We Would Also Like To Hear Your Own Pop/ Rock Song From .

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Thank you for auditioning forAN OFFICER AND A GENTLEMANNational TourROLE: SidSides have been revised from previous versions and the new full script is now available onthe same web page.Please Prepare: This entire packet of sides and music We would also like to hear your own pop/ rock song from the 80’s / early 90’s. Bring PICTURE AND RESUME stapled together. Bring knee pads for the dance callback. Bring shoes you can turn in – no heels for women.IMPORTANT ALL in attendance must show proof of covid vaccination. ALL on the Creative and Production team are vaccinated. Everyone will be asked to sign a Covid waiver. WALL CLIMBING will take place on Thursday 6/17 between 10am-2pm (for OfficerCandidates including Seeger)Please don’t hesitate to reach out if you have any questions.Thanks so much!W S Casting

SID Side 1 of 2(initial audition)210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANSONG 14B: HIGHER LOVE (instrumental)/DO THE WALLS COME DOWN reprise(ZACK)(Stands next to SEEGER; HE’s doing it with her.)On your mark, get set, go!(Coaches her every step of the way; OCs and FOLEY cheer her on.)Right, left, right, pull. Walk that wall, Seeger. Walk it. Hand over hand. Walk it.(HE’s at the top; SHE’s higher than SHE’s ever been, but not there yet.)You’re almost there, Seeger. Don’t you let go. You walk that wall, Seeger. Tell us who youare. Pull, pull, pull.(SHE’s at the top but struggles to hoist herself over.)Officer Candidate Seeger, you got it, you got it. Pull yourself over.(SHE’s over the wall. ALL, even FOLEY, are screaming in joy. ZACKdescends so that SEEGER can savor the moment atop the wall. SHEjumps into the arms of the OFFICER CANDIDATES below. THEY carryher off offstage. FOLEY stops ZACK to shake his hand. ZACK exits,leaving FOLEY alone on stage or is it SEEGER’S DAD?)FOLEYDO THE WALLS COME—DO THE WALLS COME—DO THE WALLS COME DOWN?DO THE WALLS COME—DO THE WALLS COME—DO THE WALLS COME DOWN?(As the set changes, GREER has a memory.)STARTSCENE 5The motel. LYNETTE is in bed. SID has his back to her.SIDClose your eyes, go on, close ‘em. No peeking.(HE presents her with a slightly crushed cupcake.)Tada!LYNETTEWhat’s this?SIDHappy anniversary! Five weeks ago tonight, we checked into the Tides Inn and Motor Lodge forthe very first time. What do you think, a plaque on the wall?!89

210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANLYNETTEOr in the bed.SIDWait a minute, five weeks and you haven’t got your you know.LYNETTEI’m a little late. It happens.SIDLynette, should we be planning a wedding? My folks’ll be here for graduation.LYNETTEGreat. Your dad can go to one and skip the other since, you know, he hates the bride.SIDHe likes you. He told me.LYNETTEIf that’s how he acts when he likes a person—SIDLater, can we talk about him? ‘Cause you’re a minute more pregnant than you were a minuteago.LYNETTEIf I’m pregnant.SIDHave you ever been—sorry. Not my business.LYNETTENo. I should’ve told you I might be . Let’s make a deal: No secrets between us. Ever.SIDDeal.LYNETTESo, sophomore year, like three, four months after Troy and I started . Way too young to be amom. And Troy’s not someone I’d raise a kid with. Afterward, he wouldn’t talk to me,wouldn’t look at me, like I’d done the whole thing myself.SIDSo we’ll do it differently, we’ll get married.!90

210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANLYNETTEUm, just ‘cause I’m a few weeks late—SIDA few weeks?LYNETTESid, think about it: everyone outside the Navy will stare at us ‘cause you’re black, and everyonein the Navy will stare because I’m white trash and your dad’s royalty.SIDThey stare ‘cause you’re a fox. And my dad—not making excuses, but I didn’t tell him I wasbringing a girl, didn’t tell him I’m in love with that girl, didn’t tell him a lot.LYNETTEWhat about our kids?SID“Our kids.” Love that! And we’ll love them. That’s all kids need, right?LYNETTEBut they gotta leave the house sometimes to like, go to school. Is it fair to send them out into aworld that’s not what I wish it was?SIDThe way to make a difference is to be the difference you want to make so be my wife.LYNETTEThe irony in all of this is all’s I ever wanted was to marry an officer.SIDHello, dream come true, right here—even if it doesn’t look the way you thought it would. Sostop thinking about how it looks, start thinking about how you feel whenever we’re together. STOPSONG 15: LOST IN YOUR EYESLYNETTEI GET LOST IN YOUR EYES,AND I FEEL MY SPIRITS RISE,AND SOAR LIKE THE WIND.IS IT LOVE THAT I AM IN?I GET WEAK IN A GLANCE.ISN’T THIS WHAT’S CALLED ROMANCE?AND NOW I KNOW,‘CAUSE WHEN I’M LOST I CAN’T LET GO.!91

SID Side 2 of 2(for callbacks only)210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANZACKBest leader, best friend to everybody.FOLEYHe failed Firefighting. He failed Damage Control. He froze during Abandon Ship.ZACKCan’t you bend your goddamn rules for once?SIDI’m glad it’s over, buddy. I wasn’t here for me. You said so yourself.ZACKI said? What’d I say?SIDEverything I do, I do because my father said do it. And this—right here, right now—this iswhere I draw the line!(SID runs off, leaving FOLEY and ZACK alone.)ZACKSid!(To FOLEY.)Request permission to carry on, sir.FOLEYGet out of my face.SCENE 7SONG 16B: EVERY GIRL IN THIS TOWN reprise (PERRYMAN’s memory)PERRYMAN has a memory as the bar from I, 7 is revealed. LYNETTEappears in an outfit less revealing than usual: SHE’s off the market.LYNETTEDUST YOURSELF OFF.PUT YOUR LIPSTICK ON.YOU GOT THIS BABY.(LYNETTE and SID are at the bar. SID is in his khaki uniform.)SIDThanks for meeting me.!100

210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANLYNETTEOn a weeknight? I guess after Battlestations OCS loosens its grip.(SID places a small, velvet box on the table.)Sid!SIDOpen it.LYNETTECan’t.SIDSure you can. Just lift the little lid—LYNETTEI got to tell you something: I’m not pregnant.SIDYou got your ?LYNETTEYesterday. I wasn’t keeping it from you, I just I wanted to tell you in person.SIDAfraid I’d change my mind?(SHE nods yes.)Never. I’m sad, a little but this is good. Gives us time to figure out the husband-and-wifething before we become parents.LYNETTEYou mean you still want to—SID(Opens the box.)Lynette Pomeroy, will you marry me?LYNETTEAnd be the difference I want to make?(SHE slides the ring on her finger. THEY kiss, in public and unashamed.)SIDNow I got something to tell you.LYNETTETell me.!101

210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANSIDYou know what D.O.R. is?LYNETTEEveryone in this town knows what D.O.R. is. Why? Did someone in your class drop?SIDYeah.LYNETTEThis close to graduation? Who would do such a—Zack! It’s Zack, isn’t it?SIDLynettte, listen—LYNETTEI told Paula she’s better off without that guy.SIDIt’s me.LYNETTEYou? I don’t understand. You’re still in uniform.SIDGot to be till the ADSEP Board makes it official.LYNETTEThen it’s not too late! Tell ‘em you changed your mind, you made a mistake.SIDQuitting’s not a mistake, joining was. I’m glad I did ‘cause I met you, but I’m not cut out to bean officer. I been faking it. I been faking everything in my life up till now.LYNETTESid, for two months, you been selling me the Navy as our safety net.SIDYeah, about that according to my dad, it’s not so I don’t know .LYNETTEBlack and white?SIDHe had more challenges in that area than I was aware of. So he told me.!102

210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANLYNETTEWhen?SIDHe wasn’t specific.LYNETTENo. When did he tell you?SIDAt the Officers’ Club. After you left.LYNETTEHuh. No secrets, that’s what we said.SIDSo?LYNETTESo you proposed to me, twice: at the motel and just now, knowing our safety net—our kids’safety net!—it ain’t so safe.SIDI thought you were marrying me for me.LYNETTEYes. And you are someone who doesn’t tell me things you don’t think I want to hear, whomakes life changing decisions without even talking to me first!SIDSorry, okay?LYNETTEOkay. But if I can’t rely on you, Sid, how can we. especially since we’re—SIDBlack and white.LYNETTEThat’s not fair.(SHE removes the ring, places it on the table and SHE’s gone. ADMIRALWORLEY appears in a robe. HE and SID speak as if on the phone.)SIDDad, I messed up. Is mom awake?!103

210525 4TH DRAFT (in progress)AN OFFICER AND A GENTLEMANADMIRAL WORLEYYour mother’s in bed and you should be too.SIDLet me talk to her.ADMIRAL WORLEYSo she can be up half the night sick with worry?SIDPlease!ADMIRAL WORLEYWhatever it is can wait till morning. Go back to your hatch, climb into your rack and wake upearly to do extra physical training. You’re starting to sound like you did last year, and we simplywon’t put your mother through that again. You hear me, Junior? We won’t! Junior?!SID(It’s taken him a lifetime to say this.)My name is Sid.SONG 16D: LOST IN YOUR EYES/FLY BY NIGHT reprises(SID crosses to the motel, sits on the bed and swigs from a bottle. ZACKpounds at PAULA’s door. SHE answers in pajamas.)PAULAZack! It’s the middle of the night!ZACKI don’t know where Sid is. He D.O.R.-ed, and—PAULALynette told me. They were at the bar earlier, then she came here.ZACKDid they have fight?(Enter LYNETTE.)LYNETTENot a fight. I told him I couldn’t marry him. He’d got me the ring and everything.ZACKHe should’ve been back on base hours ago. I got to find him. You coming?!104

An Officer and a Gentleman14SID - SONG 1 - INITIAL AUDITIONReh. PianoLost In Your Eyes(audition cut)Arr. byDan Lipton[SID][Rev. 3.3.21]Orch. byDan Lipton &Nathan Dame1Reh.Piano2SidbbVbbbbbbbMusic and Lyrics byDeborah GibsonPassionate, anthemic q 72b 4& b b b b 4 b C b/D bF? bb 4bbb 4œ.jœœœ .Dbœ.œ œ œ. œ œ œ. œ œ 3 œ œ œ œœœ œI don't mind not know - ing what I'm head - ed for.& b œ œ œ œ . œ œ œ . œ œ œ œ œ œ œ œ wG b/A bGbDb? bb bjjb b œ.œ œ.œ Copyright 1988 Creative Bloc Music Ltd. / Deborah Ann's Music (ASCAP)4œœœœœœœœœŒ œ œ œ œ œ . ‰ œJYou can take me to5œœ œthe skies.j œ‰œœœ œœœœ.œ œn Gbœ.jœF7 b b bD b7œ. bœ nœ œB mœNathan Dame Music Preparation

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An Officer and a GentlemanReh. Piano15SID - SONG 2 - INITIAL AUDITIONAll Fired Up(audition cut)Arr. byDan Lipton[SID][Rev. 3.3.21]Music and Lyrics byPat Benatar, Myron Grombacher &Kerryn TolhurstOrch. byDan Lipton &Nathan Dame1SIDReh.PianoSidBright Rock q 148## 4V # 4 ? ### 44 ? ### 4‰j Ó4 œœœœ3### œ œ j j œ œ 4 œ œœ œVJJJtherecomes? # # # ‰ œJ œ œ œ œ œ œAF#? ##œœ7Ó.Ó##V # œJ œand‰ œj Óœj jœ œ œlearn fromœJour? # # # œœ œœ œœ œœ œœ œœ ‰ œœJF #m? ###j ŒŒœ.œœ.œatimeœœœ œœ œJwhen ev-‰ œj Óœjœ œmis - takes.‰ j ŒœœCopyright 1988 Chrysalis Music Ltd., Chrysalis Music and Big Tooth Musicœ œJœ œThe deep‰9jœœj jœ œ œ'ry - thingjustœJ6falls‰ œj Óœœ œJœJœœ œœ œœ œœœ œœœ œœœ œœœ œœœœ-estE sus4cutsareIjœ œinœœline.œ œWe liveœœ œœ œœ œœ œœ œœ œœ œœhealedjœ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œNow,œ œJ‰ œj Œœœœœ œ œJ JœœœÓœœ œœ œœ œœ œœ œœ œœ œœœœœœ œœ œœ œœ œœ œœ œœ œœœœ5œ œ œ œ œ œ œ œœœœ8jœ œ‰œœJ‰Ebe - lieveSid210œ œJ‰ jœœœ œ ŒJœœœœ œœœœ œœœœ ÓJJbyfaith.œ œ œ œœ œ œ œÓNathan Dame Music Preparation

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An Officer and a GentlemanSID - SONG 3 - CALLBACKS ONLY07Angel Of MineReh. Piano(audition cut)[SID][Rev. 3.3.21]Arr. byDan LiptonMusic and Lyrics byRhett Lawrenceand Travon PottsOrch. byDan Lipton &Nathan Dame1SIDReh.Piano3S.Slow jam heaven q 96### 4V4 ### 4& 4 n œœœF D ma j 9? ### 4 œ4œœœœ4came in - to my life## œ œ œ œ & # wwwD 69? ### .7S.### ‰VŒ5toœœœœœœn œœœœœœœœ œ œjnœœœœ œ œ œ œœ œBet - ter than a dream, such aœœœ. œ œ œ.œ œœœtheendtime,œœœœ .œCopyright 1998 WB Music Corp., Rhettrhyme Music, and Travon Music8Eœ.ofjœ‰Youœœœ . œ œ œœœ œœœ œ œ œ wœww œ œ œ œ.JEF #m7D 69œ œ .œ œ .JD 69? ### .Œœ.sent from a - bove.a - dore you### ‰ j œ&w œÓG6œ nœœ œ œ œ œœœAnd I'llœœjœ œjœœœ œ œœ### œ œ œ œ œŒV2œ œœ œœœ œ œJF #m7œ J9œœ œ œ œ6Œper - fect love.œ œœœœ . œ œœœ œœœ œ œ œ.JEF #m7œ œ.Jœ œœ œ ‰ œJ œ œ œ œ Œan - gel,œ œœœœœ .E /Gœ.#an - geljœœœjœœœ œœ œJ JA/Cœ#jœœœD ma j 9œJNathan Dame Music Preparation

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We would also like to hear your own pop/ rock song from the 80’s / early 90’s. Bring PICTURE AND RESUME stapled together. Bring knee pads for the dance callback. Bring shoes you can turn in – no heels for women. IMPORTANT

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