High School Graphic Design Textbook Table Of Contents

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Copyright 2021 Davis Publications, Inc., Worcester, MAAcknowledgments [Updates TK]All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic ormechanical, including photocopying, recording, or any storageand retrieval system now known or to be invented, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast.The authors would like to extend sincere thanks to a long list ofgraphic designers, students, friends, colleagues, and total strangers who have provided help, advice, images, text suggestions, andcountless other gifts, large and small, that have made it easierto create this book. The list includes, but is not limited to: MikeAron, Annie Arroyo, Scott Benson, Warren Bernard, Pooja Bhagat, Ellen Bolotin, Jason Calfo, Mark Gallagher, Allison Gillette(Museum of Performance and Design, San Francisco), Bill Hilson,Tyler Kemp-Benedict, Ellen Lupton, Pat Meehan, Scott Menchin,Jane Monast (Strathmore Paper), Charles Olshever (theatreprint.com), Lyle Owerko, Laddawan Prawatyotin, Stefan Sagmeister,Sandy Sanderson, Laura Savard, Rena Schwartz, Doug Scott, BenSolomon, David Taylor, John Terence Turner, Craig Roland, MarkRoss (dotdash), Victoria Hughes-Waters, and Christina Yung.Publisher: Julian WadeSenior Editor: Missy NicholsonEditor: Lydia Keene-KendrickDigital Curriculum Director and Editor: Robb SandagataConsulting Editor: Helen RonanEditorial Assistant: Amanda HebsonContributing Writers: Jon Krasner, Justin Pierce,Alissandra SeelausDesign: Douglass Scott and Tyler Kemp-BenedictProduction Assistance: Laura Bidwa, Tom Fiorelli,Victoria Hughes-Waters, Eve LehmannProgramming: Tagen Informatics and Ten24Video Production and Editing: Jesse Blanchard of Goat & Yeti andJustin PierceEducation ConsultantsDeborah Alden, School of Art, Design, and Media, Nanyang Technological University, SingaporePamela Dishberger, Franklin High School, Franklin, MAWilliam Hillson, Pratt Institute, Graduate Communications Design Department, New York, NYJon Krasner, Fitchburg State University, Fitchburg, MAJustin Pierce, William Amos Hough High School, Cornelius, NCMarilyn Proctor-Givens, Lincoln High School, Tallahassee, FLAlissandra Seelaus, Cherry Creek High School, Greenwood Village,CO and Dulaney High School, Lutherville-Timonium, MDAlyssa Taranto, Franklin High School, Franklin, MAAt Davis Publications, we enthusiastically thank Wyatt Wade, whoarranged for us to work together and then spent two years askingus when we were going to be finished; Reba Libby, whos e scheduling abilities, patience, and understanding have become preciousto us; Jane McKeag, a positive and energizing spirit under anycircumstances; Lydia Keene-Kendrick, the pinch hitter everyonedreams about; Holly Hanson-Pearlstein, whose web advice is aswelcome as her singing voice; Karl Cole, the Eminence behind ourdigital image set; Julia McCandless (thanks for that cover work!),Tom Fiorelli and his eagle-like photographic eye, Hana Johnsonfor her production help, and Donna Young, Georgiana Rock, DavidCoen, Sam Keefe, and a whole host of other contributors.Kevin’s final note: A heartfelt thanks to my friends Gusty andMarilyn, and to my parents Rita and Pasco. A special thanks to myfamily: Barbara, Luke, Dominic, and Mary, for their patience whenI spent extra time needed in the studio.Claire’s final note: And to my dear family—Donc, Heather, andEmma—I’d like to offer these words, as did Albus Dumbledore:Nitwit, blubber, oddment, tweak(If only books just took a week ).CarolAnn Tebbetts, Franklin High School, Franklin, MARyan Twentey, Parkville High School, Parkville, MDImage CreditsDedicationTo all students of graphic design.See page .About the Authors [Updates TK]Kevin Gatta is design director of Gatta Design & Co., Inc. He is aDistinguished Professor for the Graduate Communications DesignDepartment at Pratt Institute. Kevin co-authored and designedFoundations of Graphic Design (Davis Publications, 1990) andauthored its teacher’s edition in 1994. Through the years, Kevingained experience at Herb Lubalin Associates; The Pushpin Group;and the Pushpin affiliate David Pocknell & Co. in Essex, England.Kevin lives with his family in Brooklyn, New York.ContentsPart One The Nuts and Bolts of Graphic DesignChapter 1Chapter 2What Is Graphic Design?The Art of Graphic DesignOverview 3Overview 29Design Is All Around You 4Elements of Art 30Line 30Shape and Form 31Space 32Texture 34Color, Value, and Light 35A Brief History 5The Birth of Writing 5Early Printing 7The Industrial Revolution 9Photography 10Into the Modern Age 11Graphic Design Today 14Design History: Gutenberg and His Bible 8What Does a Graphic Designer Do? 15Why Is Graphic Design Important? 17How to Give and Receive Feedback 18Design in a Nutshell 19Design Brief:Chart Your Graphic Life 21Career Profile: Stefan Sagmeister andJessica Walsh, Designers and Art Directors 24Student Gallery 26Chapter Review 27Design History: Art Deco in America 33Principles of Design 40Balance 41Movement and Rhythm 43Emphasis and Dynamics 45Unity and Variety 46Pattern 47Proportion 48Contrast 49Closure 50Expression 50Illusion and Reality 52Symbolic Communication 54How to Critique a Graphic Design 51Printed in the United States of AmericaISBN 978-1-61528-966-0Library of Congress Control Number: 2019XXXXXX10 9 8 7 6 5 4 3 2 1Claire Mowbray Golding is a freelance writer and editor withover twenty-five years’ experience in educational publishing inart. She spent 23 years as an editor at Davis Publications beforeleaving to pursue a life-long interest in writing. She is the authorof What’s That Bird? (with Joseph Choiniere, Storey Publishing,2005) and has won awards for her poetry. She lives in Princeton,Massachusetts.ivv

Photography 82How Photography Works 83Using a Digital Camera 84Format and Workflow 85Composition 87Lenses 90Design Fundamentals: Color and Value 91Managing Images 92Image File Formats 92Color Processes 94Archiving 95How to Use Metadata to Organize Photos 96Design Brief:A Simple Story: Capturing a Classicwith Minimalism 55Career Profile: Arem Duplessis, Designer 58Student Gallery 60Chapter Review 61Images and Ethics 97Copyright 97Licensing 98Plagiarism 98Design Brief:Songbook of Myself 99Chapter 4The Design ProcessOverview 107The Basic Steps 108Define the Challenge 108Research 110Brainstorming 113Sketching 115Design Direction 118Comps 120Client Review 120Last Steps 122A Case Study: Expect to Sleep Again 109Step 1: The Design Challenge 109Step 2: Research, Research, Research 112Step 3: Brainstorming 114Step 4: Sketching 116Step 5: Client Review 121How to Visualize by Sketching 117Design History: The Evolution of thePoster 123Design Components 125Typography 125Images 132Using Color 134How to Design with Type 127How to Use Dummy Type 130Design Fundamentals: Space and Balance 131The Path to a Final Product 135Design Brief:Identifying My Mix 137Career Profile: Chris Calori,Environmental Graphic Designer 140Student Gallery 142Chapter Review 143Career Profile: Nicole Tadgell, Illustrator 102Student Gallery 104Chapter Review 105Chapter 3Image Creation for DesignOverview 63Illustration 64Warming Up 66Observational Drawing 67Exploring Other Illustration Media 72Composition 73Showing Perspective 75The Human Figure 80Design History: The Golden Age of Comics 65vivii

Photography 82How Photography Works 83Using a Digital Camera 84Format and Workflow 85Composition 87Lenses 90Design Fundamentals: Color and Value 91Managing Images 92Image File Formats 92Color Processes 94Archiving 95How to Use Metadata to Organize Photos 96Design Brief:A Simple Story: Capturing a Classicwith Minimalism 55Career Profile: Arem Duplessis, Designer 58Student Gallery 60Chapter Review 61Images and Ethics 97Copyright 97Licensing 98Plagiarism 98Design Brief:Songbook of Myself 99Chapter 4The Design ProcessOverview 107The Basic Steps 108Define the Challenge 108Research 110Brainstorming 113Sketching 115Design Direction 118Comps 120Client Review 120Last Steps 122A Case Study: Expect to Sleep Again 109Step 1: The Design Challenge 109Step 2: Research, Research, Research 112Step 3: Brainstorming 114Step 4: Sketching 116Step 5: Client Review 121How to Visualize by Sketching 117Design History: The Evolution of thePoster 123Design Components 125Typography 125Images 132Using Color 134How to Design with Type 127How to Use Dummy Type 130Design Fundamentals: Space and Balance 131The Path to a Final Product 135Design Brief:Identifying My Mix 137Career Profile: Chris Calori,Environmental Graphic Designer 140Student Gallery 142Chapter Review 143Career Profile: Nicole Tadgell, Illustrator 102Student Gallery 104Chapter Review 105Chapter 3Image Creation for DesignOverview 63Illustration 64Warming Up 66Observational Drawing 67Exploring Other Illustration Media 72Composition 73Showing Perspective 75The Human Figure 80Design History: The Golden Age of Comics 65vivii

Part Two Graphic Design ChallengesChapter 7Advertising DesignChapter 5Identity DesignOverview 197Identity Past and Present 146A Little Advertising History 198Radio and Television 199Ways to Show Identity 148Posters 200Symbols and Logos 149Billboards 201Design History: Paul Rand 150Design History: Shaking Up MadisonAvenue 202Overview 145Design Notes: Web Design 151Space Ads 203Stationery 153How to Simplify an Image 154Graphics for Three-DimensionalPackaging 155Album Covers 157Chapter 6Publications DesignOverview 171Design Fundamentals: Proportionand Scale 204How to Design an Effective Banner Ad 205Direct Mail 207Ads for TV and Online Media 208Chapter 8Information andExperience DesignFlags and Banners 158Looking Back 172Uniforms and Insignia 159Books 174Design Fundamentals: Unity and Variety 160Newspapers 177Money 161Design Notes: Guide to the Front Page 179Looking Ahead: Identity Design 162Magazines 180Design Brief:Poster for a School Event 211Design Brief:Club Communication 163Design Notes: Anatomy of a MagazineArticle 181Career Profile: Jason Calfo,Creative Director 214Career Profile: Laura Savard,Brand Expressionist 166Design History: Magazine Design: Vogue 182Student Gallery 216Charts, Diagrams, and Infographics 228Newsletters 183How to Create Effective Infographics 230Student Gallery 168Chapter Review 217Design Fundamentals: Emphasis andMovement 184Design Fundamentals: Line 232Annual Reports 185Experience Design 235Chapter Review 169How to Set Up and Use Style Sheets 186viiiDesign Notes: A Media Guru on Reachinga Market 209Overview 219Looking Ahead: Advertising 210Maps 222A Look Back 220Design Notes: Road Culture 224Signage 225Design History: The 1968 Olympics 227Exhibit Design 233Looking Ahead: Publications Design 188Looking Ahead: Information andExperience Design 236Design Brief:A Newsletter Design 189Design Brief:Mapping a Significant Place 237Career Profile: Douglass Scott,Graphic Designer 192Career Profile: Maya Rhinehart, User Experience(UX) Designer 240Student Gallery 194Student Gallery 242Chapter Review 195Chapter Review 243ix

Part Two Graphic Design ChallengesChapter 7Advertising DesignChapter 5Identity DesignOverview 197Identity Past and Present 146A Little Advertising History 198Radio and Television 199Ways to Show Identity 148Posters 200Symbols and Logos 149Billboards 201Design History: Paul Rand 150Design History: Shaking Up MadisonAvenue 202Overview 145Design Notes: Web Design 151Space Ads 203Stationery 153How to Simplify an Image 154Graphics for Three-DimensionalPackaging 155Album Covers 157Chapter 6Publications DesignOverview 171Design Fundamentals: Proportionand Scale 204How to Design an Effective Banner Ad 205Direct Mail 207Ads for TV and Online Media 208Chapter 8Information andExperience DesignFlags and Banners 158Looking Back 172Uniforms and Insignia 159Books 174Design Fundamentals: Unity and Variety 160Newspapers 177Money 161Design Notes: Guide to the Front Page 179Looking Ahead: Identity Design 162Magazines 180Design Brief:Poster for a School Event 211Design Brief:Club Communication 163Design Notes: Anatomy of a MagazineArticle 181Career Profile: Jason Calfo,Creative Director 214Career Profile: Laura Savard,Brand Expressionist 166Design History: Magazine Design: Vogue 182Student Gallery 216Charts, Diagrams, and Infographics 228Newsletters 183How to Create Effective Infographics 230Student Gallery 168Chapter Review 217Design Fundamentals: Emphasis andMovement 184Design Fundamentals: Line 232Annual Reports 185Experience Design 235Chapter Review 169How to Set Up and Use Style Sheets 186viiiDesign Notes: A Media Guru on Reachinga Market 209Overview 219Looking Ahead: Advertising 210Maps 222A Look Back 220Design Notes: Road Culture 224Signage 225Design History: The 1968 Olympics 227Exhibit Design 233Looking Ahead: Publications Design 188Looking Ahead: Information andExperience Design 236Design Brief:A Newsletter Design 189Design Brief:Mapping a Significant Place 237Career Profile: Douglass Scott,Graphic Designer 192Career Profile: Maya Rhinehart, User Experience(UX) Designer 240Student Gallery 194Student Gallery 242Chapter Review 195Chapter Review 243ix

Part Three Careers in Graphic DesignChapter 9Chapter 10Design in MotionWorking as a GraphicDesignerOverview 245A Brief History of Motion 246Motion Fundamentals 248Observing Motion 248Animation and Frames 252Timing and Spacing 255Design Fundamentals: AnimationPrinciples 250How to Animate a Human Action 253How to Plan Timing and Spacing 256Handmade Animation 258Design History: Lotte Reiniger’s SilhouetteAnimations 260Computer-Based Animation 261Space and Time (Again) 262Layers 263Creating Motion Graphics 264Why Use Motion? 264Generating Ideas 265Telling a Good Story 266Other Considerations 269Making Your Work Stand Out 271How to Make a Storyboard 267Design Notes: Game Design 268Looking Ahead: Design in Motion 272Design Brief:PSA Metaphor in Motion 273Career Profile: Karin Fong, Film and TelevisionTitle Designer 276Student Gallery 278Chapter Review 279Overview 000What to Expect as a Graphic Designer 000Portrait of a Graphic Designer 000Portrait of a Good Employee 000Design History: The Design Profession 000Getting the Training You Need 000Teaching Yourself 000Graphic Design Programs 000Presenting Yourself and Your Work 000Portfolios 000Design Fundamentals: Hierarchy in aPortfolio 000How to Develop Your Résumé 000Looking Ahead: Working as aGraphic Designer 000Design Brief:A Design Team Project 000Career Profile: Tyler Kemp-Benedict,Freelance Graphic Designer 000Finding a Job 000Looking for Opportunities 000Applying for a Job 000Interviewing 000Multiple Job Offers 000Rejection 000Student Gallery 000How to Evaluate Job Offers 000Names to Know 000Working in Design 000Working for a Design Agency 000Working as a FreelanceGraphic Designer 000Keeping Up with the Graphic DesignIndustry 000Working Ethically 000Copyright 000Plagiarism 000Using Fonts 000Using Images 000Chapter Review 000Timeline of Graphic Design 000Handbook 000Image Credits 000Glossary 000Index 000Cybersecurity 000xxi

Part Three Careers in Graphic DesignChapter 9Chapter 10Design in MotionWorking as a GraphicDesignerOverview 000A Brief History of Motion 000Motion Fundamentals 000Observing Motion 000Animation and Frames 000Timing and Spacing 000Design Fundamentals: AnimationPrinciples 000How to Animate a Human Action 000How to Plan Timing and Spacing 000Handmade Animation 000Design History: Lotte Reiniger’s SilhouetteAnimations 000Computer-Based Animation 000Space and Time (Again) 000Layers 000Creating Motion Graphics 000Why Use Motion? 000Generating Ideas 000Telling a Good Story 000Other Considerations 000Making Your Work Stand Out 000How to Make a Storyboard 000Design Notes: Game Design 000Looking Ahead: Design in Motion 000Design Brief:PSA Metaphor in Motion 000Career Profile: Karin Fong, Film and TelevisionTitle Designer 000Student Gallery 000Chapter Review 000Overview 281What to Expect as a Graphic Designer 282Portrait of a Graphic Designer 282Portrait of a Good Employee 285Design History: The Design Profession 284Getting the Training You Need 286Teaching Yourself 286Graphic Design Programs 287Presenting Yourself and Your Work 288Portfolios 288Design Fundamentals: Hierarchy in aPortfolio 291Looking Ahead: Working as aGraphic Designer 314Design Brief:A Design Team Project 315How to Develop Your Résumé 292Career Profile: Tyler Kemp-Benedict,Freelance Graphic Designer 318Finding a Job 293Student Gallery 320Looking for Opportunities 293Applying for a Job 295Interviewing 296Multiple Job Offers 298Rejection 298How to Evaluate Job Offers 299Working in Design 300Working for a Design Agency 301Working as a FreelanceGraphic Designer 305Keeping Up with the Graphic DesignIndustry 308Working Ethically 309Copyright 310Plagiarism 310Using Fonts 311Using Images 312Chapter Review 321Timeline of Graphic Design 322Names to Know 332Handbook 339Image Credits 365Glossary 368Index 375Cybersecurity 313xxi

To all students of graphic design. About the Authors [Updates TK] Kevin Gatta is design director of Gatta Design & Co., Inc. He is a Distinguished Professor for the Graduate Communications Design Department at Pratt Institute. Kevin co-authored and designed Foundations of Graphic Design (Davis Publications, 1990) and

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