UNIVERSITY OF HYDERABAD S.N.SCHOOL OF ARTS AND .

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UNIVERSITY OF HYDERABADS.N.SCHOOL OF ARTS AND COMMUNICATIONDEPARTMENT OF COMMUNICATIONM.A.COMMUNICATION – SYLLABUS OVERVIEWCOURSE STRUCTUREMinimum Required Credits for MA at University of Hyderabad: 76M.A. Communication Credit RequirementsThe M.A. Communication programme is offered, with three steams of specialization, i.e. Communicationand Media Studies (CMS), Radio & Video Production (RVP), and Print Journalism & New Media (PNM).The latter two streams are more practice-oriented and many of the courses in those streams, therefore,carry more credits.The required course credits for each stream of specialization are as follows:M.A. Communication (CMS):78M.A. Communication (RVP):82M.A. Communication (PNM)):80The detailed course structure, semester by semester, is outlined below:1

I SemesterIntroduction to Communication (4 cr)History of Media (4 cr)Introduction to Radio Production (6 cr)Basics of Writing (4 cr)Media & Society Seminar (2 cr) II SemesterCommunication & Social Change (4 cr)Media Laws & Ethics (4 cr)Introduction to Video Production (6 cr)Introduction to Print & Web Production (6 cr)Total Credits: 20Total Credits: 20III SemeseterCommunication & Media StudiesMandatory: Communication & Culture (4 cr) Communication Research-1 # (6 cr) Internship (2 cr)Must add credits from optional courses:Minimum – 8Total Credits (Min): 20Radio & Video ProductionMandatory: Advanced Studio Production (6 cr) Television News Production (6 cr) Documentary Theory (4 cr) Internship (2 cr)Must add credits from optional courses:Minimum – 4Total Credits (Min): 22Print Journalism & New MediaMandatory: Reporting & Production for Print Media (6 cr) Special-Interest Reporting (4 cr) Approaches to Editing (4 cr) Internship (2 cr)Must add credits from optional courses:Minimum – 4Total Credits (Min): 20IV SemesterCommunication & Media StudiesMandatory: Understanding Digital Culture (4 cr) Communication Research-2 (6 cr)Must add credits from optional courses:Minimum – 8Total Credits (Min): 18Radio & Video ProductionMandatory: Documentary Production (6 cr) Genres & Formats (6 cr) Media Management# (4 cr)Must add credits from optional courses:Minimum – 4Total Credits (Min): 20Print Journalism & New MediaMandatory: Features & Analytical Writing (6 cr) Convergence Journalism (6 cr) Media Management# (4 cr)Must add credits from optional courses:Minimum – 4Total Credits (Min): 20Optional CoursesOptional Courses Communication & Culture (4 cr) Understanding Digital Culture (4 cr) Communication Research-1# (6 cr) Film Theory & Criticism* (4 cr) Science & Health Communication@ (4 cr) Globalization & Communication @(4 cr) Community Media & Public Sphere* (4 cr) Media, Conflicts and Disasters* (4 cr) Advanced Radio Production* (6 cr)*Optional course for students of all streams of MA Communication#Mandatory for stream and open to students of other streams of MA Communication Mandatory for stream and open to all other streams and students outside department@Open to all streams of MA Communication and students outside department2

DETAILED COURSE OUTLINESI SEMESTERCOURSE CODE AND TITLESCOURSE NOTitle of the CourseCreditsCC-401Introduction to Communication4 crCC-402History of Media4 crCC-403Basics of Writing4 crCC-404Introduction to Radio Production6 crCC-405Seminar on Media and Society2crII SEMESTERCOURSE CODE AND TITLESCOURSE NOTitle of the CourseCreditsCC-451Introduction to Video Production6 crCC-452Communication and Social Change4 crCC-453Media Laws and Ethics4 crCC-454Introduction to Print and Web Production6 crIII SEMESTERCOURSE CODE AND TITLESCOURSE NOTitle of the CourseCreditsPN-501Reporting and Production for Print Media6 crPN-502Approaches to Editing4 crPN-503Special Interest Reporting4 crRV-504TV News Production6 crRV-505*Advanced Radio Production6 cr3

RV-506Advanced Studio & Field Production6 crRV-507Documentary Theory4 crCM-508*Communication Research -16 crCM-509*Communication and Culture4 crCM-510*Community Media and Public Sphere4 crCM-511*Science and Health Communication4 crCC-512Internship2 crIV SEMESTERCOURSE CODE AND TITLESCOURSE NOTitle of the CourseCreditsPN-551Feature & Analytical Writing4 crPN-552*Media, Conflicts and Disaster4 crPN-553Convergence Journalism6 crRV-554Documentary Production6 crRV-555Genres & Formats6 crCM-556*Understanding Digital Media & Cyber Culture4 crCM-557Media Management4 crCM-558Communication Research-24 crCM-559*Globalization and Communication4 crCM-560*Film Theory and Criticism4 cr* Optionals. These courses will be offered depending on the availability of the faculty member/s inthat particular semester.4

SEMESTER 1CN401Introduction to CommunicationInstructor: Prof. B.P. SanjayClasses: Tuesdays (10am-12pm); Thursdays (10-11am)Office hours: Tuesdays (3-4) or by appointmentThis is an introductory course intended to provide a basic overview of the basic concepts inCommunication, Mass Media and Journalism. Beginning with a brief understanding of the relationshipbetween communication and society, the channels of communication leading to mass media will beexplained. Although the basic orientation will be focused on India, comparable countries with similarproblems and issues will also be discussed. A historical overview of conventional mass mediadevelopment will be provided that will help us to understand the contemporary situation that is hybridwith convergent platforms interacting with macro and niche sections of our society. This historicaloverview should be understood in conjunction with a more critical understanding of history provided byanother instructor.The guiding frameworks that define and or regulate their (mass media) functions will be introduced withreference to the role of the State and the Market. Responses by civil society groups to articulatealternate discourse and alternate media will be flagged. The course will also introduce conceptualframeworks pertaining to freedom of press nay media, professional dimensions-objectivity and limits,discourses and relevance of subjectivity and ethics. Towards the end of the course the student isexpected to have a fair grounding to at least understand and map communication and mediarelationships.Students are expected to understand and follow the Teaching and Evaluation pattern of theUniversity. Attendance and student progression rules and norms needs to be followed in conformitywith university rules. It is the responsibility of the student to ensure compliance. End semesterexcuses including ignorance are unacceptable. Students may read the prospectus of the University forfurther details.Continuous assessment: The course will have three tests/assignments and two best scores will be taken to compute thesemester performance. The end semester exam carries a 60 % weight. One of the assignments may be a teampresentation to the class that will be assessed for group performance and followed by individualassignments by the group on the presentation.Issues and topics to be addressedThe course will introduce the following macro aspects of communication and media. Working around with definitions and concepts to contextualise the subject Levels of communication and their relevance to different layers and strata of our society Models and theories and elusive search for non western approaches-issues, strengths andlimitations. Basics of non western communication approaches and thoughts will be introduced. Brief historical overview of mass media development with specific focus on India (two sessions).A more critical and analytical perspective will be the basis of another course.5

Regulatory framework of mass media-discussion and debates on freedom of the press (naymedia), arms length relationship of the State, contradictions and pressures of the marketdominance and contemporary media situation in India with comparison to SAARC.Issues pertaining to profession and specter of paid news, ethicsWhat is national and regional what is local in term of media operations.Communication and social change (two sessions) paradigms and text books cases of mediacentric development.Dynamics of communication policy and comparative attempts where codified policies existIntroducing media organisations at the national and international level.These topics are indicative and many sub themes may be introduced.CC 402The History of Media in IndiaClass: Monday (10-11 am) and Wednesday (10 am- 12 pm)Course instructor: Dr P.ThirumalIntroductionThe course seeks to problematise the conceptual grids relating to the title of the course namely history,media and India. The programme will be informed by a measure of conceptual understanding of varioustechnological and non-technological mediums. Both linear and contextual narrations of history will bedeployed.History pertains to past events and processes. Historiography engages with description, explanation andtheorization of certain aspects of history. This.course seeks to explore several dimensions relating tohistories about Indian languages and literatures, technological media including book, newspapers,photography and films.Claims to certain forms of historical imagination; the manner in which media locates itself as a prism oras a mirror and the constitutive role of both history and media in shaping and affirming the nationalpolitical community known as India (especially during the colonial period and after) or othercommunities premised on region, religion, gender or caste (especially in the postcolonial period), etcshall be discussed and deliberated during the course of the semester.The course assumes a radically heterogeneous world where nation-state and citizenship are not the onlydefault narratives, it seeks to sympathetically consider visions of communities distinctive pasts andfuture, where they are grounded on the basis of region, religion, gender, caste and so on.6

CourseworkThe course is structured around two weekly lectures. Readings for each class are available in the library.The students are required to go through the readings before the class. While the lecture will cover thelessons, additional reading is essential for the students to understand the subject.During the course of the semester, there will be three assignments in all, two of which will becompulsory. The students will be required to take the two tests and make individual seminarpresentation. The two tests will have questions drawn from classroom lectures and the readings.Readings on History, Medium and IndiaOn History and Historiography1. Selected parts from Munslow, Alun. Deconstructing History. London: Routledge, 19982. Selected parts from Kosambi, D.D. Introduction to Indian History. Popular Book Depot, Bombay,1956.3. Selected parts from Chaterjee, Partha. Nation and its Fragments: Colonial and PostcolonialHistories. Princeton University Press, Princeton, 1994.4. Chakrabarty, Dipesh. Subaltern Studies and Postcolonial Historiography. Nepantia : Views fromSouth 1:1, Duke University Press, 2000.5. Selected parts from Chakravarti, Uma. Everyday Lives, Everyday Histories, beyond the kings andBrahmanas of Ancient India. Tulika Books, New Delhi, 2006.On Language, Education and Technological Media 1. Selected parts from Pollock, Sheldon. Language of Gods in the World of Men: Sanskrit, Cultureand Power in Premodern India. Permanent Black, Delhi, 2006.2. McLuhan, Marshall. The Medium is the Message. The Anthropology of Media, a Reader, Ed.Askew Kelly and Richard R. Wilk. Blackwell Publishers, 2002.3. Williams, Raymond. The Technology and the Society. The Anthropology of Media, a Reader, Ed.Askew Kelly and Richard R. Wilk. Blackwell Publishers, 2002.4. Selected parts from Stevens, John D. and Hazel Dicken Garcia. Communication History. Volume2. The Sage CoMMText Series. London: Sage Publishers, 1980.5. Tyler, A. Stephen. On Being out of Words. Cultural Anthropology, Vol. 1, No. 2. The Dialectic ofOral and Literary Hermeneutics. 19866. Poitevin, Guy. Folk Culture, the Oral and Traditional Forms of Communication. Sandhan. Vol. IV,No. 2, July- December, 2004.7. Naregal, Veena. Language Politics, Elites, and the Public Sphere. Western India UnderColonialism. Permanent Black, New Delhi, 2001.8. Krishnamurthy, Nadig. “The History of Journalism in India”, Mysore Prasaranga 1968.9. Natarajan. S, A History of the press in India, Asia publishing house, 1962.10. Israel, Milton. Communications and Power, Propaganda and the press in the Indian nationaliststruggle, 1920-47 Cambridge university press, Delhi 199411. Robin Jeffrey, India’s Newspaper Revolution OUP, (1999).On India and India’s7

1. Selected parts from Inden, Ronald. Imagining India. Blackwell Publishers, Oxford, 1992.2. Selected parts from Embree, Ainslie T. Imagining India: Essays on Indian History. Edited by MarkJeurgensmeyer. Oxford University Press, Delhi, 1989.3. Khilnani, Sunil. Idea of India. Penguin, Delhi, 1997.4. Sudipta Kaviraj. “The Imaginary Institution of India” in Subaltern Studies vol 7, OUP, Delhi.5. Selected parts from Aloysius, G. Nationalism Without a Nation in India. Oxford University Press,Delhi, 1997.Note: Readings for the Seminar will be given separately.CC403Basics of WritingInstructor: Anjali Lal GuptaClass schedule: 2 p.m. – 3 p.m., Wednesday; 11 a.m. – 1 p.m., ThursdayConsultation hours: 2 – 3:30 p.m., Thursdays or by appointmentCourse overviewWriting is crucial to any professional activity, and in media, it is even more so. Whether you are writing anews story or pitching a film idea or creating a persuasive brochure for a consumer product, what yousay and how you say it is of paramount importance. Some of you may be here because you enjoyexpressing and playing with ideas in words, others because you want to showcase your ideas throughsound and image, and still others because you are intrigued by the way media forms work and createmeaning in our lives. Writing plays an important role in all these areas, and (perhaps most importantly)in your academic life over the next two years. So pay attention! This is a course about writing with apurpose, that of informing, instructing, persuading or elucidating.This course will offer an intensive introduction to different genres of writing, primarily in the print andnew media space, but also, tangentially, to other forms of media writing. We will learn primarily bydoing—no lazy fingers and pens allowed here!—and by reading and critiquing written work.Learning objectives To be able to write efficiently and effectively for different purposes: understand and apply therules of good grammar, structure and syntaxTo be able to identify and use different writing styles: descriptive, informative, instructional,evocative and persuasiveTo be able to appreciate and learn from good journalistic and other writingYour own writing goals (specify):Please note that the schedule of classroom sessions may change for any unanticipated reason.8

Tentative class scheduleDatesTopicsJuly 27 & 28Introductions, goal settingUnderstanding the writing processAugust 3 & 4Thinking about writing: the pre-writing stageFrom idea to finished workAugust 10, 11 &17Presentation: Choose a magazine or newspaper article you like and discuss itAugust 18 & 24Genres of journalistic writing: news and the “rest”August 25, 31Writing narratives: recreating events from beginning to endSeptember 1Describing people and things: show, don’t tellSeptember 7Summarizing and extracting: short forms that matterSeptember 8, 14 &15PresentationsMID TERM REVIEW MEETINGS Sept 21 – October 6October 13ReviewsOctober 19, 20How to write a personal essay?October 26, 27Catering to the screen reader: writing for the webNovember 2, 3Public relations writing – How to write a press releaseNovember 9, 10Review and wrap up.Assignments and gradingYour final grade in the course will be based on(1) Two class presentations (30%)9

(2) Average of the marks of all the weekly writing and critiquing tasks and classwork (70%)Presentation assignments (30%): This semester you will be required to make two presentations. Firstpresentation: Pick a magazine or newspaper article you like and discuss it. Second we will scheduleshort presentations by students in groups of three or two, on the following topics. The group will make a10 minute presentation on the topic. The inverted pyramidJournalistic writing versus creative writingGood beginnings and endingsThe importance of correct grammar and punctuationIndian English/Standard EnglishFairness and accuracy in writingSMS language and standard spellingsSpeech and writing—what’s the difference?Telling non-fiction storiesEnglish language journalism/regional language journalism—differences in styleThe language of television newsSocial media journalismSchedule of weekly writing assignmentsAs mentioned, 70% of the grade will be based on continuous evaluation of writing tasks done in theclass and assigned as homework each week.Please keep ALL your assignments—those done in class and those done at home. Final assessment willbe based on a review of the entire body of work. Take care not to misplace or throw away assignments!No.TopicTaskSuggested length1What is good writing?From your perspective, what counts asgood writing? What kind of writing doyou enjoy reading and why? Write ashort reflective essay on what youthink are the characteristics of goodwriting, with examples.350 words2Straight news withsummary leadsWrite an inverted pyramid story basedon a campus event250-300 words3Brevity and witSummarize the assigned report in theform of a short backgrounder.250 words10

4Telling stories, HandlinganecdotesInterview a friend or a family memberabout an incident or an experiencethat has changed them in somesignificant way. Recount this in a stylethat would be acceptable for inclusionin a magazine article that is about lifechanging moments.350 words5Show, don’t tellWrite a snapshot profile of a personfrom a completely different socioeconomic background than yours. Youmay do these interviews in groups oftwo. Make sure that you observe theperson and their surroundingscarefully and weave theseobservations into your story.300 words6Personal essay thatresonates with readersConnect with your readers using yourown life experience.No specific length7Reviewing cultureWrite a review essay based on yourreading/viewing of a book, film ortelevision show that goes beyond asimple summary of the plot,commenting on the genre and contextor body of work of the artist/writer.350 words8Creating mood, settingthe sceneSpend some time at a location of yourchoice—a railway station, bus stop,the lobby of a movie theatre, ashopping complex. Write a shortdescription of the scene that followsthe “show, don’t tell” approach.250 words9Writing for PRProduce a press release assuming youare writing for an institution that hasreleased a report on child nutrition inthe country.250 words11

PLEASE NOTE THAT DEADLINES FOR ALL ASSIGNMENTS ARE NON-NEGOTIABLE. A 10% PENALTY WILL BEDEDUCTED FOR EACH DAY OF DELAYED SUBMISSION, AND NO SUBMISSIONS WILL BE ACCEPTEDBEYOND THREE DAYS OF THE DEADLINE.ALSO, PLAGIARISM WILL NOT BE TOLERATED.CC-404Introduction to Radio Production(Credits: 6)Instructor: Vasuki BelavadiAssessment -- continuous: 60% end-sem: 40%learning goals Understanding radio as a mediumDifferent modes of radio broadcastingUnderstanding soundUse of equipment for radio productionField & studio-based recordingsto achieve these goals, you will be required to Attend all theory and practical sessions without fail. There shall be no repeat classes. 75%attendance is mandatory. Take care of your health.Listen to Radio. Without fail!Tune yourself to working in a group. Stick to and complete responsibilities as per job description fora production.Strictly adhere to the department equipment policy.Read up prescribed/suggested books/handouts given out in the classroom or posted by email—both hard & soft copies.Be original in ALL your assignments & strictly adhe

S.N.SCHOOL OF ARTS AND COMMUNICATION DEPARTMENT OF COMMUNICATION M.A.COMMUNICATION – SYLLABUS OVERVIEW COURSE STRUCTURE Minimum Required Credits for MA at University of Hyderabad: 76 M.A. Communication Credit Requirements The M.A. Communication programme is offered, with three steams of specialization, i.e. Communication

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