DESIGN, FORM, AND CHAOS

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T H E P U B L I C I S M O R E FA M I L I A R W I T H B A D D E S I G N T H A N G O O D D E S I G N . I TI S , I N E F F E C T, C O N D I T I O N E D T O P R E F E R B A D D E S I G N , B E C A U S E T H AT I SW H AT I T L I V E S W I T H . T H E N E W B E C O M E S T H R E AT E N I N G , T H E O L D R E A S SURING.PA U L R A N D , D E S I G N , F O R M , A N D C H A O SA D E S I G N E R K N O W S T H AT H E H A S A C H I E V E D P E R F E C T I O N N O T W H E NT H E R E I S N OT H I N G L E F T TO A D D, B U T W H E N T H E R E I S N OT H I N G L E F T TOTA K E A W AY.A N T O I N E D E S A I N T- E X U P É R Y. . . T H E D E S I G N E R O F A N E W S Y S T E M M U S T N O T O N LY B E T H E I M P L E M E N TOR AND THE FIRST LARGE-SCALE USER; THE DESIGNER SHOULD ALSOW R I T E T H E F I R S T U S E R M A N U A L . . . I F I H A D N O T PA R T I C I PAT E D F U L LY I NA L L T H E S E A C T I V I T I E S , L I T E R A L LY H U N D R E D S O F I M P R O V E M E N T S W O U L DN E V E R H AV E B E E N M A D E , B E C AU S E I W O U L D N E V E R H AV E T H O U G H T O FT H E M O R P E R C E I V E D W H Y T H E Y W E R E I M P O R TA N T.DONALD E. KNUTH

T H E T U F T E - L AT E X D E V E L O P E R SA TUFTE-STYLE BOOKPUBLISHER OF THIS BOOK

Copyright 2013 The Tufte-LaTeX Developerspublished by publisher of this booktufte-latex.googlecode.comLicensed under the Apache License, Version 2.0 (the “License”); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0. Unless required by applicable law or agreed to in writing, software distributed under theLicense is distributed on an “as is” basis, without warranties or conditions of any kind, eitherexpress or implied. See the License for the specific language governing permissions and limitations underthe License.First printing, January 2013

ContentsThe Design of Tufte’s Books15On the Use of the tufte-book Document ClassCustomizing Tufte-LaTeXCompatibility Issues33Troubleshooting and SupportBibliographyIndex4139293521

List of Figures123This is a margin figure. The helix is defined by x cos(2πz), y sin(2πz), and z [0, 2.7]. The figure was drawn using Asymptote(http://asymptote.sf.net/).23This graph shows y sin x from about x [ 10, 10]. Notice thatthis figure takes up the full page width.23Hilbert curves of various degrees n.23

List of Tables123A list of LATEX font sizes as defined by the Tufte-LATEX document classes.Heading styles used in Beautiful Evidence.19Environment styles used in Beautiful Evidence.204Here are the dimensions of the various margins used in the Tuftehandout class.245Heading levels used with the secnumdepth counter.3019

11Dedicated to those who appreciate LATEXand the work of Edward R. Tufte and Donald E. Knuth.

IntroductionThis sample book discusses the design of Edward Tufte’s books1 andthe use of the tufte-book and tufte-handout document classes.Edward R. Tufte. The Visual Displayof Quantitative Information. GraphicsPress, Cheshire, Connecticut, 2001.ISBN 0-9613921-4-2; Edward R. Tufte.Envisioning Information. Graphics Press,Cheshire, Connecticut, 1990. ISBN0-9613921-1-8; Edward R. Tufte. VisualExplanations. Graphics Press, Cheshire,Connecticut, 1997. ISBN 0-9613921-2-6;and Edward R. Tufte. Beautiful Evidence.Graphics Press, LLC, first edition, May2006. ISBN 0-9613921-7-71

The Design of Tufte’s BooksThe pages of a book are usually divided into three major sections:the front matter (also called preliminary matter or prelim), the mainmatter (the core text of the book), and the back matter (or end matter).The front matter of a book refers to all of the material that comesbefore the main text. The following table shows a list of materialthat appears in the front matter of The Visual Display of QuantitativeInformation, Envisioning Information, Visual Explanations, and BeautifulEvidence along with its page number. Page numbers that appear inparentheses refer to folios that do not have a printed page number(but they are still counted in the page number sequence).BooksPage contentBlank half title pageFrontispiece2Full title pageCopyright (1)(2)(3)(4)(5)(7)(8)(9)(1)(2)(3)(4)(5)7–9The design of the front matter in Tufte’s books varies slightly fromthe traditional design of front matter. First, the pages in front matterare traditionally numbered with lowercase roman numerals (e.g., i,ii, iii, iv, . . . ). Second, the front matter page numbering sequence isusually separate from the main matter page numbering. That is, thepage numbers restart at 1 when the main matter begins. In contrast,Tufte has enumerated his pages with arabic numerals that share thesame page counting sequence as the main matter.The contents of this page vary frombook to book. In VDQI this page isblank; in EI and VE this page holdsa frontispiece; and in BE this pagecontains three epigraphs.2

16a tufte-style bookThere are also some variations in design across Tufte’s four books.The page opposite the full title page (labeled “frontispiece” in theabove table) has different content in each of the books. In The VisualDisplay of Quantitative Information, this page is blank; in EnvisioningInformation and Visual Explanations, this page holds a frontispiece; andin Beautiful Evidence, this page contains three epigraphs.The dedication appears on page 6 in VDQI (opposite the introduction), and is placed on its own spread in the other books. In VE, anepigraph shares the spread with the opening page of the introduction.None of the page numbers (folios) of the front matter are expressed except in BE, where the folios start to appear on the dedication page.The full title page of each of the books varies slightly in design.In all the books, the author’s name appears at the top of the page,the title it set just above the center line, and the publisher is printedalong the bottom margin. Some of the differences are outlined in thefollowing fitalics24 ptserifitalics20 ptserifitalics20 ptsans serifupright, caps20 ptTitleTypefaceStyleSizeserifupright36 ptserifitalics48 ptserifupright48 ptsans serifupright, caps36 pt–––serifupright20 eStyleSizesans serifupright, caps14 ptPublisherTypefaceStyleSizeserifitalics14 pt––––––serifitalics14 ptserifitalics14 pt––––––sans serifupright, caps14 ptThe tables of contents in Tufte’s books give us our first glimpseof the structure of the main matter. The Visual Display of QuantitativeInformation is split into two parts, each containing some number ofchapters. His other three books only contain chapters—they’re notbroken into parts.

the design of tufte’s booksEdward R. TudeEdward R. TudeThe Visual DisplayEnvisioning Informationof Quantitative InformationSECOND EDITIONGraphics Press · Cheshire, ConnecticutGraphics Press · Cheshire, ConnecticutEdward R. TudeEDWARD R. TUFTEVisual ExplanationsBEAUTIFUL EVIDENCEImages and Quantities, Evidence and NarrativeGraphics Press · Cheshire, ConnecticutGRAPHICS PRESS LLC17

18a tufte-style bookContentsEscaping Flatland12Micro/Macro ReadingsContents37Layering and SeparationPART IGraphical Excellence2Graphical Integrity3Sources of Graphical Integrity and SophisticationPART II53GRAPHICAL PRACTICE113Small Multiples53THEORY OF DATA GRAPHICS4Data-Ink and Graphical Redesign5Chartjunk: Vibrations, Grids, and Ducks6Data-Ink Maximization and Graphical Design7Multifunctioning Graphical Elements8Data Density and Small Multiples9Aesthetics and Technique in Data Graphical Design6779Color and Information8191107123Narratives of Space and Time97139161Epilogue: Designs for the Display of InformationEpilogue177121191ContentsContentsMapped Pictures: Images as Evidence and ExplanationImages and Quantities1213Sparklines: Intense, Simple, Word-Sized GraphicsVisual and Statistical Thinking: Displays of Evidence for Making DecisionsLinks and Causal Arrows: Ambiguity in ActionExplaining Magic: Pictorial Instructions and Disinformation DesignThe Smallest Ecective DicerenceMultiples of Space and Time6455Words, Numbers, Images — Together73Parallelism: Repetition and Change, Comparison and Surprise46277982The Fundamental Principles of Analytical Design122105Corruption in Evidence Presentations: Ecects Without Causes, Cherry Picking, OverreachVisual Confections: Juxtapositions from the Ocean of the Streams of Story121ing, Chartjunk, and the Rage to Conclude140The Cognitive Style of PowerPoint: Pitching Out Corrupts WithinSculptural Pedestals: Meaning, Practice, DepedestalizationLandscape Sculptures196186156

the design of tufte’s books19TypefacesTufte’s books primarily use two typefaces: Bembo and Gill Sans.Bembo is used for the headings and body text, while Gill Sans isused for the title page and opening epigraphs in Beautiful Evidence.Since neither Bembo nor Gill Sans are available in default LATEX installations, the Tufte-LATEX document classes default to using Palatinoand Helvetica, respectively. In addition, the Bera Mono typeface isused for monospaced type.The following font sizes are defined by the Tufte-LATEX classes:LATEX \large\Large\LARGE\huge\HugeFont sizeLeading5789101112142024681012141516183036Used forsidenote numbers–sidenotes, captionsquote, quotation, and verse environmentsbody textb-headsa-heads, toc entries, author, datehandout titlechapter headspart titlesTable 1: A list of LATEX font sizes asdefined by the Tufte-LATEX documentclasses.HeadingsTufte’s books include the following heading levels: parts, chapters,3sections, subsections, and paragraphs. Not defined by default are:sub-subsections and 6 40 pc20/30 40 pc12/16 26 pc11/15 26 pc10/14Paragraph Paragraph headings (as shown here) are introduced byitalicized text and separated from the main paragraph by a bit ofspace.EnvironmentsThe following characteristics define the various environments:3Parts and chapters are defined for thetufte-book class only.Table 2: Heading styles used in BeautifulEvidence.

20a tufte-style bookEnvironmentFont sizeBody textBlock quoteSidenotesCaptions10/14 26 pc9/12 24 pc8/10 12 pc8/10 12 pcNotesBlock indent (left and right) by 1 pcSidenote number is set inline, followed by word spaceTable 3: Environment styles used inBeautiful Evidence.

On the Use of the tufte-book Document ClassThe Tufte-LATEX document classes define a style similar to the styleEdward Tufte uses in his books and handouts. Tufte’s style is knownfor its extensive use of sidenotes, tight integration of graphics withtext, and well-set typography. This document aims to be at once ademonstration of the features of the Tufte-LATEX document classesand a style guide to their use.Page LayoutHeadingsThis style provides a- and b-heads (that is, \section and \subsection),demonstrated above.If you need more than two levels of section headings, you’ll haveto define them yourself at the moment; there are no pre-definedstyles for anything below a \subsection. As Bringhurst points out inThe Elements of Typographic Style,4 you should “use as many levels ofheadings as you need: no more, and no fewer.”The Tufte-LATEX classes will emit an error if you try to use\subsubsection and smaller headings.In his later books,5 Tufte starts each section with a bit of verticalspace, a non-indented paragraph, and sets the first few words of thesentence in small caps. To accomplish this using this style, use the\newthought command:4Robert Bringhurst. The Elements ofTypography. Hartley & Marks, 3.1 edition,2005. ISBN 0-88179-205-5Edward R. Tufte. Beautiful Evidence.Graphics Press, LLC, first edition, May2006. ISBN 0-9613921-7-75\newthought{In his later books}, Tufte starts.SidenotesOne of the most prominent and distinctive features of this style isthe extensive use of sidenotes. There is a wide margin to provideample room for sidenotes and small figures. Any \footnotes will automatically be converted to sidenotes.6 If you’d like to place ancillaryThis is a sidenote that was enteredusing the \footnote command.6

22a tufte-style bookinformation in the margin without the sidenote mark (the superscriptnumber), you can use the \marginnote command.The specification of the \sidenote command is:\sidenote[hnumberi][hoffseti]{Sidenote text.}This is a margin note. Notice that thereisn’t a number preceding the note, andthere is no number in the main textwhere this note was written.Both the hnumberi and hoffseti arguments are optional. If youprovide a hnumberi argument, then that number will be used as thesidenote number. It will change of the number of the current sidenoteonly and will not affect the numbering sequence of subsequentsidenotes.Sometimes a sidenote may run over the top of other text or graphics in the margin space. If this happens, you can adjust the verticalposition of the sidenote by providing a dimension in the hoffsetiargument. Some examples of valid dimensions are:1.0in2.54cm254mm6\baselineskipIf the dimension is positive it will push the sidenote down the page;if the dimension is negative, it will move the sidenote up the page.While both the hnumberi and hoffseti arguments are optional, theymust be provided in order. To adjust the vertical position of thesidenote while leaving the sidenote number alone, use the followingsyntax:\sidenote[][hoffseti]{Sidenote text.}The empty brackets tell the \sidenote command to use the defaultsidenote number.If you only want to change the sidenote number, however, you maycompletely omit the hoffseti argument:\sidenote[hnumberi]{Sidenote text.}The \marginnote command has a similar offset argument:\marginnote[hoffseti]{Margin note text.}ReferencesReferences are placed alongside their citations as sidenotes, as well.This can be accomplished using the normal \cite command.7The complete list of references may also be printed automaticallyby using the \bibliography command. (See the end of this documentfor an example.) If you do not want to print a bibliography at the endof your document, use the \nobibliography command in its place.To enter multiple citations at one location,8 you can provide a listof keys separated by commas and the same optional vertical offsetargument: ,bibkey2,. . . }The first paragraph of this documentincludes a citation.7Edward R. Tufte. Beautiful Evidence.Graphics Press, LLC, first edition, May2006. ISBN 0-9613921-7-7; and Edward R.Tufte. Envisioning Information. GraphicsPress, Cheshire, Connecticut, 1990. ISBN0-9613921-1-88

on the use of the tufte-book document class23Figures and TablesImages and graphics play an integral role in Tufte’s work. In additionto the standard figure and tabular environments, this style providesspecial figure and table environments for full-width floats.Full page–width figures and tables may be placed in figure*or table* environments. To place figures or tables in the margin,use the marginfigure or margintable environments as follows (seefigure 1):32z1 tion{This is a margin figure.}\label{fig:marginfig}\end{marginfigure}The marginfigure and margintable environments accept an optional parameter hoffseti that adjusts the vertical position of the figureor table. See the “Sidenotes” section above for examples. The specifications are:10x 11Figure 1: This is a margin figure. Thehelix is defined by x cos(2πz),y sin(2πz), and z [0, 2.7]. Thefigure was drawn using ble}[hoffseti].\end{margintable}Figure 2 is an example of the figure* environment and figure 3 isan example of the normal figure environment.yxn 1n 2n 3n 4n 5As with sidenotes and marginnotes, a caption may sometimesrequire vertical adjustment. The \caption command now takes aFigure 2: This graph shows y sin xfrom about x [ 10, 10]. Notice that thisfigure takes up the full page width.Figure 3: Hilbert curves of variousdegrees n. Notice that this figure onlytakes up the main textblock width.

24a tufte-style booksecond optional argument that enables you to do this by providinga dimension hoffseti. You may specify the caption in any one of thefollowing forms:\caption{long caption}\caption[short caption]{long caption}\caption[][hoffseti]{long caption}\caption[short caption][hoffseti]{long caption}A positive hoffseti will push the caption down the page. The shortcaption, if provided, is what appears in the list of figures/tables,otherwise the “long” caption appears there. Note that although thearguments hshort captioni and hoffseti are both optional, they mustbe provided in order. Thus, to specify an hoffseti without specifyinga hshort captioni, you must include the first set of empty brackets [],which tell \caption to use the default “long” caption. As an example,the caption to figure 3 above was given in the form\caption[Hilbert curves.][6pt]{Hilbert curves.}Table 4 shows table created with the booktabs package. Notice thelack of vertical rules—they serve only to clutter the table’s data.MarginLengthPaper widthPaper heightTextblock widthTextblock/sidenote gutterSidenote width81/2 inches11 inches61/2 inches3/8 inches2 inchesOccasionally LATEX will generate an error message:Error:Too many unprocessed floatsLATEX tries to place floats in the best position on the page. Untilit’s finished composing the page, however, it won’t know wherethose positions are. If you have a lot of floats on a page (includingsidenotes, margin notes, figures, tables, etc.), LATEX may run out of“slots” to keep track of them and will generate the above error.LATEX initially allocates 18 slots for storing floats. To work aroundthis limitation, the Tufte-LATEX document classes provide a \morefloatscommand that will reserve more slots.The first time \morefloats is called, it allocates an additional 34slots. The second time \morefloats is called, it allocates another 26slots.The \morefloats command may only be used two times. Calling ita third time will generate an error message. (This is because we can’tsafely allocate many more floats or LATEX will run out of memory.)Table 4: Here are the dimensions ofthe various margins used in the Tuftehandout class.

on the use of the tufte-book document classIf, after using the \morefloats command twice, you continue toget the Too many unprocessed floats error, there are a couple thingsyou can do.The \FloatBarrier command will immediately process all thefloats before typesetting more material. Since \FloatBarrier willstart a new paragraph, you should place this command at the beginning or end of a paragraph.The \clearpage command will also process the floats beforecontinuing, but instead of starting a new paragraph, it will start anew page.You can also try moving your floats around a bit: move a figureor table to the next page or reduce the number of sidenotes. (Eachsidenote actually uses two slots.)After the floats have placed, LATEX will mark those slots as unusedso they are available for the next page to be composed.CaptionsYou may notice that the captions are sometimes misaligned. Dueto the way LATEX’s float mechanism works, we can’t know for surewhere it decided to put a float. Therefore, the Tufte-LATEX documentclasses provide commands to override the caption position.To override the vertical alignment, use the\setfloatalignment command inside the float environment. Forexample:Vertical ave}\caption{This is an example of a sine wave.}\label{fig:sinewave}\setfloatalignment{b}% forces caption to be bottom-aligned\end{figure}The syntax of the \setfloatalignment command is:\setfloatalignment{hposi}where hposi can be either b for bottom-aligned captions, or t fortop-aligned captions.Horizontal alignment To override the horizontal alignment, use eitherthe \forceversofloat or the \forcerectofloat command inside ofthe float environment. For ve}\caption{This is an example of a sine wave.}\label{fig:sinewave}25

26a tufte-style book\forceversofloat% forces caption to be set to the left of the float\end{figure}The \forceversofloat command causes the algorithm to assumethe float has been placed on a verso page—that is, a page on theleft side of a two-page spread. Conversely, the \forcerectofloatcommand causes the algorithm to assume the float has been placedon a recto page—that is, a page on the right side of a two-pagespread.Full-width text blocksIn addition to the new float types, there is a fullwidth environmentthat stretches across the main text block and the sidenotes area.\begin{fullwidth}Lorem ipsum dolor sit amet.\end{fullwidth}Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Ut purus elit, vestibulum ut, placerat ac, adipiscing vitae, felis. Curabiturdictum gravida mauris. Nam arcu libero, nonummy eget, consectetuer id, vulputate a, magna. Donec vehicula augue eu neque.Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Mauris ut leo. Cras viverra metusrhoncus sem. Nulla et lectus vestibulum urna fringilla ultrices. Phasellus eu tellus sit amet tortor gravida placerat. Integer sapienest, iaculis in, pretium quis, viverra ac, nunc. Praesent eget sem vel leo ultrices bibendum. Aenean faucibus. Morbi dolor nulla,malesuada eu, pulvinar at, mollis ac, nulla. Curabitur auctor semper nulla. Donec varius orci eget risus. Duis nibh mi, congue eu,accumsan eleifend, sagittis quis, diam. Duis eget orci sit amet orci dignissim rutrum.TypographyTypefacesIf the Palatino, Helvetica, and Bera Mono typefaces are installed, thisstyle will use them automatically. Otherwise, we’ll fall back on theComputer Modern typefaces.LetterspacingThis document class includes two new commands and some improvements on existing commands for letterspacing.When setting strings of A L L C A P S or small caps, theletterspacing—that is, the spacing between the letters—should beincreased slightly.9 The \allcaps command has proper letterspacingfor strings of F U L L C A P I T A L L E T T E R S , and the \smallcapscommand has letterspacing for small capital letters. Thesecommands will also automatically convert the case of the text toupper- or lowercase, respectively.The \textsc command has also been redefined to include letterspacing. The case of the \textsc argument is left as is, however.9Robert Bringhurst. The Elements ofTypography. Hartley & Marks, 3.1 edition,2005. ISBN 0-88179-205-5

on the use of the tufte-book document classThis allows one to use both uppercase and lowercase letters: TheInitial Letters Of The Words In This Sentence Are Capitalized.Document Class OptionsThe tufte-book class is based on the LATEX book document class.Therefore, you can pass any of the typical book options. There area few options that are specific to the tufte-book document class,however.The a4paper option will set the paper size to a4 instead of thedefault us letter size.The sfsidenotes option will set the sidenotes and title block in asans serif typeface instead of the default roman.The twoside option will modify the running heads so that thepage number is printed on the outside edge (as opposed to alwaysprinting the page number on the right-side edge in oneside mode).The symmetric option typesets the sidenotes on the outside edgeof the page. This is how books are traditionally printed, but is contrary to Tufte’s book design which sets the sidenotes on the right sideof the page. This option implicitly sets the twoside option.The justified option sets all the text fully justified (flush leftand right). The default is to set the text ragged right. The bodytext of Tufte’s books are set ragged right. This prevents needlesshyphenation and makes it easier to read the text in the slightlynarrower column.The bidi option loads the bidi package which is used withXELATEX to typeset bi-directional text. Since the bidi package needsto be loaded before the sidenotes and cite commands are defined, itcan’t be loaded in the document preamble.The debug option causes the Tufte-LATEX classes to output debuginformation to the log file which is useful in troubleshooting bugs. Itwill also cause the graphics to be replaced by outlines.The nofonts option prevents the Tufte-LATEX classes from automatically loading the Palatino and Helvetica typefaces. You shoulduse this option if you wish to load your own fonts. If you’re usingXELATEX, this option is implied (i.e., the Palatino and Helvetica fontsaren’t loaded if you use XELATEX).The nols option inhibits the letterspacing code. The Tufte-LATEXclasses try to load the appropriate letterspacing package (eitherpdfTEX’s letterspace package or the soul package). If you’re usingXELATEX with fontenc, however, you should configure your ownletterspacing.The notitlepage option causes \maketitle to generate a title27

28a tufte-style bookblock instead of a title page. The book class defaults to a title pageand the handout class defaults to the title block. There is an analogous titlepage option that forces \maketitle to generate a full titlepage instead of the title block.The notoc option suppresses Tufte-LATEX’s custom table of contents(toc) design. The current toc design only shows unnumbered chaptertitles; it doesn’t show sections or subsections. The notoc option willrevert to LATEX’s toc design.The nohyper option prevents the hyperref package from beingloaded. The default is to load the hyperref package and use the\title and \author contents as metadata for the generated pdf.

Customizing Tufte-LATEXThe Tufte-LATEX document classes are designed to closely emulateTufte’s book design by default. However, each document is differentand you may encounter situations where the default settings areinsufficient. This chapter explores many of the ways you can adjustthe Tufte-LATEX document classes to better fit your needs.File HooksIf you create many documents using the Tufte-LATEX classes, it’seasier to store your customizations in a separate file instead ofcopying them into the preamble of each document. The TufteLATEX classes provide three file hooks: tufte-common-local.tex,tufte-book-local.tex, and tufte-handout-local.tex.tufte-common-local.tex If this file exists, it will be loaded by all ofthe Tufte-LATEX document classes just prior to any document-classspecific code. If your customizations or code should be included inboth the book and handout classes, use this file hook.tufte-book-local.tex If this file exists, it will be loaded after allof the common and book-specific code has been read. If yourcustomizations apply only to the book class, use this file hook.tufte-common-handout.tex If this file exists, it will be loaded afterall of the common and handout-specific code has been read. Ifyour customizations apply only to the handout class, use this filehook.Numbered Section HeadingsWhile Tufte dispenses with numbered headings in his books, ifyou require them, they can be enabled by changing the value ofthe secnumdepth counter. From the table below, select the headinglevel at which numbering should stop and set the secnumdepth

30a tufte-style bookcounter to that value. For example, if you want parts and chaptersnumbered, but don’t want numbering for sections or subsections, usethe command:\setcounter{secnumdepth}{0}The default secnumdepth for the Tufte-LATEX document classes is 1.Heading levelPart (in tufte-book)Part (in tufte-handout)Chapter (only in SubparagraphValue 10012345Table 5: Heading levels used with thesecnumdepth counter.Changing the Paper SizeThe Tufte-LATEX classes currently only provide three paper sizes: a4, b5,and us letter. To specify a different paper size (and/or margins), usethe \geometrysetup command in the preamble of your document (orone of the file hooks). The full documentation of the \geometrysetupcommand may be found in the geometry package documentation.10Customizing Marginal MaterialMarginal material includes sidenotes, citations, margin notes, andcaptions. Normally, the justification of the marginal material followsthe justification of the body text. If you specify the justified document class option, all of the margin material will be fully justifiedas well. If you don’t specify the justified option, then the marginalmaterial will be set ragged right.You can set the justification of the marginal material separatelyfrom the body text using the following document class options:sidenote, marginnote, caption, citation, and marginals. Eachoption refers to its obviously corresponding marginal material type.The marginals option simultaneously sets the justification on all fourmarginal material types.Each of the document class options takes one of five justificationtypes:justified Fully justifies the text (sets it flush left and right).Hideo Umeki. The geometry package. http://ctan.org/pkg/geometry,December 200810

customizing tufte-latexraggedleft Sets the text ragged left, regardless of which page it fallson.raggedright Sets the text ragged right, regardless of which page itfalls on.raggedouter Sets the text ragged left if it falls on the left-hand(verso) page of the spread and otherwise sets it ragged right. Thisis useful in conjunction with the symmetric document class option.auto If the justified document class option was specified, then setthe text fully justified; otherwise the text is set ragged right. This isthe default justification option if one is not explicitly specified.For ls raggedouter]{tufte-book}will set the body text of the document to be fully justified and all ofthe margin material (sidenotes, margin note

\small 9 12 quote, quotation, and verse environments \normalsize 10 14 body text \large 11 15 b-heads \Large 12 16 a-heads, toc entries, author, date \LARGE 14 18 handout title \huge 20 30 chapter heads \Huge 24 36 part titles Table 1: A list of LATEX font sizes as defined by the Tufte-LATEX document classes. Headings

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GRAND ALLIANCE: CHAOS Page 23 – Godsworn Champions of Ruin Change the first bullet point under the Organisation header to: ‘1 unit chosen from the following list: Daemon Prince, Chaos Lord on Manticore, Chaos Sorcerer Lord on Manticore, Chaos Sorcerer Lord, Lord of Chaos

Chaos, Mark of Chaos , Heretic Astartes, Legion KEYWORDS Infantry, Terminator, Chaos Terminators BERZERKER CHAMPION NAME M WS BS S T W A Ld Sv Pts Berzerker Champion 6” 3 3 5 4 4 3 8 3 34 EQUIPMENT - Chainsword - Bolt pistol - Frag grenades -

Introduction to Nonlinear Dynamics, Fractals, and Chaos . in nonlinear dynamics and fractals. Emphasis will be on the basic concepts of stability, . S. H. Strogatz, Nonlinear Dynamics and Chaos, Addison-Wesley, Reading, 1994. E. Ott, Chaos in Dynamical Systems, Cambridge University Press, Cambridge, 1993. .

MOM Spellbook for PDF 2/27/97 3:26 PM Page 4. Call Chaos: Chaos. Combat. Casting Cost: 75 mana. Very Rare. Calls down the forces of chaos to wreak havoc on all enemy units. Individual units may be randomly subjected to one of the following effects: nothing, healing of five hits of damage, chaos channels,

Chaos Dwarf Army List A Chaos Dwarf Army list for Warhammer Fantasy Battle 7th Edition by Slev Most concepts are the property of Games Workshop and no challenge is made to any such status. Some concepts inspired by the folks at www.chaos-dwarfs.com. Original works (especially the Bull Guard) by Slev. Feel free to re-use the material with