English Language Arts Curriculum: Entry-3 - Gov

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INTRODUCTIONAcknowledgementsThe departments of education of New Brunswick, Newfoundland andLabrador, Nova Scotia, and Prince Edward Island gratefully acknowledge the contribution of the regional English language arts commoncurriculum committee to the development of this curriculum guide.Current and past members of the committee include the following:New BrunswickPauline AllanBarb FullertonSusan MacDonaldKathy ProsserZoe WatsonDawn Weatherbie-MorehouseDarlene Whitehouse-SheehanNova ScotiaAnn BlackwoodLinda CookBarry FoxJudith MossipPeter SmithDoreen ValverdeNewfoundlandEldred BarnesLinda ColesEdward JonesBetty KingFlorence SamsonPrince Edward IslandMary CraneDebbie DunnPercy MacGouganLloyd MallardCathy ParsonsJeanette ScottThe regional English language arts common curriculum committeegratefully acknowledges the suggestions, vignettes, student work, andother contributions of many educators from across the Atlantic region.The regional English language arts common curriculum committee isalso grateful to the following Departments/Boards of Education for theuse of previously published material:Ministry of Education: British Columbia for material in “CueingSystems,” pp. 159–165, 188–190, adapted from Primary Program:Foundation Document, 1991.Scarborough Board of Education, Ontario for some material in “Specific Curriculum Outcomes,” adapted from Literacy Learning Indicators,1993.ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3i

INTRODUCTIONiiATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY – 3

TABLEINTRODUCTIONOF CONTENTSTable of ContentsIntroductionBackground . 1Nature of English Language Arts. 2Meeting the Needs of All Learners . 3The Learning Environment . 10CurriculumOutcomesIntroduction . 13Curriculum Outcomes Framework . 13Essential Graduation Learnings . 14General Curriculum Outcomes . 15Key-stage Curriculum Outcomes . 16Connections: Essential Graduation Learnings/Key-stage Outcomes . 19Specific Curriculum Outcomes . 21Language and Literacy Development . 21Overview of Speaking and ListeningSpecific Curriculum Outcomes . 24Overview of Reading and ViewingSpecific Curriculum Outcomes . 27Overview of Writing and Other Ways of RepresentingSpecific Curriculum Outcomes . 32Emergent Speaking and Listening Curriculum Outcomes . 40Early Speaking and Listening Curriculum Outcomes . 46Transitional Speaking and Listening Curriculum Outcomes . 52Emergent Reading and Viewing Curriculum Outcomes . 62Early Reading and Viewing Curriculum Outcomes . 74Transitional Reading and Viewing Curriculum Outcomes . 86Emergent Writing and Other Ways of RepresentingCurriculum Outcomes . 104Early Writing and Other Ways of RepresentingCurriculum Outcomes . 118Transitional Writing and Other Ways of RepresentingCurriculum Outcomes . 130ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3iii

INTRODUCTIONTABLE OF CONTENTSProgram Designand ComponentsivIntroduction . 145Organizational Approaches . 145Content . 148Speaking and Listening . 150Oral Language Development . 150Values of Classroom Talk. 150Establishing an Atmosphere That Encourages Talk . 151The Development of Listening . 151Contexts for Talk . 152Assessment . 156Reading and Viewing . 158Fundamental Principles . 158Process of Reading/Viewing . 158Cueing Systems . 159Reading Strategies . 166Assessment and Evaluation . 170Contexts for the Reading Process . 171Read Aloud . 171Shared Reading . 172Guided Reading . 173Language Experience . 175Independent Reading . 175Response to Texts . 180Writing and Other Ways of Representing . 188Fundamental Principles . 188Dimensions of Written Language . 188Process of Writing . 190Writing in the Primary Grades . 198Modelling Writing . 198Shared Writing . 198Independent Writing . 199Writing/Representing: Modes and Forms . 204Spelling . 208Handwriting . 217The Role of Literature . 219The Role of Information Literacy . 221The Role of Media Literacy . 228The Role of Critical Literacy . 230The Role of Visual Literacy . 232The Role of Drama . 233Integrating Technology with English Language Arts . 235ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY – 3

TABLEINTRODUCTIONOF CONTENTSAssessing andEvaluating oduction . 243Strategies for Collecting Data . 244Observation . 244Work Samples . 253Self-Evaluation . 255Reporting the Information . 257Making Applications to Teaching . 258. 259. 273ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3v

INTRODUCTIONviATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY – 3

INTRODUCTIONIntroductionBackgroundThe curriculum described in Foundation for the Atlantic Canada EnglishLanguage Arts Curriculum and in this curriculum guide for AtlanticCanada English Language Arts Curriculum: Entry–3, referred to hereafteras English Language Arts Curriculum: Entry–3, has been planned anddeveloped collaboratively by regional committees for the AtlanticProvinces Education Foundation.The Atlantic Canada English language arts curriculum has been developed with the intent of responding to continually evolving education needs of students andsociety providing greater opportunities for all students to become literate preparing students for the literacy challenges they will face throughout their lives bringing greater coherence to teaching and learning in Englishlanguage arts across the Atlantic provinces.Pervasive, ongoing changes in society—for example, rapidly expandinguse of technologies—require a corresponding shift in learning opportunities in order for students to develop relevant knowledge, skills,strategies, processes, and attitudes that will enable them to functionwell as individuals, citizens, workers, and learners. To function productively and participate fully in our increasingly sophisticated technological, information-based society, citizens will need broad literacy abilities,and they will need to use these abilities with flexibility.The Atlantic CanadaEnglish Language ArtsCurriculumThe Atlantic Canada English language arts curriculum is shaped by thevision of enabling and encouraging students to become reflective,articulate, literate individuals who use language successfully for learningand communication in personal and public contexts. (Foundation forAtlantic Canada English Language Arts Curriculum) This curriculum isbased on the premise that learning experiences in English language artsshould help students develop language fluency not only in the schoolsetting, but also in their lives in the wider world contribute toward students’ achievement of the essential graduationlearnings(See Foundation for Atlantic Canada English Language Arts Curriculum,pp. 5–9).ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–31

INTRODUCTIONPurpose of the EnglishLanguage Arts Entry–3Curriculum GuideThis guide has been developed to support teachers in the implementation of the English language arts curriculum. It provides a comprehensive framework on which teachers of English language arts entry–3 canbase decisions concerning learning experiences, instruction, studentassessment, resources, and program evaluation.These guidelines recognize that language development at the entry–3 level is part ofan ongoing learning process reflect current research, theory, and classroom practice place emphasis on the student as a learner provide flexibility for teachers in planning instruction to meet theneeds of their students suggest experiences and strategies to increase the efficiency andeffectiveness of the learning and teaching processNature of EnglishLanguage ArtsEnglish language arts encompasses the experience, study, and appreciation of language, literature, media, and communication. It involveslanguage processes: speaking, listening, reading, viewing, writing, andother ways of representing.Language is the principal means through which we formulate thoughtand the medium through which we communicate thought with others.Thus, language in use underlies the processes of thinking involved inlistening, speaking, reading, viewing, writing, and other ways of representing. The application of these interrelated language processes isfundamental to the development of language abilities, culturalunderstandings, and critical and creative thinking.Language is learned most easily when the various language processes areintegrated and when skills and strategies are kept within meaningfullanguage contexts. The curriculum specifies that English language artsbe taught in an integrated manner so that the interrelationship betweenand among the language processes will be understood and applied bystudents. This integrated approach should be based on students’ priorexperiences with language and on meaningful activities involvingspeaking, listening, reading, viewing, writing, and other ways of representing.The English language arts curriculum engages students in a range ofexperiences and interactions with a variety of texts designed to helpthem develop increasing control over the language processes, use andrespond to language effectively and purposefully, and understand whylanguage and literacy are so central to their lives.2ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3

INTRODUCTIONPrinciples Underlying theEnglish Language ArtsCurriculumThe following principles underlie the English language arts curriculum: Language is a primary instrument of thought and the most powerfultool students have for developing ideas and insights, for givingsignificance to their experiences, and for making sense of both theirworld and their possibilities in it. Language is an active process of constructing meaning, drawing onall sources and ways of knowing. Language learning is personal and intimately connected to individuality. Language expresses cultural identity. Language learning develops out of students’ home language andtheir social and cultural experiences. Language learning is developmental: students develop flexibility andfluency in their language use over time. Language is best learned when it is integrated: all the languageprocesses are interrelated and interdependent. Language is learned holistically. Students best understand languageconcepts in context rather than in isolation. Students learn language through purposeful and challenging experiences designed around stimulating ideas, concepts, issues, andthemes that are meaningful to them. Students learn best when they are aware of the strategies and processes they use to construct meaning and to solve information-relatedproblems. Students need frequent opportunities to assess and evaluate theirown learning and performance. In the process of learning, students need various forms of feedbackfrom peers, teachers, and others—at school, at home, and in thecommunity. Language learning is continual and multidimensional; it can best beassessed by the use of multiple types of evidence that reflect authentic language use over time. Students must have opportunities to communicate in various modeswhat they know and are able to do. Assessment must be an integral and ongoing part of the learningprocess itself, not limited to final products.Meeting the Needsof All StudentsThis curriculum is inclusive and is designed to help all learners reachtheir potential through a wide variety of learning experiences. Thecurriculum seeks to provide all students with equal entitlements tolearning opportunities.The development of students’ literacy is shaped by many factors including gender, social and cultural backgrounds, and the extent to whichindividual needs are met. In designing learning experiences for theirstudents, teachers should consider the learning needs, experiences,interests, and values of all students.ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–33

INTRODUCTIONIn recognizing and valuing the diversity of students, teachers mightconsider ways to provide a climate and design learning experiences to affirm thedignity and worth of all learners in the classroom community redress educational disadvantage — as it relates to students living inpoverty model the use of inclusive language, attitudes, and actions supportive of all learners adapt classroom organization, teaching strategies, assessment strategies, time, and learning resources to address learners’ needs andbuild on their strengths provide opportunities for learners to work in a variety of learningcontexts, including mixed-ability grouping identify and respond to diversity in students’ learning styles build on students’ individual levels of knowledge, skills, and attitudes design learning and assessment tasks that draw on learners’ strengths ensure that learners use strengths as a means of tackling areas ofdifficulty use students’ strengths and abilities to motivate and support learning offer multiple and varied avenues to learning celebrate the accomplishment of learning tasks that learners believedwere too challenging for themA Gender-InclusiveCurriculumIn a supportive learning environment, male and female students receiveequitable access to resources, including the teacher’s time and attention,technology, learning assistance, and a range of roles in group activities.It is important that the curriculum reflect the experiences and values ofboth male and female students and that texts and other learning resources include and reflect the interests, achievements, and perspectivesof males and females.Both male and female students are disadvantaged when oral, written,and visual language creates, reflects, and reinforces gender stereotyping.Through critical examination of the language of a range of texts,students can discover what they reveal about attitudes toward genderroles and how these attitudes are constructed and reinforced.Teachers promote gender equity in their classrooms when they articulate equally high expectations for male and female students provide equal opportunities for input and response from male andfemale students model gender-fair language and respectful listening in all interactions with students review curriculum materials for gender bias in roles, personalitytraits, illustrations, and language confront their own gender stereotyping and biases4ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3

INTRODUCTIONValuing Social andCultural DiversitySocial and cultural diversity is a resource for expanding and enrichingthe learning experiences of all students. Students can learn much fromthe diverse backgrounds, experiences, and perspectives of their classmates in a community of learners where participants discuss andexplore their own and others’ customs, histories, traditions, beliefs, andways of seeing and making sense of the world. In reading, viewing, anddiscussing a variety of texts, students from different social and culturalbackgrounds can come to understand each other’s perspectives, torealize that their ways of seeing and knowing are not the only onespossible, and to probe the complexity of the ideas and issues they areexamining.All students need to see their lives and experiences reflected in literature. To grow as readers and writers, students need opportunities toread and discuss the literature of their own and other cultures—toexplore, for example, the differing conventions for storytelling andimaginative writing. Learning resources should include a range of textsthat allow students to hear diverse social and cultural voices, to broadentheir understanding of social and cultural diversity, and to examine theways language and literature preserve and enrich culture.English as a SecondLanguage (ESL) StudentsStudents from language backgrounds other than English add valuablelanguage resources and experiences to the classroom. The first language,prior knowledge, and culture of ESL students should be valued, respected, and, whenever possible, incorporated into the curriculum. Thedifferent linguistic knowledge and experience of ESL students can beused to extend the understanding of linguistic diversity of all studentsin the class.While ESL students should work toward achievement of the samecurriculum outcomes as other students, they may approach the outcomes differently and may at times be working with different learningresources at different levels and in a different time frame from the otherstudents.The learning environment and classroom organization should affirmcultural values to support these students and provide opportunities forindividual and group learning. It is especially important for ESLstudents to have access to a range of learning experiences, includingopportunities to use language for both formal and informal purposes.Teachers may need to make explicit the ways in which different forms,styles, and registers of English are used for many purposes. It is particularly important that ESL students make connections between theirlearning in English language arts and other curricular areas, and uselearning contexts in other subjects to practise, reinforce, and extendtheir language skills.ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–35

INTRODUCTIONStudents withSpecial NeedsStudents with Language andCommunication DifficultiesThe curriculum outcome statements in this guide are consideredimportant for all learners and provide a framework for a range oflearning experiences for all students, including students who requireindividual program plans.Some students may need specialized equipment such as braillers,magnification aids, word processors with spell checkers, and othercomputer programs plus peripherals such as voice synthesizers or largeprint to help achieve outcomes. Speaking and listening outcomes can beunderstood to include all forms of verbal and non-verbal communication including sign language and communicators.Teachers should adapt learning contexts to provide support and challenge for all students, using the continuum of curriculum outcomestatements in a flexible way to plan learning experiences appropriate tostudents’ learning needs. When specific outcomes are not attainable orappropriate for individual students, teachers can use statements ofgeneral curriculum outcomes, key-stage curriculum outcomes, andspecific curriculum outcomes for previous and subsequent grade levelsas reference points in setting learning goals for those students.Diverse learning experiences, teaching and learning strategies, motivation, resources, and environments provide expanded opportunities forall learners to experience success as they work toward achievement ofoutcomes. Many of the suggestions for teaching and learning in thisguide provide access for a wide range of learners, simultaneouslyemphasizing both group support and individual activity. Similarly, thesuggestions for using a variety of assessment practices provide diverseand multiple ways for students to demonstrate their achievements.The curriculum’s flexibility with regard to the choice of texts offersopportunity for supporting students who have language difficulties.Students at the lower end of the achievement continuum in a class needappropriate opportunities to show what they can do. For example, inworking toward a particular outcome, students who cannot operatevery successfully with particular texts should be given opportunities todemonstrate whether they can operate successfully with alternativeactivities or texts—ones that are linguistically less complex or withwhich they might be more familiar in terms of the context and content.6ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3

INTRODUCTIONStudents with special needs benefit from a variety of grouping arrangements that allow optimum opportunities for meaningful teacherstudent and student-student interaction. Diverse groupings include thefollowing: large-group or whole-group instruction teacher-directed small-group instruction small-group learning co-operative learning groups one-to-one teacher-student instruction independent work partner learning peer or cross-age tutoring computer work station instruction with teacher monitoringGifted andTalented StudentsThe curriculum outcomes described in this guide provide goals andchallenges for all students, including gifted and talented learners.Teachers should adapt learning contexts to stimulate and extend thelearning of these students, using the continuum of curriculum outcomes statements to plan challenging learning experiences. For example, students who have already achieved the specific curriculum outcomes designated for their specific grade levels can work towardachievement of outcomes designated for the next.In designing learning tasks for advanced learners, teachers shouldconsider ways that students can extend their knowledge base, thinkingprocesses, learning strategies, self-awareness, and insights. These learners also need significant opportunities to use the general curriculumoutcomes framework to design their own learning experiences that theymay undertake individually or with learning partners.Many of the suggestions for teaching and learning provide contexts foracceleration and enrichment—for example, the emphasis on experiment, inquiry, and critical perspectives. The curriculum’s flexibilitywith regard to the choice of texts also offers opportunity for challengeand extension to students with special language abilities.Gifted and talented students need opportunities to work in a variety ofgrouping arrangements, including both mixed-ability and similarability co-operative groups, interest groups, and partner learning.Learning PreferencesStudents have many ways of learning, knowing, understanding, andcreating meaning. Research into the links between learning styles andpreferences and the physiology and function of the brain has providededucators with useful concepts on the nature of learning. HowardGardner, for example, in The Frames of Mind: The Theory of MultipleIntellegences, identifies seven broad frames of mind or intelligences:linguistic, logical/mathematical, visual/spatial, body/kinesthetic,ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–37

INTRODUCTIONmusical, interpersonal, and intrapersonal. Gardner believes that eachlearner has a unique combination of strengths and weaknesses in theseseven areas, but that all of them can be more fully developed throughdiverse learning experiences. Other researchers and education psychologists use different descriptors to categorize learning preferences.How students receive and process information and the ways in whichthey interact with peers and their environment are indicated by andcontribute to their preferred learning styles. Most studentshave a preferred learning style, depending on the situation and the typeof information they are dealing with, just as most teachers have apreferred teaching style. By reflecting on their own styles and preferences as learners and as teachers in various contexts, teachers can build on their own teaching-style strengths develop awareness and expertise in different learning and teachingstyles recognize differences in student preferences vary teaching strategies to accommodate the different ways studentslearnLearning experiences and resources that engage students’ multiple waysof understanding allow them to focus on their learning processes andpreferences. To enhance their opportunities for learning success, students need a variety of learning experiences to accommodate their diverselearning styles and preferences opportunities to reflect on their preferences and understand howthey learn best opportunities to explore, experiment with, and use learning stylesother than those they prefer opportunities to reflect on those factors that affect their learning—environmental, emotional, sociological, physicalEngaging All StudentsOne of the greatest challenges to teachers is engaging students who feelalienated from learning in English language arts and from learning ingeneral—students who lack confidence in themselves as learners, whohave potential that has not yet been realized. Among them are studentswho seem unable to concentrate, who lack everyday motivation foracademic tasks, who rarely do homework, who remain on the peripheryof small-group work, who are reluctant to share their work with others,read aloud, or express their opinions. Some of them, though not all,exhibit behaviours in the classroom that further distance them fromlearning.These students need essentially the same experiences as their peers inthe area of English language arts—experiences that engage them in authentic and worthwhile communication situations8ATLANTIC CANADA ENGLISH LANGUAGE ARTS CURRICULUM: ENTRY–3

INTRODUCTION allow them to construct meaning and connect, collaborate andcommunicate with each other form essential links between the world of the text and their ownworld give them a sense of ownership of learning and assessment tasksThey need additional experiences as well—experiences designed toengage them personally and meaningfully, to make their learningpursuits relevant. They need substantial support in reading and writing.They need positive and motivational feedback. They need all of theseexperiences within purposeful and interactive learning contexts.Many of these students feel insecure about their own general knowledgeand are reluctant to take part in class discussions, deferring to theirpeers who seem more competent. Through the English language artscurriculum, the students described must find their own voice. Thelearning environment must be structured in such a way that thesestudents, alongside their peers, develop confidence and gain access toinformation, and to community, and develop competence with usinglanguage for real purposes.The greatest challenge in engaging these learners is finding an appropriate balance between supporting their needs by structuring opportunitiesfor them to experience learning success and challenging them to growas learners. Teachers need to have high expectations for these studentsand to articulate clearly these expectations.Building a LearningCommunityA supportive environment is crucial for students wh

The Atlantic Canada English language arts curriculum is shaped by the vision of enabling and encouraging students to become reflective, articulate, literate individuals who use language successfully for learning and communication in personal and public contexts. (Foundation for Atlantic Canada English Language Arts Curriculum) This curriculum is

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