&T Bank: 17,000F.X. Matt II Memorial Fund, a donor-advisedfund of The Community Foundation ofHerkimer & Oneida Counties, Inc.: 5,000Oneida County Tourism: 5,000General Program SupportNew York State Council on the Arts: 41,400ArtReachJohn Ben Snow Foundation: 12,000Exploring Museum Careers forHigh School StudentsHSBC Bank, NA: 3,000Prendergast to Pollock: American Modernismfrom the Munson-Williams-Proctor ArtsInstituteMetLife Foundation: 50,000Museum of Art InternsLoansRomare Bearden, American (1914-88)Before the Dark, 1971Romare Bearden: Southern RecollectionsMint Museum of Art, Charlotte, NCSeptember 2, 2011 to January 7, 2012Juliáo Sarmento, Portuguese (b. 1948)Nancy (To Ray), 1999Juliáo Sarmento: Artists and Writers House and HomeParrish Art Museum, Southampton, NYApril 17 to June 12, 2011William Merritt Chase, American (1849-1916)Memories, 1885-86William Merritt Chase: Family PortraitsPaine Art Center and Gardens, Oshkosh, WIJune 18 to October 19, 2011Edward Hopper, American (1882-1967)Beam Trawler Teal, 1926Edward Hopper’s MaineBowdoin College Museum of Art, New Brunswick, MEJuly 15 to October 16, 2011Edward Hopper, American (1882-1967)American Landscape, 1920Night Shadows, 1921The Cat Boat, 1922East Side Interior, 1922The Locomotive, 1922The Lonely House, 1922The Camel’s Hump, 1931Jo Hopper, American (1883-1968)The Camels Hump (1) Map of South Truro, CapeCod, not datedThe Camel’s Hump (2) Sketch of Cape Cod Bay,not datedA Window into Edward HopperFenimore Art Museum, Cooperstown, NYMay 28 to September 11, 2011Jerome Witkin, American (b. 1939)Study for the Rembrandt Painting, 1976Self-Portrait (Fragment), 1979Study of David Tatham, 1979Study for the Holocaust Series, 1984Division Street, 1984-85Sketchbook for Division Street, 1984-85The Beating Station and After, Berlin (Study), 1989-90Drawn to Paint: The Art of Jerome WitkinSyracuse University Art Galleries, Syracuse, NYSeptember 8 to October 23, 2011College Students (5)Hamilton College: Eleanor Gartner, DevonLynch, Gordon WilkinsCazenovia College: Ashley FessAlfred University: Lori CrawfordWilliam C. Palmer, American (1906-87)Winter Twinkle, 1981A Soft Day, Connamora, 1973High School Students (2)Clinton High School: Tristan Bass-Krueger,Julian Bass-KruegerJames Penney, American (1910-82)Landscape, 1945Rock in Mist #1, 1954Three Trees, 1954Paul Parker, American (1905-87)Oriskany Valley, 1950Joseph Trovato, American (1912-83)New York Mills, 1946KAC 50th Anniversary Invitational ExhibitionKirkland Art Center, Clinton NYNovember 21 to December 23, 20102010-11 Annual Report5
Munson-Williams-Proctor Arts InstituteThe mission of the Performing Arts Division is to present a broad rangeof exemplary programs and educational opportunities in the performingand cinematic arts.Performing ArtsThe 2010-11 Performing Arts seasonpresented an exceptional series ofperformances, films, educational activities and special events supported bycomprehensive multi-media marketingcampaigns that attracted 24,607 patronsin overall participation. The divisionpresented 17 performances, 4 educational activities, 220 film screenings and8 meet-the-artist receptions.The 2010-11 Great Artists Series consisted of four exceptional performancesby a variety of acclaimed internationalartists and ensembles. The seasonbegan with a performance by renownedjazz pianist Chucho Valdes along withhis band, the Afro-Cuban Messengersfor his first US tour in over seven years.The Polish traditional dance ensemble,Mazowsze, returned to the GreatArtists Series after nearly twenty yearsMark Nizerto great acclaim. The series also presented Hot Tuna Blues, featuring JormaKaukonen and Jack Casady accompanied on stage by popular blues guitaristJim Lauderdale and legendary bluesstar Charlie Musselwhite. The seriesconcluded with a stunning performanceby the Japanese taiko drummingensemble, Kodo.The Concerts in the Court seriesincreased from three events to fourevents this season. Participation wasexcellent, with audiences enjoying a
For Kids & Families Film Young Artists Concerts in the Court Special Events Great ArtistsTierney SuttonMazowszeDuffleBagTheatre Co.Aztec Two-StepMcPeakeKodo
diverse mix of music over the course ofJeffrey Siegel returned to present fourprogram advertisers, trade-for-servicethe series. The season began with aevenings of Keyboard Conversationsparticipants and dedicated MWPAIconcert by jazz vocalist Tierney Sutton.focusing on the works of composersfunds provided vital financial andThe next event paired the folk bandsuch as Robert Schumann, Samuelin-kind support. New avenues ofAztec Two-Step with folk singer-song-Barber and Johannes Brahms, amongcontributed income continue to bewriter Jon Pousette-Dart. The tradition-many others. Each event in this popu-developed and implemented as feasible.al Irish music of McPeake and cabaretlar series continues to sell-out.Bob Mortissinger Maude Maggart rounded outthe rest of the series.Film Series attendance droppedDirector of Performing Artsslightly this season as it becomesThe For Kids and Families Seriesincreasingly more difficult to competepresented four events for young audi-with the larger movie houses forences and parents starting in Octoberindependent cinema titles. A majorwith the return of Mark Nizer’sfactor for this challenge is the effectcomedy-juggling program. The seriesdigital projection has had on the avail-also featured the first appearance of theability of 35mm prints of such titles.popular PBS musician Mr. Steve andFor a complete list of performances,Series and program sponsors, individ-films and educational activities see theDuffleBag Theatre Co.ual contributors, government andAnnual Report section of the MWPAIfoundation granting organizations,web site at www.mwpai.org.Special Focus: Hot Tuna Bluesthe return of audience favorite, theOn February 3, 2011 the Great Artists Series hosted a stellararray of talent from the world of blues. The Hot Tuna Bluestour showcased the exceptional skills of original Hot Tunamusicians Jorma Kaukonen and Jack Casady, blues iconCharlie Musselwhite and award-winning guitarist JimLauderdale, all backed by a powerhouse band that includedBarry Mitterhoff, Skoota Warner and G.E. Smith. It is notoften that such a combination of acclaimed artists, each aheadliner on their own, come together on the same bill.Offering both acoustic and electric sets, each of these bluesmasters took the spotlight for solo moments and thenjoined together for a blend of styles that transcended theirstunning individual efforts.The unique configuration did not limit itself to the stage asthe audience was also a blend of long-time Great ArtistsSeries subscribers and supporters, many of whom wereexperiencing this music for the first time, and dedicatedblues fans that were there to enjoy this rare combination ofstars. Whether it was their first time at a blues concert ortheir first time in the Stanley, the crowd roared with support for this electrifying live performance all the waythrough the final encore.82010-11 Annual Report
Munson-Williams-Proctor Arts InstituteThe mission of the School of Art is to provide excellent instructionand the facilities for the creation, exhibition and aesthetic appreciationof the visual and performing arts.School of ArtChallenges brought about by a rapidlyevolving marketplace and internal changeshelped to generate new strategies for theSchool of Art during fiscal year 2010-11.With fewer high school students graduating throughout the United States and,more importantly, with significantdecreases in that population in PrattMWP’sprimary recruitment territory, newlyappointed Enrollment ManagementDirector Francy Caprino and her team oftalented admissions counselors explorednew regions with remarkable results. Thefiscal year ended with record numbers interms of inquiries, applications and acceptedstudents. School and Institute administrators anticipated the largest freshman classin the college’s history. In addition to theinroads made in domestic recruiting,PrattMWP was receiving unprecedentedinterest from international students,including from Korea, the Philippines,Ecuador and several other countries.Another important initiative towardbuilding the college’s enrollment was theinstitution of PrattMWP’s inauguralPre-College program. During a four-weekperiod from early July to early August,PrattMWP welcomed 21 high schoolstudents with intentions to enter a collegeart program. Those students studied withPrattMWP’s full-time professors andadjunct instructors in areas such as FineArts Painting and Drawing, Digital Imagingand Photography and Illustration. All lived2010-11 Annual Report9
on campus and 6 of the 21 planned to enterpus and added full Pratt Institute scholar-training to Resident Advisors includingPrattMWP in the Fall of 2011.ships for the top two PrattMWP students.“Behind Closed Doors,” an activity thatAdmissions professionals from Uticaprepares RAs for handling crises andPrattMWP enrolled 131 full-time students;and Brooklyn also began working moreother situations.63 in Fine Arts, 58 in Communicationsclosely at portfolio days and some high Choice Skills and Relaxation work-Design, 7 in Art and Design Education,school
Tony Oursler, American (b.1957) Empathetic Pet, 2004 Acrylic and ink on paper 75th Anniversary Acquisition. Museum purchase, 2010.36 Theodoros Stamos, American (1922-97) Single Tree, 1943 Oil on canvas 75th Anniversary Acquisition. Gift from the Savas Private Collection, courtesy of Georgianna Stamatelos Savas, honoring the artist’s wishes .
487-4000 or 800-248-6777 Munson Healthcare Charlevoix Hospital . 547-4024 or 800-252-2065 Munson Healthcare Home Health. 800-252-2065 Munson Healthcare Hospice. 800-252-2065 TIPDON-Tip of
Ashley Harris 2010 Blake Hartsook 2010 Denira Hasanovic 2010 Ella Heinicke 2010 Amber Heller 2010 . Ryan Coulson 2011 Dellanie Couture 2011 Emily Coy 2011 Allison Crist 2011 Kerrigan Crotts 2011 . Alexandra Hawks 2011 Trevor Heglin 2011 Marisa Heisterkamp 2011 Brett Heitkamp 2011 Caleb Helscher 2011
TOWN OF ROCKPORT . 2012 ANNUAL TOWN REPORT . MEMORIAM . MARJORIE MUNSON HANNA . Marjorie Munson Hanna, 90, longtime resident of Rockport, died peacefully Feb. 12, 2012, at Pen Bay Medical Center in Rockport. Born May 28, 1921, in Worcester, Mass., she married John "Jay" Sutherland Hanna, whom she met in high school, on Dec. 28, 1941.
Miller Place, NY 11764 Email: BOE@millerplace.k12.ny.us Schedule of Business Meetings for 2010-2011 School Year September 22, 2010 October 27, 2010 November 17, 2010 December 22, 2010 January 26, 2011 February 16, 2011 March 30, 2011 April 27, 2011 May 18, 2011 June 22, 2011 July 5, 2011 *OTHER MEETINGS WILL BE SCHEDULED AND POSTED AS NEEDED .
8 2007 – 2010 Camry (Sport Pedal) 07/02/2010 7/16/2010 9 2005 – 2010 Tacoma, 2009 – 2010 Venza 07/16/2010 Late July 2010 10 2003 – 2009 4Runner 02/24/2011 Early April, 2011 11 2006 – 2010 Rav4 Early April 2011 Mid-April 2011
Charles L. Munson Page 6 of 21 Instructor’s Resource Manual author for Heizer and Render, Operations Management Sustainability and Supply Chain Management, 11th Ed., Pearson, 2014. Test bank update author of approximately 3000 new and revised questions for Heizer and
Operations Management, 13e (Heizer/Render/Munson) Chapter 1 Operations and Productivity Section 1 What is Operations Management? 1) Some of the operations-related activities of Hard Rock Café include designing music instruments and analyzing th
Munson was able to resurface Tall Pines Drive, Quartermane Circle, and Falls Road. The Road Department has taken on many projects in 2014 and . toasters, blenders, stoves, refrigerators, etc. Basically anything that you plug in to operate is acceptable. Televisions are NOT accepted Not to be confused with Munson’s Rubbish Days, the Solid .
