TABLE OF CONTENTS - EHF Activities

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TABLE OF CONTENTSIMPRINTI. THE CHARACTERIZATION OF THE HANDBALL GAMEII. THE DEVELOPMENT OF HANDBALL IN THE WORLDIII. METHODICAL INTRODUCTIONThe Rules of Teaching1. The Rule of Visual Teaching2. The Rule of Regularity3. The Rule of Awareness and to Be Active in Learning4. The Rule of Step by Step Teaching5. The Rule of Versatility6. The Rule of FixationThe Methods of Teaching1. Analytic Method2. Synthetic Method3. Complex MethodThe Forms of Teaching1. The Form of Games and Pre-Games2. The Strict Form3. The Form of the Fragments of a Game4. The Form of a Game: Simple,Educational and BasicThe Stages of Teaching a New Element1. The Stage of Generalization2. The Stage of Concentration3. The Stageof AutomationThe Rules for Teaching BeginnersA Physical Education LessonA Lesson DraftIV. TECHNIQUEGeneral RemarksCatching the Ball1. General Remarks2. Various Catching MethodsPassing1. General Remarks2.Types of PassingTeaching of Catching and Passing1. General RemarksShooting1. Shot in Place2. Leaning Back Shot3. Vertical Jump Shot4. Stride Jump Shot5. Shots While FallingTeaching of ShotsDribblingTeaching of DribblingFeints1. Body Feints2. Ball Feints3. Performance of FeintsTeaching FeintsA Player’s Movement in Offence and Defence1. Individual Defence Elements2. Individual Defence Technical Elements3. Stealing the Ball4. Screening the Opponent without a Ball5. Screening with a BallTeaching of Individual DefenceGoalkeeper1. General Remarks2. The Goalkeeper’s Play3. Physical Conditioning4. The Game TacticsTeaching of the Goalkeeper’s 121313131313141616161717171718191919222325

1. Posture and Footwork2. Defending with Legs and Hands3. Passing to Initiate Fast Attack4. Speed of ReactionV. TACTICAL MEANSIndividual Tactical Methods1. Always to Be Held True2. For the Players in Attack3. For the Players in Defence4. For the Goalkeepers5. In Conclusion for AllGroup and Team Tactical Methods1. Bases of Cooperation in Attack and Defence2. Transition to Attack3. Transition to Defence4. Attacking Systems5. Defensive Systems6. An Example of the Pratice of a Playing System7. Involvement of Chosen Shooting Combinatons8. Concluding Notes2525272728282929293030303031323334354044

ImprintEditor and Responsible for the Contents:Janusz Czerwinski / EHF Methods CommissionFrantisek Taborsky / EHF Competitions CommissionPublication:European Handball FederationGutheil-Schoder-Gasse9A-1100 Vienna / AUSTRIATel.: 43 - 1 - 66 106 / 65 51Fax: 43 - 1 - 66 106 - 65 59Co-ordination:Helmut HöritschLanguage Revision:Helmut HöritschLayout:Karin GsöllpointnerPlace of Publication:Gutheil-Schoder-Gasse 91100 Vienna / AUSTRIAPrinted by:AVIS-WerbungPragerstr. 62000 Stockerau / AUSTRIADate of Publication:September 1997

1. THE CHARACTERIZATION OFTHE HANDBALL GAMEHandball is a sport from the category known as sport games, and is becoming moreand more popular in the world. A relatively rapid learning of this game, based onnatural human motion, has allowed it to be popularized quickly. The development ofthe game is also influenced by its attractiveness based in variable action and directconflict with an opponent.Such conflict calls for a good physical preparation of a player. The competitorsplaying handball have a neat stature because all the body’s muscles are used in agame. Permanent motion where all the joints of upper and lower limbs work,develops and improves their range of motion.Intense and permanent physical activity generates changes in the central nervoussystem and in the muscles as well as in organs such as the heart, lungs, liver andkidneys.The handball game is not only influenced by physical fitness. As any physical activityit is performed and generated by thinking. A player has to - in strenuous action rapidly see, retain, estimate, conclude and act relevantly.Two teams attempt to gain victory which is the object of the game. The players mustfollow all the fair play rules and sports regulations issued in order to keep the gamesportsmanlike.Handball is a team game, so it plays an important role in education. Players learn tocooperate with each other. A game must be tough but in accordance with the fair playrules, team work and a sportsmanlike conduct. All these positive aspects and formsof conduct result - as time goes - in socially acceptable behaviour in everyday life.This is the vital, educational aspect of playing handball.2. THE DEVELOPMENT OF HANDBALLIN THE WORLDThe Danish encyclopedia “Athena Lexicon” says, that at the turn of the 19th centuryhandball was popularized at the Oldrup Gymnastics School. In 1898, the teacherHolger Nielsen introduced a running game with two goals in which 14 persons,divided into two teams, took part. The game in which a ball was passed with theplayers’ hands was called handball. The first game rules were issued in 1906 at theOldrup School published by “Wejdlendling Handball”.The Germans also claim to have developed the game. Klaudina, the author of a book“Das Handball Spiel”, published in 1941 in Leipzig, claims that handball derives froma game called “Konigsbergerball”, which was then renamed “Torball” - which meansgoal ball.Records on handball development in Germany is dated from the period after 1915. In1917 Max Heiner, a teacher from Berlin began developing handball as a sport forwomen. Another important year is 1919. Famed propagator of handball, KarlSchelenz, a teacher of physical education at the German Academy of PhysicalEducation, was also popularizing the game. Some changes in rules had beenintroduced. The dimensions of the playing field were increased to 80 x 40 m, thegoal line moved to 8 m, and the goal dimensions were changed to 5 m in width and

2,10 in height. Those rules embraced playing with a ball and the body, which greatlyinfluenced the technical development of handball.In 1920 handball was introduced into school programmes. Handball, however, didn’thave a separate federation in Germany.It was not until 1934 that Fachmat furHandball was established. Owing to the extensive activity of that organizationhandball spread all over Germany.Czechoslovakia is the third country which claims to have created handball. In a bookentitled “Metodej Zajec - Dejiny Hazeny”, published in 1948, the author says thatCzechoslovakia is the homeland of handball, which originated from hazena (“hazet”means to throw). A founder of hazena, which was introduced in that country in 1906,was a teacher of physical education in Prague, named A.Kristd. He wanted boys toturn their interest from soccer, which he recognized to be a dangerous game, tohazena for which he developed rules.International handball began in 1928. In that year the first organization the IAHF(International Amateur Handball Federation) Congress held its meeting. The followingcountries organized the Federation: Germany, Czechoslovakia, Holland, Belgium,Austria, USA, France, Ireland, Denmark and Canada.After the 2nd World War in 1946. The representatives of the 15 countries created anew Federation, called IHF. The dynamic progress of handball in the world hadbegun. Nowadays it is played in more than 130 countries. In 1991 the EuropeanHandball Federation - EHF was founded with its base in Vienna. The Federation isresponsible for development of handball in Europe.3. METHODICAL INTRODUCTIONPhysical education teachers and instructors are expected to have great experience intheir work with children. It would be desirable to have trainers with extensiveexperience in teaching. A teacher at school must deal with the problem of how toteach children the basic technical and tactical elements of the game. To teach means to conduct regular training which should result in learning a particular subject.Teaching is the method chosen by a teacher of using various measures to achievethe objective: The Rules of TeachingMethods of TeachingThe Forms of TeachingSteps or Stages in Teaching a New ElementThe Rules for Teaching BeginnersTHE RULES OF TEACHINGThe standards of a sensible, didactic process in a course of teaching are called rules.The basic rules are as below:1. The Rule of Visual Teaching2. The Rule of Regularity3. The Rules of Awareness and to Be Active in Learning4. The Rule of Step By Step Teaching5. The Rule of Versatility

6. The Rule of Fixation1. The Rule of Visual Teaching.is mainly accomplished by the demonstration of a particular move and by arousingan interest in it which will encourage the pupil to perform the demonstrated exercises.2. The Rule of Regularity.means a permanent and correct repetition of the basic technical and tacticalelements. A new exercise should relate to the previous one and will be a preparationfor the more complex elements.3. The Rules of Awareness and To Be Active in Learning.are closely interacted and they have a vital impact on the results in training. Eachplayer should know and understand the meaning of the performed exercise and itsimplementation in a game.4. The Rule of Step by Step Teaching.demands a variety of exercises from a teacher/coach. One must remember that thematerial to be taught must be suited to the level of the players.In teaching youths we have to keep in mind the following rules:mmmdeveloping a simple element into a complex onedeveloping an easy element into a difficult onedeveloping the known elements into the new ones.5. The Rule of Versatility- a teacher must prepare the youths for performing various tasks. This refers to thefitness preparation as well as the technical and tactical performance.6.The Rule of Fixation.is dependent on a permanent repetition of the technical and tactical elements.Continuing the repetition we can produce the required behaviour which is essential ina game. A lesson includes the rules, methods and forms of teaching.THE METHODS OF TEACHINGThe methods show us how to act in order to achieve the required task. There aresome methods used in the process of moulding behaviour.1. Analytic MethodThe analytic method is a method of dividing the movement to be taught into particularelements. Having learnt these elements they are then incorporated into the wholeexercise. The method is useful in teaching the difficult elements of movements inregard to the techniques and tactics of a game.

2. Synthetic MethodThe synthetic method is the most natural form of teaching in where we teach thewhole move.3. Complex MethodThe complex method is one which embraces the previous two methods. Part of theelement is taught using the analytic method.THE FORMS OF TEACHINGwhich can be used in a lesson. The basic forms are as follows:1. The form of Games and Pre-GamesDifferent forms of games and pre-games are mainly used at the early stages ofteaching.2. The Strict FormThe strict form is an essential form in teaching sport games. A teacher, using thisform, chooses trainees, the directions of passing the ball and changing of thepositions. Exercises are provided without an opposing team which is an importantfeature of this form.3. The Form of the Fragments of a GameAll exercises involving opponents are practised in fragments of a game. This form isused when teaching techniques as well as tactics.4. The Form of a Game: Simple, Educational and BasicA simple game is used for beginners. In this type of game only those rules are beingfollowed which are connected with previously taught technical elements. This resultsin a smooth flow of the game and the youths can enjoy the scores.During an educational game we perform the technical or tactical elements whichhave already been taught. Certain rules which must be abided by during the gameare established by the teacher or coach. The basic form of the game is playedaccording to the rules. It is a test in which one can verify to what extent thetechniques and tactical elements have been learnt.THE STAGES OF TEACHING A NEW ELEMENTWhen teaching a new element a teacher should follow a certain order. This can bedivided into three stages:1. The Stage of GeneralizationDemonstration and verbal explanation are used during the stage of generalization.We emphasize on the most important features of the particular exercise and mistakeswhich might arise during performance. The central nervous system is beingstimulated by verbal as well as visual factors.

2.The Stage of ConcentrationDuring the stage of a concentration a particular element is performed and theteacher eliminates the errors. The central nervous system is being affected just bystimuli vital for the taught element.3. The Stage of AutomationIn the stage of automation the taught elements are being implemented.At the beginning of this stage the form of fragments of the game are introduced.THE RULES FOR TEACHING BEGINNERSThe basic rule for working with children is not just to transform the training techniquesused with adults. We must also remember that.µµµµµµlessons and a game have to be shorter than in advanced groupseffort has to be adjusted to the level of a groupvarious exercises should be usedequipment should be appropriate for the physical conditionof a particular groupat least 1/3 of the exercises should be in the formof games and pre-gamesa group must be under permanent medical control.A PHYSICAL EDUCATION LESSONThe teaching programme is implemented in the form of a lesson. Each lesson lasts45 or 90 minutes and consists of three parts:1. Introduction2. Main part3. ConclusionThe subject of the lesson is arranged according to a plan which is called a lessonschedule. Correctly arranged lessons should provide a complete fulfilment of thedidactic subjects.They are as follows:µµµteaching of new elements/exercisesimproving known elements/exercisescontrol and assessmentA LESSON DRAFT

The schedule is a framework for introducing relevant exercises. A prepared set ofexercises is called a lesson draft. Any training session ought to be based on a lessondraft. The lesson draft is presented below in its standard form:

4. TECHNIQUEGENERAL REMARKSTechnique is the basis of any team sport. The technique is a skill which is necessaryto perform a game. The technique is conditioned by motoric abilities of players andthe frequency of exercise repetitions. The exercise repetitions should provide fastand almost automatically performed activities. If the players have good technique,they will pay more attention to team work and properly perfomed tactical tasks duringthe game.A player is considered to be capable of playing handball if he can:µµµµµµµrun fast and on purposechange his direction of movementcatch and pass a ball in any directions regardless of the speed he isrunning atshoot from any situationfree himself from an opponentmove on the court with a ballco-operate with other playersConsidering activities which are performed on the court,handball technique is divided into: catching the ball passing shooting

dribbling feint movements offensive and defensive movement goalkeeper’s techniqueCATCHING THE BALL1. General RemarksCatching the ball is an essential technical element in handball. Accurate catching isvery important and ensures a fast, smooth and efficient game. Catching the ball withtwo hands is the best method. In some situations one can use one hand with the helpof the other hand before passing or shooting. So-called “putting down” a ball is rarelyused.The “softness” of catching the ball is another feature of catching. Fingers must berelaxed and properly placed on the ball providing shock absorption during impact.An additional element, which is important while catching, is the speed of movementand the proper positioning of a player in regard to the path of a ball. There aresome positions:µµµfrontal position, rarely used in the gamesidewards, quite often used in the gamebackwards almost facing the path of the ball- the most frequently used position in fast attackEmphasis should be placed on teaching the last two positions.2. Various Catching MethodsIn handball there are the following methods of catching the ball:µµµµµµµµupperhalf-upperlowerin midairafter bouncefrom the groundwith the help of the other hand”putting down” a ballFig. 1 Position of hands while catching a ballPASSING1. General RemarksThis is one of the basic, technical elements. A pass must be accurate, fast andtactically useful. Accurate, so that a player has no problems when catching the ball. A

decision to whom a pass should be directed depends on the player’s position in aparticular situation. A pass should be directed to that player, whose position maymenace the opponent.2. Types of PassingDepending on the particular situation we pass:µµµµstandingwhile runningwith jump (preliminary stride)with vertical jumpIn regard to performance we divide passing into:λ onehand pass upper half-upper near hip lowerλ bothhand pass upper half-upper lowerin particular situationsTEACHING OF CATCHING AND PASSING1. General RemarksBoth elements are taught together. We start with the one hand half-upper catch andpass, then we teach the other more complicated movements. Thus at the beginningwe teach the easy elements that are often used in game. Both right and left handcatching and passing must be practiced. When teaching how to catch the ball, wemust remember that players.µµµµµshould keep their eyes on the ball until they have caught it.must spread their fingers, inner palms to the ball, and slightly bendtheir elbows.while catching the player must assume a posture required to pass.should always move to the ball, without waiting.should not correct the catch.Teaching how to pass we remember.µµµµµto pass with the right and left hand.that passing should be as simple as possible, without additional moves.that the ball must be passed in front of a player, taking into account theplayer’s speed.that the pass should be performed while running.to practise short and long passing, taking into account the particularsituation on the playing field.Teaching the said elements, we often find the following mistakes.µwhile catching:

wrongly lack of shock absorption overleaping forward wrong position of handsµwhile passing : passing behind, instead of in front of a player passing too hard lob passing swinging a passing arm too wideWhen teaching the catch and pass elements we should begin with the easiest formsand then go into more complex ones. Basic forms of teaching ought to beimplemented.µµµµin the form of games andpre-games.in the strict form.in the form of fragments of a game.playing the game.SHOOTINGShots are one of the most important elements of handball. They are vital elementsthat decide the scores. While shooting the muscles of the lower and upper limbs,pelvic region and trunk are extremely engaged.One can assume that shooting is performed similarly to passing, but with a strongeraction of the trunk and upper limbs. The shot power is conditioned by the distanceand hand action time on a ball. The greater the distance that the hand on the ballcovers in the time unit the stronger the shot will be (a ball reaches a higher velocity)performed.The names of shots have been derived from the way the players move on the courtand the position of his/her body to the ground. In handball there are the followingshots:1. Shot in Place (Fig. 2)2. Leaning Back Shot (Fig. 3)3. Vertical Jump Shot (Fig. 4 5)4. Stride /Jump Shot (Fig. 6)5. Shot While Falling6. Situational Shots (in particular situations)

1. Shot in PlaceFig. 2 Shot in Place2. Leaning Back ShotFig. 3 Leaning Back Shot

3. Vertical Jump Shot (Fig.4 5)The analysis of a vertical jump shot from the bio-mechanics point of view, allows usto say that.µµµfor a jump shot (long jump) the best take-off angle is 450 so that aplayer covers the greatest distance.for a vertical jump shot the best take-off angle is 900, a player can then jumpthe highest.the quality of a jump always depends on its initial velocity.Fig. 4 Vertical Jump ShotFig. 5 Vertical Jump Shot4. Stride Jump Shot (Fig. 6)This shot is mainly used by the offence players during a group tactical attack. Theperformance of this shot is preceded by a cross-legged jump or a jump towards thegoal. Correct performance of the shot, and particularly the position of the trunk andproper co-ordination of arms and legs make it the one of the strongest.

Fig. 6 Stride Jump Shot5. Shots While Falling (Fig.7 8)These are used during a game and while performing penalty shots. During a game(competitions, training sessions) the shots are mainly performed by the pivot andwing players. A pivot player performs the shot facing backwards, forwards, right orleft sideways the goal.λ ForwardPosition (Fig.7)A player is on one foot or both. Leaning his/her trunk forwards before falling isperformed without bending the hips. Up to the moment of losing balance, the ballbeing held in both hands, he/she brings it sideways at the level of the head orshoulder, twisting his/her trunk at the same time. Then the ball is carried with onehand, the other directed forwards is ready to absorb the impact while falling. Thethrow , which is the final backward move of the hand, should be executed at the verymoment, when the player’s body is at an angle of 40 0 to the ground. Simultaneous,fast, straight move of knee joints provides extra ball velocity.Fig. 7 Shot While Falling - Forward Position

Backward PositionIn this case, where there is only one defender near a pivot player, the method ofattack depends on the position of the defender. If he is on the right, the pivot playerperforms a half-turn to the left making the shot while falling (Fig. 8).If the defender is on the left, one should perform a half-turn around the right shoulder.The shot can then be performed using the following technique - a player takes-offfrom his right leg and throws the ball using the right hand, or he takes a step onto theleft leg and shoots towards the goal.The most difficult form of the above throw is to combine it with a vertical jump shot.The throw is quite often performed by the players playing in the pivot or wing position.From the position of a pivot player the jump shot while falling can be executedforwards to or sideways from the goal.λTEACHING OF SHOTSShots involve more difficult and complex techniques as compared to passing andcatching the ball. Therefore we teach most shooting techniques using the analyticmethod.We teach them while moving. Their efficiency depends on the ball’s initial velocity.Thus we teach shooting moving slowly at the beginning of the learning process andgradually increasing the speed up to maximum. The direction of shot is roughlydescribed, but after many repetitions we fix particular areas of the goal for theprecision of targeting. At all times we emphasize correct performance.Practising the shots, the players must pay attention to the following features:µµto perform a strong shot,it must be executed by the trunk,arm and wrist.a shooting player shouldfake the opponent.Fig. 8 Shot While Falling - Backward Position

DRIBBLINGAfter receiving the ball and before dribbling a player holds the ball with both hands.The ball is being dribbled sideways at hip level. Bouncing on the ground isperformed by the combined action of the elbow and wrist joints. The angle of thebounced ball depends on the speed that the player is moving at. The faster the runthe more the angle becomes obtuse. If an opponent comes closer, a player mustlower his position as well as the dribbling, protecting the ball from being taken by theopponent (Fig. 9, 10).Fig. 9 With an opponentFig. 10 Without an opponentFEINTSIt is a technical element which enables an attack player to free himself from adefender in order to:µµµget a better position for shootingpassrun into the space for receiving the ballA feint consists of one or several movements which are similar to running, passing orshooting, followed by the performance of the real action. Based on actions performedby players, they are generally divided into:1. Body FeintsBody feints are performed mainly by using the trunk and legs. While feinting, a playermay or may not have the ball, thus they are devided into:λ Bodyfeints with a ball:Body feints with a ball are used to:µµpass by the opponent, attracting another defender, then to pass the ball to aplayer who as a result of that action is better placed to make a shotfree the throwing hand from the opponentλ Bodyfeints without a ball

The said feints are used to free the player from the opponent and to get a betterposition for receiving or passing the ball. The feints are performed by attack playerswho are facing or have their backs to the defenders.2. Ball FeintsAn offence player distracts the defender by performing a body feint in combinationwith either feinting a shot a pass. Regarding these actions we divide ball feints into:λ Feintinga shotFeinting a shot is to provoke a defenderto react in such a way as to enable the attack player to implement one of thefollowing actions:µµpassing by the opponent and performing a shotfeinting a shot - initial movement by indicating a shot and then performing theshot in another wayλ Feintinga passFeinting a pass is used to deceive an opponent so that one of the actions below canbe carried out:µµµpassing by the opponent and performing a shotpassing by the opponent and passing the ball to a fellow playerpassing the ball to a fellow playerThe first action can be used in group tactical attack, the other two actions during fastattack.3. Performance of FeintsRegarding the performance of both body and ball feints we distinguish between:λ SingleForward PerformanceForward Performanceλ Single Backward Performanceλ Double Backward Performanceλ Doubleλ SingleForward PerformanceThis performance is especially used by the pivot and wing players. There are somevariations, but all the feints are performed to the left and passing by an opponent tothe right and vice-versa. A player feinting to the left takes a small step to the left front, placing at the same time the body weight onto his left foot (a ball close to the body).Then he pushes his left foot against the ground and crosses it with his right, passingby the opponent. He then takes off from his left foot and performs a jump shot ordribbles and then shoots. If the opposing team uses the zone defence, the feint iswidely used by pivot players, and then by wing players. All the players can use itwhile screening each other.λ DoubleForward PerformanceThis performance is similar to the single one, but the feinting player fakes twice, e.g.right, left and then runs away to the right. In executing this feint both feet are on the

ground, only the body weight is shifted from one foot to the other as well as bendingthe trunk.λ SingleBackward PerformanceThis action is performed by a player who has the ball, with his back towards theopponent. He imitates a move to the right with his right foot combining this with abody bend turn action. Then he performs a half-turn to the left and, depending onsituation, takes off from the left foot executing a jump shot or he passes with abounce. This feint is widely performed by pivot players and while screening eachother all players are with their backs to the opponents. In such situation an attackplayer with the ball, being far away from the goal, bounces feinting and then finishesthe action by shooting or - if attacked by a defender - passes the ball.λ DoubleBackward PerformancePerformed similarly as a single backward pass, but a feinting movement is performedtwice (e.g. right, left and passing by to the right).Both Feet Jump FeintA player (usually a pivot player) performs a jump onto both feet keeping them on thesame line. The distance between the feet is wider than the hips width. The bodyposition is lowered by bending the knees and leaning forwards (Fig. 11)λIf passing by is performed to the right, so the attacker jumps onto both feetsimultaneously or first the right then the left foot, and leaning the body to the left.Then he pushes the left foot against the ground and runs away to the right,performing a shot towards the goal. Running away to the right, a player makes two orthree steps being sure he has his back towards the defender while passing him by(Fig.12).The said form of performing the first stage of the feint allows a player to run in theopposite direction. He runs moving his hand behind a defender, making a stepforward with his right foot, then he takes a step with his left foot, takes off andexecutes the shot (Fig.13).Fig. 11Fig. 12

Fig. 13TEACHING OF FEINTSIn handball training feints are often neglected. A player who begins learning feintsshould already have a certain flexibility, which is developed by means of variousexercises (with and without a fellow player or using equipment). Holding a ball in onehand is a very important skill, which is useful in learning feints. Players who cannotget a one handed hold of the ball have limited possibilities in learning feints. It is veryimportant that a feint is followed by a movement resulting from a defender‘ s wrongreaction, e.g. passing by a defender and shooting or passing to a fellow player, whois in a better position to shoot. A feint without taking advantage of a wrong reactionis useless and often hampers offensive action.Most frequently committed mistakes: performing a fake too far from a defender(about 1m, it is the proper distance), shifting the body balance (the centre of gravity)too far (the first step made wider than should have been, it hampers and often makesit impossible to perform a proper action), holding the ball far from the player‘s bodybut close to the defender, a feint too slow.Auxiliary exercises, games and pre-games used in teaching feints should include arepertoire of many movements involving leaning the trunk and dodging etc. Themajority of feints, despite their complex movements, can be taught by the syntheticmethod.A PLAYER‘S MOVEMENT IN OFFENCE AND DEFENCEThe ways of moving in an attack formation. A player moves in attack in order to.µµµµg

Shooting 8 1. Shot in Place 9 2. Leaning Back Shot 9 3. Vertical Jump Shot 10 4. Stride Jump Shot 10 5. Shots While Falling 10 . Different forms of games and pre-games are mainly used at the early stages of teaching. 2. The Strict Form The strict form is an essential form in teaching sport games. A teacher, using this

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