Arkansas School Band And Orchestra Association SENIOR HIGH .
Arkansas School Band and Orchestra AssociationSENIOR HIGH ALL‐REGION / ALL‐STATE TRYOUT MATERIAL2020‐2021 – Set I 2021‐2022 – Set II 2022‐2023– Set IIIMAJOR AND HARMONIC MINOR SCALES FOR ALL INSTRUMENTS (2020)Scales are not listed in concert pitch for transposing instruments.They are to be played by memory at a tempo of quarter 72 , and in the following rhythmic pattern:2/4: One 8th note, followed by six 16th notes, etc. to beTONGUED, ASCENDING and DESCENDING unless noted otherwise.CHROMATIC SCALES FOR ALL INSTRUMENTSPlay in 16 counts of 8th note triplets followed by 1 quarter note, tongued, 2 octaves.Each instrument will start on pitch indicated.Check figure below for a starting pitch for each instrument.FLUTETwo Octavesc1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1Major:a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1Minor:Chromatic:c1OBOETwo Octavesc1, d1, e1, b, f1, bb, eb1, db1e1, b, c#1, d1, c1, f1, bb, eb1c1One Octaveg1, a1, ab1, gb1Major:a1, f#1, g#1, g1Minor:Major:Minor:Chromatic:
SR SCALES CONTINUEDBASSOONTwo OctavesC, G, D, A, E, BB, F, BBb, Eb, Ab, Db, GbMajor:A, E, BB, F#, C#, G#, D, G, C, F, BBb, EbMinor:Chromatic:FCLARINETTwo Octavesc1, g, d1, a, e, b, f, bb, eb1, ab, db1, gbMajor:a, e, b, f#, c#1, g#, d1, g, c1, f, bb, eb1Minor:c1Chromatic:LOW CLARINETMajor:Minor:Chromatic:Major:Minor:Two Octavesc1, g, a, e, b, f, bb, ab, gba, e, b, f#, g#, g, c1, f, bbc1One Octaved1, eb1, db1c#1, d1, eb1SAXOPHONEMajor:Minor:Chromatic:Major:Minor:Two Octavesc1, d1, e1, b, f1, bb, eb1, db1e1, b, c#1, d1, c1, f1, bb, eb1,c1One Octaveg1, a1, ab1, gb1a1, f#1, g#1, g1TRUMPET and BARITONE TCMajor:Minor:Chromatic:Major:Minor:Two Octavesc1, g, a, b, bb,a, b, f#, g#, g,gOne Octaved1, e1, f1, eb1,e1, c#1, d1, f1,ab, gbc1, bbdb1eb1FRENCH HORNTwo Octavesc, g, d, a, e, b, f, bb, eb, ab, db, gbMajor:a, e, b, f#, c#, g#, d, g, c, f, bb, ebMinor:Chromatic:f
SR SCALES CONTINUEDTROMBONE and BARITONE BCMajor:Minor:Chromatic:Major:Minor:Two OctavesG, A, E, F, Bb, Ab, GbA, E, F#, G#, G, F, BbFOne OctaveC, d, B, eb, dbB, c#, d, c, ebBASS TROMBONEMajor:Minor:Chromatic:Two OctavesC, GG, D, AA, E, BB, F, BBb, Eb, AAb, Db, GGbAA, E, BB, F#, C#, GG#, D, GG, C, F, BBb, EbFTUBAMajor:Minor:Chromatic:Major:Minor:Two OctavesGG, AA, EE, FF, BBb, AAb, GGbAA, EE, FF#, GG#, GG, FF, BBbFFOne OctaveC, D, BB, Eb, DbBB, C#, D, C, EbSTRING BASSMajor:Minor:Chromatic:Two Octavesc, G, d, A, E, B, F, Bb, eb, Ab, db, GbA, E, B, F#, c#, G#, d, G, c, F, Bb, ebFXYLOPHONETwo Octavesc1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1Major:a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1Minor:Chromatic:g
WHEN AN EXERCISE EXTENDS TO THE SECOND PAGE,BOTH PAGES ARE TO BE USED UNLESS OTHERWISE NOTED.FLUTE (Revised 2014)SELECTED STUDIES FOR FLUTE by H. Voxman, Rubank (Material Revised 1999)PageSet ISet IISet eC Major 3rds, lines 3 & 4bb minor 3rds, lines 5 & 6Line 3(In one)b minor 3rds, lines 7 & 8Ab Major 3rds, lines 5 & 6Line 3This page only (In one)B Major 3rds, lines 9 & 10f# minor 3rds, lines 5 & 6c minor, line 7Quarter noteEighth noteDotted eighth noteQuarter noteQuarter noteQuarter note4214484‐8892 92 92 Quarter noteDotted quarter noteQuarter noteQuarter noteQuarter noteQuarter note4654‐607592 92 92 Dotted quarter noteDotted quarter noteEighth noteQuarter noteQuarter noteQuarter note6960‐6510892 92 92 OBOESELECTED STUDIES FOR OBOE by H. Voxman, Rubank (Material Revised 2008)* Indicates to use Articulation “A”Page6815* 68* 75ExerciseF Majord minorBb MajorG Major 3rdsD Major ArpeggioQuarter noteEighth noteDotted quarter noteQuarter noteQuarter note9260 72 72 Set II181937* 69* 74g minorD Majorf minorD Major 3rdsg minor ArpeggioDotted quarter noteDotted quarter noteQuarter noteQuarter noteQuarter note6860 58‐6872 72 Set III162134* 69* 75g minor ‐ this page onlyb minorAb Major ‐ this page onlyg minor 3rdsEb Major ArpeggioDotted quarter noteQuarter noteQuarter noteQuarter noteQuarter note60 6280‐10072 72 Set I* Indicates to use Articulation “A”78
BASSOONPRACTICAL METHOD FOR BASSOON by Weissenborn, Carl FischerSet I6769704782‐838884Exercise653Lines 7‐105Lines 1‐5 2 measures7Quarter noteQuarter noteQuarter noteQuarter noteQuarter noteDotted quarter noteQuarter note104 104 104 10810896 88Set II37486871888586Lines 7 & 8Lines 8‐1112Bottom lineLine 5, 3rd ms. To end1011Quarter noteQuarter noteQuarter noteQuarter noteDotted quarter noteEighth noteQuarter note80116104 76 96 112 96Set III66687081848941213228Last 3 linesLines 7‐10Quarter noteQuarter noteQuarter noteEighth noteQuarter noteQuarter noteEighth note104 104 104 13284 66132PageCLARINET (Revised ‐ Material 2011, Rosé Book 2020)THE COMPLETE CLARINET, C. Rose Revisited, Complete Works Music Publishers (Revised 2020)H. KLOSE’ METHOD FOR CLARINET, Revised Bellison, Carl Fishcer, (Klose‐Prescott)PageExerciseSet I COMPLETE CLARINET84‐8511 (Start at measure 48‐End)343KLOSE’ [Klose’‐Prescott page numbers]127 [43]E Major128 [44]Lines 11, 12, 13131 [47]7 (1st 5 lines)134 [50]16Set II COMPLETE CLARINET9215 (1st page only)5019KLOSE’ [Klose’‐Prescott page numbers]126 [42]d minor128 [44]Lines 2, 3, 4132 [48]8133 [49]13Set III COMPLETE CLARINET45145423KLOSE’ [Klose’‐Prescott page numbers]126 [42]c minor128 [44]Lines 8, 9, 10130 [46]1st 5 lines133 [49]14Quarter noteQuarter note92 56Quarter noteQuarter noteQuarter noteQuarter note80 80 80 80 Dotted quarter noteQuarter noteQuarter noteQuarter noteQuarter noteQuarter noteQuarter noteAndante Quarter noteAdagio Quarter noteQuarter noteQuarter noteQuarter noteQuarter note60‐664880 80 80 80 88965880 80 80 80
LOW CLARINETADVANCED STUDIES (Weissenborn) Rhoads, SMC (Material Revised 1999)Set IPage14141518Exercise16 (1st 4 lines 2 measures)182024Quarter noteQuarter noteDotted quarter noteEighth noteQuarter note116‐13211696 90‐10096Set II13611182591523Dotted quarter noteQuarter noteEighth noteQuarter noteQuarter note42‐52108108112‐12066‐72Set III25673810112127Quarter noteQuarter noteQuarter noteQuarter noteQuarter noteQuarter noteQuarter AdanteAllegroTranquilloSAXOPHONESELECTED STUDIES FOR SAXOPHONE by H. Voxman, Rubank* Indicates to use Articulation “A”Page1537* 68* 70* 7460ExerciseEntire pageEntire pageBb MajorA MajorF MajorLines 1 – 6Dotted quarter noteQuarter noteQuarter noteQuarter noteQuarter noteDotted Quarter note60 58‐6860 60 72 72 Set II1319* 69* 69* 7460Entire pageEntire pageEb MajorD MajorBb MajorLines 7‐12Quarter noteDotted quarter noteQuarter noteQuarter noteQuarter noteDotted Quarter note88‐10054‐6060 60 72 72 Set III921* 68* 68* 7566Entire pageEntire paged minorG MajorEb MajorLines 5 & 6Quarter noteQuarter noteQuarter noteQuarter noteQuarter noteQuarter note80‐10051‐6160 60 72 80 Set I* Indicates to use Articulation “A”
TRUMPETSECOND BOOK OF PRACTICAL STUDIES FOR CORNET/TRUMPET, Getchell‐Hovey, BelwinSTUDIES FOR TRUMPET, Voisin, International MusicExerciseSet I STUDIES FOR TRUMPETPRACTICAL STUDIESSet II STUDIES FOR TRUMPETPRACTICAL STUDIESSet III STUDIES FOR TRUMPETPRACTICAL STUDIES111808184105109Quarter noteQuarter noteQuarter noteQuarter noteQuarter noteEighth noteDotted quarter 2‐8025789399101107Quarter noteQuarter noteQuarter noteQuarter noteEighth noteEighth noteDotted quarter 6‐64610867997106108Quarter noteQuarter noteQuarter noteQuarter noteEighth noteEighth noteEighth ��96FRENCH HORNPREPARATORY MELODIES TO SOLO WORK FOR FRENCH HORN, Pottag, BelwinSECOND BOOK OF PRACTICAL STUDIES FOR FRENCH HORN. Getchell, Belwin (Material Revised 1999)PageSet IPREPARATORY MELODIESPRACTICAL STUDIESSet IIPREPARATORY MELODIESPRACTICAL STUDIESSet IIIPREPARATORY MELODIESPRACTICAL STUDIESExercise38101432142162127368192102Quarter noteDotted quarter noteQuarter noteHalf noteDotted quarter noteDotted quarter noteQuarter ‐11211192128101526314752718493107Quarter noteQuarter noteDotted quarter noteDotted quarter noteQuarter noteDotted quarter noteQuarter 2‐100820223471730205154857996111Dotted quarter noteHalf noteQuarter noteDotted quarter noteQuarter noteEighth noteQuarter ‐112
TENOR TROMBONE AND BARITONE BC (Revised 2011)MELODIOUS ETUDES FOR TROMBONE BOOK 1, Selected from the Vocalises of Marco Bordogni (Material Revised 2011)Arr. By Joannes Rochut, Carl Fischer40 PROGRESSIVE STUDIES FOR TROMBONE, H. W. Tyrell, Boosey‐HawkesSet I MELODIOUS ETUDESPROGRESSIVE STUDIESSet II MELODIOUS ETUDESPROGRESSIVE STUDIESSet III MELODIOUS ETUDESPROGRESSIVE STUDIESExercise413Quarter noteEighth note697216 (10 lines plus 1 quarter) Quarter noteQuarter note24727268Quarter noteEighth note6086222Quarter noteQuarter note70144 321 (measure 1‐39)Quarter noteQuarter note104921510Eighth noteQuarter note14484Indicated Trills are for Baritones OnlyBARITONE TC (Revised 2011)MELODIOUS ETUDES FOR TROMBONE BOOK 1, Selected from the Vocalises of Marco Bordogni (Material Revised 2011)Arr. By Joannes Rochut, Carl Fischer ‐ Transposed Available on request from ASBOA Office by permission of Carl Fischer40 ADVANCED STUDIES FOR TRUMPET, H. W. Tyrell, Boosey‐HawkesSet I MELODIOUS ETUDESADVANCED STUDIESSet II MELODIOUS ETUDESADVANCED STUDIESSet III MELODIOUS ETUDESADVANCED STUDIESExercise413Quarter noteEighth note697216 (12 lines stop atcount 1 in the last ms.)22Quarter note72Quarter note7268Quarter noteEighth note6086201Quarter noteQuarter Note70144 321 (measure 1‐39)Quarter noteQuarter note104921511Eighth noteQuarter note14484
BASS TROMBONE20 ETUDES FOR BASS TROMBONE, Gillis, Southern (Material Revised 2008)All 8va markings are 8va bassoPage4‐591326‐27Exercise25817Quarter noteEighth noteQuarter noteQuarter noteSet II14‐1516‐1728299101819Quarter noteQuarter noteDotted quarter noteQuarter note108699650‐62Set III122022‐2324‐257131516Quarter noteDotted quarter noteDotted quarter noteQuarter note696910096Set I63108108100All 8va markings are 8va bassoTUBA24 ARTISTIC STUDIES, Woodruff, SouthernSECOND BOOK OF PRACTICAL STUDIES FOR TUBA, Getchell‐Hovey, Belwin (Material Revised 2002)Set IWOODRUFFGETCHELLSet II WOODRUFFGETCHELLSet III WOODRUFFGETCHELLPage4‐568‐9ExerciseIVVVIIHalf noteQuarter noteQuarter note88‐10072‐80100‐11610158190Quarter noteQuarter note96‐110120‐14032316‐17IIXVIIIXIVQuarter noteQuarter noteQuarter note120‐13884‐96120‐1442128100111Dotted quarter noteQuarter note96‐110120‐132152711XIIIXXIIXDotted quarter noteQuarter noteDotted quarter note100‐12684‐9696‐1207117683Quarter noteQuarter note88‐9692‐100
COMPREHENSIVE PERCUSSIONSnare Drum – PORTRAITS IN RHYTHM – Adler/Cirone – Adler/BelwinKeyboard – MODERN SCHOOL FOR XYLOPHONE – Goldenberg – Chappell/Presser[Page #'s for New Goldenberg Edition MODERN SCHOOL FOR MALLET KEYBOARD Sewrey‐Hans‐Schneller ‐Hal LeonardISBN # 978‐0‐7935‐1938‐5 ‐ Hal Leonard Order # HL 00347776]Timpani ‐ MUSICAL STUDIES FOR THE INTERMEDIATE TIMPANIST – Whaley – JR Publications (Revised 2014)PageExerciseSet ISnareKeyboardTimpani12783110XX [ 71]AllDotted quarter noteDotted quarter noteDotted quarter noteSet IISnareKeyboardTimpani25942823Beginning to C [140‐141 ‐ to ct. 1 ms. 5, 141]AllQuarter noteQuarter noteQuarter note7290‐10058‐66Set IIISnareKeyboardTimpani42972139Beginning to J [143‐144 ‐ to line 5 ms. 2, 144]AllQuarter noteDotted quarter noteQuarter note8492‐11296‐1086980‐9072‐80Snare Rudiments: (all years) All are to be played open–closed–open/slow‐fast‐slow (#PAS number)Roll Rudiments: Single Stroke Roll (#1); Double Stroke Open Roll (#6); Five Stroke Roll (#7);Seven Stroke Roll (#9); Nine Stroke Roll (#10),Diddle Rudiments: Single Paradiddle (#16); Double Paradiddle (#17),Flam Rudiments: Flam (#20), Flam Accent (#21); Flamacue (#23); Flam Paradiddle (#24),Drag Rudiments: Drag (#31); Double Drag Tap (#33); Single Ratamacue (#38)Keyboard Scales: (all years) play 2 octaves:Major: C1, G1, D1, A1, E1, B1, F1, Bb1, Eb1, Ab1, Db1, Gb1Minor: a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1Chromatic: G to GTimpani Fundamental (all years)1 ‐ Tune the starting notes for the listed exercise.2 ‐ Then, beginning with the lowest pitch,strike each drum lowest‐highest consecutively in a half note rhythm quarter note 80STRING BASSSIMANDL NEW METHOD FOR DOUBLE BASS, BOOK I, Carl FischerBELWIN STRING BUILDER, BOOK III, Applebaum, BelwinSet I SIMANDLBELWINSet II SIMANDLBELWINSet III SIMANDLBELWINExercise6 (Bb)6 (F)Dotted quarter noteQuarter note312895 (C)88 (G)Quarter noteQuarter note84 112 10207 (Bb)7 (Ab)Quarter noteQuarter note9296303194 (G)97 (Bb)Quarter noteQuarter note9672 20146 (Ab)4 (C)Quarter noteHalf note66 60273284 (Eb)98 (D)Quarter noteQuarter note88120Page311066 72
SELECTED STUDIES FOR OBOE by H. Voxman, Rubank (Material Revised 2008) OBOE 6 8 15 * 68 * 75 18 19 37. 127 [43] 128 [44] 131 [47] 134 [50] 126 [42] 128 [44] 132 [48] 133 [49] 45 54 126 [42] 128 [44] 130 [46] 133 [49] CLARINET (Revised ‐ Material 2011, Rosé Book 2020) Quarter note Quarter note Quarter note Dotted quarter note 104 104 104 .
Cabrini, IRIS Orchestra and principal clarinetist with Opera Saratoga. He is a frequent collaborator with the Orpheus Chamber Orchestra, Orchestra of St Luke's, American Ballet Theatre, Albany Symphony Orchestra, Harrisburg Symphony Orchestra and Springfield Symphony Orchestra, and has performed with the MET Opera Orchestra, America
A. C. A. means Arkansas Code Annotated. CHIEF means the Chief of the Arkansas Highway Police Division of the Arkansas Highway and Transportation Department. COMMANDER means the Arkansas Highway Police officer in charge of the Arkansas Highway Police Permit Section. COMMISSION means the Arkansas State Highway Commission (ASHC).
Phyllis Ragland Arkansas Richard Ramsey Arkansas Diana Ramsey Arkansas Rachel Rayl Arkansas Dustin Rhodes Arkansas Kaleem Sayyed Arkansas Beth Schooley Arkansas . Annie Buerhaus California Timothy Burg California Gregory Burns California
Buried in family cemetery near Searcy, White Co.; Chapter: Little Red River *Eno, Clara, Revolutionary Soldiers Buried in Arkansas, p 53-62. Arkansas History . Arkansas, DAR AR State Historian File. Cousott, Francois Buried Arkansas Co. at or near Arkansas Post; Chapters: Arkansas Post, Grand Prairie Plaque honoring 26 Rev.
Affairs Group 75: Records of the Osage Agency - Annuity Payment Rolls, 1880-1907 (Roll 1 of 21) Osage Annuity Payment Roll: 1 st and 2nd Quarters of 1880 o Big Chief Band o Joe's Band o Big Hill Band o White Hair Band o Tall Chief Band o Black Dog Band o Saucy Chief Band o Beaver Band o Strike Axe Band o No-Pa-Walla Band
Cope & Stick - 500 Series Veneer Doors Miter Frame - 500 Series. Style Band 1 Band 2 Band 3 Band 4 Band 5 101 Glass 10 12 13 16 18 Material Band 1 Band 2 Band 3 Band 4 Band 5 102/104 Glass 12 14 15 18 20 Paint X Notes - PRICES ARE PER SQ/FT Maple Paint X Minimum Dimensions - Doors 7"W x 7"H Natural Soft Maple X
Orchestra, Dayton Philharmonic Orchestra, Louisville Orchestra, Rochester Philharmonic Orchestra, Syracuse Symphony Orches-tra, Toledo Symphony Orchestra, and the Albany Symphony Orchestra as well as a number of regional orchestras in Ohio, India
Members of the Committee Kevin Clayton, CHS Band and Orchestra Director Sandra Parsons, MAC Orchestra Director Randy Bjur, 5-12 Band/Jazz/Orchestra Specialist Jeff Sizer, 5-12 Band/Jazz Specialist Colleen Spadoni, 5-6 Orchestra Specialist Kristilyn Williams, Elementary General Music Kelli Kruse, Elementary General Music Kerry Koelzer, Elementary General Music
