Dr. ERICA BISESI
Dr. ERICA BISESIContactWorking addresses: Institut Pasteur, Département de Neuroscience, Laboratoire de Perception etMémoire - 25-28 Rue du Dr Roux, 75015 Paris, France / Astronomical Observatory of Trieste, ViaGiambattista Tiepolo 11, 34131 Trieste, ItalyTel: 39 340 800 8350email: bisesi@kth.se ; ericabisesi@gmail.comwebsite: www.ericabisesi.comSHORT BIOGRAPHYErica Bisesi’s academic track is multidisciplinary: PhD in mathematics and physics at Udine Universityin 2007, MSc in astroparticle physics at Trieste University in 2002, MA Degree in piano performance atTrieste Conservatory in 1996 and MMus in music theory and analysis at the University of Calabria /GATM (in progress). Born in Gorizia (Italy), she contributed to several large-scale research projects(systematic musicology, music interpretation and analysis, biological foundations of music,astrobiology, theoretical astrophysics, experimental elementary particle physics, history of physics,physics and music education).Her career as a musicologist began in 2007, first at the Department of Speech, Music and Hearing atKTH, Stockholm, and then in several projects on the psychology of music, psychoacoustics, expressivemusic performance, music theory and analysis, and music information retrieval. She directed orparticipated in several projects on the systematic musicology at the Centre of Systematic Musicology atthe University of Graz (2009-2016) and the Royal Institute of Technology in Stockholm (2016-2017).She is currently researcher at the Institut Pasteur in Paris (from 2017), where she is workingin Intermuse, an interdisciplinary project on the biology and anthropology of music cognition andneurosciences.She taught acoustics and psychoacoustics at the Udine Conservatory from 2004 to 2007,psychoacoustics and music cognition at the University of Graz from 2014 to 2015, introduction toacoustics and organology, music structure, expression and emotion at the Comenius University inBratislava in 2017, and is active as lecturer in computational methods for music analysis at theUniversity of Montreal (from 2018).Erica collaborated with universities and conservatoires in Armenia (State Conservatory in Yerevan,National Academy of Sciences of the Republic of Armenia, Komitas Museum-Institute in Yerevan),Austria (KFU, KUG), Canada (Faculty of Music of the Montreal University, OICRM, BRAMS),Finland (Finnish Centre of Excellence in Interdisciplinary Music Research in Jyväskylä), France(Institut Pasteur, SFAM, EHESS, CNRS and IRCAM in Paris, IRMA and GREAM in Strasbourg),Italy (GATM, Fondazione Istituto Liszt in Bologna, Associazione Seghizzi in Gorizia, Conservatoires1
of Udine, Trieste, Como and Novara, Universities of Udine, Padua and Bologna), Slovakia(Department of Musicology at the Bratislava University), Sweden (KTH), Switzerland (CSI in Lugano).In October 2009, Erica was awarded a Lise Meitner postdoctoral fellowship for a two-year projectentitled “Measuring and Modeling Expression in Piano Performance” by FWF Austria. In December2011, FWF funded her five-year Stand-Alone project “Expression, Emotion and Imagery in MusicPerformance”. She presented the results of her research in conferences, lectures and lecture-recitals atleading institutes all over the world.Her career as a pianist began at the age of five. She began studying Piano Performance with MauraSoro in Gorizia (Lower Degree, 1986), and then continued with Roberto Repini in Trieste (MADegree, 1996). Over the following ten years, she mastered with the conductor Francesco Mander inLatisana, the pianists Bruno Canino in Milan, Florence and Switzerland, Aquiles Delle Vigne inSalzburg, Florence and Rome, Vladimir Krpan in Zagreb, Anna Kravtchenko in Rovereto, andAndreas Woyke in Graz. She regularly performs as a soloist and in chamber music ensembles.During the last years, she dedicated a special attention to combine her research activity withperformance practice. In 2017, she participated as a concert pianist in a GATM project on musicperformance/interpretation and music analysis (Conservatory of Novara, 2016-2017; InternationalConferences on Music Theory and Analysis in Strasbourg and Rimini, 2017). Her current research liesmainly in the area of computational and systematic musicology, music psychology, music cognition,psychoacoustics, anthropology of music, music information retrieval, music performance andinterpretation, expression and emotion, music theory and analysis, ethnomusicology, with a specialattention to the application of the results of her studies in music education. In her research, she usuallyinvestigates the structure, historiography, perception and expression of her concert repertoire.Erica speaks fluently five languages. Fortunately for her life and her work, she loves to move.2
ACADEMIC CURRICULUM VITAE (detailed)Main area of researchLast 10 years: Systematic musicology: music modeling (computer-assisted music theory), music theoryand analysis, acoustics, music information retrieval, expressive music performance (theory, dataanalysis, applications), psychology and perception of music, music and emotion, music cognition,psychoacoustics and psychophysics, empirical aesthetics; interdisciplinary musicology (synergeticinteractions among humanities, sciences and practice); ethnomusicology (Armenian music);anthropology of music, biological foundations of music; applications in music education; astrobiology.Previously: particle physics, astrophysics, cosmology, physics education.Academic career and positions held to dateResearch positions:1. 2019 Jan 7 – 2019 Mar 31; 2018 Jun 1 – 2018 Aug 31: 6-month position as researcher in MusicCognition at the Institut Pasteur, Paris (funded by SACEM)Project: INTERMUSE – “Fondements communs à l’écoute musicale et à la mise en place de lacommunication humaine inter-individuelle” Advisor: Pierre Legrain2. 2018 Dec 1 – 2018 Dec 31: 1-month position as researcher in Astrobiology at the CNR, PisaProject: “Studio dello spazio dei parametri di un sistema di equazioni differenziali accoppiatealle derivate parziali, che rappresentano un semplice modello di crescita della vegetazione e unmodello climatico” 2Advisor: Antonello Provenzale3. 2017 Nov 1 – 2017 Nov 30: 1-month position as researcher in Computational Musicology ofMusic Performance at the KTH - Department of Speech, Music and Hearing, StockholmProject: “A perceptual-based accent model in Western tonal music”Advisor: Anders Friberg4. 2017 Mar 1 – 2017 Jul 31: 5-month position as lecturer at the Department of Musicology –Faculty of Arts, Comenius University, Bratislava, Slovakia (scholarship funded by SAIA,Slovakia)Courses: Introduction to Acoustics and Organology; Music Structure, Expression and EmotionAdvisor: Vladimir Zvara5. 2016 Nov 1 – 2017 Feb 28: 4-month position as researcher in Computational Musicology ofMusic Performance at the KTH - Department of Speech, Music and Hearing, StockholmProject: “A perceptual-based accent model in Western tonal music”Advisor: Anders Friberg1EN: “Commonalities [and individual] differences in music listening and in the establishment of interpersonal communication”2EN: “Parameter space study of a system of partial derivative differential equations, representing asimple growth model coupled to a climatic model”3
6. 2012 Mar 1 – 2015 Jul 31; 2015 Sep 1 – 2015 Dec 31: 3.75-year position as senior postdoctoralresearcher in Music Psychology and Music Performance at the Centre for SystematicMusicology, University of Graz, funded by FWFProject: FWF Stand-Alone Project P 24336 – G21 “Expression, emotion and imagery in musicperformance”Project leader: Erica Bisesi / Advisor: Richard Parncutt7. 2009 Dec 1 – 2011 Nov 30: 2-year position as postdoctoral researcher in Music Psychologyand Music Performance at the Centre for Systematic Musicology, University of Graz, fundedby FWFProject: FWF Lise-Meitner Project M 1186 – N23 “Measuring and modelling expression inpiano performance”Project leader: Erica Bisesi / Advisor: Richard Parncutt8. 2008 Nov 15 – 2008 Dec 31: 1.5-month postdoctoral research in Physics Education at theDepartment of Physics (now the Department of Mathematics, Computer Science and Physic),Udine University, Italy (scholarship by the Department of Physics, Udine University)Advisor: Marisa MicheliniProject: “Proposte didattiche sul concetto di tempo in fisica classica e nella relatività ristretta egenerale” 39. Apr – Jul 2007: 3-month postdoctoral research in Computational Psychoacoustics at KTH,Stockholm (“Scholarship in Scientific Disciplines” offered by the Italian Institute of Culture“C.M. Lerici” in Stockholm)Advisor: Roberto BresinMain research activity: (i) participation in an experiment on the perception of expressiveness inmusical performance within the EU project BrainTuning (experiment preparation, measuringand data analysis), (ii) computational modeling of structural and performance aspects of music,theoretical models vs. analysis of commercial performances10. Nov 2003 – Feb 2007: active member (as PhD student) of the “MAGIC Collaboration” inexperimental physics – http://wwwmagic.mppmu.mpg.de/Advisor: Alessandro De Angelis11. Apr-Sep 2003: postgraduate research in Astroparticle Physics (scholarship offered by INFN)Advisor: Guido Barbiellini AmideiTeaching Positions:1. March 2018 (in French): (i) Analyse et interprétation, 4 Master and Doctorate in MusicInterpretation and in Musicology, and (ii) Analyse de la musique du XXe siècle, 5 Bachelor in Music(Performance, Composition and Musicology), Faculty of Music, Montreal University, Canada2. Summer Semester 2017 (in English): (i) Úvod do hudobnej akustiky a organológie 6 and (ii) MusicStructure, Expression and Emotion, Bachelor and Master in Musicology, Comenius University inBratislava, Slovakia3EN: “Educational proposals on the concept of time in classical physics and in special and generalrelativity”4EN: “Analysis and interpretation”5EN: “Analysis of the 20th-century music”4
3. Summer Semesters 2015 and 2014 (in English / exams in English and German): Psychoakustikund Musikkognition, 7 Bachelor in Musicology, University of Graz, Austria4. Sep 2008 – Jul 2009 (in English): Physics in English, European Linguistic Liceo in Gorizia, Italy5. 2007–2008 (in Italian): contract professor, Laboratorio di Meccanica (La Fisica della Musica), 8 SSIS(Post-Master Specialization School for Secondary Teaching, physics) at Udine University, Italy6. 2004-2007 (in Italian): contract professor (as external expert), Acustica e Psicoacustica, 9 UdineMusic Conservatory, Triennio and Biennio Superiore Sperimentale (i.e., Bachelor and MasterDegrees), Udine, ItalyMost important academic prizes/awards1. National Scholarship offered by the SAIA (Slovakia) for 5-month teaching/research/artisticstay for university teachers, researchers and artists with more than 10 years of experience (Jun2016, 5 k )2. Scholarship offered by GATM (Italy) to attend a 1-year Master in Music Theory and Analysisat the University of Calabria (Oct 2014, 750 )3. Stand-Alone Project Fellowship (FWF Project P 24336-G21) for a 3.75-year research project atGraz University, Austria, with collaborators Richard Parncutt, Anders Friberg, PetriToiviainen, Giuseppe Cabras and Jennifer MacRitchie (Dec 2011, 263 k )4. Lise Meitner Fellowship (FWF Project M 1186-N23) for a 2-year research project at GrazUniversity, Austria, with collaborators Richard Parncutt and Anders Friberg (Oct 2009, 145 k )5. Scholarship in scientific disciplines offered by the Italian Institute of Culture C. M. Lerici,Stockholm, Sweden, for 3-month research at KTH, Stockholm, with collaborators RobertoBresin and Anders Friberg (Oct 2006, 41 kSEK)6. Scholarship on Physics Education for 1.5-month research at Udine University, Italy, withcollaborator Marisa Michelini (Nov 2008, 2 k )7. Graduate scholarship INFN for 6-month research at SISSA, Trieste, Italy, with collaboratorPiero Ullio (Nov 2002, 4.2 k )8. The 2004 CERN-JINR European School of High-Energy Physics prize for the best posterpresentation (Jun 2004)Peer-review activityJournal of New Music Research (2017, 2016, 2013); Psychomusicology: Music, Mind, and Brain (2105),Revue Musicale OICRM (2019), Musique en acte – GREAM (2019)Name and institution of key international cooperation partners in the last 10 yearsArmenia: Mher Navoyan, Tatevik Shakhkulyan (Komitas State Conservatory in Yerevan, Institute ofArts of the National Academy of Sciences of the Republic of Armenia, Komitas-Museum Institute).Australia: Jennifer MacRitchie (University of Western Sydney). Austria: Richard Parncutt, Bernd Brabecde Mori, Marlies Bodinger, Andreas Fuchs, Florian Eckl, Sabrina Sattmann (Center for Systematic6EN: “Introduction to Music Acoustics and Organology”EN: “Psycoacoustics and Music Cognition“8 EN: “Laboratory of Mechanics – The Physics of Music”9EN: “Acoustics and Psycoacoustics”75
Musicology, KFU, Graz); Christian Utz, Dieter Kleinrath, Andreas Woyke, Yuko Chiba(Kunstuniversität Graz); Daniel Mayer (Institute for Electronic Music and Kunstuniversität Graz);Sarah Kettner (Veranstaltungen Musik- und Kunstschule, Leoben). Canada: Sylvain Caron (Universityof Montreal, OICRM and SFAM); Caroline Traube (University of Montreal, OICRM and BRAMS).Finland: Petri Toiviainen (University of Jyväskylä). France: Pierre Legrain (Institut Pasteur, Paris); AlainLetailleur (École des hautes études en sciences sociales – EHESS); Moreno Andreatta (IRCAM, CNRS,University of Strasbourg and SFAM); José Luis Besada, Corentin Guichaoua (University ofStrasbourg). Hungary: László Stachó (Liszt Music Academy, Budapest; University of Szeged). Italy:Mario Baroni (University of Bologna; Fondazione Istituto Liszt in Bologna, GATM); RossanaDalmonte (Fondazione Istituto Liszt in Bologna, GATM); Sergio Canazza, Nicola Orio, Antonio Rodà(Department of Information Engineering, University of Padova); Giuseppe Cabras, Marisa Michelini(Department of Mathematics, Computer Science and Physics, University of Udine); Giovanni BrunoVicario (Department of Philosophy, University of Udine); Natale Stucchi (Faculty of Psychology,University of Milano Bicocca); Giorgio Blasco (Trieste Flute Association, previously Conservatory ofTrieste); Irene Gratton (Faculty and Department of Psychology, University of Trieste; Conservatory ofTrieste); Simonetta Sargenti (Conservatories of Novara and Pesaro); Antonio Grande (Conservatory ofComo, GATM); Alberto Odone (Conservatory of Como); Ennio Francescato (Conservatory of Udine);Gianluca Di Donato (Istitute “Conservatorio delle Oblate”, Avellino; Associazione Mozart Italia);Giuseppe Murante, Juan Vladilo, Steno Ferluga, Massimo Ramella (National Institute for Astrophysics;Univerity of Trieste); Antonello Provenzale (CNR, Pisa); Italo Montiglio (Associazione Seghizzi,Gorizia); Juan Arias Gonano (Associazione Culturale Lapis, Gorizia); Elena Stolfo (Middle School ofMariano del Friuli); Sara Hennah Galíza (Accademia Teatrale Veneta, Venezia). Slovakia: ZuzanaCenkerova, Vladimir Zvara (Comenius University, Bratislava). Sweden: Anders Friberg (Department ofSpeech, Music and Hearing, KTH, Stockholm). Switzerland: Jennifer MacRitchie (Conservatory ofItalian Switzerland, Lugano). United Kingdom: Luke Windsor (University of Leeds). United States: DavidTemperley (Eastman School of Music, Rochester, NY).Qualifications1. In progress: First-Degree Master in Music Theory and Analysis at the University of Calabriaand GATM (Italy).Courses: harmony, counterpoint, Schenkerian analysis, theory and analysis of classical form,partimenti and schemata, neo-Riemannian theories, pitch-class set theory, analysis of atonalmusic (early ‘900, Schoenberg, Stravinsky), analysis of Medieval and Renaissance repertoires,music perception and cognition, generative theory, analysis of performance, analysis and newtechnologies, ethnomusicology, analysis of Jazz and Afro-American traditions, analysis ofpop-music, historiography, semiotics, hermeneutics and cultural studies. Master Thesis onneo-Riemannian and transformational theories.Graduation planned by the end of 2019.2. 2007 Feb 23: Doctorate (PhD) in Mathematics and Physics (computational and experimentaldirections) at Udine University, in collaboration with INFN (Italian Institute of NuclearPhysics), SISSA (International Superior School of Advanced Studies) in Trieste, andStockholm University (advisor Lars Bergström)6
PhD. Thesis: Indirect search of dark matter in the halos of galaxies. Role of substructures on the signalsfrom dark matter annihilation and prospects for detection of single dark matter clumps with the MAGICTelescopeAdvisors: Alessandro De Angelis and Massimo Persic3. 2002 May 30: Master (MSc) in Elementary Particle Physics at Trieste University, incollaboration with INFN, SISSA, Trieste, and CNR (Italian National Council of Research),MilanoMaster Thesis: Emissione gamma dalle pulsar. Stima del contributo al fondo gamma diffuso e possibiliosservazioni con i telescopi spaziali AGILE e GLAST 10Additional dissertations for graduation defence: (1) Analisi dell'attività sismica ai fini conoscitivi eprevisionali dell’attività eruttiva: Il caso dello Stromboli; 11 (2) Il principio di causalità. Determinismoclassico, indeterminismo quantistico e caos deterministico 12Advisors: Guido Barbiellini Amidei and Luciano RezzollaGrade: 102/1104. Oct 2001 - Jun 2003: Music and New Technologies Undergraduate School, TriesteConservatoryTopics: acoustics, psychoacoustics, neurophysiology of music, electroacoustics, signalprocessing, history, analysis, composition and performance of electroacoustics music, historyof 20th century musicNot completed5. 1996 Oct 22: MA in Piano Performance at Trieste (Italy) at Trieste Music ConservatoryAdvisor: Roberto RepiniGrade: 8.25/10Graduate Schools:1. Statistical Methods for Behavioural Science, KTH-Stockholm, Sweden, Summer Semester 20172. Summer School in Sound and Music Computing, KTH-Stockholm, Sweden, 2-6 Jul 2007Topics: neurosciences and music, mobile music and locative audio technology, sound andmusic computing in Europe, presentations and discussions with experts in industrial sector,mini-project “CLOSED”3. International Advanced Course on Musical Acoustics, Bologna University, Italy, 18-22 Jul 2005Topics: fundamentals of acoustics and wind instruments, vibration and fundamental ofmodal analysis and percussion instruments, string instruments, restoration and conservationof musical instruments, sound synthesis and physical methods applied to musicalinstruments, room acoustics and advanced experiments4. The 2004 CERN-JINR European School of High-Energy Physics, Sant Feliu de Guíxols,Barcelona, Spain, 30 May – 12 Jun 20045. Summer School NOVICOSMO 2005, Novigrad, Croatia, 5-17 Sep 20056. Jul 2005: visiting student at Max Planck Institut für Physik – Werner Heisenberg Institut,München, Germany10 EN: Gamma-ray emission from pulsars. Estimation of the contribution of pulsars to the gamma-ray background andpossible observations with the space telescopes AGILE and GLAST11 EN: Analysis of seismic activity for the purpose of knowledging and forecasting eruptive activity: The case of Stromboli12 EN: The principle of causality. Classical determinism, quantum indeterminism and deterministic chaos7
7. Jan 2006 – Mar 2006: Graduate School of Cosmology, Particle Astrophysics and Strings, StockholmUniversity Fysikum, SwedenParticipation in Piano Master Classes (selection):1. Piano perfecting at Graz, Austria, 2012-2014 (Advisor: Andreas Woyke, DE)2. Piano perfecting in Rovereto, Italy, 2006-2007 (Advisor: Anna Kravtchenko, UA)3. Advanced Course in Piano Perfecting, Marziali Academy, Seveso, Italy, 2005-2006 (Advisor: BrunoCanino, IT)4. International Piano Master Class, Ernen, Switzerland, 22-27 Aug 2005 (Advisor: Bruno Canino,IT)5. Piano Masterclasses, Amici della Musica di Firenze, Italy, 5-8 Jun 2005 and 6-10 Dec 2003(Advisor: Bruno Canino, IT)6. Music
5 3. Summer Semesters 2015 and 2014 (in English / exams in English and German):Psychoakustik und Musikkognition, 7 Bachelor in Musicology, University of Graz, Austria 4. Sep 2008 – Jul 2009 (in English): Physics in English, European Linguistic Liceo in Gorizia, Italy 5. 2007–2008 (in Italian): contract professor, Laboratorio di Meccanica (La Fisica della Musica), 8 SSIS
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Tuesday 9.00-11.00 13 Mussorgsky Pictures at an Exhibition: A Computer-Driven Semiotic Interpretation Presentation Cominassiand Round Table (Auditorium 9) анализа Bisesi E., Fadda D., Sargenti S. and Baroni M. Mussorgsky Pictures at an Exhib
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AM I MY BROTHER’S KEEPER? Lanecia A. Rouse “In the Habit” session for use with devozine meditations for January 12–18, 2015. MAKING THE CONNECTION “The other day I was sitting in a local coffee shop writing a devotion. Needing a break, I looked up from my computer and out a big window in front of me to view the city scene. I noticed outside a woman wearing house shoes, and she seemed .
