2021 Pennsylvania Department Of Education Keystone Literature Item And .

1y ago
7 Views
2 Downloads
774.79 KB
82 Pages
Last View : 2m ago
Last Download : 3m ago
Upload by : Maleah Dent
Transcription

Pennsylvania Keystone Exams Literature Item and Scoring Sampler 2021* * This is a revised version of the 2017 Item and Scoring Sampler. Pennsylvania Department of Education Bureau of Curriculum, Assessment and Instruction—September 2021

TABLE OF CONTENTS INFORMATION ABOUT LITERATURE Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 About the Keystone Exams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Alignment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Depth of Knowledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Exam Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Item and Scoring Sampler Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Literature Exam Directions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 General Description of Scoring Guidelines for Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 LITERATURE MODULE 1 Passage 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Multiple‑Choice Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Constructed‑Response Item . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Item‑Specific Scoring Guideline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Passage 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Multiple‑Choice Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Constructed‑Response Item . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Item‑Specific Scoring Guideline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Literature Module 1—Summary Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 LITERATURE MODULE 2 Passage 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Multiple‑Choice Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Constructed‑Response Item . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Item‑Specific Scoring Guideline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Passage 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Multiple‑Choice Items . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Constructed‑Response Item . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Item‑Specific Scoring Guideline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Literature Module 2—Summary Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 ACKNOWLEDGEMENTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Keystone Literature Item and Scoring Sampler—September 2021 ii

INFORMATION ABOUT LITERATURE INTRODUCTION The Pennsylvania Department of Education (PDE) provides districts and schools with tools to assist in delivering focused instructional programs aligned to the Pennsylvania Core Standards (PCS). These tools include the standards, assessment anchor documents, Keystone Exams Test Definition, Classroom Diagnostic Tool, Standards Aligned System, and content‑based item and scoring samplers. This 2021 Literature Item and Scoring Sampler is a useful tool for Pennsylvania educators in preparing students for the Keystone Exams, by providing samples of test item types and scored student responses. The Item Sampler is not designed to be used as a pretest, a curriculum, or other benchmark for operational testing. This Item and Scoring Sampler contains released operational multiple‑choice and constructed‑response items that have appeared on previously administered Keystone Exams. These items will not appear on any future Keystone Exams. Released items provide an idea of the types of items that have appeared on operational exams and that will appear on future operational Keystone Exams. Each item has been through a rigorous review process to ensure alignment with the Assessment Anchors and Eligible Content. This sampler includes items that measure a variety of Assessment Anchor or Eligible Content statements, but it does not include sample items for all Assessment Anchor or Eligible Content statements. Typically an item and scoring sampler is released every year to provide students and educators with a resource to assist in delivering focused instructional programs aligned to the PCS. However, due to the cancellation of standardized testing in 2019–2020, the 2021 Item and Scoring Sampler is a revised version of the previously released 2017 Item and Scoring Sampler. This revised version ensures that students and educators have an enhanced item and scoring sampler to use during instruction and/or preparation of students to take the Keystone Exam. The items in this sampler may be used1 as samples of item types that students will encounter in operational testing. Classroom teachers may find it beneficial to have students respond to the constructed‑response items in this sampler. Educators can then use the sampler as a guide to score the responses either independently or together with colleagues. This Item and Scoring Sampler is available in Braille format. For more information regarding Braille, call (717) 901‑2238. ABOUT THE KEYSTONE EXAMS The Keystone Exams are end‑of‑course assessments currently designed to assess proficiencies in Algebra I, Biology, and Literature. For detailed information about how the Keystone Exams are being integrated into the Pennsylvania graduation requirements, please contact the Pennsylvania Department of Education or visit the PDE website at http://www.education.pa.gov. 1 The permission to copy and/or use these materials does not extend to commercial purposes. Keystone Literature Item and Scoring Sampler—September 2021 1

INFORMATION ABOUT LITERATURE Alignment The Literature Keystone Exam consists of questions grouped into two modules: Module 1—Fiction Literature and Module 2—Nonfiction Literature. Each module corresponds to specific content aligned to statements and specifications included in the course‑specific assessment anchor documents. The Literature content included in the Keystone Literature multiple‑choice items will align with the Assessment Anchors as defined by the Eligible Content statements. The process skills, directives, and action statements will also specifically align with the Assessment Anchors as defined by the Eligible Content statements. The content included in Literature constructed‑response items aligns with content included in the Eligible Content statements. The process skills, directives, and action statements included in the performance demands of the Literature constructed‑response items align with specifications included in the Assessment Anchor statements, the Anchor Descriptor statements, and/or the Eligible Content statements. In other words, the verbs or action statements used in the constructed‑response items or stems can come from the Eligible Content, Anchor Descriptor, or Assessment Anchor statements. Depth of Knowledge Webb’s Depth of Knowledge (DOK) was created by Dr. Norman Webb of the Wisconsin Center for Education Research. Webb’s definition of depth of knowledge is the cognitive expectation demanded by standards, curricular activities, and assessment tasks. Webb’s DOK includes four levels, from the lowest (recall) level to the highest (extended thinking) level. Level 1 Level 2 Level 3 Level 4 Depth of Knowledge Recall Basic Application of Skill/Concept Strategic Thinking Extended Thinking Each Keystone item has been through a rigorous review process and is assigned a DOK level. For additional information about depth of knowledge, please visit the PDE website at http://static. pdesas.org/content/documents/Keystone Exams Understanding Depth of Knowledge and Cognitive Complexity.pdf. Exam Format The Keystone Exams are delivered in a paper‑and‑pencil format as well as in a computer‑based online format. The multiple‑choice items require students to select the best answer from four possible answer options and record their answers in the spaces provided. The correct answer for each multiple‑choice item is worth one point. The constructed‑response items require students to develop and write (or construct) their responses. There is a single response page in the pencil‑and‑paper format and up to 1,500 characters in the online format. Constructed‑response items in Literature are scored using item‑specific scoring guidelines based on a 0‑ to 3‑point scale. Each multiple‑choice item is designed to take about one to one‑and‑a‑half minutes to complete. Each constructed‑response item is designed to take about 10 minutes to complete. The estimated time to respond to a test question is the same for both test formats. During an actual exam administration, students are given additional time as necessary to complete the exam. Keystone Literature Item and Scoring Sampler—September 2021 2

INFORMATION ABOUT LITERATURE ITEM AND SCORING SAMPLER FORMAT This sampler includes the test directions and scoring guidelines that appear in the Keystone Exams. Each sample multiple‑choice item is followed by a table that includes the alignment, the answer key, the DOK, the percentage2 of students who chose each answer option, and a brief answer option analysis or rationale. Each constructed‑response item is followed by a table that includes the alignment, the DOK, and the mean student score. Additionally, each of the included item‑specific scoring guidelines is combined with sample student responses representing each score point to form a practical, item‑specific scoring guide. The General Description of Scoring Guidelines for Literature used to develop the item‑specific scoring guidelines should be used if any additional item‑specific scoring guidelines are created for use within local instructional programs. Example Multiple‑Choice Item Information Table Item Information Alignment Answer Key Depth of Knowledge Assigned AAEC Correct Answer Assigned DOK p‑value A p‑value B p‑value C p‑value D Option Annotations Percentage of students who selected this option Percentage of students who selected this option Percentage of students who selected this option Percentage of students who selected this option Brief answer option analysis or rationale Example Open‑Ended Item Information Table Alignment 2 Assigned AAEC Depth of Knowledge Assigned DOK Mean Score All p‑value percentages listed in the item information tables have been rounded. Keystone Literature Item and Scoring Sampler—September 2021 3

INFORMATION ABOUT LITERATURE LITERATURE EXAM DIRECTIONS Directions: On the following pages of this test booklet are the Keystone Literature Exam passages and questions for Module 1. This module has two passage sets. Each passage set includes a passage, a series of multiple‑choice questions, and at least one constructed‑response question. Before responding to any exam questions, be sure to carefully read each passage and follow the directions for each passage set. There are two types of questions in each module. Multiple‑Choice Questions: These questions will ask you to select an answer from among four choices. Read each question, and choose the correct answer. Only one of the answers provided is correct. Record your answer in the Literature answer booklet. Constructed‑Response Questions: These questions will require you to write your response. Be sure to read the directions carefully. You cannot receive the highest score for a constructed‑response question without following all directions. If the question asks you to do multiple tasks, be sure to complete all tasks. If the question asks you to explain, be sure to explain. If the question asks you to analyze, describe, or compare, be sure to analyze, describe, or compare. All responses must be written in the appropriate response space in the Literature answer booklet. If you use scratch paper to write your draft, be sure to transfer your final response to the Literature answer booklet. If you finish early, you may check your work in Module 1 [or Module 2] only . Do not look ahead at the questions in Module 2 [or back at Module 1] of your exam materials. After you have checked your work, close your exam materials. You may refer to this page at any time during this portion of the exam. Keystone Literature Item and Scoring Sampler—September 2021 4

INFORMATION ABOUT LITERATURE GENERAL DESCRIPTION OF SCORING GUIDELINES FOR LITERATURE 3 Points The response provides a clear, complete, and accurate answer to the task. The response provides relevant and specific information from the passage. 2 Points The response provides a partial answer to the task. The response provides limited information from the passage and may include inaccuracies. 1 Point The response provides a minimal answer to the task. The response provides little or no information from the passage and may include inaccuracies. The response relates minimally to the task. OR 0 Points The response is totally incorrect or irrelevant or contains insufficient information to demonstrate comprehension. Keystone Literature Item and Scoring Sampler—September 2021 5

LITERATURE 1 MODULE 1 Literature Module 1 PASSAGE 1 Read the following passage. Then answer questions 1–9. excerpt from Miss Brill by Katherine Mansfield Although it was so brilliantly fine—the blue sky powdered with gold and great spots of light splashed over the Jardins Publiques1—Miss Brill was glad that she had decided on her fur. The air was motionless, but when you opened your mouth there was just a faint chill, like a chill from a glass of iced water before you sip, and now and again a leaf came drifting—from nowhere, from the sky. There were a number of people out this afternoon, far more than last Sunday. And the band sounded louder and merrier. That was because the Season had begun. For although the band played all the year round on Sundays, out of season it was never the same. It was like someone playing with only the family to listen; it didn’t care how it played if there weren’t any strangers present. Wasn’t the conductor wearing a new coat, too? She was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda2 blew out their cheeks and glared at the music. Now there came a little “flutey” bit—very pretty!—a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled. Only two people shared her “special” seat: a fine old man in a velvet coat, his hands clasped over a huge carved walking‑stick, and a woman, sitting upright, with a roll of knitting on her embroidered apron. They did not speak. This was disappointing, for Miss Brill always looked forward to the conversation. She had become really quite expert, she thought, at listening as though she didn’t listen, at sitting in other people’s lives just for a minute while they talked round her. She glanced, sideways, at the old couple. Perhaps they would go soon. Last Sunday, too, hadn’t been as interesting as usual. An Englishman and his wife, he wearing a dreadful Panama hat and she button boots. And she’d gone on the whole time about how she ought to wear spectacles; she knew she needed them; but that it was no good getting any; they’d be sure to break and they’d never keep on. And he’d been so patient. He’d suggested everything—gold rims, the kind that curve round your ears, little pads inside the bridge. No, nothing would please her. “They’ll always be sliding down my nose!” Miss Brill had wanted to shake her. The old people sat on a bench, still as statues. Never mind, there was always the crowd to watch. To and fro, in front of the flower beds and the band rotunda, the couples and groups paraded, stopped to talk, to greet, to buy a handful of flowers from the man who had his tray fixed to the railings. Little children ran among them, swooping and laughing; little boys with big white silk bows under their chins, little girls, little French dolls, dressed up in velvet and lace. And sometimes 1 2 Jardins Publiques—public gardens rotunda—a round building, especially one with a dome Keystone Literature Item and Scoring Sampler—September 2021 6

LITERATURE 1 MODULE 1 a tiny staggerer came suddenly rocking into the open from under the trees, stopped, stared, and suddenly sat down “flop,” until its small high‑stepping mother, like a young hen, rushed scolding to its rescue. Other people sat on the benches and green chairs, but they were nearly always the same, Sunday after Sunday, and—Miss Brill had often noticed—there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they’d just come from dark little rooms or even—even cupboards! Behind the rotunda the slender trees with yellow leaves down drooping, and through them just a line of sea, and beyond the blue sky with gold‑veined clouds. Two young girls in red came by and two young soldiers in blue met them, and they laughed and paired and went off arm‑in‑arm. Two peasant women with funny straw hats passed, gravely, leading beautiful smoke‑colored donkeys. A beautiful woman came along and dropped her bunch of violets, and a little boy ran after to hand them to her, and she took them and threw them away as if they’d been poisoned. Dear me! Miss Brill didn’t know whether to admire that or not! And now an ermine toque3 and a gentleman in gray met just in front of her. He was tall, dignified, and she was wearing the ermine toque she’d bought when her hair was yellow. Now everything, her hair, her face, even her eyes, was the same color as the shabby ermine, and her hand, in its cleaned glove, lifted to dab her lips, was a tiny yellowish paw. Oh, she was so pleased to see him—delighted! She rather thought they were going to meet that afternoon. She described where she’d been—everywhere, here, there, along by the sea. The day was so charming—didn’t he agree? And wouldn’t he, perhaps? . . . But he shook his head and walked on. The ermine toque was alone; she smiled more brightly than ever. But even the band seemed to know what she was feeling and played more softly, played tenderly, and the drum beat, “The Brute! The Brute!” over and over. What would she do? What was going to happen now? But as Miss Brill wondered, the ermine toque turned, raised her hand as though she’d seen someone else, much nicer, just over there, and pattered away. And the band changed again and played more quickly, more jubilantly than ever, and the old couple on Miss Brill’s seat got up and marched away, and such a funny old man with long whiskers hobbled along in time to the music and was nearly knocked over by four girls walking side‑by‑side. Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all! It was like a play. It was exactly like a play. Who could believe the sky at the back wasn’t painted? But it wasn’t till a little brown dog trotted on solemn and then slowly trotted off, like a little “theatre” dog, that Miss Brill discovered what it was that made it so exciting. They were all on stage. They weren’t only the audience, not only looking on; they were acting. Even she had a part and came every Sunday. No doubt somebody would have noticed if she hadn’t been there; she was part of the performance after all. How strange she’d never thought of it like that before! And yet it explained why she made such a point of starting from home at just the same time each week—so as not to be late for the performance—and it also explained why she had a shy feeling at telling her English pupils how she spent her Sunday afternoons. No wonder! Miss Brill nearly laughed out loud. She was on the stage. 106377 3 ermine toque—a close‑fitting style of hat made of fur Keystone Literature Item and Scoring Sampler—September 2021 7

LITERATURE 1 MODULE 1 MULTIPLE‑CHOICE ITEMS 1 . Read the sentence from the passage. “He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at the music.” What is most likely the intended effect of the simile in the sentence? A. to present a complication in the moment before the music begins B. to suggest how loudly the music is going to be played C. to exaggerate the tension of the scene D. to convey a sense of showiness in the scene 641600 Item Information Alignment Answer Key Depth of Knowledge p‑value A p‑value B p‑value C p‑value D Option Annotations L.F.2.5.1 D 2 13% 22% 24% 41% (correct answer) Students are asked to analyze the intended effect of a simile in a text. Students must be able to identify the simile and interpret what it is communicating. Option D is the correct answer because the conductor’s action of flapping “his arms like a rooster” suggests a dramatic flair to the musical performance on stage. Option A is incorrect, because there is no complication in the text that is presented before the music begins. Option B is incorrect, because the conductor’s actions do not relate to the volume of the music played since the text does not mention volume. Option C is incorrect because people are in the gardens to listen to a concert and there is no tension in the scene. Students may select these incorrect options if they misinterpret the simile or the context in which it appears. Keystone Literature Item and Scoring Sampler—September 2021 8

LITERATURE 2 . 1 MODULE 1 Which excerpt from the passage best shows that Miss Brill takes pride in her own perceptiveness? A. “Wasn’t the conductor wearing a new coat, too? She was sure it was new.” B. “Now there came a little ‘flutey’ bit—very pretty!—a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled.” C. “She glanced, sideways, at the old couple. Perhaps they would go soon. Last Sunday, too, hadn’t been as interesting as usual.” D. “Behind the rotunda the slender trees with yellow leaves down drooping, and through them just a line of sea, and beyond the blue sky with gold‑veined clouds.” 641594 Item Information Alignment Answer Key Depth of Knowledge p‑value A p‑value B p‑value C p‑value D Option Annotations L.F.2.3.1 B 2 19% 62% (correct answer) 11% 8% Students are asked to determine which excerpt from the text reflects a particular trait of the main character. Students must be able to understand how details in the text help to show Miss Brill’s pride in her perceptiveness. Option B is the correct answer. Miss Brill is able to discern which instrument plays a certain part in the musical piece and is able to predict that the notes would be repeated. The sentence stating that Miss Brill “lifted her head and smiled” reveals her pride. Although options A and C show Miss Brill’s perceptiveness, these choices do not show her pride in her perceptiveness; therefore, they are incorrect. Option D is incorrect, because it reveals a description of the setting but does not show Miss Brill’s perceptiveness or her pride in this trait. Students may select these incorrect options if they misinterpret details in the text. Keystone Literature Item and Scoring Sampler—September 2021 9

LITERATURE 3 . 1 MODULE 1 Which statement best explains how the next‑to‑last paragraph supports the author’s purpose? A. Miss Brill is shown as a detached yet sensitive observer of humanity. B. Miss Brill is shown as a tolerant and impartial judge of people. C. Miss Brill is shown as a meddlesome and opinionated person. D. Miss Brill is shown as a realistic yet inflexible social critic. 641611 Item Information Alignment Answer Key Depth of Knowledge p‑value A p‑value B p‑value C p‑value D Option Annotations L.F.1.1.2 A 3 62% (correct answer) 16% 10% 12% Students are asked to analyze how an example from the text supports the author’s purpose. Students must be able to infer the author’s purpose. Option A is the correct answer. In the next‑to‑last paragraph, Miss Brill watches and listens to the interactions of people she comes in contact with in the gardens. She notices details of people and wonders about their actions, never getting involved in the scenes she witnesses. Option B is incorrect, because even though Miss Brill speculates about the people around her, her thoughts do not go as far as to reflect judgment. Option C is incorrect, because Miss Brill is uninvolved in the scene, so she is not meddlesome. Option D is incorrect, because Miss Brill’s interest in the people around her is personal, and she is not interested in the social structure at large. Students may select these incorrect options if they misinterpret the author’s purpose or the details in the text. Keystone Literature Item and Scoring Sampler—September 2021 10

LITERATURE 4 . 1 MODULE 1 What is the main idea of the last paragraph? A. Miss Brill views social interaction as a stage play. B. Miss Brill is embarrassed to admit that she enjoys play acting. C. Miss Brill sees the interaction among people in the garden as a comedy. D. Miss Brill is disappointed to realize that the events in the gardens seem scripted. 641612 Item Information Alignment Answer Key Depth of Knowledge p‑value A p‑value B p‑value C p‑value D Option Annotations L.F.1.3.1 A 2 74% (correct answer) 12% 10% 4% Students are asked to identify the main idea in the text. Students must understand the concept of main idea in order to identify it in the last paragraph of the text. Option A is the correct answer. Miss Brill views herself as the audience watching and listening to the events in the gardens. However, she suddenly realizes she also views herself as a performer, on stage with other characters. This thought pervades the entire last paragraph; therefore, it is the main idea. Option B is incorrect, because although Miss Brill may enjoy her roles as both audience and performer, she is not embarrassed by it. Option C is incorrect, because there is no evidence in the text to support that Miss Brill views the interaction among people as funny. She views the interaction among the visitors as fascinating and exciting. Option D is incorrect, because there is no text evidence to support that Miss Brill views the events as scripted. Students may select these incorrect options if they lack an understanding of main idea or if they misinterpret details in the text. Keystone Literature Item and Scoring Sampler—September 2021 11

LITERATURE 5 . 1 MODULE 1 Which statement best describes how the passage is affected by the third person point of view? A. It enhances the characterization of Miss Brill by showing how each minor character views her. B. It allows the reader to see the action from the perspective of Miss Brill and to see her objectively. C. It helps the reader understand the thoughts and feelings of each character that Miss Brill sees. D. It encourages sympathy toward Miss Brill by directly addressing the reader. 641598 Item Information Alignment Answer Key Depth of Knowledge p‑value A p‑value B p‑value C p‑value D Option Annotations L.F.2.3.6 B 3 10% 51% (correct answer) 34% 5% Students are asked to analyze the point of view used in the text. Students must understand the concept of point of view and be able to analyze its use within a text. Option B is the correct answer. By using the third person limited omniscient point of view, the text allows the reader to see all actions from the perspective of Miss Brill. Option A is incorrect, because the reader does not know how the minor characters in the text view her since only Miss Brill’s thoughts and actions are shared. Option C is incorrect, because the reader does not know the thoughts and feelings of each character. The reader only understands the characters as Miss Brill describes. Option D is incorrect, because even though readers may feel sympathy for Miss Brill, the point of view used does not directly address the reader. Students may select these incorrect options if they lack an understanding of point of view. Keystone Literature Item and Scoring Sampler—September 2021 12

LITERATURE 6 . 1 MODULE 1 How does the setting most contribute to a theme of the passage? A. It provides an opportunity for the main character to indulge in imagination. B. It provides a safe place for the main character to feel at home with family. C. It provides an arena for the main character to learn the customs of a foreign culture. D. It provides a colorful backdrop for the main character to listen to a band. 641595 Item Information Alignment Answer Key Depth of Knowledge p‑value A p‑value B

ennlvania Keyst on e Exams * This is a revised version of the 2017 Item and Scoring Sampler.This is a revised version of the 2017 Item and Scoring Sampler. 2021* Literature Item and Scoring Sampler Pennsylvania Department of Education Bureau of Curriculum, Assessment and Instruction—September 2021

Related Documents:

August 2, 2021 15 August 2, 2021 16 August 2, 2021 17 August 3, 2021 18 August 4, 2021 19 August 5, 2021 20 August 6, 2021 21 August 9, 2021 22 August 9, 2021 23 August 9, 2021 24 August 10, 2021 25 August 11, 2021 26 August 12, 2021 27 August 13, 2021 28 August 16, 2021 29 August 16, 2021 30 August 16, 2021 31

Pennsylvania Forest Stewardship Program Identifying Pennsylvania Trees Objective for this presentation: To help individuals learn to identify common Pennsylvania trees using the Summer Key to Pennsylvania Trees (free copies available fro

The Honorable Bruce R. Beemer, Pennsylvania Attorney General Mark Bergstrom, Executive Director, Pennsylvania Commission on Sentencing Tyree Blocker, Commissioner, Pennsylvania State Police . Leo Dunn, Chairman, Pennsylvania Board of Probation and Parole Sarah E. Galbally, Secretary of Policy and Planning, Governor’s Office .

Pennsylvania Public Utility Commission before the Pennsylvania House Consumer Affairs Committee September 25,20 12 PENNSYLVANIA Pennsylvania Public Utility Commission 400 North Street Harrisburg, Pennsylvania 1 7 120 Telephone (717) 787-4301 httr,:/iwww.puc.state.pa.us

On behalf of the Pennsylvania Department of Education, Bureau of Career and Technical Education, welcome to the thirty-fourth annual Pennsylvania Career and Technical Education Conference. It is because of your passion and commitment to your profession that your students will find the knowledge and skills to prepare them for life and allow

The Pennsylvania Department of Corrections www.cor.pa.gov Our History Pennsylvania has a distinguished reputation in penology. The commonwealth was the birthplace of the penitentiary concept, also known as the Pennsylvania System. Eastern State Penitentiary opened in 1829, on a cherry orchard outside of Philadelphia, and it

Pennsylvania Health Care Cost Containment Council Jennifer M. McHugh Deputy Insurance Commissioner for Mcare Pennsylvania Department of Insurance Arthur McNulty Deputy Chief Counsel Pennsylvania Department of Insurance Elizabeth B. Metz Counsel for Health Law and Policy Pennsylvania

Brain anatomy, physiology, Stroke & Neurological Assessment Stephanie Drysdale. Stephanie Drysdale. Functions of the Brain FRONTAL PARIETAL OCCIPITAL Personality/Behaviour Planning Decision making Concentration Voluntary motor functions Primary motor cortex (precentral gyrus) Comprehension and language Sensory functions (pain, heat and other sensations .