SESSIONS PAGE - Gibson's Learn & Master Guitar Lessons
Table of ContentsSESSIONSPAGE6) Minor Seventh & Suspended ChordsSESSIONSPAGEOverviewOpen Minor Seventh ChordsOpen Suspended ChordsStrumming Pattern #1 PracticeStrumming Pattern #2 PracticeStrumming Pattern #3 Practice1) Starting Off RightOverviewFinger Exercise 1Finger Exercise 2Finger Exercise 3Alternating Finger ExerciseC & G7 Chord Exercise3567897) Barre Chords on the 6th StringOverviewSixth String Barre ChordsMore Sixth String Barre ChordsEven More Sixth String Barre ChordsMajor Scales WorksheetMajor Scales Mixed WorksheetMajor Scale Table WorksheetThe Ultimate Major Scale Mix Up2) Reading Music & Notes on the 1st & 2nd StringsOverviewFirst String ExercisesMore First String ExercisesSecond String ExercisesMore Second String ExercisesFirst and Second String ExercisesMore First and Second String ExercisesLondon Bridge is Falling DownSkip To My Lou101213141516171819OverviewFifth String Barre ChordsMore Fifth String Barre ChordsMixed Open and Barre ChordsKeys & Key Signatures WorksheetDetermining a Key from a Key SignatureMajor Scales & Key Signatures ListKeys and Key Signatures Flashcards2022232425262728OverviewStrumming with Eighth NotesStrumming with Eighth Notes & TiesInterval NamingDiatonic Intervals WorksheetDiatonic Intervals by Key WorksheetMore Challenging Diatonic IntervalsHarmonic Intervals WorksheetHarmonic Intervals by Key WorksheetThe Most Important Harmonic IntervalsUltimate Interval 0) Fingerstyle GuitarOverviewCorrect Fingerstyle Hand Position in 5 StepsFinger Pattern #1 ExercisesFinger Pattern #2 ExercisesFinger Pattern #3 ExercisesDm EtudeSession 10 Intro & Playing NotesCanon in D Revised & Playing Notes5) Basic Open ChordsOverviewThe C, G7, Am, E & Dm ChordsThe G, D7, Em & B7 ChordsThe D, C7, A, A7 & E7 ChordsAll Basic Open ChordsHe’s a Jolly Good FellowTurkey in the Straw63656667686970719) The Secret to Great Strumming4) Notes on the 5th & 6th StringsOverviewFifth String ExercisesMore Fifth String ExercisesSixth String ExercisesMore Sixth String ExercisesSharps, Flats & NaturalsFur EliseThe EntertainerAm & E Chord Exercise54565758596061628) Barre Chords on the 5th String3) Notes on the 3rd & 4th StringsOverviewThird String ExercisesMore Third String ExercisesFourth String ExercisesMore Fourth String ExercisesTies, Dots & Rests!Amazing GraceWe Wish You A Merry 98
SESSIONSPAGESESSIONS11) Pentatonic Scales- The Foundation of SoloingOverviewPentatonic Scales WorksheetPentatonic Scales Ultimate Mix UpConnected Pentatonic Scales in C & AmConnected Pentatonic Scales in Fm & AbNinth Chord Explanation & TableNinth Chords by Key Worksheet100102103104106OverviewBuilding a Solo from the Ground Up108110OverviewChords Bonus ExercisesMajor Scales WorksheetMajor Scales Mixed WorksheetMajor Scale Table WorksheetThe Ultimate Major Scale Mix UpKeys & Key Signatures WorksheetDetermining a Key from a Key SignatureDiatonic Intervals WorksheetDiatonic Intervals by Key WorksheetMore Challenging Diatonic IntervalsHarmonic Intervals WorksheetHarmonic Intervals by Key WorksheetThe Most Important Harmonic IntervalsUltimate Interval ChallengePentatonic Scales WorksheetPentatonic Scales Ultimate Mix UpTriads by Key WorksheetTriads WorksheetHarmonized Major Scales WorksheetSeventh Chords by Key WorksheetSeventh Chords WorksheetNinth Chords by Key Worksheet11111311411511611711912015) Electric Guitars – The Heart of Rock & RollOverviewPower Chord ExercisesHarmonized Major Scales Worksheet12412612716) Advanced StrummingOverviewBasic Strumming ExercisesAdvanced Strumming Exercises12813013117) Going Beyond the First PositionOverviewThree Note on a String Scales in FThree Note on a String Scales in DThree Note Scales in Bb with Hammer-OnsSeventh Chords by Key WorksheetSeventh Chords Worksheet13213413714014314518) JazzOverviewChord Melody ExercisesAdding Color TonesAdding the ii-V ProgressionDressing Up the Dominant (V) Chord159161Answer Keys14) Giving Your Playing Some StyleOverviewSliding ExercisesArpeggio Exercises15415620) All the Chords You Need to Know13) Playing the BluesOverviewPentatonic Blues Forms in ATriadsTriads by Key WorksheetTriads Worksheet15215319) Soloing12) Advanced ChordsOverviewTwo Chord 170172173174176177178179180181182183185186
SESSION 1 Bonus ResourcesSESSION 1 – Starting Off RightBonus ResourcesRESOURCESLearning the mechanics of playing an instrument is the mundanebut necessary precursor to a life filled with making music.Key ConceptsSkills Gained in this SessionParts of the GuitarNames of the StringsProper Right & Left Hand TechniqueThe C & G7 ChordMemorizing the Names of the StringsGaining Control & Accuracy of Finger MovementForming the C & G7 Chords CorrectlySession OverviewThe goal of this session is to introduce you to the instrument. Proper hand positions for bothhands are introduced. For the picking hand, proper holding of the pick and bracing your handwhen picking the strings are important concepts to grasp at this stage. For the fretting hand,make sure that your hand has some air space between the neck of the guitar and the palmof your fretting hand. Simple finger exercises are given in the lesson book and in the bonusresources to help build proper motor skill development as well as to toughen up the fingertips.These finger exercises should be done daily until they can be played at a moderate tempowithout hesitation. Even as you go on to newer material, these finger exercises are a great wayto warm up prior to practicing.The first two chords of C & G7 are introduced. Initially, forming the chords properly will take agreat deal of time and effort. The more the chords are played the quicker they will begin tobe formed. At these early stages it is fine for you to look at your hands while forming thechords. But, as chord familiarity increases, the chords should be formed without looking.Forming the chords without looking will help build the muscle memory needed for futuresessions.Tuning the guitar, whether by an electronic tuner or by ear, is a vital skill that should be doneprior to any playing. How to tune the guitar is covered in the 6 minute “Tuning Introduction” onthe Session 1 DVD and also on pg. 3 of the guidebook. It would be a wise idea to considerpurchasing an electronic tuner, string winder, guitar case, metronome, and music stand if youdon’t already have these items. These will greatly help you as you begin your rewardingjourney to learn the guitar.Steady, consistent practice in a relaxed learning environment will be vital to yourdevelopment. Soreness in the fingertips is to be expected and is usually short-lived. Initially,soreness in the fingers will require shorter times of practice, but as the fingers toughen up thelength of practice time can be increased. At least 15 minutes a day is the least amount of timeneeded for improvement. If possible, 30 minutes is ideal.Gibson’s Learn & Master Guitar with Steve Krenz3This stage is aboutgetting your fingersto do what yourbrain is tellingthem to do.Consistent, dailyeffort on the fingerexercises will giveyou the controlyou’ll need.Be patient withyour learningprocess. Reallearning takestime.15-30 minutes ofpractice a day isideal.www.LearnandMaster.com/resources
SESSION 1 Bonus ResourcesTips for Successful LearningBe accurate with the finger exercises. Getting the correct finger movement can be very slow atfirst, but with faithful, daily attention accuracy and speed will quickly develop. When the hand, wrist or fingers start hurting, rest.Try again later. Endurance will graduallyimprove. Don’t get frustrated. Be patient with the learning process. Getting the proper motor skill control takes time andYour fingers are going to feel clumsy at first. Keep trying. They will get moreaccurate as your motor skills develop.consistent effort. Practice when the mind is relaxed and fresh. Consistent daily practice yields steady and gradualimprovement. Strum the proper number of strings for each chord. Use one smooth and controlleddownward strumming motion.You’re Ready to Move On You have memorized the names of the strings.You can play all of the finger exercises on pages 4-5 in your lesson book.Use asteady down and up picking motion with only minor hesitations between finger movements. You can form the C and G7 chords correctly. At this point, it is not as critical that you are able toplay them perfectly, just that you are able to form them correctly. It will take a while to get each string to sound out.The main focus at this stage is that your fingers are going to the right strings.Closing Thought – Establish a Routine of LearningIdeally, practice times should be a regular and planned part of your daily routine. Music learning is quicker,more enjoyable and more effective when the task of practicing is taken out of the realm of optional andextracurricular and put squarely into the realm of scheduled, daily and routine. If you wait for learning to beconvenient, it probably will never happen. When you do sit down to practice, make it focused. Twentyminutes of focused practice is worth an hour of sitting on your couch with your guitar in your hand playingaround on whatever comes to mind. Your practice time is time that you set aside just for you, your guitar andyour dream of playing music. Keep Learning!Gibson’s Learn & Master Guitar with Steve Krenz4www.LearnandMaster.com/resources
SESSION 1 Bonus ResourcesFinger Exercise 1These finger exercises are designed to build coordination between your right and left hand. Proper picking andfingering hand coordination is vital to good controlled guitar playing. Play each finger pattern on each string. Use asmooth down-up-down-up picking motion. Practice with an even steady rhythm. The goal is control, not speed.Gibson’s Learn & Master Guitar with Steve Krenz5www.LearnandMaster.com/resources
SESSION 1 Bonus ResourcesFinger Exercise 2These finger exercises are designed to build coordination between your right and left hand. Proper picking andfingering hand coordination is vital to good controlled guitar playing. Play each finger pattern on each string. Use asmooth down-up picking motion. Practice with an even steady rhythm. The goal is control, not speed.Gibson’s Learn & Master Guitar with Steve Krenz6www.LearnandMaster.com/resources
SESSION 1 Bonus ResourcesFinger Exercise 3These finger exercises are designed to build coordination between your right and left hand. Proper picking andfingering hand coordination is vital to good controlled guitar playing. Play each finger pattern on each string. Use alldown strokes in your picking motion. Practice with an even steady rhythm. The goal is control, not speed.Gibson’s Learn & Master Guitar with Steve Krenz7www.LearnandMaster.com/resources
SESSION 1 Bonus ResourcesAlternating Finger ExerciseThis finger exercise is meant to develop finger independence. Practice it slowly at first, gradually increasing speed. Doeach exercise on all of the strings. Use the picking motion notated for each exercise. Practice with an even steadyrhythm. The goal is control, not speed.Gibson’s Learn & Master Guitar with Steve Krenz8www.LearnandMaster.com/resources
SESSION 1 Bonus ResourcesC & G7 Chord ExerciseBoth chords are shown in their full version as well as an easier 3 and 4 note version. Remember to use the correctnumber of strings and the correct fingering. Practice slowly at first, gradually increasing speed. Try to minimize anyhesitations between chord changes. Practice with an even steady rhythm.Gibson’s Learn & Master Guitar with Steve Krenz9www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesSESSION 2 – Reading Music & Notes on the 1st & 2nd StringsBonus ResourcesRESOURCESLearning to play an instrument builds perseverance, creativity andpride in accomplishment – three traits everyone can benefit from.Key ConceptsSkills Gained in this SessionHow to Read MusicRhythms & RestsNotes on the 1st & 2nd StringsLearning How to Read Music NotationVisual Recognition of 1st & 2nd String NotesPhysical Playing of 1st & 2nd String NotesUsing Correct Note Values & RhythmSession OverviewIn this session, the key elements of music reading are introduced. The learning andmemorization of the note names for the lines and spaces of the music staff are a key pointin this session. The note names for lines are E, G, B, D & F and are easily memorized by thephrase Every Good Boy Does Fine. The note names for spaces are F, A, C and E andconveniently spell the word FACE. Rhythmically, the different types of notes and rests varyaccording to how many beats each is sustained.There are three notes introduced on the first or “E” string. There will be two tasks involved inplaying these notes that you will have to master. First is the task of note recognition whichanswers the question “What note is that?” Second is the task of playing which asks, “How do Iplay that note?” So, taking a moment to write in the notes before playing helps split up the twotasks making it easier to learn. You won’t always be writing in the notes but for now, at thisstage, it is helpful.With the addition of the 3 notes on the B string you will have to switch strings in your pickinghand. Make sure that you are bracing your picking hand pinky on the soundboard to givethe hand the stability it needs to be accurate when plucking the correct string. Again, youwon’t always need to brace in this way, but for now it is going to be helpful. There will beoccasional times where you are trying to hit one string and accidentally hit the other. Thisoccasional misfire is completely normal. Your accuracy in picking will gradually improve overtime.As with the chords in the previous session, occasionally you will need to look at your hands inorder to finger the proper notes on the proper strings. While looking at your hands is fineinitially, pretty quickly you should be able to find the note without looking. Continuouslyglancing will eventually slow your progress down. Glance when you need to, but avoidglancing for every note.When learning the songs, write in the notes and try to play the notes at a slow even pace, thenplay the chords. The Jam-Along songs have 3 versions of each song: slow, medium and fast.Playing with the Jam-Along CDs are a fun and helpful way to reinforce the skills learned inthe sessions.Gibson’s Learn & Master Guitar with Steve Krenz10Memorize the notenames on themusic staff.LINESE-G-B-D-FSPACESF-A-C-ETake a minute towrite in the namesof the notes.It will help you atthis stage.Misfires in pickingare normal. Try notto get frustrated.Your accuracy willimprove in time.www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesTips for Successful Learning Keep Doing the 1st Session Finger Exercises. Gaining motor skill control is still a priority.So,every day before practicing the new material, warm up by playing through the first session finger exercises.Accuracy and speed should steadily be improving. Repetition, Repetition, Repetition. Brace Your Picking Hand.Developing good muscle memory involves repetition. Everyexercise and song should be played every day. Repetition will build speed and accuracy which is vital as morenotes are added.Bracing gives the hand the stability it needs to find the correct string whenpicking. Be Patient with the Learning Process. Getting the proper motor skill control takes time andconsistent effort. Try Not to Look at Your Hands.There is a normal tendency at this stage to develop a habit ofglancing at either hand before playing a note. Try to find and play the notes while keeping your eyes on the music.You might think that this is impossible, but generally you’ll find that you are more accurate than you might havethought. You might miss a few occasionally, but your accuracy will get better in time.You’re Ready to Move On All of the First & Second String exercises (pages 9-13 in lesson book) can beplayed without hesitation at 65 bpm. The “More First & Second String” exercises can be played using the correctrhythms and resting the correct amount of beats needed. The notes to “Ode to Joy” and “Jingle Bells” can be played at 90 bpm. The chords to “Ode to Joy” and “Jingle Bells” can relatively consistently beplayed accurately and evenly without hesitation at 90 bpm.Closing Thought – Be Patient with Your Learning ProcessYou’re probably beginning to realize that learning to play guitar is going to take some time and effort. Don’t bein a rush to get through each session. Real learning takes time. Don’t worry about what others might besaying about how fast you should be progressing. Just close your practice room door and keep working. Bepatient with yourself and don’t be frustrated at your mistakes. Mistakes are part of the learning process. Learnto enjoy the journey you are on. You’re becoming a guitar player - one step at a time, one exercise at a time,one workshop at a time. Just keep climbing up the mountain and soon you will turn around and be surprisedat how far you have come.Keep up the great work!Gibson’s Learn & Master Guitar with Steve Krenz11www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesFirst String ExercisesWrite the letter name of the note above each note. Play each exercise using the correct finger for each note. Beginslowly, gradually increasing your speed. Remember to use a proper balanced hand position. There should be a littlebit of air space between your fretting hand palm and the bottom of the guitar neck. Remember, whole notes get 4beats, half notes get 2 beats and quarter notes get 1 beat.Gibson’s Learn & Master Guitar with Steve Krenz12www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesMore First String ExercisesThese exercises do not have the tablature written in. Write in the notes if needed. Play each exercise using the correctfinger for each note. Begin slowly, gradually increasing your speed. Remember to use a proper balanced handposition.Gibson’s Learn & Master Guitar with Steve Krenz13www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesSecond String ExercisesWrite the letter name of the note above each note. Play each exercise using the correct finger for each note. Beginslowly, gradually increasing your speed. Remember to use a proper balanced hand position.Gibson’s Learn & Master Guitar with Steve Krenz14www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesMore Second String ExercisesThese exercises do not have the tablature written in. Write in the notes if needed. Play each exercise using the correctfinger for each note. Begin slowly, gradually increasing your speed. Remember to use a proper balanced handposition.Gibson’s Learn & Master Guitar with Steve Krenz15www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesFirst and Second String ExercisesWrite in the notes if needed. Play each exercise using the correct finger for each note. Begin slowly, graduallyincreasing your speed. Try not to hesitate when changing between strings.Gibson’s Learn & Master Guitar with Steve Krenz16www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesMore First and Second String ExercisesThese exercises do not have the tablature written in. Write in the notes if needed. Play each exercise using the correctfinger for each note. Begin slowly, gradually increasing your speed. Remember to use a proper balanced handposition. Carefully watch your rhythms and make sure to give each rest the proper amount of beats.Gibson’s Learn & Master Guitar with Steve Krenz17www.LearnandMaster.com/resources
SESSION 2 Bonus ResourcesPractice playing the single note melody. Start slowly and increase your tempo gradually trying to play the song in asmooth steady rhythm. When practicing the chords, be careful to play the correct number of strings for each chord.Strum the chord for each beat. Try not to hesitate between chord changes.London Bridge is Falling Do
10) Fingerstyle Guitar Overview 88 Correct Fingerstyle Hand Position in 5 Steps 90 Finger Pattern #1 Exercises 92 Finger Pattern #2 Exercises 93 Finger Pattern #3 Exercises 94 Dm Etude 95 Session 10 Intro & Playing Notes 96 Cano
Gibson Descendants Generation 1 1. THOMAS1 GIBSON was born about Abt. 1690 in West Fallowfield, Chester Co., PA. He died about Abt. 1784 in Chester Co., PA. Thomas Gibson had the following children: 2. i. ANDREW2 GIBSON (son of Thomas Gibson) was born about Abt. 1708 in Ireland. He died on Oct 25, 1803 in West Bradford Twp., Chester Co., PA.
Relapse Prevention group sessions (32 sessions) Family Education group sessions (12 sessions) Social Support group sessions (36 sessions) Clients may begin attending Social Support groups once they have completed the 12 session Family Education group but are still attending Relapse Prevention group sessions.
4% Probation/Parole 60% Advocacy 34 WEBINARS 51 SPEAKERS 2 SCREENINGS 2. CONFERENCE SCHEDULE . Lunch Sessions May 24 Sessions Sessions Lunch Sessions Virtual Computer Lab ALL DAY See Pg. 4 9:00 - 10:30 a.m. 10:45 a.m. - 12:15 p.m. 12:30 - 1:30 p.m. May 18 Sessions Sessions Lunch Sessions May
Aug 26, 2020 · Gibson Dunn 2. MCLE Information (1.0 Hour Credit) Gibson Dunn 3. Today’s Panelists. Gerry Spedale is a partner in the Houston office of Gibson, Dunn & Crutcher. He has a broad corporate practice, advising on mergers and . Christopher Haynes is an English qualified corporate partner in the London office
manual 1 each Gibson Assembly HiFi master mix (2X) The Gibson Assembly HiFi master mix (2X) is also available as a standalone product (without a positive control). The following table lists available sizes of the master mix. The Gibson Assembly HiFi master mix is al
Toxicology Roadmap to Improve Decision-Making in Toxicology and Drug Safety Assessment Room 304C Abstract #: 1002 Continuing Education Courses Education-Career Development Sessions Exhibitor-Hosted Sessions Featured Sessions Informational Sessions Platform Sessions Poster Sessions
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Analytics and Data Summit 2019 Spatial and Graph Sessions 25 Spatial and Graph related sessions See yellow track on agenda Room 103 for most sessions Tuesday: Morning: Graph technical sessions Afternoon: Spatial technical sessions, Graph hands on lab Wednesday: Morning: Spatial use cases Afternoon: Graph use cases & Spatial sessions for developers
