Grade 1 Theory - Sharon Bill

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Music Theory Information Sheets ABRSM Grade 1 Sharon BillThese information sheets are designed to accompany the ABRSM Music Theory in PracticeGrade 1 workbook.For more help in working through the ABRSM Theory workbook you can also access videotutorials where I work through each exercise with you, step by step. YouTube Links listedbelow and on each individual section (*links will be added as each video is uploaded socome back and download the PDF to get all the links). I explain the information shown oneach of the PDF information sheets and show clearly how this can be applied to answer thequestions given in each exercise. I thoroughly enjoy music theory and hopefully my helpand enthusiasm for my subject will carry you through so as to be successful and rewardedin your studies.The progression of information through the grades is accumulative and ABRSM Grade 1Music Theory provides the foundation for all future study.Each section of this PDF Document accompanies a corresponding chapter in the ABRSMworkbook and provides all the information necessary to understand and complete eachexercise.Music theory is a vital part of music making. Every musician needs to be able to understandwhat they are playing and why certain procedures need to be observed. However, even ifyou don’t play an instrument the study of music theory is rewarding in its own right andcan be a valuable skill enabling you to become a more informed listener.ABRSM Music Theory Grades 1, 2, 3, 4 and 5 Introduction https://youtu.be/EbfHMz7SFI4Part A https://youtu.be/0Tij5JjgLe4Part H https://youtu.be/LlxwwK7-T4gPart B Pt 1 https://youtu.be/BjEDUl0079EPart B Pt 2 https://youtu.be/nLIGlXkGmBwPart I Pt 1 https://youtu.be/t4WxAddqKggPart I Pt 2 https://youtu.be/0EKr95VxQMMPart N Pt 2 https://youtu.be/AEqMvICj17QPart O https://youtu.be/Q6TWDH9bCnIPart P Pt 1 https://youtu.be/2aLTWxFz6zsPart C https://youtu.be/pgFVoHgQPO8Part J https://youtu.be/MXtqlzXViTsPart P Pt 2 https://youtu.be/kIpkSUT5T-sPart D https://youtu.be/H67exV6K -EPart K https://youtu.be/iauqwhMP7yIPart Q https://youtu.be/xqjl2kFQPmsPart E Pt 1 https://youtu.be/HdNjZ6Q1YdsPart L Pt 1 https://youtu.be/9c-6zEJIxwcPart R Pt 1 https://youtu.be/ItHhZrDrnoPart E Pt 2 https://youtu.be/uQ8DngO2T3sPart L Pt 2 https://youtu.be/21Ar WrdNPEPart R Pt 2 https://youtu.be/gGuhTuUfchAPart F Pt 1 https://youtu.be/xCvHso4RsZIPart L Pt 3 https://youtu.be/oGSn4gDWjkPart R Pt 3 https://youtu.be/cnv5UVEo3MYPart F Pt 2 https://youtu.be/57oaRSS ExYPart M https://youtu.be/7jJGum8TxgcPart R Pt 4 https://youtu.be/U6IKzH HgbIPart G https://youtu.be/n0wGtyPQb4YPart N Pt 1 https://youtu.be/xW89M XDNQPAST PAPER YOUTUBE LINKS ATTHE END OF THIS DOCUMENT Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillA - YouTube Video Link - https://youtu.be/0Tij5JjgLe4Time ValuesNoteClassical NameAmerican/Pop NameDurationwSemibreveWhole Note4 beatshkDotted MinimDotted Half Note3 beatshMinimHalf Note2 beatsqCrotchetQuarter Note1 beateQuaverEighth Note½ beatqhwqqhqe e e e e e e e Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillB - YouTube Video Link - Pt 1 https://youtu.be/BjEDUl0079E - Pt 2 https://youtu.be/nLIGlXkGmBwBar Lines and Time SignaturesMusic is divided into bars by bar lines. The end of a piece or section of music is shown bya double bar line.At the beginning of a piece of music is a time signature.34q q q \ qeeq \ hk \In a time signature:The top number tells you how many beats per bar.The bottom number tells you what type of beat.So -242 - two beats per bar)) Two crotchet beats per bar4 - crotchet (quarter) beats )4Sometimes 4 is shown asc and is shown to represent “Common Time.” Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillC - YouTube Video Link - https://youtu.be/pgFVoHgQPO8Notes on the StaveNote heads are more oval in shape rather than round. If the note is in a space don’t let thenote overhang the lines. If the note is on a line the line must go through the middle of thenote head.Notes that extend beyond the stave are written on ledger lines which are spaced at thesame intervals as the stave lines.Notes above the middle line of the stave - stems point down.Notes below the middle line of the stave - stems point up.QqNotes on the middle line of the stave can have stems pointing either up or down.Stem lengths should be equal.When writing music manuscript ALWAYS use pencil. Use a SHARPENED, soft pencil (2Bis good). Don’t press on too hard so that any mistakes can be easily erased. Remember,exam marks may be lost if an answer is unclear as a result of untidy manuscript. Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillD - YouTube Video Link - https://youtu.be/H67exV6K -EThe Treble (G) Clefww wwww&ww wEGBDFFACEPractise drawing the treble clef on the stave below. Trace over the feint clefs first then tryyour own. Always make sure that the centre of the swirl is around the “G” line.& & & & & & The treble clef represents notes which are in the higher pitch range. Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillE -YouTube Video Link - Pt 1 https://youtu.be/HdNjZ6Q1Yds Pt 2 https://youtu.be/uQ8DngO2T3sThe Bass (F) Clefw w?w wwwww wGBDFAACEGPractise drawing the bass clef on the stave below. Trace over the feint clefs first then tryyour own. Always make sure that the hook of the clef is around the “F” line and be carefulwith the placement of the dots.? ? ? ? ? ? The bass clef represents notes which are in the lower pitch range. Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillF - YouTube Video Link - Pt 1 https://youtu.be/xCvHso4RsZI Pt 2 https://youtu.be/57oaRSS ExYMore on Time ValuesNoteClassical NameAmerican/Pop NameDurationwSemibreveWhole Note4 beatshkDotted MinimDotted Half Note3 beatshMinimHalf Note2 beatsqCrotchetQuarter Note1 beateQuaverEighth Note½ beatxSemiquaverSixteenth Note¼ beatwhhq qq qee e e eeeexxxxxxxxxxxxxxxx Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillF Cont.Beaming Quavers and SemiquaversAs a general rule quavers and semiquavers are joined together at the ‘tails’ in units of onecrotchet beat. This is always so when joining a mixture of quavers (eighth notes) andsemiquavers (sixteenth notes) for the time signatures covered in this grade.For example:eebecomesq qe xxbecomesq q qAn addition to this rule is that a group of four quavers, which make the value of oneminim (half note) may be joined together:q q q q Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillG - YouTube Video Link - https://youtu.be/n0wGtyPQb4YRestsÓ ÓwSemibreveWhole Note4 beatshMinimHalf Note2 beatsqCrotchetQuarter Note1 beatgeQuaverEighth Note½ beat‰xSemiquaverSixteenth Note¼ beat‰‰Ó A semibreve (whole note) rest is also used to show a bar of complete rest regardless of thetime signature. Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillH - YouTube Video Link - https://youtu.be/LlxwwK7-T4gTiesA tie spans from individual note head to note head of the same pitch to combine the timevalues.w q hH Q wThese are not to be confused with slurs which form an ‘umbrella’ over both note heads andtails of varying pitch. A slur shows that notes are to be played ‘legato’ - in a smooth,connected manner.QQh q Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillI - YouTube Video Link - Pt 1 https://youtu.be/t4WxAddqKgg Pt 2 https://youtu.be/0EKr95VxQMMDotsA dot after a note makes it last half as long again. As such a dot changes value dependingupon which note precedes it.For example:hkqk h q q e 2 1 3 beats1 ½ 1 ½ beatsek e x ½ ¼ ¾ beats Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillJ - YouTube Video Link - https://youtu.be/MXtqlzXViTsAccidentalsA sharpA flataraises a note by a semitone.A lowers a note by a semitone.A natural N cancels a previous sharp or flat.An accidental lasts for one bar only for the given pitch. Other octaves are not affected.When writing an accidental before a note which is on a line the line must pass through thecentre of the sign.When writing an accidental before a note which is in a space the centreof the sign must fill the space but not overlap the lines.b b I I n n When a note is raised or lowered by an accidental it is irrelevant what colour the note is.Each note can be called by different names. This is referred to as enharmonic.I AIIFor example: FGFbGAGbAbBCDbCBBCIIbDEDIbFEFGbEFII GIb AbGABAIbB Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillK - YouTube Video Link - https://youtu.be/iauqwhMP7yITones and SemitonesTones and semitones refer to full steps and half steps between notes. This is easiest tounderstand when looking at the piano keyboard.A semitone (half step) is the closest adjacent note. This is the smallest interval betweennotes in the Western tonal system.A tone is made up of two semitones (full step).The interval between E and F is a semitone.The interval between C and D is a tone.The interval between C and C sharp (or D flat) is a semitone.The interval between C sharp (D flat) and D sharp (E flat) is a tone.I- and so on IbC DFGABCD EDbEFGA Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBillB

Music Theory Information Sheets ABRSM Grade 1 Sharon BillL - Pt 1 https://youtu.be/9c-6zEJIxwc Pt 2 https://youtu.be/21Ar WrdNPE Pt 3 https://youtu.be/oGSn4-gDWjkMajor ScalesThe major scale pattern is made up of a series of tones and semitones:TONE, TONE, SEMITONE, TONE, TONE, TONE, SEMITONEThe major scale ascending, beginning on C (C major).w www&w ww wT1T2ST3——4T5T6S7 ——8The major scale descending, beginning on C (C major).wS w T wT wT w S T T& w w w8——7654——321C major requires no sharps or flats to make the correct pattern of tones and semitones.G major requires F sharp to make the correct pattern of tones and semitones.D major requires F sharp and C sharp to make the correct pattern of tones and semitones.F major requires B flat to make the correct pattern of tones and semitones.These sharps and flats can be added as either a key signature at the beginning of the musicor as accidentals next to the appropriate notes. The key signatures are written in a specificway and affect all octaves without being cancelled by bar lines.& C Major? II& I& b& G MajorD MajorF Major?I ? II ?b Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillM - YouTube Video Link - https://youtu.be/7jJGum8TxgcCancelling an accidentalA key signature is not cancelled by bar lines and includes any octave.For example:IIQ FQ QQ&q q q q \ \FIAn accidental lasts only until the end of the bar and only affects later notes in that barwhich are of the same pitch, not any other octave.For example:Q&q Iq q \ q q q q \ FIFFIFAt the end of a bar the music returns to that of the key signature and all accidentals arecancelled.For example:IQFI&q nqq \ q q q IFnFF Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillN - YouTube Video Link - Pt 1 https://youtu.be/ xW89M XDNQ Pt 2 https://youtu.be/AEqMvICj17QDegrees of the Scale and IntervalsDegrees of the scale refers to the steps of the notes of the scale.C Majorw w w&ww ww w12345678&w w w w w w w w 87654321Intervals refers to the distance between two notes:F Majorb w k k kw& 5th1 . . . 5Melodic interval refers to the interval between two notes played one after the other,i.e. as in a “melody.”IG Majorwkk&wk 1 . . . 5 Melodic 5thHarmonic interval refers to the interval between two notes played together,i.e. as in a “harmony.”IID Majorwk 6k& wk 1k Harmonic 6th Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillO - YouTube Video Link - https://youtu.be/Q6TWDH9bCnIThe Tonic TriadTonic describes the first note of the scale.A Triad is a chord made of three notes.A Tonic Triad is a chord of three notes built on the first, third and fifth notes of the scale.The tonic triad of C Major&www www135TonicTriad? w w w www 135TonicTriadThe tonic triad of G MajorIw www&ww ? I w w ww wwI&I? II w w w www 135TonicTriadThe tonic triad of D Majorw www w w135TonicTriadThe tonic triad of F Majorb w w w www& 135TonicTriad113355TonicTriadTonicTriad? w w w wwwb 135TonicTriad Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillP - Pt 1 https://youtu.be/2aLTWxFz6zs Pt 2 https://youtu.be/kIpkSUT5T-sComposing an answering rhythmRULES WHICH MUST BE FOLLOWEDBEAMSBeam together two quavers (eighth notes) which need to make one crotchet beat:q qBeam together four quavers (eighth notes) which make one minim beat:q q q q3Six quavers (eighth notes) which complete a bar of 4 :q q q q q qBeam semiquavers (sixteenth notes) and combinations of semiquavers (sixteenth notes)and quavers (eighth notes) into groups of one crotchet beat:q q q qNBq q qNever beam together more than four quavers (eighth notes) in a bar of 44In 44 never beam notes across the middle of the bar (between beats 2 and 3)44q q q q q q 44qq q q q q Avoid ties as much as possible (although sometimes there may be no alternative): Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillP Cont.BEAMSComposing a two bar answering rhythmThe most important factors in this exercise are that each bar has the correct number ofbeats and the rhythms are correctly grouped and beamed.Don’t end the phrase with anything less than a crotchet (quarter note), preferably a longernote, so that the extract sounds properly ‘finished’ and it doesn’t feel like the rhythmdrops off a cliff.A complete four bar phrase will divide into two sections - a ‘question’ and an ‘answer’phrase. The answer needs to show a musical link to the first section. They need to soundmusically related without being an exact copy or being too dull and boring.There are many ways of making the phrases balance and connect musically. Keep to the‘mood’ that the opening gives. If the opening includes dotted rhythms or busy quavers(eighth notes) and semiquavers (sixteenth notes) you can follow the pattern with somechanges. If the opening is stately crotchets (quarter notes) and minims (half notes) thendon’t answer with lots of busy semiquavers (sixteenth notes).A good general guide is to open the answering phrase with the same rhythms for a coupleof beats and then carry on to finish with slightly new rhythms.Whatever you write make sure you count strict time (tap your toe - quietly!) and listen towhat is given and your response.For example this opening phrase could have the following response:34q q q q \ h q \ q q q q q\ q h / Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillQ - YouTube Video Link - https://youtu.be/xqjl2kFQPmsPerformance DirectionsIt is necessary to learn the Italian terms and the musical direction symbols.A useful way to learn these is to collate the terms into thematic groups, rather than inalphabetical order.For toAndante- slow- slow- gradually getting slower- gradually getting slower- held back- at a medium ‘walking’ speedQUICKAccelerandoAllegroAllegretto- gradually getting quicker- Quick “cheerful”- Fairly quick (but not as quick as Allegro)fLOUDForteFortissimoCrescendoff- loud- very loud- gradually getting louder- and so on Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillQ Cont.TEST YOURSELFTest yourself on the following musical terms and directions. Don’t look up any answersuntil you’ve completed all of them.AdagioLentodal sego/ D.S.%ritardandoq 728vaUFineCantabilemezzopocorallentando Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillUse this diagram of the piano keyboard to help you to visualise tones and semitones.General ExercisesR Part 1 - YouTube Video Link - https://youtu.be/It-HhZrDrnoR Part 2 - YouTube Video Link - https://youtu.be/gGuhTuUfchAR Part 3 - YouTube Video Link - https://youtu.be/cnv5UVEo3MYR Part 4 - YouTube Video Link - https://youtu.be/U6IKzH HgbI Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillSharon Bill’s books are all available inPaperback and eBook from AmazonTaking your ABRSM Music Theory exam can benerve wracking and nerves can prevent you doingyour best in any exam. Good preparation andplanning is always the answer to this problem. Inthese exam guides I give you tried and testedtechniques, not only how to prepare before the exambut also the best procedure for actually in the examroom.I’ve been entering pupils for ABRSM Music Theoryexams for nearly thirty years and it is not unusualfor them to pass with DISTINCTION, some evenscoring 100%!Follow these simple steps and improve your chancesof gaining TOP MARKS.How To Take Your ABRSM Grades 1, 2 & 3 and 4 & 5 Sharon Bill www.SharonBill.com facebook.com/SharonBillPage YouTube.com/SharonBillInstagram @sharonbill ig Twitter @SharonEBill

Music Theory Information Sheets ABRSM Grade 1 Sharon BillThey say that truth i

The progression of information through the grades is accumulative and ABRSM Grade 1 Music Theory provides the foundation for all future study. Each section of this PDF Document accompanies a corresponding chapter in the ABRSM workbook and provides all the inform

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