THE MOST COMPREHENSIVE PORTRAIT . - Sue Bryce Education

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THE MOST COMPREHENSIVE PORTRAIT EDUCATION IN THE WORLD.WEEK 4POSINGbySUE BRYCE

TA B L E O FCONTENTSWEEK FOUR122Posing Challenge124Breaking The Rules126Couch Posing127Ottoman Posing130Curves Posing132Posing LibrarySueBryceEducation.comEmail support@suebryceeducation.comCopyright 2017 by Sue BryceAll rights reserved.All images photographed by Sue Bryce.No part of this publication may be reproduced,scanned, copied, recorded, or transmittedin any form or by any means.NOTICE OF DISCLAIMER:The information in this book are based on theauthor’s experience and opinions. The authorcan not be held liable for the use or misuseof the information contained in this book.

WEEK F OURPOSINGC H A LLEN G EF I V E C H A L L E N GES:1. Five changes per pose (hands) (Sue Demo Live)2. Draw your sets match your outfits choose your poses.3. Body language brothers couples (Sue Demo Live).4. Curves client shoulder drop and open up using tilts and angles.5. Change composition 1, 2, 3, 4, and 5 (Sue Demo Live).CHAL L ENGES:Five changes per pose: hands, composition, and shoulders.Click here to watch video.Draw your sets match your outfits. Choose your poses how I map my shoots.Click here to watch video.Break each shoot down to four looks and four poses.Example: (Sue demo live)Click here to watch video.Reference each pose with an image or drawing.Match four outfits with four backgrounds.USE your compositions for multiple looks 1, 2, 3, 4, 5, and horizontal.Change the hands 1, 2, 3, 4 , and 5122 12 WEE K PORTR A I T S TA R TUP

12T H E WA L LCOU CH OR OTTOMANDifferent Compositions& Horizontal Beauty ShotSitting On Floor Leaning Back45 DegreesSitting On The FloorFacing The WallLying On TummyLying On BackLeaning On Couch Arm34B OX OR BA R S TO O LFREESTYL E (NO PROPS )Sitting On BoxCovergirl & Rotation(Elevate/stagger knees up into frame.)Leaning Onto 1 Box Shoulders at 45ºTriangles & Diamonds(1 Foot elevated front on.)Sitting rotationStanding CovergirlStanding Rotation(Use the dress.)Hips, Hourglass, and Arms(Shaping around the body.)Leaning Onto a Box(Beauty Shot)C H AL L EN G ECH A LLE NG ECurves client shoulder drop andBody Language Brothers, Couplesopen up using tilts and angles.Sue demonstrates with Gerson.Click here to watch video.Click here to watch video.Brothers, Jenn & SteveC H AL L EN G EClick here to watch video.Change composition 1, 2, 3, 4 , and 5Click here to watch video.b y S U E BRYC E S u e Br y c e E d u c at ion.com 123

B R EA KIN GTHE RULESS UE L I V E D EMOI often stop shooting just to connect and chat.My clients always sit in a relaxed position that they do all on their own.I say, “Stop don’t move”. This is a classic example of breaking rules. Straight armsand cut off hands but she bought it and I love it remember expression trumpshands. Crops look good when the image is balanced. Always look forconnected and relaxed Real body language over a pose.Rules I don’t break:124 Don’t break the nose cheek rule. Not too much whites in the eyes. Don’t cover the diamond. Don’t cover the breast line in rotation.12 WEE K PORTR A I T S TA R TUP

b y S U E BRYC E S u e Br y c e E d u c at ion.com 125

COUCHPOS IN GUse the arm to lean on / create triangles and rest elbowsto bring them up to TOUCH face and chin and hair. Use the arm of the couch. Use the back of the couch. Lay down on the couch on tummy on the their back. Sit on the floor in front of the couch. Perch on the edge of the couch. Horizontal and Vertical crops. Use 5 compositions. Turn the couch backwards and kneel on the couch with armson the back of couch. Watch Posing Family Generations126 12 WEE K PORTR A I T S TA R TUP

OTTOMANP O SIN G1 Ottoman or FloorLying on tummyLying on their sideLying on their backCreate triangles with arms123423b y S U E BRYC E S u e Br y c e E d u c at ion.com 127

128 Rest elbows to bring hands up to connectto the face the chin and the hair. Always use compositions try 1 2 3 NO hands flat to the cheek Position them diagonally awayfrom the camera. NO resting the face on the handsis squishes the cheek. Roll up on to the back hip and bring theknee up to lift and shape the booty. Try to light the posture of your clientfor height to create length. For younger girls bring the feet up. When resting on elbows noelbows towards the camera. For younger girls do not roll up on the hipas it accentuates the hip in a sexy way. NO elbows tucked away from thecamera as it shortens limbs. For younger girls bring the handsup to the heart. Try to always put the elbows on thesame plane at the shoulder. NO hands towards the camera. If you crop try to crop mid limb notON the joint example: wrist elbow finger.WHen lying flat angle your camera over eyeline pointing down to slim and flatter don’tshoot below the eyeline up to the chin. Try Horizontal and Vertical crops. Always soft ballet hands.12 WEE K PORTR A I T S TA R TUP

When posing twos and threeson the ottoman and floor:make sure the arm connected is behind the personthey are lying next to not beside or you will not beable to get the heads together.b y S U E BRYC E S u e Br y c e E d u c at ion.com 129

CURVESP OS IN G1. All curves posing is about dropping their front shoulder and shaping the waist.2. Use you tilts and angles without shooting down on people.3. Wherever their eyes are you will be slightly above that eye line tilting down.4. You can use a 35mm lens and focus on the lens perspective flatteringthe face and use the distortion to even the body.(If they start looking bobble head then you are tilting too far).5. When doing cover girl poses always lift the handshigher on the waist and in to slim the waist.130 12 WEE K PORTR A I T S TA R TUP

6. In all sitting position have them lean towards you firstthen drop the shoulder then rotate.7. In lying down positions have the knees off the ottomanfor better flexibility and rotation of the neck.8. Standing positions foot towards the camera shouldersand hips 45 degrees to the camera drop the shoulderand tilt them forward towards you at a 45 degree angle.9. Always drop the shoulder and push the chin forward and down.b y S U E BRYC E S u e Br y c e E d u c at ion.com 131

POSINGLIB R ARYThere is a considerable library of posing and direction on the site already but,this library is so extensive it becomes extremely overwhelming.OT H E R VIDEOS TO STU DY:CLIC K TO WAT C HCL ICK TO WATCHVictorian Style ShootPosing Mom & Sons / BrothersWatch Sue make subtle movements when posinghands and see the impact these minor changescan make on the composition of a portrait.Through soft back light, a blow up mattress,and white sheets, every body will look incrediblein their images from this sensual, monochromatic,and highly effective and affordable shoot.CLIC K TO WAT C HCL ICK TO WATCHPosing HandsWhite SheetLearn the rules from the beginning. So when a womanwalks through your studio door, you know exactlywhich poses will flatter her, and can you focus on givingher great service instead of worrying about how to pose.C L I C K TO WATCHThe Posing RulesCLIC K TO WAT C HWall PosingCL ICK TO WATCHBrothers & Sisters PosingC LICK TO WATCHFlow Posing Women & Flow Posing Men132 12 WEE K PORTR A I T S TA R TUP

E ND O F W EE K FOU Rb y S U E BRYC E S u e Br y c e E d u c at ion.com 133

by SUE BRYCE SueBryceEducation.com 131. POSING LIBRARY There is a considerable library of posing and direction on the site already but, this library is so extensive it becomes extremely overwhelming. OT

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