Stravinsky: Petrushka (1947) Ballerina Dance
Stravinsky: Petrushka (1947)Ballerina DanceWaltz
1United States Navy BandTrumpet Audition Excerpts – 14 May 20181. Charlier: Etude no. 12 from 26 Etudes Transcendantes2. Ives: Variations on “America.” Solo at [O] (Cornet 1).3. Respighi: Pines of Rome, Mvt. 2. Solo eight after [10] to nine before [11] (Trumpet 1).4. Holst: First Suite in E-flat, Mvt. 1. Measures 26-58.5. George, Ryan: The Wild Goose. Measures 153-184 (Trumpet 1).6. Copland: An Outdoor Overture. Four before 20 to four after 30 (Trumpet 1).7. Barber: Commando March. [J] to end.8. Gershwin, An American in Paris. Five after [8] to [9].9. Hanssen: Valdres March.a. Beginning to [17].b. Four before [49] to [64].10. Shostakovich/Hunsberger: Festive Overture.a.b.Beginning to [4] (Trumpet 1).Pickup to [6] to [7] (Trumpet 4).11. Sousa: Hands Across the Sea. First two strains, no repeats (Solo Cornet).12. Broughton/Bass: Silverado. Measures 18-37 (Trumpet 1).13. Adams/Odom: Short Ride in a Fast Machine. [138] to beat 4 of [157].14. Kidd, Bryan: Cops and Robbers and Spies. Measures 368 to 405.15. Gabrieli/King: Canzona Per Sonare No. 2. Beginning to [B] (Trumpet 1).16. Anonymous: Sonata from Die Bankelsangerlieder. [B] to end.17. Santelmann: Flag Officer’s March.18. Taps.Sight-reading may also be required. All excerpts are in B-flat unless otherwise noted.DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
21. Charlier: Etude no. 12DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
31. Charlier: Etude no. 12 (continued)DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
42. Ives: Variations on “America”3. Respighi: Pines of Rome, Mvt. 2DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
54. Holst, First Suite in E-flatDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
65. George: The Wild Goose( 152)6. Copland: An Outdoor OvertureDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
77. Barber, Commando MarchDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
88. Gershwin, An American in Paris9. Hanssen, Valdresa. Beginning – [17]DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
99b. Hansen, Valdres4 before [49] to [64] (play upper divisi)DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
1010. Shostakovich/Hunsberger: Festive Overturea. Beginning to [4]b. Pickup to [6] to [7]DISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
1111. Sousa: Hands Across the Sea (play upper divisi, no first endings)12. Broughton/Bass: SilveradoDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
1213. Adams/Odom: Short Ride in a Fast Machine14. Kidd: Cops and Robbers and SpiesDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
1314. Cops and Robbers and Spies, continuedDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
1415. Gabrieli: Canzona Per Sonare No. 216. Anonymous: Sonata from Die BankelsangerliederDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
1517. Santelmann: Flag Officer’s March18. TapsUc& œ œ U œœ œœ œœœ œœ œmfU œ œ &ff U œ œ wfslower, dying awayœœDISCLAIMERUse of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band.The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works.
Ch a r l i er: 3 6 E tu d e s Tra n sc e n d a n t es – E tu d e No. 2
Use of these .pdf files is strictly for U.S. Navy Band auditions only. Any other use is not authorized or implied by the U.S. Navy Band. The user assumes responsibility for obtaining appropriate licenses in conjunction with any further use of copyrighted works. 1! United States Navy Band Tr
who had commissioned The Firebird for his Ballets Russes company, turned up at Stravinsky’s apartment in Lausanne while he was composing a pair of pieces for piano and orchestra, and at once demanded that they be turned into a ballet. This new ballet would be Petrushka (1911). And Stravinsky himself was clear that «the success of Petrushka was
Petrushka (Stravinsky) In 1910, following the huge success of his firstballet, The Firebird, Stravinsky started composing a Konzertstück for piano and orchestra. His original conception was a ‘musician of Romantic traditionwho sat himself at the piano and spun contrary ideas
From the following 14 events: Big Bang Dance Classic, Desert Dance, Line Dance Showdown, Xperience, Line Dance Marathon, Fun In The Sun, Ft Wayne Dance For All, Hotlanta, Palm Springs Line Dance Festival, Windy City Line Dance Mania, Motor City Dance Classic, Vegas Dance Explosion, Flor
Rachmaninoff and Stravinsky nonetheless maintained a healthy, if qualified, respect for each other’s work. Rachmaninoff appears to have liked Stravinsky’s early ballets more than the later music. In 1918 Rachmaninoff described Stravinsky as “a
Stravinsky: a creative spring : Russia and France, 1882-1934. New York: Alfred A. Knopf. PER DAHL Text, Identity and Belief in Stravinsky’s Symphony of Psalms Introduction In 1926, Igor Stravinsky rejoined the Russian Orthodox Church. Throughout the rest of his life, he would use religiou
the list goes on and on—were part of Stravinsky’s world. The Soldier’s Tale comes from his so-called “Russian” period, as do his famous (and infamous) creations such as The Firebird, The Rite of Spring, Petrushka, and Renard. Combining visual arts, ballet, theatrical traditions of Commedia dell’arte,
The result was Firebird, which brought Stravinsky instant success (1910). In 1911 with a larger orchestra still, he wrote Petrushka and then in 1913 Rite of Spring was performed. The piece caused a scandal, partly because the audience found the music too dissonant and violent and
standard, the ISO 14001:2004 manual is being integrated into the new manual so that cross referencing between the two systems becomes easier and enhances the understanding of the differences between the new and the old standards. This is to be used as a reference document only _ ESM 43012 Issue Date: 4th October 2017 Page 1 of 40 _ Environmental Manual ISO 14001:2015 _ Introduction .
