Calligraphy, Manuscript Gilding And Related Courses .
www.theabbeystudio.comTen Accord Pond Drive, Hingham, MA 02043Calligraphy, Manuscript Gilding and Related Courses - Spring/Summer 2016781.740.9000Copperplate ScriptClass/LocationItalic LetteringDescriptionGilded Versal CapDate/TimeCalligraphy & Painting on VellumPriceInstructor(s)Please contact KatieTheodorosat NBSSat ensteinItalic Lettering Beginning with the basics of pen angle, letter slope,NBSS Boston and letter proportion, participants will learn howSaturday & SundayApril 30 & May 18:40 to 4:30CopperplateScriptHinghamStudioSaturday & SundayMay 14 & 1510:00 to 4:00 300Saturday & SundayMay 21 & 228:30 to 4:30Please con- MaryanneGrebensteintact KatieTheodorosat NBSSat ktheodoros@nbss.eduto create the Italic alphabet. Lots of practice usingbroad-edged pens and a few simple projects to reallyget familiar with this lovely style of lettering. Alsobeing offered in the Hingham Studio June 4 & 5.Perfect for wedding invitations, envelopes, placecards and other stationery items, Copperplate Scriptis a beautiful, Victorian-era lettering style that hasendless design possibilities. Limited to four students.Copperplate Perfect for wedding invitations, envelopes, placecards and other stationery items, Copperplate ScriptScriptNBSS Boston is a beautiful, Victorian-era lettering style that hasendless design possibilities.NEW SERIES!HinghamStudioRegister forall three &receive adiscountRefresherCourseSaturdayThis one-day workshop is designed to help peoplewho have some experience with calligraphy but need May 28a little time to brush up and practice. We’ll review the 10:00 to 4:00Italic and Copperplate hands and, time permitting,spend some time on the Uncial hand. Designed to bethe first of a three-part series of one-day workshops:Refresher Course, Color Workshop, LayoutWorkshop. This course can be taken alone orcombined with the others. Register for all three andonly pay for two! Limited to four students. 150Registerfor allthree for 300!!MaryanneGrebenstein
Calligraphy, Manuscript Gilding and Related Courses - Spring/Summer 2016 (page Ten Accord Pond Drive, Hingham, MA 02043DescriptionDate/TimePriceInstructorNEW SERIES!HinghamStudioRegister forall three &receive adiscountColorWorkshopIn this one-day workshop participants will learnabout color theory and mixing colors to get to acertain shade. We will use gouache mixed withdistilled water so that it can be used for writing witha pen. See how alive your artwork becomes whenyou add color! Designed to be the second of athree-part series of one-day workshops: RefresherCourse, Color Workshop, Layout Workshop. Thiscourse can be taken alone or combined with theothers. Register for all three and only pay for two!Limited to four students.SundayMay 2910:00 to 4:00 150Registerfor allthree for 300!!MaryanneGrebensteinNEW SERIES!HinghamStudio Register forall three &receive adiscountLayoutWorkshopWe all know there is more to creating a beautifulpiece than nice lettering. This one-day workshopconcentrates on the process of creating an interestingand effective layout for your piece, whether it is abroadside, a greeting card, or a scroll! Designed to bethe third of a three-part series of one-day workshops:Refresher Course, Color Workshop, LayoutWorkshop. This course can be taken alone or combined with the others. Register for all three and onlypay for two! Limited to four students.MondayMay 3010:00 to 4:00 150Registerfor allthree for ioBeginning with the basics of pen angle, letter slope,and letter proportion, participants will learn howto create the Italic alphabet. Lots of practice usingbroad-edged pens and a few simple projects to reallyget familiar with this lovely style of lettering. Limitedto four students.Saturday & SundayJune 4 & 510:00 to 4:00 300MaryanneGrebensteinCalligraphy& Painting onVellumNEW!NBSS BostonThis new course, co-taught by Maryanne Grebensteinand Fionnuala Hart Gerrity promises to be fun anddifferent. Students will first learn about calligraphyand will letter a short quote on vellum. Thenstudents will learn to paint on vellum, creating aminiature much like those found in illuminatedmanuscripts. This course will also be offered in theHingham Studio July 28 - 31.Saturday, Sunday, Monday &TuesdayJune 18-218:30 to 4:30Please contact KatieTheodorosat NBSSat ktheodoros@nbss.eduMaryanneGrebenstein &Fionnuala HartGerrityNEW SERIES!HinghamStudio & BPLRegister forall four &receive adiscountIlluminatedManuscripts& TheirDecorations:Part IOne-DaySketchingWorkshopThis promises to be an exciting and educational series ThursdayJuly 21of workshops. Part I, the Sketching Workshop, will10:00 to 4:00concentrate on learning how to sketch a decoratedletter from historic examples. Timed to coincide withour visit to the Rare Books Room, it will preparestudents for really examining the decorated letterswe’ll be seeing, and recording those details viasketch. This is a useful skill when creatingilluminated capital letters (and other things, too!).Designed to be the first of a four-part series ofone-day workshops: Sketching Workshop, Visit tothe Boston Public Library Rare Books Room, Versaland Lombardic Caps, and Manuscript Gilding. Thiscourse can be taken alone or combined with theothers. Register for all four and only pay for two (theBPL visit is free but registration is required)! Limitedto four students. 175Registerfor allfour for 350!!MaryanneGrebenstein
Calligraphy, Manuscript Gilding and Related Courses - Spring/Summer 2016 (page Ten Accord Pond Drive, Hingham, MA 02043DescriptionDate/TimePriceInstructorNEW SERIES!HinghamStudio & BPLRegister forall four &receive adiscountIlluminatedManuscripts& TheirDecorations:Part IIA Visit to theBoston PublicLibrary RareBooks RoomFridayThis promises to be an exciting and educationalseries of workshops. In this Part II we will meet at the July 2210:00 to 3:00Copley branch of the BPL and spend several hoursin the rare books room, up close and personal withsome of the most beautiful illuminated manuscriptsever created. A wonderful opportunity - and it’sFREE! Designed to be the second of a four-part seriesof one-day workshops: Sketching Workshop, Visit tothe Boston Public Library Rare Books Room, Versaland Lomobardic Caps, and Manuscript Gilding. Thiscourse can be taken alone or combined with theothers. Register for all four and only pay for two (theBPL visit is free but registration is required)! Limitedto eight students.FREE!Butregistration isrequired.Registerfor allfour for 350!!MaryanneGrebensteinNEW SERIES!HinghamStudio & BPLRegister forall four &receive adiscountIlluminatedManuscripts& TheirDecorations:Part III Versal& LombardicCapital LettersThis promises to be an exciting and educational series SaturdayJuly 23of workshops. Part III, Versal & Lombardic Capital10:00 to 4:00Letters will help students with the ‘drawn andpainted’ letters (as opposed to ‘off the pen’ letters)that are used to decorate illuminated manuscripts.We’ll use gouache and metallic paint to createbeautiful letters from our sketches from the previousday’s visit to the BPL. Designed to be the third of afour-part series of one-day workshops: SketchingWorkshop, Visit to the Boston Public Library RareBooks Room, Versal and Lomobardic Caps, andManuscript Gilding. This course can be taken aloneor combined with the others. Register for all four andonly pay for two (the BPL visit is free butregistration is required)! Limited to four students. 175Registerfor allfour for 350!!MaryanneGrebensteinNEW SERIES!HinghamStudio & BPLRegister forall four &receive adiscountIlluminatedManuscripts& TheirDecorations:Part IVManusriptGildingThis promises to be an exciting and educational series SundayJuly 24of workshops. In this part IV, Manuscript Gilding,10:00 to 4:00students will be introduced to the centuries-oldtechnique of manuscript gilding on gesso. The perfectwrap-up to the three previous workshops in thisseries! Designed to be the third of a four-part seriesof one-day workshops: Sketching Workshop, Visit tothe Boston Public Library Rare Books Room, Versaland Lomobardic Caps, and Manuscript Gilding.This course can be taken alone or combined with theothers. Register for all four and only pay for two (theBPL visit is free but registration is required)! Limitedto four students. 175Registerfor allfour for 350!!MaryanneGrebenstein
Calligraphy, Manuscript Gilding and Related Courses - Spring/Summer 2016 (page 4)781.740.9000www.theabbeystudio.comTen Accord Pond Drive, Hingham, MA raphy& Painting onVellumNEW!HinghamStudioThis new course, co-taught by Maryanne Grebensteinand Fionnuala Hart Gerrity promises to be fun anddifferent. Students will first learn aboutcalligraphy and will letter a short quote on vellum.Then students will learn to paint on vellum, creatinga miniature much like those found in illuminatedmanuscripts. Limited to four students.Thursday, Friday, Saturday &SundayJuly 28 - 3110:00 to 4:00 600InstructorMaryanneGrebenstein &Fionnuala HartGerrityTo register for any studio class please complete the Registration Form attached to this schedule and also available on ourwebsite at www.theabbeystudio.com. Please mail the registration and payment to:The Abbey StudioTen Accord Pond DriveHingham, MA 02043To pay by credit card please contact the studio at 781-740-9000To register for workshops offered at North Bennet Street School in Boston please contact the school directly:Katie Theodoros, Director of Continuing Ed at ktheodoros@nbss.edu or 617-227-0155Registration is now open for our 2016 Classroom Abroad Trip to Cambridge & London, UK and the South of FranceOctober 1 - October 12, 2016For details visit the ‘trips’ link at www.theabbeystudio.comor contact the studio at 781-740-9000 or trips@theabbeystudio.comRegistration is limited to eight participants.Don’t miss out on your opportunity to participant in this extraordinary event!Watch for new course offerings beginning in the fall including:Calligraphy ImmersionDesign-A-ProjectMaking a ManuscriptAlso keep in mind that private and semi-private lessons are available. They can be scheduledany day of the week but must be arranged at least two weeks in advance.Please call the studio at 781-740-9000 or email Maryanne directly at mcg@theabbeystudio.com for more information.
Calligraphy Courses atThe Abbey StudioRegistration FormCompleted registration form & payment in full must be received 2 weeks prior to the beginning of class.Student Name:(Please print clearly)Last NameFirst NamePlease tell us how you heard about our courses(web, word of mouth, friend, former student, /DaytimeCellEmail:Course(s):Course TitleMeeting DatesCostCourse TitleMeeting DatesCostCourse TitleMeeting DatesCostCourse TitleMeeting DatesCostCourse TitleMeeting DatesCostPlease enclose check made payable to The Abbey Studio and mail to:The Abbey StudioTen Accord Pond DriveHingham, MA 02043781-740-9000Upon receipt of payment and completed registration form, a Registration Confirmation and Supply Listwill be mailed to you. Please call with any questions.Calligraphy Courses at The Abbey StudioTen Accord Pond Drive, Hingham, MA 02043 781-740-9000www.theabbeystudio.com
Calligraphy, Manuscript Gilding and Related Courses - Spring/Summer 2016 (page 4) 781.740.9000 www.theabbeystudio.com Ten Accord Pond Drive, Hingham, MA 02043 Class/ Location Description Date/Time Price Instructor Registration is now open for our 2016 Classroom Abroad Trip to Cambridge & London, UK and the South of France October 1 - October 12, 2016 For details visit the ‘trips’ link at .
Art History 101 Calligraphy lesson plan By Rudy Navarro Learning objectives 1. Recall that calligraphy is one of the three design elements in Islamic art 2. Distinguish between Kufic and cursive styles of calligraphy 3. Recall the principles of calligraphic aesthetics a. Calligraphy is the most important of the three design elements in Islamic .
A59 c.2 Harris, David Calligraphy: Modern Masters A59 c.3 Harris, David Calligraphy: Modern Masters A60 Child, Heather, ed. The Calligrapher's Handbook A61 Nash, John Practical Calligraphy A62 Guyot, Don Suminagashi: An Introduction to Japanese Marbling A63 Halliday, Peter, ed. Calligraphy Masterclass A64 Ka
discuss art, crafts, and calligraphy will be encouraged. Although Student Teachers are encouraged to pursue their own interests in art, crafts, and calligraphy, the intent of the course is to prepare for teaching, and so the teach-ing-learning approaches used should model the approach to art, crafts, and calligraphy in an elementary classroom.
Calligraphy Learn how to write beautifully and develop your creativity with calligraphy. You will learn fundamental approaches, letterforms, layout and design. Calligraphy can be used to enhance artwork, illustrate writing, create invitations or as a stand-alone art form. Calligraphy - beginners and progression to intermediate
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Chemical Calligraphy v1.1 Now With Bonds and Hydrogens! Chemical Calligraphy is a way of drawing organic compounds, this method is NOT meant to replace standard notation, it is primarily meant as a mnemonic device and art form. Chemical Calligraphy attempts to simplify the memorization of the large complex molecules and
written calligraphy as a necessity for political advancement. A set of running script (lot 8000) by the top four finishers of the final exam in 1904 attests to these durable links between calligraphy and status. Whereas the seal on Ronghui Huang Guifei’s calligraphy (lot 8002) illuminates the fact that despite the fall of the Qing, members of the
Simulink to STM32 MCUs Automate –the process from "C" code generation to programming STM32 F4 or STM32F30x –Code generation reporting –Code execution profiling reporting for PIL execution. 13 Summary for STM32 embedded target for MATLAB and Simulink release 3.1: Supported MCUs: STM32 F4 and F30x series Automated Processor-in-the-Loop (PIL) Testing using USART communication link Support .