Punk Bibliography Alan O’Connor
Punk BibliographyAlan O’ConnorThis bibliography includes only books and articles that have substantial discussions ofpunk. It does not include university theses or articles in newspapers but does includediscographies, selected photo books and punk fiction. Any research on punk must makeuse of fanzines produced in different parts of the world. The bibliography includes onlyselected special issues of major fanzines and articles such as Lance Hahn’s series onanarcho-punk. Some back issues of punk fanzines are available online through thewebsite of Operation Phoenix Records. A selection of punk videos and films is listedseparately.Books and articlesAdams, Chris. Turquoise Boys: The Weird World of Echo & the Bunnymen. New York:Soft Skull Press, 2002.Adilkno. Cracking the Movement: Squatting Beyond the Media. New York:Autonomedia, 1994.Albini, Steve. “The Problem with Music.” In Commodify Your Dissent: Salvos from TheBaffler, eds. Frank, Thomas and Matt Weiland, 164-76. New York: Norton, 1997.Alfonso, José A. Hasta el Final: 20 Años de Punk en España. Zaragoza: Zona de Obras,2001.Anderson, Mark. All the Power: Revolution without Illusion. Punk Planet Books, 2004.Anderson Mark and Mark Jenkins. Dance of Days: Two decades of Punk in the Nation’sCapital. New York: Soft Skull Press, 2001.Andes, Linda. “Growing Up Punk: Meaning and Commitment Careers in aContemporary Youth Subculture.” In Youth Culture: Identity in a Postmodern World, ed.Jonathan S. Epstein, 211-31. Oxford: Blackwell, 1998.Angel, Jen. Becoming the Media: A Critical History of Clamor Magazine. Oakland: PMPress, 2008.Anonymous. Punks. Montevideo, Uruguay: Por Debajo Records, c. 1995. Reprinted inMexico City by JAR Records.Anonymous. Forming: The Early Days of L.A. Punk. Santa Monica: Smart Ass Press,1999.
Anonymous. Evasion. Atlanta: Crimethinc, 2001.Antonia, Nina. Too Much Too Soon: The New York Dolls. London: Omnibus Press,1998.Armstrong, John. Guilty of Everything. Vancouver: New Star, 2001. Fiction.Arnold, Gina. Route 666: On the Road to Nirvana. New York: St. Martin’s Press, 1993.Arnold, Gina. Kiss This: Punk in the Present Tense. New York: St. Martin’s Griffin,1997.Atkinson, Michael. “The civilizing of resistance: straightedge tattooing.” DeviantBehavior 24(2003): 197-220.Azerrand, Michael. Our Band Could be Your Life: Scenes from the AmericanUnderground 1981-1991. Boston: Little Brown, 2001.Bacon, Tony. London Live. London: Balafon, 1999. Ch. 5, “Pub-Rock and Punk.”Bangs, Lester. Psychotic Reactions and Carburetor Dung, ed. Greil Marcus. New York:Anchor Books, 1987.Bangs, Lester. Mainlines, Blood Feasts and Bad Taste: A Lester Bangs Reader, ed. JohnMorthland. New York: Anchor Books, 2003.Banks, Abby, Punk House: Interiors in Anarchy, ed. Thurston Moore. New York:Abrams, 2007.Barclay, Michael, Ian A.D. Jack and Jason Schneider. Have Not Been the Same: TheCanRock Renaissance, 1985-95. Toronto: ECW Press, 2001. Includes some discussion ofpunk and post-punk bands in Canada.Baron, Steve W. “The Canadian west coast punk subculture: a field study.” CanadianJournal of Sociology 14 (1989): 289-316.Baron, Steve W. “Resistance and its Consequences: The Street Culture of Punks.” Youthand Society 21 (1989): 207-37.Baulch, Emma. “Creating a Scene: Balinese Punk’s Beginnings.” International Journal ofCultural Studies 5 (2002): 153-177.Baulch, Emma. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham:Duke University Press, 2007
Bayley, Roberta at al. Blank Generation Revisited: The Early Days of Punk. New York:Schirmer Books, 1997. Photos from New York in late 1970s and early 1980s.Becker, Scott ed. We Rock So You Don’t Have To: The Option Reader #1. San Diego:Incommunicado Press, 1998.Beeber, Steven Lee. The Heebie-Jeebies at CBGB’s: A Secret History of Jewish Punk.Chicago: Chicago Review Press, 2006.Belsito, Peter, Bob Davis and Marian Kester. Street Art: The Punk Poster in SanFrancisco 1977-1982. San Francisco: Last Gasp, 1981.Belsoto, Peter and Bob Davis. Hardcore California: A History of Punk and New Wave.San Francisco: Last Gasp, 1983.Bennett, Andy. “Punk’s Not Dead: The Continuing Significance of Punk Rock for anOlder generation of Fans.” Sociology 40 (2006): 219-35.Bessman, Jim. Ramones: An American Band. New York: St Martin’s Press, 1993.Biafra, Jello. “The far right and the censorship of music.” Harvard Law Review, 17 April1987, 10-16.Bissonnette, Matt. Smash Your Head on a Punk Rock. Holstein, Ontario: Exile Editions,2007. Fiction.Blinderman, Barry ed. David Wojnarowicz: Tongues of Flame. New York: D.A.P.Publishers, 1990.Blinko, Nick. The Primal Screamer. London: Spare Change Books, 1995. Fiction byRudimentary Peni singer/guitarist.Blush, Stephen. American Hardcore: A Tribal History. Portland: Feral House, 2001.Board, Mykel, I, A Me-Ist or The Portable Board. Hope & Nothings, 2000. MRRcolumnist.Bockris, Victor. Lou Reed: The Biography. London: Random House, 1994.Bockris, Victor. Beat Punks. New York Da Capo Press, 1998.Bockris, Victor and John Cale. The Autobiography of John Cale. New York: St. Martin’sPress, 1999.Bockris, Victor and Gerald Malanga. Up Tight: The Velvet Underground Story. CooperSquare Press, 2003. Originally published 1983.
Boot, Adrian and Chris Salewicz. Punk: The Illustrated History of a Music Revolution.London: Boxtree, 1996. Large format book with colour illustrations.Boston, Virginia. Punk Rock. New York: Penguin Books, 1978.Bowman, David. This Must Be the Place: The Adventures of Talking Heads in the 20thCentury. New York: Harper, 2001.Bowman, Rob. “Argh Fuck Kill—Canadian Hardcore Goes on Trial: The Case of theDayglo Abortions.” In. Policing Pop, eds. Martin Cloonan and Reebee Garofalo, 113139. Philadelphia: Temple University Press, 2003.Bradford, Martin. “And You Voted For That Guy: 1980s Post-Punk and OppositionalPolitics.” Journal of Popular Music Studies 16 (2004): 142-74.Brannon, Norman. The Anti-Matter Anthology: A 1990s Post-Punk and HardcoreReader. Huntington Beach, CA: Revelation Records Publishing, 2007.Breedlove, Lynn. Godspeed. New York: St. Martin's Press, 2002. Fiction.Bromberg, Craig. The Wicked Ways of Malcolm McLaren. New York: Harper & Row,1989.Browne, David. Goodbye 20th Century: A Biography of Sonic Youth. New York: DaCapo, 2009Burchill Julie and Tony Parsons. ‘The Boy Looked at Johnny’: The Obituary of Rock andRoll. London: Pluto Press, 1978.Burnett, Robert ed. Absolutely Zippo. Published in USA, 2002. Anthology of East Bayzine from late 1980s and early 1990s.Burns, Jake and Alan Parker. Stiff Little Fingers: Song by Song. London: Sanctuary,2003.Butler, C. T. Lawrence and Keith McHenry. Food Not Bombs: How to Feed the Hungryand Build Community. Philadelphia and Gabriola Island: New Society Publishers, 1992.Butt, Malcolm. Sid Vicious. London: Plexus, 1997.Cabañas, Jose Ignacio et al. Armarse sobre las ruinas: Historia del movimiento autónomaen Madrid 1985-1999. Madrid: Potencial Hardcore, 2002.Carducci, Joe. Rock and the Pop Narcotic. Chicago: Redoubt Press, 1990.
Carducci, Joe. Enter Naomi: SST, L.A. and All That. Redoubt Press, 2007.Carter, Angela. “Year of the Punk.” New Society, 22 December 1977, supplement, xivxvi.Cavanna, Esteban M. El Nacimiento del Punk en Argentina y la Historia de LosVioladores. Buenos Aires: Interpress Ediciones, 2001.Cave, Nick. King Ink II. Los Angeles: 2.13.61, 1997Cave, Nick. The Complete Lyrics 1978-2001. London Penguin, 2001.Cave, Nick. And the Ass saw the Angel. Los Angeles: 2.13.61, 2003. Fiction originallypublished 1989.Celeste Kearney, Mary. ‘“Don’t Need You”: Rethinking Identity Politics and Separatismfrom a Grrrl Perspective.” In Youth Culture: Identity in a Postmodern World, ed. inJonathan S. Epstein,148-88. Oxford: Blackwell, 1998.Cerdán, Diego. Eskorbuto: Historia Triste. Madrid: Ediciones Marcianas, 2001.Chantry, Art. Instant Litter: Concert Posters from Seattle Punk Culture. Seattle: RealComet Press, 1985.Ciminelli and Knox. Homocore. Alyson Books, 2005Clarke, Dylan. “The Death and Life of Punk: The Last Subculture.” In The PostSubcultures Reader, eds., David Muggleton and Rupert Weinzierl, 223-36. Oxford andNew York: Berg, 2003.Clark, Humpshery. Loser: The Real Seattle Music Story. Portland: Feral House, 1995.The Clash. The Clash. New York: Grand Central, 2008.Cloonan, Martin. “I fought the law: popular music and British obscenity law.” PopularMusic 14/3 (1995): 349-63.Cogan, Brian. Encyclopedia of Punk Music and Culture. Greenwood Press, 2004.Cohen, Sara. Rock Culture in Liverpool: Popular Culture in the Making. Oxford:Clarendon Press, 1991. Case studies of local post-punk bands in 1980s.Cole, Joe. Planet Joe. Los Angeles: 2.13.61, 1992.Colegrave, Stephen and Chris Sullivan. Punk: A Life Apart. London: Cassell, 2001.Large format book documenting 1970s in USA and England.
Cometbus, Aaron. Despite Everything: A Cometbus Omnibus. San Francisco: Last Gasp,2002.Cometbus, Aaron. Double Duce. San Francisco: Last Gasp, 2003. Reprints material fromCometbus zine about punk house.Cometbus, Aaron. Chicago Stories. Self published, 2004.Cometbus, Aaron. Mixed Reviews. Port Louis: Internationalist Publishing, 2005.Cometbus, Aaron. I Wish There Was Something I Could Quit. Self published, 2006.Fiction.Connolly Cynthia, Leslie Clague and Sharon Cheslow eds. Banned in D.C.: Photos andAnecdotes from the DC Punk Underground (1979-85). Washington: Sun DogPropaganda, 1992.Coon, Caroline. The New Wave Punk Explosion. London: Omnibus Press, 1982.Cooper, Aimee. Coloring Outside the Lines: A Punk Rock Memoir. Elgin, Texas:Rowdy’s Press, 2002.Cope, Julien Head-On: Memories of the Liverpool Punk-Scene and the Story of theTeardrop Explodes: 1976-82. London: Magon Books, 1994.Corrett, John. Extended Play: Sounding Off from John Cage to Dr. Funkenstein. Durham:Duke University Press, 1994. Segment on The Ex.County, Jayne. Man Enough to be a Woman. London: Serpent’s Tail, 1995.Crass. Love Songs. Hebden Bridge, West Yorkshire: Pomona, 2004.Cross, Richard. “The Hippies Now Wear Black’: Crass and the anarcho-punkmovement.” Socialist History no. 26, Autumn 2004D'Ambrosio, Antonino ed. Let Fury Have The Hour: The Punk Rock Politics Of JoeStrummer. New York: Nation Books, 2004.Dancis, Bruce. “Safety Pins and Class Struggle: Punk Rock and the Left.” SocialistReview no. 39, May-June 1978, 58-83.Davies, Jude. “The Future of No Future: Punk Rock and Postmodern Theory.” Journal ofPopular Culture 29 (1996): 3-25.
Davis, J. R. “Growing Up Punk: Negotiating Aging in a Local Music Scene.” SymbolilcInteraction 29 (2006): 63-69.Davis, Jerome. Talking Heads. New York: Vintage, 1986.Dawson, Ashley. “‘Do Doc Martins Have A Special Smell?’ Homocore, SkinheadEroticism, and Queer Agency.” In Reading Rock and Roll: Authenticity, Appropriation,Aesthetics, eds., in Kevin J.H. Dettmar and William Richey, 125-43. New York:Columbia University Press, 1999. Includes discussion of Mikilteo Fairies, MDC, VaginalDavis, God is My Co-Pilot and others.Dechaine, D. Robert. “Mapping Subversion: Queercore’s Music’s Playful Discourse ofResistance.” Popular Music and Society 21 (1997): 7-37.DeRogatis, Jim. Let it Blurt: The Life and Times of Lester Bangs, America’s GreatestRock Critic. New York: Broadway Books, 2000.DeLano, Sharon. “The Torch Singer: Patti Smith’s life as a rock-and-roll diva.” TheNew Yorker, 11 March, 200248-63.Dickson, Ian. Flash Bang Wallop! Photographs of the Punk Explosion. London: AbstractSounds Publishing, 2000. Black and white photos from 1976-77.Diehl, Matt. My So-Called Punk. New York: St. Martin’s, 2007.Diggle, Steve and Terry Rawlings. Harmony in My Head: The Original Buzzcock SteveDiggle’s Rock ‘n’ Roll Odyssey. London: Helter Skelter, 2002.Doggett, Peter. Lou Reed: Growing Up in Public. London: Omnibus Press, 1992.DuBrul, Sasha Altman. Carnival of Chaos. New York: Autonomedia/Bloodlink, 1997.Duncan, Chris. My First Time: A Collection of First Punk Show Stories. San Franciscoand Edinburgh: AK Press, 2007.Duncombe, Stephen. Notes from Underground: Zines and the Politics of AlternativeCulture. London: Verso, 1997.Dunn, Kevin C. “Never mind the bollocks: the punk rock politics of globalcommunication.” Review of International Studies 34 (2008): 193-210.Edge, Brian. Paintwork: A Portrait of the Fall. London: Omnibus, 2003.Edge, Brian ed. 924 Gilman: The Story So Far. San Francisco: Maximumrocknroll, 2004.
Epstein Stephen J. “Anarchy in the UK, Solidarity in the ROK: Punk Rock Comes toKorea.” Acta Koreana 3 (2000): 1-34.Evans, Mike. N.Y.C. Rock: Rock’n’Roll in The Big Apple. London: Sanctuary, 2003.Everett, True. Hey Ho Let’s Go: The Story of the Ramones. London: Omnibus. 2002.Fairchild, Charles. “Alternative Music and the Politics of Cultural Autonomy: The Caseof Fugazi and the D.C. Scene.” Popular Music and Society 17 (1995): 17-25.Faris, Marc. “That Chicago Sound": Playing with (Local) Identity in UndergroundRock.” Popular Music & Society 27 (2004), 429-54Farren, Mick and Suzy Shaw. Bomp! Los Angeles: AMMO, 2008.Farseth, Erik. Wipe Away My Eyes: A History: Underground Culture and Politics, 19791999. Minneapolis: Abandoned House Books, 2001.Finnegan Bell. Dear Andrew: An Unsent Letter. Vancouver: Hungry Ghost Press, 2005.Bruce Burnside of Zegota and Ivory Bell record label.Fish, M and D Halbery. Cabaret Voltaire: The Art of the Sixth Sense. Harrow, SAFPublishing, 1989.Floyd, Dave. Riot/Clone: Dead But Not Forgotten. London: Black Sheep Design,1993.Fly. Peops: Stories and Portraits. New York: Soft Skull Press, 2003. Sketches by punkartist and statements by New York squatters, punks and others.Foege, Alec. Confusion is Next: The Sonic Youth Story. New York: St. Martin’s Press,1994. Includes Glen Branca and NYC no wave bands, some discussion of independentlabels.Foster, Ben. Like Hell. Oak Park: Hope and Nothings, 2001.Fiction by MRR columnist.Fournier, Michael T. Double Nickels On The Dime. New York: Continuum, 2007/Fox, K. “Real punks and pretenders: the social organization of a counter culture.” Journalof Contemporary Ethnography 16 (1987): 344-70.Friedman, Glen E. (1994) Fuck You Heroes. Los Angeles and New York: Burning FlagPress, 1994. Photos and commentary on skater, hardcore and rap performers.Friedman, Glen E. (1996) Fuck You Too. Los Angeles and New York: Burning FlagPress and 2.13.61. Additional photos.
Frith, Simon. “Beyond the dole queue: The Politics of Punk.” Village Voice, 24 October,1977.Frith, Simon. “The Punk Bohemians.” New Society 43 (1978): 535-6. Also in Frith(1983), 266-67.Frith, Simon. Sound Effects: Youth, leisure, and the politics of rock. London: Constable,1983. Especially “The Case of Punk,” 158-64.Frith, Simon and Howard Horne. Art into Pop. London and New York: Methuen, 1987.Fryer, Paul. “Punk and the New Wave of British Rock: Working Class Heroes and ArtSchool Attitudes.” Popular Music and Society 10 (1986): 1-15.Fuchs, Cynthia, “If I Had a Dick: Queers, Punks, and Alternative Acts.” In Mapping theBeat (1998), 101-18.Gaertner, Joachim. They Could Have Been Bigger Than EMI: A discography of nowdefunct independent record labels that released vinyl. Germany: Pure Pop for NowPeople, 2005.Galenza, Ronald and Heinz Havemeister eds. Wir wollen immer artig sein Punk, NewWave, HipHop, Independent-Szene in der DDR 1980-1990. Berlin: Verlag GmbH, 1999.Essays and interviews on punk and underground scene in East Germany.Gandesha, Samir. “Flowers in the Dustbin, or Requiem for Punk.” Border/Lines[Toronto] no. 45 (1997), 8-14.Gendron, Bernard. Between Montmarte and the Mudd Club: Popular Music and theAvant-Garde. Chicago: University of Chicago Press, 2002. Chs. 10-13 deal with NewYork City punk and new wave from 1971-81.Geldof, Bob. Is That It? London: Penguin Books, 1985. Autobiography of member ofBoomtown Rats.General Idea, FILE Magazine [Toronto] vol. 3 no. 4 (Fall 1977). ‘Punk ‘Til You Puke’Mainly photos.Gibbs, Alvin. Destroy: The Definitive History of Punk. No place: Britannic Press, c.1997.Gilbert, Pat. Passion is a Fashion: The Real Story of the Clash, Cambridge MA: Da CapoPress, 2005.
Gimarc, George. Punk Diary 1970-1979. New York: St. Martin’s Press, 1994.Chronology of events. Includes CD.Gimarc, George. Post Punk Diary 1980-1982. New York: St. Martin’s Press, 1997.Chronology of events. Includes CD.Ginoli, Jon. Deflowered: My Life in Pansy Division. San Francisco: Cleis Press, 2009.Glasper, Ian. Burning Britain: The History of UK Punk 1980-84. London: Cherry Red,2004.Glasper, Ian. The Day the Country Died: A History of Anarcho-Punk 1980-1984.London: Cherry Red, 2006.Goldthorpe, Jeff. “Talking Punk with Maximumrocknroll.” Radical America vol. 18, no.6 (1984), 9-24.Goldthorpe, Jeff. “Intoxicated Culture: Punk Symbolism and Punk Protest.” SocialistReview vol. 22, no. 2 (1992), 35-64.Goossens, Jerry and Jeroen Vedder. Het Gejuich was Massaal: Punk in Nederland 19761982. Amsterdam: Poparchief Nederland, 1996. In Dutch. Includes discography. CDtitled ‘I’m Sure We’re Gonna Make It—Dutch Punk Rock 1977-1982’ issued on EpitaphRecords includes liner notes in English.Gordon, Alastair. Throwing Out the Punk Rock Baby with the Dirty Bath Water: Crassand Punk, A Critical Appraisal. Nottingham: Do One Press, 1996.Gosling, Tim. “‘Not For Sale’: The Underground Network of Anarcho-Punk.” In MusicScenes: Local, Translocal and Virtual, eds. Andy Bennett and Richard A Peterson, 16883. Nashville: Vanderbilt University Press, 2004.Goshert, John Charles. “‘Punk’ After the Pistols: American Music, economics, and thepolitics in the 1980s and 1990s.” Popular Music and Society, 24 (2000): 85-106.Gottlieb Joanne and Gayle Wald. “Smells like Teen Spirit: Riot Grrrls, Revolution andWomen and Independent Rock.” In Microphone Fiends: Youth Music and YouthCulture, eds. Andrew Ross and Tricia Rose, 250-74. New York: Routledge, 1994.Gray, Marcus. The Clash: Return of the Last Gang in Town. New York: Hal Leonard,2002.Green, Johnny and Garry Barker. A Riot of Our Own: Night and Day with the Clash.New York: Faber and Faber, 1999.
Green, Johnny and Kris Needs. Joe Strummer and the Legend of The Clash. UK: PlexusPublishing, 2005.Greenwald, Andy. Nothing Feels Good: Punk Rock, Teenagers and Emo. New York: St.Martin’s, 2003.Grubbs, Eric. Post: A Look at the Influence of Post-Hardcore 1985-2007. iUniverse,2008.Habell-Pallán, Michelle. ‘“Soy Punkera, Y Que?”: Sexuality, Translocality and Punk inLos Angeles and Beyond.” In Rockin’ Las Americas, eds., Deborah Pacini Hernandez,Héctor Fernández L’Hoeste and Eric Zolov. Pittsburgh: University of Pittsburgh Press,2004.Haenfler, Ross. Straight Edge: Clean-Living Youth, Hardcore Punk, and Social Change.New Brunswick: Rutgers University Press, 2006.Hahn, Lance. Series of articles on British anarchopunk from 1978-1984.Maximumrocknroll no. 209, October 2000 – no. 305, October 2008. .Hansen, Ann. Direct Action: Memoirs of An Urban Guerilla. Oakland: AK Press, 2002.Harvard, Joe. The Velvet Underground and Nico. New York and London: Continuum2004.Havok, Felix. Punk: Sub-Culture or Counter-Culture? Undergraduate essay, University ofMinnesota, 1991. Online http://www.havocrex.com/column2.html; Internet; accessed 15February 2004.Havok, Felix. Review of American Hardcore: A Tribal History by Steven Blush,Maximumrocknroll #224 (January 2001), 1 page. Onlinehttp://www.havocrex.com/review americanhardcore.html; Internet; accessed 15February 2004.Heartattack no. 26, May 2000. Race and Hardcore issueHeartattack no. 27, August 2000. International issueHeartattack no. 47, 2005. Work IssueHebdidge, Dick. Subculture: The Meaning of Style. London: Methuen, 1979.Hebdidge, Dick. Hiding in the Light. London and New York: Routledge 1988.Hell, Richard. Artifact. New York: Hanuman Books, 1990.
Hell, Richard. Go Now: A Novel. New York: Scribner, 1996.Hell, Richard. Hot And Cold: essays, poems, lyrics, notebooks, pictures, fiction. NewYork: Powerhouse Books, 2001.Helton, Jesse J. and William J. Staudenmeier. “Re-imagining being ‘straight’ in straighte
Punk Bibliography Alan O’Connor This bibliography includes only books and articles that have substantial discussions of pun
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komunitas punk serta hubungan antara anggota komunitas street punk. Kesimpulan yang diperoleh adalah terdapat hubungan yang negatif antara tekanan teman sebaya dengan perilaku agresi pada anggota komunitas street punk di kota Blora (r -0,331 dengan sig. 0,037 (p 0.05). Kata kunci : Tekanan teman sebaya,
SL: I love her voice. In fact when I first met her—I can’t remember who we were playing with—but I said, “Your punk voice is my favorite punk voice.” There are a lot of punk voices that are great, like Debbie Harry; she was a big idol for me when I was yo
Department of Performance Studies, New York University, NY, USA This interview with Osa Atoe delves into her thoughts on the massive questions around punk, race, and feminism. Atoe discusses her fanzine Shotgun Seamstress and her experiences in various punk scenes in the U.S. The ‘‘feel’’ of
Mar 12, 1992 · Punk rock has always been about more than music. Born largely as a reaction to the self-indulgent excesses and perceived failure of the Sixties rock/revolution, punk offered a blistering critique of idealism sold out or gone bad. This stance was a double-edged sword. P
It’s your senior year, Connor. You are not missing the first day. CONNOR I already said I’d go tomorrow. LARRY He doesn’t listen. Look at him. He’s probably high. ZOE He’s definitely high. CYNTHIA I don’t want you going to school high, Connor. CONNOR Perfect. So then I won’t go. Thanks, Mom. CYNTHIA ANOTHER MASTERFUL ATTEMPT ENDS .
The Mary Kay O’Connor Process Safety Center was established in 1995 as part of the Texas A&M Engineering Experiment Station (TEES) in memory of Mary Kay O’Connor, an operations superintendent who died in an explosion 23 October 1989 at a petrochemical complex in Pasadena, Texas, USA. Mary Kay O’Connor graduated from the
The majority of in this reader have been collected from different texts Somali school books published since the beginning of the 1970’s until today, in Mogadishu and Hargeysa, as well as Ethiopia. Where in necessary, some of the texts have been slightly adapted (orthographically standardised, grammatically or factually corrected, lexically or syntac- tically simplified etc.), and most of the .
