175.038 11/21/05 3:34 PM Page 38 Inspired Dresser

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175.03811/21/053:34 PMPage 38Copyright 2006 Woodworker's Journal All Rights ReservedGreene & GreeneInspired DresserBy Mike McGlynnThis chest of drawers has an extraordinary number of pieces, and putting themtogether is like a Rubik’s Cube — if you don’t do it in the right order, it won’t workout. There are a lot of projects that you can go about in a random fashion— making whatever part strikes your fancy, in any order.This is not one of those projects.This chest is influenced by a Greene and Greene chestof drawers first viewed at the Gamble house in California.Among many other factors, I was especially drawn to thestaggered drawers and the small mirror.Sheet Stock GaloreThe Material List for this piece contains a lot more sheetstock than you would normally expect with a piece thissize. The amount of solid wood is surprisingly small.I started selecting my material by picking out some nice8/4 mahogany for the legs and some 4/4 stock. For thedrawer fronts, I made sure to select boards that I could getthe full width of the fronts from, and that were long enoughthat I could have the grain runacross each pair of fronts.ELEGANTI also selected a piece of rough 4/4that was thick enough to get the1" thickness of the breadboard endsout of. In addition, I made the entiretop out of one board. I made thedrawer pulls out of some choice 6/4quartersawn mahogany that waslying around my shop.I chose to make all of the interiordividers out of 3/4" (2 sheets, plus)shop-grade birch plywood; there is noreason to use anything fancy for thesedividers, as they will never be seen.The back, side and interior panels aremade of 1/4" MDF (two full sheets).I made the drawer bottoms out ofmaple veneered 1/4" MDF. Note: It’sonly possible to get 11 of the 12bottoms out of one sheet of ply, soI hope you’ve got a little leftover lying38around your shop. The last sheetstock that I bought were twosheets (5' x 5') of Baltic birch plywood.There are two other types of wood that I had to purchasebefore I could start on the cabinet. The plugs and splineson Greene and Greene pieces are almost always made ofGaboon ebony, but, unable to find any decent Gaboon,I chose instead to make these pieces out of Africanblackwood. I like the blackwood better than the ebony,as it has a subtle grain, yet is almost black, and polishesjust like the ebony. Lastly, I bought two 4' x 8' sheets ofpaper-backed mahogany veneer, to cover the side panelsand back. I selected sheets with seam lines to help mecreate a balanced looking panel.The first thing I did after gettingback from the lumberyard was toDETAILSrough mill all of my solid wood pieces.I generally like to leave all piecesa couple of inches long, and at least1/4" oversize in the other dimensions.This allows the wood to adjust to myshop conditions, and I end up withmilled, straight flat pieces. I markedall of the drawer fronts with chalk soI could quickly tell which fronts wenttogether and in what orientation.There are four sections that make upthis cabinet: The sides, the centersection, the top and mirror and thedrawers. I started with the sides.Start With the SidesMy first step with the sides was tocreate their veneered panels. I cut theMDF substrate oversized and theirveneer pieces to match. I chose the

175.03911/16/053:14 PMPage 39Woodworker’s Journal February 200639

175.04011/16/053:15 PMPage 40best pieces of veneer for the facesides of the panels. The veneer canbe applied in a number of ways; mychoice was a vacuum bag, but mostfolks use the simple veneer pressdescribed below.While the panels cured, I milledthe legs and rails to final dimensions.Again, I took care to keep myorientations marked with chalk.There were a surprising numberof plug holes, mortises and slotsthat had to be cut in each of thelegs. This was an excellent place tocompletely screw up the project, or atleast the four nicely matched legs. SoI laid out each and every plug hole,mortise, panel slot and back rabbet sothere would be no chance of a mistake.I use a multi-router to form mymortises and tenons, but I think youwould do just fine here witha mortising machine or attachment toyour drill press. Look to the ElevationDrawings on page 41 for constructiondetails. The last step on the legs is tobreak (or round over) the appropriateedges with a 1/8" roundover bit.Next, I milled all of the rails to sizeand cut their tenons. The bottom railsget the traditional Greene and Greene“cloud lift.” I laid them out, cut themon the band saw and finished themwith a file and a hard sanding block.Finally, I rounded over the selectededges of the rails.“There werea surprising numberof plug holes, mortises andslots that had to be cutin each of the legs.This was an excellentplace to completelyscrew up the project,or at least the fournicely matched legs.”By this time, the panels were finishedbeing veneered, so I cut them to size onthe table saw. Now I could measuretheir edge thickness to find the size ofthe panel slots. In my case, the panelscame out to just about 5/16".I cut the panel slots on the routertable using a 1/4" downspiral bitby plowing a 1/2" deep groove downthe middle of each piece. To widen theslot, I moved the fence a tiny bit andmade two passes — one on each sideof the main slot. I did this until I gota nice slip fit.Prior to staining and assembly, I wentthrough a four-step process to preparethe parts for staining. I first sanded allpieces with 120 sandpaper. SecondlyI detailed all of the edges and “cloudlifts.” Next, I went over everything witha damp rag to raise the grain and,finally, I sanded everything with 220sandpaper on a slightly soft block.Like most of the Greene andGreene pieces I’ve built, this chesthas a waterbased aniline dye stainon it. I have found that it is almostimpossible to end up with a goodstain job if the piece is assembled.For this reason I try, as much aspossible, to stain all the partsbefore they are assembled.With that step completed,I buffed the surface of all thepieces with a fine Scotch-Brite pad. After buffing, I assembledboth of the ends, using epoxy andpadded bar clamps. It’s essential tohandle all the stained parts withrubber gloves, or moisture from yourhands will damage the dye.Getting to Your CenterThe center section of this cabinetis very complicated, but I was drawn tothis design because of its asymmetricaldrawers. Just my luck that they addedsuch a degree of difficulty.I started by milling the divideredging. As seen in the Drawings, thereis a subtle difference in width betweenthe horizontal and vertical edges. Thehorizontal edges are 7/8" wide, andthe vertical edges are 3/4" wide. Withthe divider sheetstock 3/4" thick,I chose to rabbet the horizontal edging1/4" deep so it would nicely cap theedges. To prevent breaking off the1/16" lips, I made the rabbet withBuild Yourself A Basic Veneer PressWhile our author has access to a vacuum bag veneerpress, not everyone does. The good news is that the timehonored traditional method is still very practical, and withthe exception of the clamps, you can fabricate everythingelse you need in your shop.CaulYou’ll need the clamping cauls (in this case 3/4"Paper sheetstock) and cross bearers (lumber with a slight crownalong their length — to apply pressure to the center of theVeneer cauls). It’s a good idea to layer newspaper or the likeSubstrate between the veneer and cauls during clamp-up.Apply glue (yellow or white) to the substrate in a thinCaulsmooth layer, place the veneer on top of that, then buildyour “clamp sandwich” as shown in the drawing at left.Wait at least 24 hours for the glue to cure.— WJ StaffCrossBearer40

175.04111/23/055:03 PMPage 41Front Legs(Front View)4(Back View)5/8"(Inside View)11/2"3/8"/4"11/4"61/8"Panel /2"515/8"5/8"95/8"261/16"109/16"1/2"411 /2"33/8"11 /2"25/8"25/8"39/16"Rear Leg(Back View)(Inside View)5/16"22Rear LegRabbetDetailSide Rails(Section Views)15547/8"/16"Note: The depthof the rear legrabbets shouldmatch thethickness of theback panel andits veneer. Thismay varydepending onyour sheetstock./2"3/16"/2"34541/16"/2"CenterTopSide Rail5/8"11/2"34 2 /4"35"11/2"25/8"Note: The lowerside rails' tenonsmust be trimmed to11 16" beforeassembly. Thetenons on the otherside rails remain at11 4".Woodworker’s Journal February 20064SideExplodedView(Front View)11/2"1/2"/16"1Bottom51/2"/16"/8"MATERIAL LIST Sides1234Side Panels (4)Veneer (paper-backed) (8)Legs (4)Side Rails (6)TxWxL1/4" x 19 3 8" x 2113 16"1/16" x 19 3 8" x 2113 16"13 4" x 13 4" x 515 8"7/8" x 2 3 4" x 21"41

175.04211/21/053:40 PMPage 425/16"19/2"Spline2 /4" Bore the screw holesin the breadboardends oversized toallow for seasonal1/2"3movement of the top./4"2091/2"2"11(Top View)213"132"/16"1/2"Top Assembly(Top View)Breadboard EndTopExplodedView(Back View)191/2"319Top21/8"201(Back View)/4"The groovein thebreadboardend is notcentered.2023567891011121314Horizontal Edging (1)Vertical Edging (1)Horizontal Dividers (5)Bottom (1)Bottom Vertical Divider (1)Lower Vertical Dividers (2)Middle Vertical Dividers (2)Top Vertical Divider (1)Top Rails (2)Bottom Rails (2)MATERIAL LIST Center Section and TopT xW x L7/8" x 1/2" x 185"1/2" x 13/16" x 54"3/4" x 211 16 x 361 2"3/4" x 201 2 x 361 2"3/4" x 813 16" x 2013 16"3/4" x 87 8" x 2013 16"3/4" x 5 3 8" x 2013 16"3/4" x 5 13 16" x 2013 16"1/2" x 2" x 361 2"7/8" x 2 3 4" x 39"15161718192021222324MDF Side Panels (2)Back (1)Back Veneer (1)Drawer Slides (12 pairs)Top (1)Breadboard Ends (2)Splines (2)Plugs (12)Plugs (6)Glue Blocks (4)several passes on thetable saw. I then madethe edging for thevertical dividers 13/16"wide so that I couldeasily flush it up aftergluing it on.When slicing up thebirch plywood, I wouldrecommend tr ying toThe author forms a groovein the horizontal edging.The delicate 1/16" lipsof the edging must behandled carefully.T xW x L1/4" x 181 2" x 45 5 8"1/4" x 381 4" x 47 3 4"1/16" x 381 4" x 47 3 4"18"7/8" x 227 8" x 37"1" x 3" x 23"3/8" x 1/2" x 3"1/4" x 1/4" x 1/4"3/8" x 3/8" x 3/8"2" x 4" x 4"eliminate veneer chip-out by carefullyknife-scoring the cut line, and usinga very sharp plywood blade. I cut thedividers so the grain went from sideto side on the horizontals, and fromtop to bottom on the verticals. Then,I glued all the edging on, usingTitebond glue and bar clamps.Because I choose to leave thema little long for the glue-up, all of theends of the edging needed to betrimmed, and the ones on the verticaldividers needed to be notched to fitover the horizontal edging’s 1/16" lip.It’s important to note that all of thevertical dividers don’t get exactly thesame size notch. The bottom divider isflush on the bottom because thereisn’t a 1/16" lip to clear, and the topdivider gets a 1/2" x 2" notch for thetop rails. All the others get thestandard 1/16" notch on both edges.Now I was ready to sort out thevertical and horizontal dividers andmark them for assembly. Using a longsquare, I marked a line for each sideFebruary 2006 Woodworker’s Journal

11/23/051:25 PMPage 43Divider LocationsDrawer Clearance DetailCenter SectionExploded View(Side View)51/4"The drawer slide is mounted to theMDF side panel. This allows 1/16"clearance for the drawer front.13Side175.043LegDrawer front51/4"51/4"1/8"Setback61238 gingTop Vertical Divider(Section View)1/16"(Side View)111/2"1/16"Gap152"11/2"12Front edge35/4"1015Front Bottom Rail(Front View)/8"11/2"/4"10314 2 /4"3/8"11/4"71191/2"55"3/8"133"Front Bottom RailBack Bottom Rail 18(Section View)3/8"3/4"(Section View)1/4"37/4"/8"144CL145/16"of the vertical panels, and the centerline onto the horizontal dividers. I alsocarried the centerline of each panelaround to the opposite side. I thendrilled three attachment holes foreach vertical edge.Before going any further, you mustmake and install two bottom rails intothe bottom divider panel before thecenter section can be assembled. Eachof these rails has its own details to takecare of: rabbets, “cloud lifts,” etc. Oncethe rails were detailed, I glued them tothe bottom divider.Rounding over the vertical edgeswas my last step prior to assemblingthe center section. I don’t round overthe horizontal edges until after thedividers have been joined.I assembled the center sectionon a large, flat bench. This wasver y helpful, as it kept the backedges all lined up. It was also veryuseful — almost imperative — to havea right angle cordless drill/driver.I started at the top and worked myWoodworker’s Journal February 200638Side toCenterAssemblyDetail914(Top View)24way down, clamping each verticalin place, drilling pilot holes, andthen attaching each vertical with glueand screws.I had assembled the center sectionusing an 1/8" roundover bit to breakthe horizontal edges.The two top rails are the last partsof the center section. They are simplyglued and screwed tothe vertical divider.With the dividersjoined together ina single unit, I attachedthe MDF side panelsthat hold everything inalignment and make a surface for theoutside drawer slides to attach to.I used spacer blocks at the outboardends of the horizontal dividers to holdthem exactly the right distance apart.Once again, I attached the panels withglue and screws.The center section was now completeand ready to be stained. My first stepDetails such as theAfrican blackwoodsplines and theultra-detailed drawerpulls create a senseof elegance.43

175.04411/21/053:41 PMPage 44Copyright 2006 Woodworker's Journal All Rights Reservedwas to detail the intersections of thevertical and horizontal edges with 120sandpaper. Then, I raised the grain andlightly sanded with 220-grit.Staining this section was an exercisein being methodical and careful. It wassimply not possible to stain the wholething at the same time withouta disaster taking place. So I stainedone drawer bay at a time, wiped off theexcess, and then moved on to the nextsection to avoid drying and blendingproblems. Once it was stained, I buffedit all as before.With caution being the better part ofvalor, I assembled one side at a time tothe center section. This was a prettystraightforward matter of gluing,clamping and pocket screwing. AsI mentioned before, wear rubber gloveswhen handling the stained, but notfinished, wood. I assembled the unitby attaching the horizontal dividersto the ends with pocket holes — twoper corner: one top and one bottom.After I had both sides attached, I madeand attached large corner blocks tojoin the rails and legs on the bottom ofthe cabinet.To prevent the stain from beingmarred at this point, I sprayed theassembled cabinet with a sealer.A Classic Breadboard TopThe top is a classic Greene andGreene top: breadboard ends andexposed splines at the joints. I beganby milling my board to thickness, thenused my table saw to cut the topto size. Staying at the table saw,I formed the tenons with a verticaland horizontal cut.I milled the breadboard ends tosize and cut the groove in them onthe table saw. This groove is not downthe middle of these pieces, but isinstead offset due to the 1/8" thicknessdifference between it and the top.These pieces are flush with theunderside of the top and proud on thetop. Cutting the spline slot was bestdone by chopping it by hand witha sharp chisel.Like the plug hole in the legs, I useda square mortising chisel in thedrill press to cut the plug hole in thebreadboard ends. After cutting theplug holes, I used the drill press todrill the attachment holes. I thenslipped the ends into place, markedthe screw holes, and drilled the pilotholes in the tenon.Rounding over and detailing the topand ends is a bit tricky if you don’twatch it. It was important toremember that the ends stand proudon the top and the front. I was verycareful to keep the back and bottomedges square. Once again, I wentthrough the prep steps and thenstained the top and ends.Once the stain was dry and buffed,I attached the ends to the top with3" screws.The Drawers and PullsForming the quartersawnmahogany drawer pulls isa time-consuming task. Theauthor spent a significantnumber of hours detailingthese pulls.As I mentioned earlier, I selected thewood for the drawer fronts carefully sothat the grain ran continuously acrossall of the pairs. I milled the boardsto thickness and width, and then cutthem up. I used my block plane to finetune the fit of each front so that I hadan even, and parallel, gap all the wayaround. After fitting, I marked eachfront as to which opening it fit in. Ina routine you’re probably sick of bynow, I rounded over the corners of thefronts, and went through the sandingand staining process.I made the drawer boxes out of 1/2"Baltic birch plywood. I think thismaterial makes a great drawer box.I cut the parts to size and machinedtheir joints. When I had finishedrouting the rabbets, I sanded all thesides, fronts and backs to 120.February 2006 Woodworker’s Journal

175.04511/16/053:16 PMPage 45Large Drawer PullDrawerExploded View(Side View)39 /8"3230CL31See inset photo on page44 for more details.37Small Drawer Pull17/4"(Side and Section Views)33/4"13/8"1/16"29531CL32/4"/16"1/2"The author formed the3/16"“finger profile” of the pullswith a combination of a routerand sharp gouges.Drawer Corner(Top View)MATERIAL LIST Drawers2526272829303132333435363738Upper Small Drawer Fronts (3)Upper Large Drawer Fronts (3)Lower Small Drawer Fronts (3)Lower Large Drawer Fronts (3)Small Drawer Pulls (6)Large Drawer Pulls (6)Upper Drawer Sides (12)Upper Sm. Dwr Fronts, Backs (6)Upper Lg. Dwr Fronts, Backs (6)Lower Drawer Sides (12)Lower Sm. Dwr Fronts, Backs (6)Lower Lg. Dwr Fronts, Backs (6)Small Drawer Bottoms (6)Large Drawer Bottoms (6)Using a brad nailer and Titebond,I assembled the drawer boxes. Beforethe glue had set, I laid each drawerbox on my bench, measured it fromcorner to corner for squareness, andtweaked them if necessary.While the boxes were drying, I cutthe bottoms from the maple veneered1/4" MDF. To prep for finishing,I sanded them to 120. I attached thebottoms with glue and brad nails.One of the defining characteristicsof Charles and Henr y Greene’scasework pieces is their drawer anddoor pulls. There are as manydifferent variations of pulls as piecesthey designed. The sculptural qualityof these pulls is what ties themtogether. For this cabinet I designedpulls that were based upon anWoodworker’s Journal February 2006251529T xW x L7/8" x 51 8" x 12 3 16"7/8" x 51 8" x 23 3 8"7/8" x 85 8" x 12 3 16"7/8" x 85 8" x 23 3 8"11 8" x 11 4" x 71 2"11 8" x 11 4" x 18 3 4"1/2" x 45 8" x 191 2"1/2" x 45 8" x 101 2"1/2" x 45 8" x 213 4"1/2" x 81 16" x 191 2"1/2" x 81 16" x 101 2"1/2" x 81 16" x 213 4"1/4" x 111 4" x 191 2"1/4" x 221 2" x 191 2"amalgam of several different designs,the primar y one being the chestof drawers from the Gamble housethat I referred to earlier. I’ll tellyou from the start that these pulls takean inordinate amount of time. Fora simpler pull that would look fine,check out my Greene and Greenedesk in the Sept./Oct. 2000 issue ofWoodworkers Journal.In search of pleasing aesthetics,I tried to choose straight grain woodfor these pulls. I milled all of the piecesto their rectangular dimensions andcut them to length.To lay out the curved steps, I madea very accurate tagboard template andused it to mark out the steps. I markedthe steps on the side of each pull witha black fine-line ballpoint pen (it’s/32"11/2"31/8"253237easier to see). Using a 6 TPI x 1/4"blade, I very carefully band sawed thesteps. I was careful to cut just on thefat side of the line so I could clean upthe saw marks without going past thelayout line. Once the steps weresawed, I smoothed them to the linewith a combination of a hard sandingblock, files and my block plane.I found a pleasing curve for the edgeof the steps and, after experimentinga bit, I found that a pillar file, with itsone smooth edge, was the best way tocut and smooth these curves.Making the finger relief couldprobably all be done with a single,somewhat elaborate, router jig. I found itjust as easy to do it with a combinationof a pass on the router table and somehand work. I started by making a passon the router table with a coving bit.This left me with a straight relief thatneeded to be modified into a curvedone to match the curve of the pull face.I marked a line about 3/8" back fromand parallel to the pull face. A fewgood swipes with a sharp gouge anda little cleaning up with sandpaperfinished the job.The final shaping to be done on thepulls is the undercutting of the ends.45

175.04611/16/053:16 PMPage 46I did this freehand by judiciouslygrinding the ends on the end rollerof my stationary belt sander.There was a surprising amountof very painstaking sanding anddetailing to be done before the pullswere ready for stain. I made quite aneffort to get all of the pulls to lookexactly the same. When all thedetailing was done, I went throughthe staining process.If this cabinet was always going tobe up against a wall, I probably couldhave gotten away with making theback out of a piece of 1/4" MDF. Alas,that was not the case, so I opted fora piece of mahogany veneered 1/4"MDF. I veneered the back in a vacuumbag the same as I did the side panels.I only veneered one side of the back,but since it is screwed down with“Staining this (center)section was an exercisein being methodical andcareful. It was simplynot possible to stainthe whole thing at thesame time withouta disaster taking place.”about 20 screws, warpage won’t bea problem. After cutting it to size,I sanded and stained the back in theusual method.Mirror, MirrorThe mirror and its supports werethe last things I needed to build beforethe cabinet could be finished andassembled. I started by milling all ofthe pieces to their rough, non-shapedsize. While still inthis rectilinear shape,I cut the miter jointson the top and sidepieces. After cuttingthe miters, I useda thin wood battento lay out the curvesand steps on both thetop and sides. I cutthe pieces to shapeon the band saw andthen smoothed themup with sandpaperand files.The corners ofthe mirror are joinedwith face frame sizebiscuit joints, but youThe posts of the mirrorassembly are joined tothe dresser top byscrews driven up fromthe inside of the top.The top is attached tothe carcass withtabletop fasteners.46can substitute dowels. Prior togluing up the frame, I made sure tosand the inside edges, as this ismuch harder to do when the frameis assembled. I glued up the frameusing Titebond, a bar clamp on thebottom and 3M packing tape on themiter joints. When the glue had set,I used a rabbeting bit in a routerto cut most of the mirror rabbet.I used a sharp paring chisel to finishoff the rabbet.Before moving on to staining themirror frame, you’ll have to follow thedetailing steps I’ve used on othersubassemblies, starting with roundingover all of the appropriate edges.Moving to the mirror posts, I startedby cutting the posts to length and thenlaying out their curves, using a bandsaw to shape them.After looking at most of the availablemirror pivot hardware — and findingit lacking — I decided to make myown, which, it turned out, was a lotsimpler and a cleaner design. I endedup using 1" x 1/4" steel dowels anda 1/16" black nylon washer. Thisadded up to a grand total of about 2.00. The spacers serve to make the1/8" gap so the assembled mirror hasroom to swing. With that done,I sanded and detailed all the parts andstained them.The finishing process was quitestraightforward. The first step wasto go over everything with a goodquality tack rag to remove any residualdust. For a finish, I sprayed three coatsof catalyzed synthetic lacquer. (Youcan use the finish of your choice.)I usually buff with a fine Scotch-Briteor sand with 220 between coats,depending on how the surface feels.Assembling a cabinet with this manydrawers is rather time-consuming andneeds to be done carefully. I startedthe assembly by attaching the mirrorassembly to the top. The first thingI did was use clear silicone adhesive toglue a piece of 1/8" mirror into theFebruary 2006 Woodworker’s Journal

175.04711/23/055:03 PMPage 47Mirror FrameMiter and RabbetDetail4221/2"421015/16"Mirror Assembly42(Front View)21/8"The mirror frameis rabbeted afterthe frame isassembled.Square up therabbet witha sharp chisel.4311/2"406"39The mirror rabbet iscut 3/16" deep.1/4"11/2"2"414031/4"/8"Mirror Frame Top and Side Pattern444139MirrorExploded View42MATERIAL LIST Mirror40Each square equals one inchmirror rabbet. While the siliconewas dr ying, I marked and drilledattachment holes in the bottoms of thesupport posts. With the mirrorassembly together, I carefully markedand drilled mounting holes in the top.I then mounted the mirror to the top.The top is attached to the carcass withtabletop fasteners and screws.Installing the drawer slides wasstraightforward, although it requiredthe use of a right angle drill/driverto install them, especially in thosesmaller compartments.I attached the drawer pulls to thedrawer fronts prior to installing thefronts on the drawer boxes. After thepulls were attached, I attached thefronts to the drawer boxes. My usualmethod for this is to drill four 3/8"holes in the front of the drawer boxesand then attach the fronts with drawerfront attachment screws that have anoversize head. This allows for someminute adjusting to get the frontsperfectly aligned.Woodworker’s Journal February 2006394041424344Mirror Posts (2 )Mirror Frame Sides (2)Mirror Frame Bottom (1)Mirror Frame Top (1)Mirror Glass (1)Pivot Hardware (2)Once all the drawers were in placeand the fronts attached and adjusted,I installed the back, using 1" screwsand finishing washers.Ebony-like AccentsThe very last items to complete on thecabinet are the African blackwoodsplines and plugs. I made all of theplugs in my usual way: make a stick ofthe right dimension, dome the endwith sandpaper, polish it on a buffer,cut it off on the band saw and repeat.I also cut the splines on the band sawand then sanded them to shape andpolished them. I installed the plugsand splines using a small drop of clearsilicone, tapping them in place. Thesilicone allows for a little movementand reduces the possibility of themfalling out if the humidity changes.The cabinet was now complete.I found this to be a very satisfyingTxWxL1" x 11 2" x 71 2"7/8" x 21 8" x 123 4"7/8" x 2" x 167 8"7/8" x 21 8" x 217 8"Fabricate to fitSteel Dowel/washerproject, but in a different way thanmany other projects I have done.There isn’t any part of this cabinet thatwas particularly hard to construct, butit had engineering questions galore.I really love the process of thinkingthrough how something is going to gotogether, and in what order. It wasreally satisfying to work through thechallenges presented by this cabinetand have it come together so well. Iwould like to think that the Greenebrothers, especially Henr y (theengineering half) would have foundthis an interesting project. I hope youdo and that it provides many yearsof service and pleasure.Mike McGlynn is a professionalfurniture maker and contributingeditor to the Woodworker’s Journal.When not in his shop, you can findMike on his mountain bike.47

Greene & Greene Inspired Dresser By Mike McGlynn 38 T his chest is influenced by a Greene and Greene chest of drawers first viewed at the Gamble house in California. Among many other factors, I was especially drawn to the staggered drawers and the small mirror. Sheet Stock Galore

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Title: Square Wave TIG 175 Product Info Author: The Lincoln Electric Company Subject: Square Wave TIG 175 TIG Welding Machine Keywords: e335; square wave tig 175; tig welder; tig welding machine; ac auto balance; aluminum welding; weld aluminum; tig torch; foot pedal; stick welder; ac tig; dc tig; stainless steel welding; 175 amps; electrode holder; gas regulator; ac dc; cast iron

TITLE 175. OKLAHOMA STATE BOARD OF COSMETOLOGY RULES AND REGULATIONS TABLE OF CONTENTS Section Page Chapter 1. Administrative Operations 1-7 Subchapter 1. General Provisions 175:1-1-1 1 Subchapter 3. Board Structure and Agency Administration 175:1-3-1 2 Subchapter 5. Rules of Practice 175:1-5-1 3 Subchapter 7.

⑤ sg-0510 sg-40510 ½ ⑦ 3.31 12.5 4 15.1 500 34 1250 86 350 175 8 3.6 ⑤ sg-0514 sg-40514 ¾ ⑦ 4.64 17.6 5.6 21.2 500 34 900 62 350 175 9 4.1 ⑤ sg-0519 sg-40519 ¾ ⑦ 6.3 23.8 7.6 28.8 200 14 400 28 350 175 10 4.5 ⑤ sg-0528 sg-40528 ¾ ⑦ 9.28 35.1 11.2 42.4 100 7 200 14 350 175 11 5 sg-0729