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Avery R Young[00:00:05] Welcome to The Seattle Public Library’s podcasts of author readings and library events.Library podcasts are brought to you by The Seattle Public Library and Foundation. To learn moreabout our programs and podcasts, visit our web site at w w w dot SPL dot org. To learn how you canhelp the library foundation support The Seattle Public Library go to foundation dot SPL dot org[00:00:36] My name Davida Ingram. Hey it's April 26.[00:00:40] It is bright and shiny outside and as bright and sunshiny in here.[00:00:46] I like that too loud because this is a live podcast so that means that in normal programswhen you my razor hand. What are you going to do instead.[00:00:59] Yeah you're going to make some noise.[00:01:03] I happened to be the public engagement programs manager at the library. Did you meetmy colleague Orlando. Yeah. OK let's. We're running just a few minutes behind but connection andpublic engagement is important.[00:01:17] So I'd like for you to take the next two minutes share the time one minute for one personone minute for the other person. Turn to your neighbor and talk about what the power of word meansto you.[00:01:29] Because we're going to be looking at the power of words I want you to talk to yourneighbor in two minutes.[00:01:34] And if you could talk to someone that you don't know already all the better. So what doesthe power of words mean to you. So we need to hear some chitter chatter.[00:01:49] Can we bring it back to center. How did it feel to chat with folks today feel good.[00:01:55] Now remember we're being allowed right so did it feel good. There we go.[00:02:00] All right. So I want to say welcome to tonight's program. Avery are young Chicago nativeSimon. As Seattle Central Librarywww.spl.org/podcasts l 206-386-4636

[00:02:15] For those who are regulars and also for folks who are new it's very important for us toacknowledge that we are on Duwamish land throughout 2018. The library is doing something that I'mreally proud of. We're looking to do programming that is native led and centered and celebratingCoast Salish and urban Indian experience. By the way we are doing a survey about the types ofprograms and services you would like to see at the library so we can tweet out the link for the surveybut if you like programs like the one we do tonight and there will be a survey so please remember todo your surveys they're important to us. But the survey allows us to figure out how to serve youbetter. So your voice will always matter with us so please do the paper survey for tonight's programand also the online survey and we can make sure that that link weeded out to you. Tonight's programis made possible with support from the Seattle Public Library Foundation. Do we happen to have anydonors or supporters in the audience or people who are planning to make some noise make somenoise for our support. And I am about to tell you a little bit more about Avery and I'm delightedbecause I'm from Chicago so I couldn't be more proud tonight.[00:03:40] But I want you to keep that same warm spirited love. There's a list of community partnersso if we could clap at the end because there's a great list of people who help spread the word for us.So thank you to the African-American writers alliance. You speak Seattle. That's the one exception.The youth right now. The truth right now. So you speaks voices rising. Seattle's Seattle Arts andLectures The Central District forum for art and ideas and the University of Washington Bothell andstudio revolt. And I would be incredibly remiss if I didn't I give a special thank you to a Nitta yo Ali forthe work that she did to bring this program to. Is an incredible artist she's also a professor at theUniversity of Washington Bothell and our partnership with the University of Washington has allowedus to bring in talent that quite frankly are pretty modest budget and sometimes it's hard for us to getpeople to come from out of town. So these strong partnerships is what helps us do relevantprogramming so thank you to our community partners. I feel like I have to think here[00:04:55] And then also did I call voices rising. I feel like okay great. I just wanted to make sure I'mlooking at stormy as I was like I have to make sure we said voices rising because she's done iconicwork. There are. Are you ready for Averys bio. Yes. So[00:05:12] I love how hyped this crowd is really making my day.[00:05:16] Avery are young uses his talents to speak stories of turmoil turn to triumph dub sundaymorning juke joint Yangs performances and work in sound design merges spiritual and secularaesthetics with dramatic and comedic sensibilities. Averys work is in Doc's friend with 400 years ofAfrican-American experience. He Milt's history culture art blending phonetics linguistics hymns jazzand hip hop in his work. His influences include James Brown. Nina Simone Gil Scott Heron. Byexamining black American history and culture his art history celebrates social justice equity queeridentity and body consciousness while challenging massage and the racism and homophobia.Yawing is a card of Covay Canham fellow with poems and essays published in the breakbeat poetsHaymarket the Golden Shovel anthology.2

[00:06:24] You should also ask the library if we are hearing these in our collection because you canrequest that in us said Wilczek and also featured an award winning photographer Cecil McDonalds inthe company of Black is sound design project called the colored signs explores myriad concretepoetry forms.[00:06:43] In his new full length release Booker T.[00:06:48] Solah train or race Rickett. Did I get that right.[00:06:52] Soul Train. Thank you. I was like some tells me I didn't say that correctly and I know how tosay Saltspring correctly so I had to fix that was created during his artist residency with the Universityof Chicago's Arts and Public Life Initiative.[00:07:05] He now performs in tours with his band the deed. Let me get this right. The deacon boardis a coast for the rebirth youth poetry ensemble. Without further ado let's make sure his mike is on.And Avery you're welcome to use that Mike over there. Let's welcome Avery are young[00:07:32] You made me feel so important.[00:07:38] Truly grateful and thankful to be here with you all this evening. I am having a good timewith family my Davis Veeder VITTA either eat eat or[00:07:56] Is in the village of stories in the building. Thank you again.[00:07:59] As to the overvote master mining this master plan I am here as an artist in residence andthe I've been teaching classes we do have some Pommes trying to get the people lives they knowwhat the and filming short film. And I'm very happy and excited about Saturday at noon.[00:08:42] Over in Tacoma where I would love to see all of you all here tonight with us as we Ilma forpeace. Emmett Till remains. You that. You they and they what they at. As fast uncles. You A. Whenthey brought them to is this is this is this is this is. This is this is this[00:10:46] Is this is what you say.[00:10:52] Well they name led them to the bar.[00:10:58] Are you there. Well you there when they led them to the bar.[00:11:04] Were you there when they picked up a breaking play touch down with them. They wereyou they may pick up a brick and play touch down with them.[00:11:15] Oh were you then when they took the Fennville tied around a stake in tormenter rather.3

[00:11:22] Why is that. Well it's been built around a second storm in a region where the body weightof water all night long.[00:11:35] Well you then there film Body way all night long. Well you GM by the way[00:11:49] All night long will you they let you spell them by the way.[00:11:55] No warning them all day long but we're using you they will when I got a call.[00:12:05] Are you.[00:12:06] Well you when Momma got the call they got they got it.[00:12:15] They got in May. They got they got in.[00:12:20] They got in. That's why. They got him[00:12:28] That way. But they show. You. When. They show up. Make sure. To go. What. You[00:12:51] Got. We can and me. Well. You[00:12:57] See all dressed in black. What[00:13:00] Were you there. Justin. Says. She[00:13:19] Says a fake blue. Why. Were you there. When that white boy[00:13:26] Back down with him it done. What are you there. Why are you[00:13:31] Here. Why. Well done. Hey. I got a nigga. Got a nigga. Got. A green. Nigger. NiggerNigger. Nigger nigger. Little[00:13:49] White women why you that.[00:13:55] When the jury came back and said Not guilty. Where are you you they when the jury cameback said not guilty all law. Do. Not tell[00:14:27] Me.[00:15:11] Very smart.[00:15:12] Oh of. Oh. Raul. Oh.4

[00:15:38] Miriam. Oh girls oh yeah. Bury My holds with baby girls. All. Right. There we go with babygirl. RAZ boy came in[00:15:59] On the moderate list. We hit a white hey Jim live we head of white and dream[00:16:20] We head of. And was dancing to. Also was[00:16:30] So narrow we don't know that none.[00:16:37] I've owned a share and just enjoy it say oh let them get into you life so that when you livein.[00:17:08] Very close. Hello.[00:17:21] Scribal 3 0 0 0. Carpel still. Saenuri[00:17:47] To notice me. Walking down.[00:17:53] You say black boring Blackboy. What are you doing on my stream.[00:18:00] I didn't come here to bother nobody. I just came here to see my law.[00:18:07] All law and deed law. Just let me get to the Dhobley as they want to know what claim inwatch[00:18:21] One is Guy Blackboy.[00:18:25] Why are you standing there seeing him.[00:18:28] Shouldn't you use this time around Saenuri to watch three beat me down on her stree shesaid all that she say.[00:18:44] Won't you please go call the polling. I come here to bother nobody. I just came here to seemy love.[00:18:56] Oh God dear God don't let these fools kill me. Essaying just kick in and stay in once in mywhile it[00:19:10] One took my key one said Hold it home. Stop it Hall nigger teaches us poetry[00:19:46] 1884 song is released as the leading song on the soundtrack to a movie called Footlooseand The Song is a song that is recorded sorry written and produced by Julius.5

[00:20:05] And there's a quarter by young lady of our name with the nice Williams and the song islet's hear it for the bully and I just really like this song.[00:20:19] And one time I was in the gangway.[00:20:22] So in Chicago there you see it is called gangways which is just basically spaces inbetween homes that get you from the front yard to the back yard or maybe the side door is I have noidea why they call it a gangways I research it I'll get back to you later. Why is it called the gangway asopposed to the side of the house.[00:20:46] The in-between I don't really where the gangway and I'm singing I'm singing the song. Let'shear the boy and my uncle who is like Hey why you sing in a and I was like[00:21:05] What you mean. Well I'm thinking of the song on the radio.[00:21:09] I was like boys don't sing that song. And I was like wow boys don't sing that song. Saidboys just don't sing that song. Waits don't say here for me.[00:21:19] And I didn't know what it meant.[00:21:22] Then you know I was just like a vote you know like what in the movie Kevin Bacon is reallydancing.[00:21:37] She's a cheerleader. You know. He's like singing so I would say this I want to take thisopportunity to sing the song and I sing the song. Because[00:21:54] I'm a grown up. Not singing Hey my baby don't talk Suy.[00:22:07] He ain't got much to say.[00:22:15] Oh my baby. Don't talk sweetie.[00:22:21] Main much to say my baby don't talk see the guy.[00:22:36] Much to say but I'm in love and LOL BYE.[00:22:49] He loves him.[00:22:58] And maybe you don't address fire.[00:23:04] I don't really know.[00:23:10] Listen to me.6

[00:23:19] Oh yes. Let's hear it from my boss[00:23:31] Asking that both hands.[00:23:37] Oh let's hear from baybay. You know you got gotta stay.[00:23:50] Oh maybe I'm no Romeoville but the Wii the one man show. Let's hear it for Bolla.[00:24:19] Hey my baby may not be.[00:24:28] But why.[00:24:34] Oh I swear my baby got no mine.[00:24:42] So we'll watch your dad now at home store.[00:24:52] They ain't got no money. So watch it live at home.[00:25:02] Oh Ty Jones him.[00:25:07] Men love me.[00:25:09] We always have a really good at home.[00:25:18] I swear. What he does he does so away may see me.[00:25:41] Hey I don't know.[00:25:47] Let's hear it. My[00:25:50] Baby. No you guys stay.[00:25:58] Oh oh.[00:26:03] Maybe him no wrong. VO que him.[00:26:11] Love that show. Let's hear it for town.[00:26:19] Oh well hey ho let's be real for ball mom and my mom should go with the mambo and y'allwant hear about Progresa hours.[00:26:49] That show and I did the song right. And he was in the band. This is7

[00:27:15] Me. Look what you do.[00:27:25] He was painted Hallenbeck that I sure love painted on the order of a blues record. BluesRecord at and that's good[00:27:38] Enough. That's crazy right.[00:27:43] I grew up on the West as cargo and I was the splain and so I've been at schools at thatschool schools but Lincoln Heights which is in a coma. And. And I could see it reminded me of thegrassy[00:28:06] Grassy yes yes yes the grassy grassy Junior High. Everybody was something to take yourmoney and never give up.[00:28:18] Ok I'll show my age right now.[00:28:20] But the head Drake was somebody the phone he was Treyc babywearing there wasSopwith explaining to the folk how and why I am writing poems and what art what I will call it poemsand what I've decided to do with the poetry is not restrict myself with the material right.[00:28:55] I wouldn't desire to restrict myself with the materials of paper ink.[00:29:02] I decided to use voice use body wisdom tape whatever it is and express myself just like Idon't want to write a poem.[00:29:13] Take this piece of wood writing it and so is always a good material and userspace asmaterial everything is material.[00:29:25] Anyway so I'm in third grade and appellant's in the spelling sense. And I ours. I'm sorry youa couple hours of hours and the I get hundred on the says what's happening in this classroom is thatwhen you just scores on a test whatever score you get as it gets a star and the star has a certainnumber of points at the end at the end of the school year the teacher added up all the points and thenthe person with the most points got a prize which was a candy bar which I still didn't like because itwas[00:30:11] The candy bar was melted like a piece of shit. Because what you don't is what I get[00:30:21] You don't have enough sense to go to the store this morning. And give me a candy bar andchocolate milk right now.[00:30:36] Idiolect about so this particular situation or this particular test I had up until this time myselfand this young lady the other white a white student not another white so no way.8

[00:30:51] But she says that she and I were running like neck and neck but instead she failedmiserably I got 100.[00:31:02] So that put me in front of her. So I was like Ah I'm pretty[00:31:07] I. Your life is abysmal right now. You know me I'm winning and[00:31:19] She saw to cry and the teacher was like What is wrong.[00:31:26] Why are you crying. And she was like making fun of me. And she was like don't cry.[00:31:38] Averys me the dirt and you're made of Saint what are you talking about Willis.[00:31:53] In all I read is that she called me dirty and I was like and I was like oh my mommy daddydaddy home Mommy Daddy Daddy see no better than me.[00:32:07] I'm the one with the hundred and she said go to the office.[00:32:15] I got to the office to get 900 on my so I go to the office because I'm like OK this is whatthey do here at the school they say and the children want hundreds to the office of the principal office.[00:32:29] I guess it runs off as I get him a letter that you gave me you know and he looks at the letterreads the letter and he calls my mother not yet understand big mama had already gave me the rulethe first day of school. She said do not have these white people called my house[00:32:48] And say you have a nice day. She has say look both ways across the street. She knew itwas much more dangerous when I told you how you have to go[00:33:04] So they called it and they said it will say it to her it's quite unfortunate to have to call you tolet you know that Averys did speak appropriately you're in class he is talking about. He's talking aboutsexual intercourse and intercourse.[00:33:22] What's that I say six months I said did it. And I[00:33:34] I can't spell sexual intercourse. What's going on.[00:33:40] And in the end.[00:33:43] So as the story goes I go home and I get in trouble.9

[00:33:48] And then I decided I'm going to write a poem but write this form and this poem and I willwrite this poem. And this one is going to be about how I'm black and I'm not dirty and I'm just likedon't read FUF feel.[00:34:02] You don't like I was like like Zebra Katz.[00:34:10] Marina MARINA Marie. Marie. Marie. Marie. Yes I am going to you up and down when Iget to school the next day.[00:34:20] So I get to school next day.[00:34:22] I said I have a apartment I would like to read. And she was like OK go ahead Avery readthe poem and I'm reading Nepal at the end of the and she was like That's beautiful oh[00:34:43] It was not supposed to happen. You're supposed to start crying. About the[00:34:59] You wrote a and made me cry. You know how very she was.[00:35:07] Oh that is beautiful. Did you write that all by yourself. I'm with I guess I did.[00:35:13] But as you were all supposed to not like it you're supposed to be offended. You know I hadsome private moment so[00:35:27] Right.[00:35:31] She just threw in my poems and stories in a contest. And I was when they get the medalsand I was like Wait hold up so if I could show as out my rhyme with the you'll let me cut you out[00:35:50] Basically. Yeah. Basically yeah I'm like OK[00:35:56] I could do this shit.[00:36:00] Cabela and this theory right now Palombo and is still rank near porn.[00:36:11] I had been let go of trying to make a crack because she did.[00:36:18] I haven't wrote the poem it's the point that's gone make white women all of it away frombecause we didn't know them sales Firedoglake and B to stop.[00:36:34] That's not my goal at all. It didn't work. First time I really like it.[00:36:39] I learned my lesson. You know I have.10

[00:36:47] I was working. I am what I did. I finished working on a book when I was working on a bookthe summer.[00:36:52] I was I had fooled myself that I was gonna write this book and I was going to be aboutblack men in America and I'm going to print you know but my editor was like Hey I went to work I laidon the flow. They had all out of running.[00:37:10] Make to start making the decisions and then when I made the poll was out on the floor Ilooked out way about me why did I think I was going to write a book.[00:37:34] Paintings about being black in America and it not be about me. I'm an expert[00:37:42] On makes the black dude since June 26 1974.[00:37:53] So I'm figuring it and I'm looking at it and I was like I had to give myself permissionbecause I mean you are teaching kids in black and brown kids what long time and I've always felt likewhen I was writing cause I was writing the pause for their so that they feel good about being an blackand brown and and understand that that they can know that poetry and art didn't mean they had toquestion anything about their ads to does it and make them theirs. It didn't make them that all they didwas make them keepers of their humanity.[00:38:48] Right.[00:38:50] You know because I grew up from the west as Chicago you know into many black boysAmy Avery single in a gang way here for my boy. Right and he wrote me white women regret that ithappened to all[00:39:14] Of up at a joint. Right. And it was something about those words being in front of me that[00:39:27] I was like wow that little boy in very gray Bybee's pongs am again and I also was happybecause the audience is not the White one.[00:39:44] Right. Told him not to get off the plane. The audience that joined me I had to remind myselfthat I am alive and in my lap because I was loved like[00:40:03] I'm alive because I spoke to myself that day when she told me I was made out of on No I'mnot gold pure gold.[00:40:17] Come on now I'll go pure gold. That's what I hear. This. All. Moment. Yesterday. And. This.Has[00:40:41] Worked. I'm so excited.11

[00:40:46] I figured it out. And in a word. And I'm like.[00:40:50] And I'm glad to be here at this moment. And as a patrol I'm going to do another piece andthen I will bring my friends to me.[00:40:57] We're going to talk some. That's all I. Think. Now. This. This within this. Warm within this.Is Onoe we'll have to do the HIMYM Gamay they call dirty because of this issue. Of a knitter they'llcall a dirty warm if you ever get any issue. The. Issue with. New or her[00:43:15] Nasty Hanby they all put Joe hanging gold. And don't worry[00:43:55] Make it go away. That's what she'll go say back home. Way too long. I want to say. I wantto say[00:44:15] I can't see her right now.[00:44:21] Oh I can see her right now.[00:44:27] I can see her. Oh. I[00:44:33] See right now. She will say. She. Could for. It. I can see her[00:45:18] Oh that's it. No you of him. He. Said. He said stop some bad[00:45:39] Weather.[00:45:43] So many people who heard you get outside to the black. So many people say they seeyour race the.[00:45:53] These people these people make the late.[00:46:00] These people don't get death. So I'm sure somebody. Gets to. Hear[00:46:17] Him say no no. I mean somebody turns to me. You don't know this thing and somebodyjust maybe. Somebody put something in me. To get something out of[00:46:58] Nancy. The significance of that particular mayor was that the agency within her had all thestories split up from the as it was called for this particular situation. She knew that the power was notany with the power the ticket issue of blood Hagenow that's why that's like my favorite Myraclebecause the power is[00:47:53] Everywhere young everybody.12

[00:48:17] All right we're just Halvey formal for a second because it's a podcast and I'm excited thatwe have avery with all of his splendor in conversation with a local artists. Stormy weather stormy as apoet an interdisciplinary artist an absolutely ferocious. She creates blues inflected socially engagedtext installations and images. She also recently had a very gorgeous exhibition at the Art Museumcalled Cassino a palimpsest men when a local critic said that Cassino considered the intangibleproperties by which art and poetry are connected to family ancestry language and public memoryrevealing intergenerational underground histories of resilience so you can see already she and Averyare about to have an amazing conversation. We have about 30 to 40 minutes for them to take thefloor and take us wherever they want to go. If we're really good we'll have space to have probablyabout two or three questions at the end. If you love this program you can also use social media. Tagthe library on Twitter at SPL buzz and you can use our hash tag for tonight. Avery are young SPL sand Seattle ism and public Ellen as in library and Stormie and Avery. Whenever you're ready.[00:49:44] Hey how are you doing stalling.[00:49:47] That's why we are stormy stormy. Is this working. Yes. Is this thing on its side. As[00:49:56] I have said the red I'm trying to gather myself back together. That's what did you do withyour life because[00:50:06] Oh my goodness you know I really do have to come back to reality must I know you'll haveto come back.[00:50:15] You don't have to come back. Oh my gosh. So sometimes I just want to say what ablessing.[00:50:22] What a blessing.[00:50:24] Is so much right now I don't know about you but it makes it difficult to be fully in this world.And so I could catch myself and I like come back and maybe just[00:50:40] You know brought me back.[00:50:44] And you know that's some serious medicine right there. So I met Avery about seven yearsago. I'm proud to say I brought Avery to Seattle to perform with mommy watch who they had met oneanother and was like queer writers[00:51:04] Yes I'm sorry. I was I was trying to think yes I was trying to do something but not on themlike oh they don't kill me.[00:51:14] Someone else will kill me if I don't know the name of the book. It is.[00:51:19] It was the book confidence that leads to more desire and I side.13

[00:51:24] Come on now if you. Don't let us don't be like them to people remember that movie aboutthe man who wrote precious Lord take my hand.[00:51:32] Yeah. Man somebody so people they go way back to.[00:51:38] It was 19. You wouldn't[00:51:41] Know what you're going to get. Yes.[00:51:46] No. Can I just say so.[00:51:48] So I'm really fighting that fire and ice fire fire fire fire.[00:52:01] I'm so glad you said fire that I stay. I was like that's a chainsaw.[00:52:08] Fire divided by the dog.[00:52:13] Yes it is game of thrones. We get together.[00:52:16] You know Coach we're driving now. I just have to say so I just your performance is soremarkable. OK.[00:52:25] You know and it's so unique and in seven years ago we were at the little church out therein Columbia City. I forget what it's called now but that's where we perform.[00:52:35] And I hadn't seen anyone do what he does.[00:52:39] You know he's across to me like you're so you're so in that you're in the black tradition youknow in the sacred black tradition of preachers and preachers saying this isn't my experience but thisis what I've studied as I study my culture and medicine people because it's medicine what you'redoing. So I guess I would just like to begin by asking you to just share a little bit with us about theways in which you consciously work with these ancestral energies. You know these wisdoms and thisis also something that Devita had ask about you know in this time. I find it so strengthening to reflectupon the power of our ancestors and I feel as though that we have that in common with our work andthat the native medicine people have a thing they say and when they pray and I don't mean to befacetious to not know which nation says this but it is something that I read where they would sayplease let me be a hollow bone.[00:53:47] And I feel as though you are a hollow poem you are able to stand aside somehow fromyour from your ego and allow the spirits to come through you. And I'd like to know a bit about how yougot how you found that how you came to think you want to say it's good it's all good.14

[00:54:09] I mean I always I mean I say I that a lot today with the with the kids the the poem justwants to be heard.[00:54:19] Right.[00:54:22] And so that the poem is very real unconcern of your fear. And the and of your adjective.[00:54:34] It wants to be heard and your service to the bomb so a lot of folks here so I alwaysbelieved that my work is I'm in service right.[00:54:52] And that's like a double entendre.[00:54:56] Right. That the work is service. But the work should be a service. Right. And that ways inwhich it comes out is just really just two years of me trying to figure out or being fascinated with thewith the black preacher who would take the story from the King James book with all those leads inDial's half is and put words in his or her bomb you know and watching the minister do that and thenwatch the reaction of the congregation. Right. Who needs that right. Because in the space of thespaces of America where black folk are really allowed to see their bodies to dance love and spiritualpractice. Which is really crazy because all those three spaces are so oppressive the places in whichthey practice these faith can be under the umbrella of these things can be extremely oppressive.Right. But these spaces that the advocacy is there by the ownership of their body found the mostright.[00:56:41] When you get into this country when you come to this country and nothing of you knowlimb belongs to you you know juicy belongs to you.[00:56:56] Danson belongs to you.[00:56:59] Praise belongs to you especially Yagyū and the system that says you have no soul. Youknow I'm going to tell you who the Jews I'm I'll tell you what the Jews know niggas dancer. Foolery.There's no construct to it. They just move and they just flap and way way the bell and so all had to bediscarded.[00:57:43] The whiteness right until it makes somebody some money right.[00:57:54] And for us to own and for that PRISA that Minister for those people for those people whocome to church on Sunday morning to load the week and trust whoever that is is going to help themrejuvenate for the next seven days.[00:58:13] I always thought that was amazing. I was found it really interesting. I never thought thegame when I was writing poems that I ought to be writing sermons anything of that nature until I got toJames Weldon Johnson I and I was like oh this creation.15

[00:58:35] And then I was like I was doing it on what I read back in them don't put it that story in placeand then let the it from your bomb right.[00:58:45] So when you say how bomb I'm like Okay cool I received that so I recognize the story isthrough me and I recognize that and I recognize that every thing I carry every thing with me right.When I'm telling that story because I wanted to do that work you have to enter the space as yourwhole self right. And I was I guess I've never when hate when you tell a boy during the day you knowyour mom and dad did he got some type of compassion for like Thompson.[00:59:28] Right.[00:59:29] And and I always do.[00:59:32] This is the honor right do with his father.[00:59:37] And I know the work of their ancestors right is to guide and carry so they must be becausethey don't move out the way and let them do what they gotta do.[00:59:56] If I did it wouldn't

Library podcasts are brought to you by The Seattle Public Library and Foundation. To learn more about our programs and podcasts, visit our web site at w w w dot SPL dot org. To learn how you can help the library foundation support The Seattle Public Library go to foundation dot SPL dot org [00:00:36] My name Davida Ingram. Hey it's April 26.

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Fitting Software or higher compatible with NOAH 3 or higher. They can be programmed using either programming cables #3 or wirelessly using nEARcom (TM#1). . OSPL90 (peak) Ear simulator 115 dB SPL 127 dB SPL 132 dB SPL 126 dB SPL 135 dB SPL 2cc coupler 105 dB SPL 118 dB SPL 124 dB SPL 117 dB SPL 126 dB SPL Full-on gain (peak) Ear simulator 46 .

August 24, 2016 Introduction to REMS SPL 1 CDER SBIA Webinar Series. Agenda 1. Background 2. How REMS SPL is Structured 3. How to Create REMS SPL 4. How to Submit REMS SPL to FDA 5. Next Steps August 24, 2016 Introduction to REMS SPL 2. What are REMS? REMS are programs designed to help ensure that drugs

PANARAY 502 A 8000222 Altavoz de superficie / Rango de Frecuencia (-10dB) 103Hz - 15 kHz / Dispersión Nominal 120 H x 70 V / Potencia continua: 150W (600W pico) / Sensibilidad (SPL / 1W a 1 m) 88dB SPL / SPL máximo a 1 m 111dB SPL (117dB SPL pico) /

www.velodyne.com SC-ICG (In-Ceiling Grille) User’s Manual 8 Velodyne Products MicroVee MiniVee MiniVee 10 SMS -1 SPL-R Series SPL-800R SPL-1000R SPL-1200R SPL-1500R SubContractor Series SC-1250 SC-10 SC-12 SC-15 SC-IW SC-IF/IC SC-600 Amp SC-600 IW SC-600 IF/IC VX Series VX-10 DD Serie

Sound pressure level, 1 watt, 1 meter in anechoic environment: Low frequency section (Both 12" woofers in parallel): 99 dB SPL (2.00 V input) Mid frequency section: 101 dB SPL (2.83 V input) High frequency section: 102 dB SPL (2.83 V input) Maximum sound pressure level (1 meter)*: Low frequency section: 129 dB SPL continuous 135 dB SPL peak

Avery Weigh-Tronix - UK Foundry Lane, Smethwick, West Midlands B66 2LP UK info@awtxglobal.com Phone: 44 (0) 8453 66 77 88 Fax: 44 (0) 121 224 8183 6/08 FLSC-05_L_500249.indd (C&D) AWT35-500249 Avery Weigh-Tronix Forklift Scales ABOUT AVERY WEIGH TRONIX Avery Weigh-Tronix has been an acti

What is esProc SPL? Analysis Database Computing and processing of structured and semi-structured data neither SQL system nor NoSQL Technology Self created SPL syntax, more concise, efficient and powerful Theoretical innovation, not originated from open source SPL: Structured Process Language

writing requires a clear line of thought, use of evidence or examples to illustrate your reflections, and an analytical approach. You are aiming to strike a balance between your personal perspective, and the requirements of good academic practice and rigorous thinking. This means: developing a perspective, or line of reasoning