A Plat/ InJlireeAct'i THORNTON WILDER

3y ago
20 Views
2 Downloads
3.75 MB
119 Pages
Last View : 25d ago
Last Download : 3m ago
Upload by : Luis Waller
Transcription

A Plat/ inJlireeAct'iTHORNTONWILDER

OUPTOWNbyTHORNTON WILDERThisisa definitive edition of ThorntonWilder's best-known and most frequentlyperformed play. First produced and published in 1938, at which time it won thePulitzer Prize, its reputation as an American classic has increased over the years.Brooks Atkinson, in his review of OurTown's first performance, had this to say:"Taking ashis material three periods inthe history of a placidNew Hampshiretown, Mr. Wilder has transmuted the simple events ofhumanlifeinto universalHehas given familiar facts adeeply moving, philosophical perspective.reverie.Our Townone of theis,in this columnist's opin-achievements of thecurrent stage."Its universal appeal is set forthby theStage Manager in the play: "This is theion,finestway we werein our growing up and inour marrying and in our doctoring and inour living and in our dying."YANo. OQ15A01160

MAIEC 1 7 1976FEBMAI1o 1994APR 2 3 1985APR 261986MAR 301994MAY 161995JUL 081988iHAIAtlGO?1989,4AIMAI MAR2 199PMAI OCT 8NOV19908 199*OCT3MAYOCT8 199319 1993AUG 241995SEP

L2fo673o-266-13927 3 -50Wilder, Thornton Niven, 1697Our tcxwn, a play in threeacts.N.Y., Harper C19573103p.

p TpI[)J5OWN-

Books byTHORNTON WILDERNovelsTHE CABALATHE BRIDGE OF SAN LUIS REYTHE WOMAN OF ANDROSHEAVEN'STHEMYIDESDESTINATIONOF MARCHCollections of Short PlaysTHE ANGEL THAT TROUBLED THE WATERSTHE LONG CHRISTMAS DINNERPlaysOUR TOWNTHE MERCHANT OF YONKERSTHE SKIN OF OUR TEETHTHREE PLAYSOur TownThe Skin of Our TeethThe Matchmaker

OURPlay in Three ActsTHORNTON WILDERHARPER & ROW, PUBLISHERSNEWYORK, EVANSTON, AND LONDON

OUR TOWN(c) /p3#, /pjy by Thornton WilderPrinted in the United States of AmericaCopyrightThis book may not be reproduced, in 'whole or in part, inany form except by 'written permission from the publishers.All rights including the right of reproduction in whole or inpart, in any form, are reserved under International and PanAmerican Copyright Conventions. 'Published in New Yorkby Harper&Ro w, Publishers, Incorporated.TOWN is the soleIt may not beproperty of the author and is fully protectedacted by professionals or amateurs withoutformal permission and the payment of a royalty. All rights, including proCaution! OTJRby copyright.motion picture,rights of translation into foreignlanguages are reserved. All professional inquiries should be addressed to thefessional, amateur, stock, radioandrecitation, lecturing, public reading,television, broadcasting,and theHarold Freedman, Brandt & Brandt Dramatic Department,Park Avenue, New York 17, Ne w York. All requests for amateurrights should be addressed to Samuel French, 25 West 4 th Street, NewYork 19, N.Y.author's agent:Inc., 101Library of Congress catalog card number: 60-1688 L-o

ToAlexander Woolkottof Castleton Township, Rutland County,Vermont

OUR TOWN

Thefirstperformance of this play took place at theMcCarter Theatre, Princeton, New Jersey, on January 22,1938. The first New York performance was at the HenryMiller Theatre, February 4, 1938. It was produced anddirected by Jed Harris. The technical director was Ray-mond Sovey;the costumes were designedby MadameHelene Pons. The role of the Stage Manager was playedby Frank Craven. The Gibbs family were played by JayFassett, Evelyn Varden, John Craven and Marilyn Erskine;the Webb family by Thomas Ross, Helen Carew, MarthaScott (as Emily) and Charles Wiley,playedJr.Mrs. Soames wasby Doro Merande; Simon Stimson byCoolidge.Philip

CHARACTERS(in the order of their appearance)STAGE MANAGERDR. GIBBSJOE CROWELLHOWIE NEWSOMEMRS. GIBBSMRS.WEBBGEORGE GIBBSREBECCA GIBBSWALLY WEBBEMILY WEBBPROFESSOR WILLARDMR.WEBBWOMAN IN THE BALCONYMAN IN THE AUDITORIUMLADY IN THE BoxSIMON STIMSONMRS. SOAMESCONSTABLEWARRENCROWELLTHREE BASEBALL PLAYERSSiSAM CRAIGJOE STODDARDTheentire play takes place in Grover's Corners,New Hampshire.

ACTNoNoIcurtain.scenery.The audience, arriving, sees an empty stage in half-tight.Presently the STAGE MANAGER, hat on and pipe in mouth enters and begins placing a table and three chairs downstage lefty and a table and three chairs downstage right.He also places a lo wftheWebb house,bench at the corner of what will beleft."Left" and "right" are from the point of view of the actorfacing the audience. "Up" is toward the back wall.As the house lights go down he has finished setting thestage and leaning against the right prosceniwn pillar'watches the late arrivals in the audience.When the auditorium is in complete darkness he speaks:STAGE MANAGER:This play is called "Oar Town." It was written by ThorntonWilder; produced and directed by A. . (or: produced by; Miss; directed by B). In it you will see Miss CandFMr.Mr.DMissEMr.; and;;;;AGmanyothers.The nameof thetownisHGrover's Corners,NewHampshire just across the Massachusetts line: latitude 42 degrees40 minutes; longitude 70 degrees 37 minutes. The First Act shows aday in our town. The day is May 7, 1901. The time is just beforedawn.Arooster crows.

OUR TOv NThe skyisbeginning to show some sneaks of light over in theEast there, behind our mount'in.The morningithas to go,staralways gets wonderful bright the minute beforedoesn'tit?He stares at it -for a moment, then goes upstage.Well, I'd better show you how our town lies.That is: parallel with the back wall.isMainthatStreet.Wayback thereway. Polish Town'sUpherethe railway station; tracks gotheacrosstracks, and some Canuckisfamilies.TowardOver thereistheleft.the Congregational Church; across the street's thePresbyterian.Methodist and Unitarian are over there.Baptistisdownin the holla'Catholic ChurchHere's theisTownbythe river.over beyond the tracks.Hall and Post Office combined;jail'sin thebasement.Bryan once made a speech from these very steps here.Along here's a row of stores. Hitching posts and horse blocksfront of them. First automobile's going tocome alongininaboutBanker Cartwright, our richest citizen. . lives in thehouse up on the hill.whitebigtheHere'sgrocery store and here's Mr. Morgan's drugstore. Mostfive yearsbelonged to.everybody in town manages to look into those twostoresoncea day.Public School's over yonder. High School's still farther over.Quarter of nine mornings, noontimes, and three o'clock afternoons, the hulltown can hearthe yelling and screaming fromthose schoolyards.Hefapproaches the table and chairs do wnstage right.6

ACT ONEThisisour doctor's house, Doc Gibbs*. This is the back door.Two arched trellises, covered with vines and flowers, arepushed out, one by each prosceniumwhoThere's some scenery for thosepillar.think they have to havescenery.Mrs. Gibbs' garden. Corn . peasheliotrope . . and a lot of burdock.This.is.beans. . .hollyhocks.Crosses the stage.In those days our newspaper come out twice a weekGrover's Corners Sentineland this is Editor Webb's house.theAnd this is Mrs. Webb's garden.Just like Mrs. Gibbs', only it's got a lot of sunflowers, too.He looks upward, center stage.Right here . .'s a big butternut tree.He returns tohis place by the right proscenium pillar andlooks at the audience for a wnnifie.Nice town, y'know what I mean?Nobody very remarkable ever come out of it, s'far as we know.The earliest tombstones in the cemetery up there on the mountainsay 1670-1680 they're Grovers and Cartwrights and Gibbses andHerseys same names as are around here now.Well, as I said: it's about dawn.The only lights on in town are in a cottage over by the trackswhere a Polish mother's just had twins. And in the Joe Crowellhouse, where Joe Junior's getting up so as to deliver the paper.And in the depot, where Shorty Hawkins is getrin' ready to flagthe 5:45 for Boston.train whistleAisheard.TheSTAGEMANAGERtakes out hiswatch and nods.Naturally, out in the country all around there've been lights onfor some time, what with milkin's and so on. But town peoplesleep kte.7

OUR TOWNSoanother day's begun.Doc Gibbs comin'There'sfrom that babycase.Anddown MainStreetnow, comin' backhere's his wife comin' downstairs to getbreakfast.MRS. GIBBS, a plump, pleasant woman in the middle thirties,comes "downstairs" right. She pulls up an imaginarywindow shadein her kitchenandstarts tomake afire inher stove.Doc Gibbs diedin 1930.The newnamed after him.fact. She went out tohospital'sMrs. Gibbs died first long time ago, invisither daughter, Rebecca, who married an insurance man in Canton,Ohio, and died there pneumonia but her body was broughtback here. She's up in the cemetery there now in with a wholemess of Gibbses and Herseys she was Julia Hersey 'fore shemarried Doc Gibbs in the Congregational Church over there.In ourtown welike toknowthe facts about everybody.Webb, coming downstairs to get her breakfast, too.That's Doc Gibbs. Got that call at half past one this morning.And there comes Joe Crowell, Jr., delivering Mr. Webb'sThere's Mrs.Sentinel.-ointbeen coming along Main Street from the left,where he would turn to approach his house,sets down hisimaginary black bag, takes offvd rubs his face with fatigue, using cm enormous\chipf.# thin, serious, crispwoman,has entered hertying on an apron. She goes through themotions of putting wood into a stove, lighting it, andleft,preparing breakfast.Suddenly, JOE CROWELL,Streetfrom theJR., eleven, startsright, hurling imaginarydoorways.8down Mainnewspapers into

ACT ONEJOE CROWELL,JR.:Morning, DocGibbs.DR. GIBBS:Morning, Joe.JOE CROWELL,JR.:Somebody beensick,Doc?DR. GIBBS:No.Justsome twins born overJOE CROWELL,in PolishTown.JR.:Do you want yourpaper now?DR. GIBBS:Yes, Fll takeit.Anything serious goin* on in the world sinceWednesday?JOE CROWELL,Yessir.JR.:My schoolteacher, Miss Foster,'sgetting married to a fellaover in Concord.DR. GIBBS:I declare.How do you boys feel about that?*JOE CROWELL,JR.:Well, of course, it's none of my business but T thinkstarts out to be a teacher, she ought to stay OLifa personDR. GIBBS:How's yourknee, Joe?JOE CROWELL,Fine,Doc,alwaystellsIJR.:never think aboutme whenit'sitatall.going to rain.9Onlylikeyousaid, it

OUR TOWNDR. GIBBS:What'sitJOE CROWELL,No,you today? Goin' totellingrain?JR.:sir.DR. GIBBS:Sure?JOE CROWELL,JR.:Yessir.DR. GIBBS:Knee ever makeJOE CROWELL,No,a mistake?JR.:sir.JOE goesoff. DR.GIBBS stands reading his paper.STAGE MANAGER:Wantyou something a out that boy Joe Crowell there.Joe was awful bright graduated from high school here, head oftotellSo he got a scholarship to Massachusetts Tech. Graduatedwas all wrote up in the Boston paperthe time. Goin' to be a great engineer, Joe was. But the warhis class.head ofathis class there, too. Itbroke out and he died in France.All that education for nothing.HOWIE NEWSOME:OffGiddap,left.Bessie!What's the matter with you today?STAGE MANAGER:Here comes Howie Newsome, deliverin' the milk.HOWIE NEWSOME, about thirty y in overalls, comes alongMain Street from the left, 'walking beside an invisible horse'10

ACT ONEand wagon and carrying an imaginary rack ivith milkbottles. The sound of clinking milk bottles is heard. Heleaves same bottles at Mrs. Webb's trellis, then, crossingthe stage to Mrs. Gibbs\ he stops center to talk to Dr.Gibbs.HOWIE NEWSOME:Morning, Doc.DR. GIBBS:Morning, Howie.HOWIE NEWSOME:Somebodysick?DR. GIBBS:Pair of twins over to Mrs. Goruslawski's.HOWIE NEWSOME:Twins, eh? This town'sgettin' biggerevery year.DR. GIBBS:Goin' torain,Howie?HOWIE NEWSOME:No,no. Fine daythat'llburn through.Comeon, Bessie.DR. GIBBS:Hello Bessie.He strokes the horse, 'whichHow oldisshe,has remainedupcenter.Howie?HOWIE NEWSOME:Going on seventeen.Bessie's allmixed up about the route ever sincethe Lockharts stopped takin' their quart of milk every day. Sheii

OUR TOWNwants to leave 'em a quartjust thesamekeeps scoldingmethehull trip,He reaches Mrs. Gibb? back door. She is waiting for him.MRS. GIBBS:Goodmorning, Howie.HOWIE NEWSOME:Morning, Mrs. Gibbs. Doc'sjustcomin'downthe street.MRS. GIBBS:Ishe? Seems like you're late today.HOWIE NEWSOME:Yes.Somep'n went wrong with theseparator. Don'tknow what'twas.He passes Dr.Gibbs up center.Doc!DR. GIBBS:Howie!MRS. GIBBS:Calling upstairs.Children! Children! Time to get up.HOWIE NEWSOME:Comeon, Bessie!He goes off right.MRS. GIBBS:George! Rebecca!DR. GIBBS arrives at histrellisback door and passes through theinto his house.MRS. GIBBS:Everythingallright,Frank?12

ACT ONEDR. GIBBS:Yes. I declareeasy as kittens.MRS. GIBBS:Bacon'll be ready in a minute. Set down and drinkyour coffee.catch a couple hours'this morning, can'tyou?sleepYou canDR. GIBBS:Hm!it's.Mrs. Wentworth's coming at eleven. Guess.about, too.Her stummickain'twhatitIknow whatought to be.MRS. GIBBS:All told, you won't get more'n three hours'Isleep. Frank Gibbs,don't know what's goin' to become ofI do wish I couldyou.getyou to go away someplace and take a rest. I think it would do yougood.MRS. WEBB:TimeEmileeee!to get upl Wally! Seven o'clock!MRS. GIBBS:you got to speak to George. Seems like something'scome over him lately. He's no help to me at all. I can't even gethim to cut me some wood.I declare,DR. GIBBS:Washing and dryingbusy at the stove.Ishishands at the sink. MRS. GIBBSishe sassy to you?MRS. GIBBS:No.He just whines!All he thinks aboutRebecca! You'll be kte for school.DR. GIBBS:M-m-m.13isthat baseballGeorge!

OUR TOWNMRS. GIBBS:George!0R. GIBBS:George, look sharp!GEORGE'S VOICE:Yes, Pa!0R. GIBBS:As he goes off the stage.Don't you hear your mother calling you?IguessI'llgoupstairsand get forty winks*MRS. WEBB:Walleee! Emileee! You'll beyourself good orREBECCAI'lllate for school!come up and doitWalleee!You washmyself.GIBBS' VOICE:Ma! Whatdress shall Iwear?MRS. GIBBS:Don't make asleep. Inoise. Your father's been out all night and needswashed and ironed the blue gingham for you special.REBECCA:Ma,Ihate that dress.MRS. GIBBS:Oh, hush-up-with-you.REBECCA:Every dayIgoto school dressed like a sick turkey.MRS. GIBBS:Now,Rebecca, you always look very nice.his

ACT ONEREBECCA:Mama, George's throwing soapme.atMRS. GIBBS:F1Icome andslap theboth of you,that'swhat FU do.A factory whistle sounds.The CHILDREN dashinand taketheir places at the tables.Right, GEORGE, about sixteen, and REBECCA, eleven. Left,EMILY and WALLY, same ages. They carry strapped schoolbooks.STAGE MANAGER:We've gota factory in ourownCartwrightsitandittown toohearit?Makesblankets*brung 'em a fortune.MRS. WEBB:Children!NowIwon't have it. Breakfastwon't have you gobblingother meal andIyour growth,that'sa fact. Putas anyjust as goodlike wolves. It'll stuntisaway your book, Wally.WALLY:Aw, Ma! Byten o'clock I got toknowallabout Canada.MRS. WEBB:You know the rule's well as I dorather havemyno booksat table.As for me,I'dchildren healthy than bright.EMILY:I'm both,forMama: you knowmy age.IIam. I'm the brightestgirlin schoolhave a wonderful memory.MRS. WEBB:Eat your breakfast.WALLY:Fm bright, too, when I'mlooking at15mystamp collection.

OUR TOWNMRS. GIBBS:speak to your father about it when he's rested. Seems to metwenty-five cents a week's enough for a boy your age. I declare I111don'tknow how youspendit all.GEORGE:Aw, Ma,Igotta lotta things to buy.MRS. GIBBS:that'sStrawberry phosphateswhat you spenditoiuGEORGE:Idon't seemore'n ahow Rebecca comesto have somuch money. Shehasdollar.REBECCA:Spoon in mouthy dreamily.I've been saving it up gradual.MRS. GIBBS:Well, dear, I thinkit'sagood thingto spendsome every now andthen.REBECCA:Mama, do you know whatMoney,Ilove most in the worlddo you?MRS. GIBBS:Eat your breakfast.THE CHILDREN:Mama, there's first bell.IIgotta hurry.I don'twant any more.gotta hurry.The CHILDRENrise, seizetheir16books and dash out through

ONEthetrellises.walk to MeanThey meet, downcenter,and cb&termg,Street, then turn left.The STAGE MANAGER goesoff,unobtrusively y right.MRS. WEBB:Walkfast,but you don't have to run. Wally, poll up your pantsStand up straight, Emily.at the knee.MRS. GIBBS:Tell Miss Foster I send hermy bestcongratulationscan you re-member that?REBECCA:Yes,Ma.MRS. GIBBS:Youlook real nice, Rebecca. Pick up yourfeet.ALL:Good-by.MRSGIBBSfillscomes do wneher apron 'with food for the chickens andto the footlights.MRS. GIBBS:Here, chick, chick, chick.No, go away, you.Go away.Here, chick, chick, chick.What's the matter with you? Fight, fight, fight, that's all you do. . .you don't belong to me. Where'd you come from?HmShe shakes her apron.Oh, don't be so scared. Nobody's going to hurt you.MRS. WEBB is sitting on the bench by her trellis, stringingbeans.Good morning,Myrtle.How's yourcold?

OUR TOWNMRS, WEBB:get that tickling feeling in my throat. I told Charles Ididn't know as I'd go to choir practice tonight. Wouldn't be anyWell,I stilluse.MRS. GIBBS:Have youtried singingover your voice?MRS. WEBB:Yes, butsomehow IIresting myselfcan'tthoughtdothat and stayI'd stringsome ofon the key. WhileFmthese beans.MRS. GIBBS:Rollingup hersleeves as she crosses the stage for a chat.Let me help you. Beans have been goodthisyear.MRS. WEBB:put up forty quarts if it kiUs me. The children saythey hate 'em, but I notice they're able to get 'em down all winter.Pause. Brief sound of chickens cackling.I've decided toMRS. GIBBS:Now,Myrtle. I've got tosomebodyI'lltellyou something, becauseif Idon'ttellburst.MRS. WEBB:Why,Julia Gibbs!MRS. GIBBS:Here, give me some more of those beans. Myrtle, did one of thosesecondhand-furniture men from Boston come to see you lastFriday?MRS. WEBB:No-o.18

ACT ONEMRS. GIBBS:Well, he called on me. First I thought he was a patient wantin' tosee Dr. Gibbs. *N he wormed hisway into my parlor, and, Myrtleoffered me three hundred andfifty dollars for Grandmother Wentworth's highboy, as I'm sitting here!Webb, heMRS. WEBB:Why, Julia Gibbs!MRS. GIBBS:Hedid!to putitThat oldandIthing!it was sobig I didn't knowto Cousin Hester Wilcox.Why,almost giveitwhereMRS. WEBB:Well, you're going to takeit,aren'tyou?MRS. GIBBS:Idon'tknow.MRS. WEBB:Youknowdon'tthree hundred and fifty dollars! What'scomeover you?MRS. GIBBS:Well,if Icould get the Doctor to take thesomeplace on a real trip, I'd sellbeen the dream of my life to seemoney and go awayit like that.Y'know, Myrtle, it'sOh, I don't know.It soundsIbutforI'vebeencrazy, suppose,yearspromising myself that if we ever had the chanceParis, France.MRS. WEBB:Howdoes the Doctor feel aboutit?MRS. GIBBS:Well,legacyIdid beat about the bush athat's thewayIputitI'd19littleandsaid that if Igot amake him take me somewhere,

OUR TOWNMRS. WEBB:M-m-m.Whatdid he say?MRS. GIBBS:You know how he is. I haven't heard a serious word out of himsince I've known him. No, he said, it might make him discontentedwith Grover's Corners to go traipsin' about Europe; better letwell enough alone, he says. Every two years he makes a trip to thebattlefields of theheQvilWarandthat'senoughtreat foranybody,says.MRS. WEBB:Well, Mr. Webb just admires the way Dr. Gibbs knows everything about the Civil War. Mr. Webb's a good mind to give upNapoleon and move overto the CivilWar, only Dr. Gibbs beingjust makes him despair.one of the greatest experts in the countryMRS. GIBBS:It'sa fact! Dr. Gibbsor Gettysburg.Thestopping at everytobuyisnever so happy aswhenhe's attimes I've walked over thosebush and pacingit allout, likeAntietamhills,Myrtle,we weregoingit.MRS. WEBB:that secondhand man's really serious about buyin' it,Julia, you sell it. And then you'll get to see Paris, all right Justkeep droppin' hints from time to time that's how I got to see theWell,ifAtlantic Ocean, y'know.MRS. GIBBS:Oh, I'm sorry I mentioned it. Only it seems to me that once inyour life before you die you ought to see a country where theydon't talk in English and don't even want to.The STAGE MANAGERhis hat to the ladies,enters briskly from the right.their heads.who nodHe tips

ACT ONESTAGE MANAGER:Thank you,ladies. Thankyou very much.MRS. GIBBS and MRS. WEBB gather up their things, returninto theirhomes anddisappear.Now we're going to skip a few hours.Butfirstwe wantalittlemore information about the town, kindof a scientific account,you mightSoWillard of our State University to sketchI've asked Professo

mrs.gibbs mrs.webb george gibbs rebecca gibbs wallywebb emilywebb professor willard mr.webb womaninthebalcony manintheauditorium ladyinthebox simon stimson mrs.soames constable warren sicrowell three baseball players samcraig joestoddard theentire playtakes placeingrover's corners, newhampshire.

Related Documents:

1. Nilai b atau lebar yang di ambil adalah 1m atau 1000 mm (Pasal 10.5.1). 2. Tebal selimut beton plat minimum (Pasal 7.7.1) : - Untuk batang tulangan plat Ø 36, tebal selimut plat beton 20 mm. - Untuk batang tulangan plat Ø 40, tebal selimut plat beton 40 mm 3. Tebal minimum plat (h) a.

Iron/Constantan Chromel/Alumel Copper/Constantan Chromel/Constantan Plat. 13% Rhod./Plat. Plat. 10% Rhod./Plat. Plat. 30% Rhod./Plat. 6% Rhod. For duplex calibrations please indicate double letters, example EE. C O D E A S S E M B LY STYLE S D Simplex Duplex C O D E EXTENSION LENGTH 2 4 6 2" 4" 6" For other lengths consult factory C O D E E L E .

Joseph Thornton - Nancy Smith, 07 Jun 1786, Perquimans Co., NC Moses Thornton - Salley Turner, 23 Dec 1800, Warren Co., NC Nancy Thornton - Claiborn Robertson, 21 Dec 1791, Warren Co., NC Patsy Thornton - John Edward, 31 Aug 1795, Granville Co., NC Rowland Thornton

Texts of Wow Rosh Hashana II 5780 - Congregation Shearith Israel, Atlanta Georgia Wow ׳ג ׳א:׳א תישארב (א) ׃ץרֶָֽאָּהָּ תאֵֵ֥וְּ םִימִַׁ֖שַָּה תאֵֵ֥ םיקִִ֑לֹאֱ ארָָּ֣ Îָּ תישִִׁ֖ארֵ Îְּ(ב) חַורְָּ֣ו ם

Section 5.3.2: the proposed plat maintains the Westerly Buffer between development and Cougar Mountain Regional Wildland Park per AMM14-012EV (Condition 2) Section 5.3.3: the proposed plat maintains connections to existing trails. Specifically the plat has a connection to the Shangri-La Trail in Tract D.

Thomas Thornton, I Generation No. 1 1. Thomas 1 Thornton I was born before 1719 in North Carolina 1, and died before July 16, 1777 in Duplin County, North Carolina. He married Martha Unknown before 1735 in Virginia or North Carolina 2. She died Unknown. Thomas Thornton, the fathe

including principal chairs for cello, violin, bass, viola, flute and harp Approximately 20% of the members of the L.A. Chamber Orchestra are also associated with USC Thornton The Music Library directly supports the research and performance needs of the Flora L. Thornton School of Music’s academic, instrumental and ensemble programs.

Alex Rider [7] Horowitz, Anthony Walker Books Ltd (2008) Rating: Product Description Alex Rider bites back. Splashing down off the coast of Australia, Alex is soon working undercover - this time for ASIS, the Australian Secret Service - on a mission to infiltrate the criminal underworld of South-East Asia: the ruthless world of the Snakehead. Faced with an old enemy and .