Working With Bone, Antler And Horn - Halldor The Viking

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Working with Bone, Antlerand HornDavid Constantine 2014V1.4 April 2014

ContentsList of Figures and Tables . iIntroduction . 1What is Bone Working? . 1Recommended reading and additional resources . 1Contact Details . 1Raw Materials . 2Definitions and basic biology of skeletal materials . 2Historical Availability and Use . 4Period Toolkits . 10Basic toolkit . 10Useful Additions . 14Larger Equipment . 21Dates of Described Tools . 23Techniques and methods of working . 25Preparing and Roughing Out . 25Shaping and General Working . 26Smoothing and Finishing . 27Riveting and Gluing . 28Hot Working Horn . 29Decorating and Carving . 30Colouring . 36Lathe Turning . 36Combs and Comb making. 38Significance . 38Typology . 38Construction . 41Decoration. 44Select Catalogue . 45Craft or Industry? . 47Overview. 47Evidence for industrial scale bone and antler working . 47Evidence for industrial scale horn working . 48Major industry or individual craft? . 48Bone artefact rich archaeological sites . 50York . 50Brough of Birsay . 55Thetford . 58Finds from assorted sites . 61Appendix 1: Acquiring and Preparing Skeletal Material . 65Appendix 2: Myths about bone working . 69Appendix 3: Cow cannon bones: The essential bones for working . 71Bibliography . 73Revision History . 78

List of Figures and TablesFig 1 Differences between horn and antler . 3Fig 2 Main bones used for working . 4Fig 3 Comparison of metadpodial size of commonly utilised animals . 5Fig 4 A whalebone line winder . 6Fig 5 Comparison of Roe, Red, Fallow and Reindeer antler morphology . 7Fig 6 The parts of an antler . 8Fig 7 10th century horn from Västerby, Sweden . 8Fig 8 Mastermyr long saw . 10Fig 9 Mastermyr hammers . 11Fig 10 Hammers from Tattershall Thorpe and York . 11Fig 11 Mastermyr files . 12Fig 12 Tongs from Flixborough and Tattershall Thorpe . 12Fig 13 A bow drill and a pump drill . 13Fig 14 Solid chisels from York and Nazeing, and a socketed chisel from Crayke . 14Fig 15 Solid twin bladed saw for cutting decorative lines. . 15Fig 16 Double saw based on the York find . 15Fig 17 Axe from Mastermyr; unfolded. . 15Fig 18 Draw knives from Thwing and Sandtun . 16Fig 19 Shears from York, Tattershall Thorpe and Mästermyr . 17Fig 20 Spoon bit augers from York, Hurbuck and Westley Waterless . 17Fig 21 Willow and Hazel mallet from York. . 18Fig 22 Antler clamps from Hedeby and one of whalebone from the Brough of Birsay . 18Fig 23 Anvils from Tattershall Thorpe and York . 19Fig 24 The planes from Sarre and Dublin. 20Fig 25 Ring-and-dot tools from Staré Město and Levy Hradec. . 20Fig 26 Edge scribe tool . 20Fig 27 Generic Shave Horse. . 21Fig 28 Pole Lathe . 22Fig 29 Possible turning tool from York. . 22Fig 30 Steps of Flush Riveting . 28Fig 31 How to cut a horn for unfolding. . 29Fig 32 Using an edge scribe. 31Fig 33 Tau Cross head from Alcester. . 32Fig 34 Carved knife handle, Sigtuna.39Fig 35 Sword guard from Sigtuna. 32Fig 36 Bone shaft of a ring pin. . 33Fig 37 Bone pins from Trondheim and London . 33Fig 38 10th C bone belt buckle from Goodmanham, Yorkshire. . 33Fig 39 Bone handled knife from Canterbury. . 34Fig 40 Decorated bone strap ends from Leicester, London and Dublin . 34Fig 41 Bone motif pieces from York. . 34Fig 42 Bone motif piece from Dublin. . 35Fig 43 Replica of a whalebone plaque from Grytøy . 35Fig 44 Basic comb types. . 38Fig 45 Example of Type 3 comb from London. . 39Fig 46 Example of Type 4 comb from London. . 39Fig 47 Example of Type 5 comb from Drimore Machair. . 39Fig 48 Example of Type 6 comb from Birka. . 40Fig 49 Example of Type 12 comb from Saevar Howe. . 40Fig 50 The walrus ivory comb from the British Museum. 41Fig 51 The elephant ivory comb from the tomb of St Cuthbert in Durham . 41Fig 52 Components of a composite comb . 42Fig 53 Stages of making a composite comb . 42Fig 54 Preparing the tips of comb teeth. . 43Fig 55 Regional differences in decoration of Type 5 combs. . 44Fig 56 Patterns on combs from Oost-Souberg . 44Fig 57 Runed inscribed comb case from Lincoln . 45Fig 58 Single sided comb from Flixborough . 45Fig 59 High backed Pictish style comb from Buckquoy . 45Fig 60 Single sided comb from London . 46i

Fig 61 Decorated comb case from Freswick Links. 46Fig 62 Pictish double sided comb from the Brough of Birsay . 46Fig 63 Handled saxon comb from London . 46Fig 64 Evidence of comb manufacture from Anglian levels at Fishergate, York . 48Fig 65 Horn cores from Thetford . 48Fig 66 Belt Buckle . 51Fig 67 Strap End . 51Fig 68 Whistle . 51Fig 69 Comb. . 51Fig 70 Gaming Piece . 51Fig 71 Spoon. 52Fig 72 Scoop . 52Fig 73 Weaving Tablet. . 52Fig 74 Pin Beater . 52Fig 75 Pin . 53Fig 76 “Lucet” . 53Fig 77 Dice . 53Fig 78 Sword Pommel . 53Fig 79 Bow Saw . 54Fig 80 Comb . 55Fig 81 Comb . 55Fig 82 Pendant . 56Fig 83 Basic needles and pins. . 56Fig 84 Spindle whorls . 56Fig 85 Possible pin beater . 56Fig 86 Clamp .

What is Bone Working? Bone working is the catch-all name used to refer to the global skillset that consists of working all skeletal materials – bone, antler, horn and ivory. However, because ivory is very difficult to obtain legally, I will cover some artefacts of ivory where appropriate, but there won‟t be any discussion of how to work it.

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