Beethoven Leaflet - Music Conservatoire
LUDWIGVANA Beethoven Festival
LUDWIGVANA Beethoven FestivalCelebrating the music and legacy of Beethoven,Ludwig van is about transformation. With Europeon the brink of revolution, and the ideals of theEnlightenment giving way to a new Romantic spirit,Ludwig van Beethoven transformed Western classicalmusic forever. From his earliest musical experiments tohis final, ground-breaking artistic statements, you canhear the changing times in these sounds; and manyof these scores are transformed through transcriptionand arrangement, by Beethoven himself, by hiscontemporaries and those that followed him.With over 100 events spanning eight months, Ludwigvan is one of the largest Beethoven festivals the UKhas seen in many years. Featuring not one, but twosymphony cycles, and performances of the completestring quartets, piano trios, violin, cello and pianosonatas, the festival also looks at how Beethoven’smusic has influenced art, literature, dance, jazz,comedy and film, and how modern-day composershave responded to the man and his music.Nine Symphony Days will look at these hallowedscores with fresh eyes from all sides. Presented inorder of composition, each Day is based around aperformance of the symphony, a second concert oftranscriptions of the same symphony from piano duetto string quartet to wind ensemble, and illuminatedby talks by leading Beethoven experts from the UKand the US, as well as other events that explore linkswith other art forms. Ten different orchestras will beinvolved, working with conductors including Jac vanSteen, Ivor Bolton, Nicholas Kraemer and DouglasBoyd.Within this series sits a recreation of the famous‘Akademie’ of 22 December 1808, a 4½ hourmarathon concert within which both the fifth andsixth symphonies and the fourth piano concertowere unveiled for the first time, and presented herein collaboration with the University of ManchesterSymphony Orchestra.Three special weekends are dedicated to Beethoven’schamber music, string and piano repertoire. TheRNCM Chamber Music Festival rings in the New Yearby focusing on the complete string quartets, pianotrios and other chamber music, with performances byartists and ensembles that include the Talich Quartet,the Gould Piano Trio and the Endellion Quartet.Later in 2013, the RNCM Strings Weekend presentsthe complete violin and cello sonatas alongsidesupporting masterclasses and lectures, and in theSummer the RNCM Keyboard Weekend undertakesa complete cycle of the 35 piano sonatas, headlinedby François-Frédéric Guy, alongside performances byRNCM alumni Martin Roscoe, Peter Donohoe, Jin Ju,Ronan O’Hora and Graham Scott.We also look at how Beethoven’s music has beenreinvented in 21st Century Beethoven, a festivalwithin-a-festival featuring performances by the BBCPhilharmonic at Mediacity and the RNCM NewEnsemble, a screening of Kagel’s ‘Ludwig van’ film,a live theatrical reinvention inspired by this, not tomention a Beethoven comedy set.One of the highlights of the RNCM’s 40th anniversarycelebrations, Ludwig van places the composer at thecentre of our musical world, allowing us to reflect onBeethoven’s transformed times from the 21st century.Toby SmithDirector of Performance and Programming
Friday 11 - Sunday 13 JanuaryHIGHLIGHTSRNCM CHAMBER MUSICFESTIVALFriday 11 JanuaryBeethoven transformed chamber music in the 19thcentury, both through the extraordinary advances inhis music for the genre and, consequently, through theestablishment of chamber music in the Concert Hall.Beethoven’s personal development as a composeris nowhere more apparent than in his writing forstring quartet, and over this weekend you can hearall 15, with guest performances from the Endellion,Henschel and Talich Quartets. A similar developmentcan be traced in Beethoven’s complete piano trios,with concerts featuring the Gould, the Sitkovetskyand Cropper/Prause/Young Trios. A programme oflectures and open workshops, alongside chambermusic for winds and mixed ensembles and a numberof Beethoven’s arrangements of his own works,complete this total immersion into the world ofBeethoven’s chamber music.Ludwig van Beethoven Piano Trio in C minorOp 1 No 3; Piano Trio in B flat major Op 97‘Archduke’Full details can be found atwww.rncm.ac.uk/chambermusicfestival2pm RNCM Concert HallSitkovetsky Piano TrioTickets 127.30pm RNCM Concert HallHenschel QuartetLudwig van Beethoven String Quartet in F majorOp 59 No 1; String Quartet in A minor Op 132Tickets 17Saturday 12 January2pm RNCM Concert HallGould Piano TrioLudwig van Beethoven Piano Trio in G majorOp 1 No 2; Piano Trio in E flat major Op 70 No 2Tickets 127.30pm RNCM Concert HallTalich QuartetLudwig van Beethoven String Quartet in E minorOp 59 No 2; String Quartet in B flat major Op 130;Große Fuge in B flat major Op 133Tickets 17Sunday 13 January2pm RNCM Concert HallCropper/Prause/Young TrioLudwig van Beethoven Piano Trio in E flat majorOp 1 No 1; Piano Trio in D major Op 70 No 1‘Ghost’Tickets 127.30pm RNCM Concert HallEndellion QuartetLudwig van Beethoven String Quartet in F majorOp 135; String Quartet in C major Op 59 No 3;String Quartet in C sharp minor Op 131Tickets 17For details of festival and day tickets, please contact the Box Office
Saturday 16 and Sunday 17 MarchHIGHLIGHTSRNCM STRINGS WEEKEND1.30pm RNCM Concert HallUnlike many other genres, nine of Beethoven’s tenviolin sonatas were written in just six short yearsbetween 1797 and 1803, and yet the transformationof this genre even in this strikingly short period ofhis life is unmistakable. This year’s RNCM StringsWeekend surveys all ten violin sonatas, as well asthe five cello sonatas, featuring performances fromRNCM students, alumni, tutors and special guests.We are particularly delighted to welcome the Frenchviolinist Olivier Charlier who will be in residence overthe weekend, giving a masterclass on Beethoven’sViolin Concerto, as well as performing two of the tensonatas.Full details will be available atwww.rncm.ac.uk/stringsweekendfrom December 2012Saturday 16 MarchJoris van den Berg and OlivierCharlierLudwig van Beethoven Cello Sonata No 3 in Amajor Op 69; Violin Sonata No 7 in C minorOp 30 No 2Tickets 67.30pm RNCM Concert HallRNCM String EnsembleLudwig van Beethoven String Quintet in C minorOp 104Ludwig van Beethoven (arr Mahler) String Quartetin F minor Op 95 ‘Serioso’Malcolm Layfield conductorTickets 12Sunday 17 March1.30pm RNCM Concert HallSophie Rosa and Philip HighamLudwig van Beethoven Violin Sonata No 8in G major Op 30 No 3; Cello Sonata No 5in D major Op 102 No 2Tickets 67pm RNCM Concert HallOlivier Charlier, Levon Chilingirian,Hannah Roberts and MikhailNemtsovLudwig van Beethoven Violin Sonata No 10 in Gmajor Op 96; Cello Sonata No 2 in G minor Op 5No 2; Cello Sonata No 4 in C major Op 102 No 1;Violin Sonata No 9 in A major Op 47 ‘Kreutzer’Tickets 17 14For details of festival and day tickets, please contact the Box Office
Saturday 22 and Sunday 23 JuneHIGHLIGHTSRNCM KEYBOARDWEEKENDSaturday 22 JuneAlongside the symphonies and the string quartets,Beethoven’s piano sonatas have an equally crucialstory to tell. More than any other composer,Beethoven plays a key role in developing the conceptof the piano sonata, adopting the characteristicsof the genre as laid out by Mozart and Haydn,yet pushing their boundaries with the imposition ofhis visionary ideas around thematic and harmonicdevelopment. Such transformations will be laid barefor all to hear in an intensive weekend of talks andperformances built around a cycle of the 35 pianosonatas, featuring RNCM students and alumni fromthe full 40 years of the College’s history, as well as aheadline recital from the acclaimed François-FrédéricGuy.Full details will be available atwww.rncm.ac.uk/keyboardweekendfrom March 20137.30pm RNCM Concert HallFrançois-Frédéric GuyLudwig van Beethoven Piano Sonata No 15in D major Op 28 ‘Pastoral’; Piano Sonata No 14in C sharp minor Op 27 No 2 ‘Moonlight’;Piano Sonata No 29 in B flat major Op 106‘Hammerklavier’Tickets 17 14Sunday 23 June7.30pm RNCM Concert HallPeter Donohoe, Jin Ju,Ronan O’Hora, Martin Roscoe,Graham ScottLudwig van Beethoven Piano Sonata No 8in C minor Op 13 ‘Pathétique’; Piano Sonata No 21in C major Op 53 ‘Waldstein’; Piano Sonata No 23in F minor Op 57 ‘Appassionata’; Piano SonataNo 30 in E major Op 109; Piano Sonata No 32in C minor Op 111Tickets 17 14For details of festival and day tickets, please contact the Box Office
Monday 24 – Thursday 27 JuneHIGHLIGHTS21ST CENTURYBEETHOVENMonday 24 JuneWhilst happily acknowledging his musical legacy,many composers have shied away from theman and his music as the stimulus for new workcommenting on old. Yet, many have risen to the samechallenge, creating companion pieces, inventing andrearranging, imagining what might have been, andeven setting Beethoven’s everyday correspondence tomusic. Mauricio Kagel’s ‘Ludwig van’, the 1970 filmthat gives this festival its name, bookends this 21stCentury Beethoven programme, on screen to openit and in the theatre to close it. Between, the BBCPhilharmonic, the RNCM New Ensemble and a rangeof chamber groups will get to grips with a dizzyingrange of Beethoven-inspired scores, from a setting ofhis famous ‘Heiligenstadt testament’ to P D Q Bach’sirreverent commentary on the Fifth Symphony.Full details will be available atwww.rncm.ac.uk/21stcenturybeethovenfrom March 20138pm RNCM Studio TheatreMauricio Kagel’s Ludwig vanMade in 1970, Beethoven’s bicentenary year, Kagel’sfilm interrogates how the composer’s music hasbeen both used and abused through a montage ofsequences that are provocative, funny, exasperatingand thought-provoking by turn.Free admission, by ticket onlyTuesday 25 June7.30pm RNCM Concert HallRNCM New Ensemblewith Rainer HerschP D Q Bach New Horizons in Music Appreciation:Beethoven’s Fifth SymphonyLudwig van Beethoven (arr Gorb) Große FugeOp 133 for saxophone orchestraBrett Dean Pastoral Symphonyplus comedy from Rainer HerschMark Heron conductorFree admission, by ticket onlyWednesday 26 June7.30pm BBC Philharmonic Studio, MediaCityUKBBC Philharmonic OrchestraJohn Corigliano Fantasia on an OstinatoColin Matthews Grand BarcarolleBrett Dean TestamentStephen McNeff HeiligenstadtClark Rundell conductorFree admission, by ticket only, to reserve your tickets callRNCM Box Office (limited Thursday 27 June4 - 10pm RNCM Studio TheatreLudwig van LiveRNCM students join forces with students studyingat MMU Manchester School for Art to create aninstallation inspired by Kagel’s film (see above),revisiting its ideas to create an immersive experiencethat is part-film, part-theatre and part-performance.Free admission, no ticket required
Thursday 22 November2.30pm Carole Nash Recital RoomBEETHOVEN 1 DAYThe First Symphony:Beethoven’s Symphonic AmbitionBeethoven’s first symphony clearly established itscomposer as the inheritor of Haydn’s symphoniclegacy. Embraced by a Viennese public familiar withthe late, great symphonies of both Haydn and Mozart,Beethoven skilfully balances experimentation withtradition in this score, announcing his own musicalvoice with complete ease.1.15pm RNCM Concert HallRNCM Concert OrchestraLudwig van Beethoven Symphony No 1 in C majorOp 21André de Ridder conductorStudy Session with Kris WorsleyKris Worsley discusses Beethoven’s first symphony,examining the composer’s ambition to join thesymphonic tradition of his predecessors whilstbecoming a great symphonist in his own right.Tickets 55pm Carole Nash Recital RoomBeethoven 1 TranscribedRNCM students perform movements from selectedtranscriptions of Beethoven 1, including arrangementsfor wind ensemble, string quintet, and solo piano.Fresh from re-imagining Monteverdi’s operas forKomische Oper Berlin, André de Ridder returns toManchester to launch our Beethoven symphony cyclewith the RNCM Concert Orchestra.Yibin Seow, Aljoša Škorja conductorsFree admission, no ticket required6.30pm Carole Nash Recital RoomFree admission, by ticket onlyPre-concert talkUri Caine discusses his approach to improvisationwith the conductor of today’s lunchtime concert,André de Ridder.Free admission, no ticket required7.30pm RNCM Concert HallUri CaineBeethoven 1 ImprovisedUri Caine is a NYC-based composer, pianist andimprovisor famed for his ingenious weaving togetherof the classical and jazz traditions. We round off ourfirst Ludwig van day with an evening of inspired jazzmusings around Beethoven’s first symphony.Tickets 17 14
Friday 14 December2.30pm RNCM Studio TheatreBEETHOVEN 2 DAYBeethoven Symphonies on RecordDespite being written at the time when the composerwas facing up to his encroaching deafness,Beethoven’s second symphony bounds with energyand often-vulgar musical jokes that shocked manycontemporary critics.Study Session with Robert PhilipRobert Philip explores changing tastes in theperformance of Beethoven’s symphonies, as revealedin old and new recordings.Tickets 51.15pm Carole Nash Recital Room5pm Carole Nash Recital RoomBeethoven 2 TranscribedB2RNCM students perform Beethoven’s own piano trioarrangement of his second symphony.209 years after the première of Beethoven 2, RNCMcomposers Tom Rose and Laurence Tompkins channelits murmuring resonance into a new set throughold records, manuscripts and hand-made electronicinstruments.Free admission, by ticket onlyFree admission, by ticket only7.30pm RNCM Concert HallRNCM Chamber OrchestraJoseph Haydn Symphony No 103 in E flat majorHob I/103 ‘Drumroll’Leonard Bernstein HalilLudwig van Beethoven Symphony No 2 in D majorOp 36Ivor Bolton conductorCarlos del Cueto assistant conductorHannah Black fluteChief Conductor of the Mozarteum OrchesterSalzburg, with whom he appears annually at theSalzburg Festival, and a regular director with manyof Europe’s finest orchestras and opera companies,Ivor Bolton works with the RNCM Chamber Orchestrafor the first time, bringing his considerable reputationfor early repertoire to the second of Beethoven’ssymphonies.Tickets 17 14
Friday 1 February2.30pm Carole Nash Recital RoomBEETHOVEN 3 DAYThe ‘Eroica’ Symphony: settingthe agenda and forgetting historyWith the ‘Eroica’, Beethoven redefined the conventionsof symphonic writing: at the time, the score was oneof the longest symphonic works ever created, itsfour movements charting the journey of a hero fromlifelong struggle to ultimate triumph through death andresurrection to an immortal world.Study Session with David Wyn JonesDavid Wyn Jones looks at the early performancehistory of the ‘Eroica’ symphony and another,forgotten symphony in E flat major by one ofBeethoven’s contemporaries, Anton Eberl.Tickets 51.15pm Carole Nash Recital RoomBeethoven 3 TranscribedRNCM students perform movements fromtranscriptions of Beethoven 3, including a pianoquartet arrangement by Beethoven’s friend and pupil,Ferdinand Ries.Free admission, by ticket required5pm Carole Nash Recital RoomLudwig Van and All ThatStudy Session with Andrew BiswellDr Andrew Biswell, author of The Real Life of AnthonyBurgess and director of the International AnthonyBurgess Foundation, discusses Burgess and Beethovenusing audio clips from his novels A ClockworkOrange and Napoleon Symphony.Tickets 57.30pm RNCM Concert HallRNCM Symphony OrchestraJacob Thompson-Bell Ludwig in the Room(world première of an RNCM commission)Lowell Liebermann Flute ConcertoLudwig van Beethoven Symphony No 3in E flat major Op 55 ‘Eroica’Jac van Steen conductorAlexandre Bloch assistant conductorSarah Bennett fluteJac van Steen, Principal Guest Conductor ofthe BBC National Orchestra of Wales andGeneralmusikdirektor of the Dortmund PhilharmonicOrchestra and Opera, returns to Manchester to directour ‘Eroica’, a score whose spirit haunts a new workthat opens the programme, music that imagines whatwe might make of the symphony on unearthing it afterbeing lost for over 200 years.Tickets 17 14
Thursday 7 March1.15pm RNCM Concert HallBEETHOVEN 4 DAYRNCM Concert OrchestraSmaller in scale than the ‘Eroica’, this is the first ofBeethoven’s symphonies to blur the lines betweensections and movements, a clear vision of a summore important than its individual parts. Schumannadmired it, Mendelssohn closed his début concert atthe Leipzig Gewandhaus with it, while Berlioz claimedit was the work of an angel.Ludwig van Beethoven Symphony No 4in B flat major Op 60Nicholas Kraemer conductorSpecialising in stylish interpretations of baroque andclassical repertoire, this lunchtime Nicholas Kraemer,Permanent Guest Conductor of the ManchesterCamerata, works for the first time with the RNCMConcert Orchestra.Free admission, no ticket required2.30pm Carole Nash Recital RoomBeethoven’s Symphonies:The Editor’s PerspectiveStudy Session with Jonathan Del MarJonathan Del Mar, editor of the Bärenreiter Urtexteditions of the Beethoven Symphonies, discussesthe intricate process of editing Beethoven’s works,responding to issues and questions raised by RNCMstudents.Tickets 55pm Carole Nash Recital RoomBeethoven 4 TranscribedToday’s concert featuring transcriptions of Beethoven4 includes arrangements for one and two pianos, aswell as Hummel’s arrangement for flute, violin, celloand piano.Free admission, by ticket only
Friday 22 and Saturday 23 March4.30pm Carole Nash Recital RoomBEETHOVEN 5 AND 6WEEKENDThe Music of Beethoven’s 1808‘Akademie’The opening of the fifth symphony is perhaps the mostrecognised in classical music, announcing a scoreimbued with pathos and agitation. By contrast, thesixth is dedicated to nature, reflecting Beethoven’ssummers in the countryside around Vienna.Barry Cooper examines the programme for the‘Akademie’ of 22 December 1808, focusing on therevised version of the fourth piano concerto.Friday 22 March6.30pm RNCM Concert Hall1.15pm Carole Nash Recital RoomBeethoven 5 TranscribedRNCM students perform movements from selectedtranscriptions of Beethoven 5.Free admission, by ticket only2.30pm Carole Nash Recital RoomConcert Life in Beethoven’s ViennaStudy Session with Martin HarlowMartin Harlow examines music-making in early19th century Vienna, and the role of the ‘Akademie’in the city.Tickets 5Study Session with Barry CooperTickets 5A recreation of the ‘Akademie’concert of 22 December 1808Ludwig van Beethoven Symphony No 6 in F majorOp 68 ‘Pastoral’; Ah! perfido Op 65; Gloria fromMass in C major Op 86; Piano Concerto No 4in G major Op 58; Symphony No 5 in C minorOp 67; Sanctus and Benedictus from Mass in C majorOp 86; Fantasia in G minor Op 77; Choral Fantasyin C minor for piano, chorus and orchestra Op 80RNCM Chamber OrchestraDouglas Boyd conductorBryony Williams sopranoUniversity of Manchester Chamber Orchestra and ChoirMark Heron conductorRNCM Concert Orchestra and Chamber ChoirLancelot Fuhry conductorOn 22 December 1808, despite plungingtemperatures and drastically insufficient rehearsal,Beethoven premièred his next two symphonies, apiano concerto, extracts from a Mass and the ChoralFantasy. Almost 204 years later, we recreate thismammoth programme with the additional luxuries ofrehearsal and heating.Tickets 17 14Saturday 23 March11.30am RNCM Concert HallDouglas Boyd in conversationwith Martin HarlowDouglas Boyd discusses his experiences of performing,conducting and recording Beethoven’s symphonies.Tickets 51.15pm RNCM Concert HallBeethoven 6 TranscribedToday’s selection of Beethoven 6 transcriptions includearrangements for string sextet and piano trio.Free admission, by ticket only
2.30pm RNCM Studio TheatreFriday 17 MayThe Music of Beethoven’s 1808‘Akademie’BEETHOVEN 7 DAYStudy Session with Barry CooperA repeat of Friday’s study session.Tickets 54.30pm RNCM Studio TheatreHeroic Horns, Chirping Birdsand Krafty CellosStudy Session with Theodore AlbrechtTheodore Albrecht discusses the ways in whichBeethoven’s compositions reflected specific musiciansin the Theater an der Wien’s orchestra.Tickets 56.30pm RNCM Concert HallA recreation of the ‘Akademie’concert of 22 December 1808A repeat of Friday evening’s concert.Tickets 17 14Famously described by Wagner as ‘the apotheosisof the dance’, Beethoven’s seventh symphony isdistinctive for its energy and its repetitive, rhythmicpatterns, from the inevitable march of a cortège to thedriving syncopations and searching harmonies of afinale dominated by military trumpets and drums.1.15pm Carole Nash Recital RoomBeethoven 7 TranscribedRNCM students perform movements of transcriptionsof Beethoven 7 composed for piano duet, stringquintet and wind ensemble.Free admission, by ticket only2.30pm Carole Nash Recital RoomBeethoven on the Piano:Arrangements and DerangementsStudy Session with Kenneth HamiltonKenneth Hamilton plays and discusses pianotranscriptions of the seventh symphony, from Liszt’svirtuoso arrangement to Kalkbrenner’s often ridiculed‘derangement’.Tickets 55pm RNCM TheatreBeethoven 7 ChoreographedDancers from the Northern School of ContemporaryDance perform a newly choreographed interpretationof Michael Gordon’s radical reworking of Beethoven7, entitled Rewriting Beethoven’s Seventh Symphony.Free admission, no ticket required7.30pm RNCM Concert HallRNCM Symphony OrchestraBenjamin Britten Sinfonia da requiemAvner Dorman Percussion ConcertoLudwig van Beethoven Symphony No 7 in A major Op 92Carlos del Cueto conductorDelia Stevens percussionFollowing two years of performances with a widerange of RNCM ensembles, and a Spring directingthree operas for English Touring Opera, youngMexican conductor Carlos del Cueto completes hisRNCM Junior Fellowship in Conducting with thisRNCM International Artist Diploma concert.Tickets 17 14
Friday 21 June2.30pm Carole Nash Recital RoomBEETHOVEN 8 DAYBeethoven At Large: Uses andAbuses in Politics and BeyondConcise and full of wit and humour, this symphonywas written over the time in which Beethoven was inlove with his unnamed ‘Immortal Beloved’. The scorehas a lightness about it, yet it is far from lightweight;many of its ideas are interpreted by listeners to bemusical jokes, but sometimes those jokes have a darkside that unsettles, rather than entertains the ear.Study Session with David B DennisDavid B Dennis surveys the history of Beethovenreception, especially in German political culture.Tickets 54.15pm RNCM Studio Theatre1.15pm Carole Nash Recital RoomBeethoven 8 TranscribedToday’s transcriptions include an arrangement ofBeethoven 8 for piano four hands by Beethoven’sclose friend, the composer and publisher TobiasHaslinger.Free admission, by ticket onlyBeethoven on FilmIn Search of BeethovenDirector Phil Grabsky introduces a screening of hisrecent biographical film In Search of Beethoven,which features interviews and performances withleading artists from all over the world, providing freshinsight into the man and the music.Free admission, by ticket only7.30pm RNCM Concert HallRNCM Chamber OrchestraLudwig van Beethoven Piano Concerto No 5in E flat major Op 73 ‘Emperor’; Symphony No 8in F major Op 93Philippe Bach conductorJing Ouyang pianoGeneralmusikdirektor of Das Theater Meiningen andPrincipal Conductor of Berner Kammerorchester, Swissconductor Philippe Bach has worked with orchestrasacross Europe, including the Zürich TonhalleOrchester, the Orquesta Sinfónica de Madrid andRTE National Symphony Orchestra Dublin. Tonight heworks with the RNCM Chamber Orchestra for the firsttime since concluding an RNCM Junior Fellowship in2006.Tickets 17 14
Friday 28 June2.30pm Carole Nash Recital RoomBEETHOVEN 9 DAYThe Ninth Symphony: Beethoven’sideals of song and singingWith his last symphony, Beethoven rewrote the rulebook yet again. His vast, 70 minute score charts thejourney of darkness to the joyful light of its choralfinale, for which Beethoven set Schiller’s poem ‘An dieFreunde’, so opening a door to the Romantic musicalspirit that was to flourish over the remainder of the19th century.1.15pm RNCM Concert HallBeethoven 9 TranscribedStudy Session with Amanda GlauertAmanda Glauert explores the influence of song on theconception and style of Beethoven’s most controversialsymphony.Tickets 56.30pm The Bridgewater Hall FoyerBeethoven-InspiredRNCM pianists perform transcriptions of Beethoven 9for solo piano, two pianos and multiple hands!RNCM students perform newly composed miniaturesby RNCM composers, inspired by themes, melodiesand rhythms from Beethoven’s symphonies.Free admission, by ticket onlyFree admission, no ticket required7.30pm The Bridgewater HallRNCM Symphony Orchestraand ChorusTim Garland Double Concerto for cello andsaxophoneLudwig van Beethoven Symphony No 9 in D minorOp 125 ‘Choral’Mark Shanahan conductorCarlos del Cueto assistant conductorAbel Selaocoe celloKyran Matthews saxophoneLinda Richardson sopranoAnn Taylor altoBarry Banks tenorAndrew Greenan bassWorking with orchestras from Stavanger to Bucharest,and equally at home in the opera pit with companiessuch as English National Opera, Oper Frankfurt,Nantes-Angers Opera and Marseilles Opera, MarkShanahan returns to the RNCM to direct our ‘Choral’Symphony, concluding our Ludwig van festival 40years to the day that the College was officiallyopened by HRH The Duchess of Kent in 1973.Tickets 17 149.30pm The Bridgewater Hall Foyer“Beethoven was wrong”John Cage famously claimed “Beethoven waswrong” in structuring music towards clear harmonicgoals rather than letting his ideas unfold moment bymoment. He also considered the sound of all nineBeethoven symphonies played at the same time to beas experimental as it gets. Make up your own mind inthis Finale sound installation.Free admission, no ticket required
In person RNCM Box Office, 124Oxford Road, Manchester M13 9RDPARTNERSBy phone 0161 907 5555Online www.rncm.ac.ukBook for 3 or more events markedwith thelogo and save at least15% on the cost of your tickets.HOW TO FIND US Wherever possible the RNCMuses Fairtrade products During vacation and at weekendsopening hours are dependent upon theperformance programme. Please call0161 907 5353/5252 for full details ofour menus and opening times. During term time Monday to Friday theCafé is open from 8am until the intervalon performance nights; Brodsky, ourrestaurant and bar, is open from 11amto 8pm (last food orders 30 minutesbefore closing) and the Concert Bar isopen 5pm to 11pm.Why not take advantage of the RNCM’ssecure underground car park (1) for just 3? It’s located next to the College inthe basement of the Sir Charles GrovesHall of Residence off Rosamund Street.Open from 5pm on Thursday/Fridayand 8am on Saturday/Sunday at a costof 3 per car. There are refreshment facilities availableat the RNCM – the Café, Brodsky andConcert Bar – offering a range of fresh,home cooked and locally sourced foodfrom just a coffee and pastry to a full3-course meal. FOOD AND DRINKThe RNCM is situated 1 mile south ofManchester city centre, in the heart ofthe Education Quarter, on the corner ofOxford Road and Booth Street West.Oxford Road connects the RNCM bybus to the city centre, and all of OxfordRoad, Piccadilly and Victoria trainstations. Oxford Road Station is an easy8 minute walk away. /RNCMLIVE/RNCMVOICEWWW.RNCM.AC.UKHOW TO BOOKAn online resource of highlights fromour Ludwig van festival will be availablevia the RNCM website from January2013. Visit www.rncm.ac.uk/ludwigvanto access this growing archive whichwill feature video and audio clips ofconcerts, study sessions and much more. BOX OFFICE 0161 907 5555LUDWIG VAN ONLINE
Beethoven’s piano sonatas have an equally crucial story to tell. More than any other composer, Beethoven plays a key role in developing the concept of the piano sonata, adopting the characteristics of the genre as laid out by Mozart and Haydn, yet pushing their boundaries with the imposition of his visionary ideas around thematic and harmonic
Egmont Overture Ludwig Van Beethoven Classical Beethoven King Stephan Overture Ludwig Van Beethoven Opera Leonore Overture No. 3 Ludwig Van Beethoven Classical Symphony No. 3 in Eb ("Eroica") Ludwig Van Beethoven Classical Symphony No. 5 in C Minor Ludwig Van Beethoven Classical Symphony No. 6 ("Pastoral") in F Major Op. 68 Ludwig Van Beethoven .
INSTITUTE for COMPOSER DIVERSITY OVER 20 PROGRAMMED PERFORMANCES Beethoven Symphony No. 5 (31) Beethoven Symphony No. 3 (29) Beethoven Symphony No. 7 (27 Beethoven Violin Concerto (27) Mussorgsky Pictures at an Exhibition (25) Beethoven Symphony No. 6 (24) Beethoven Piano Concerto No. 4
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Listen: Ludwig van Beethoven: Piano Sonata in C minor, op. 13 “Pathetique,” movt. 1 (BINDER: 41) Beethoven: Symphony #1, movt. 1 (BINDER: 45) Early Romantic 9 Beethoven (Middle) Read: BINDER pp. 46 Beethoven: Symphony #5 complete (BINDER: 47-53, and also use IMSLP for a complete score) 10 .
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was written as Beethoven began to reconcile the loss of his hearing, marks a turning point for Beethoven and is considered by many to be his best symphony! We open the program with a premiere by the American composer Larry Alan Smith that takes inspiration from Beethoven’s music. Football
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