The Inheritance And Development Of Chaoshan Shell Carving Art

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Advances in Social Science, Education and Humanities Research, volume 3415th International Conference on Arts, Design and Contemporary Education (ICADCE 2019)The Inheritance and Development of Chaoshan ShellCarving ArtQiwen ChenShiyao LiuSchool of Foreign LanguagesXinhua College of Sun Yat-sen UniversityGuangzhou, China 510520School of Foreign LanguagesXinhua College of Sun Yat-sen UniversityGuangzhou, China 510520Abstract—Over the past few decades, Chaoshan shellcarving has gone through a process from prosperity to decline.In order to remain the memory of Chaoshan shell carvingforever, and to strengthen the protection and publicity ofChaoshan shell carving, the shell carving art social practiceteam of Xinhua College of Sun Yat-sen University has devotedgreat efforts to recording its history in the form of periodicals.This paper will first introduce what is shell carving and itsdevelopment history, introduce the classification of theChaoshan shell carving and explain the craft of the shellcarving, then appreciate some of the shell carving works, andfinally put forward the protection and propaganda of the shellcarving in Chaoshan in the past two years.constitute a colorful and lifelike work of art, each of whichreflects the skillful skills and beautiful soul of folk artists.Keywords—Chaoshan shell carving; shell carving art;protection; publicityI.INTRODUCTIONChaoshan shell carving is like a meteor, passing away ina flash, but its magnificent miracle illuminates the sky ofChinese arts and crafts park, like cherry blossoms in spring,although the blooming period is short, it is brilliant anddazzling, which makes people marvel at the most dazzlingand beautiful burst of life.In the period of the Republic of China, in the ChaoshanPlain of Guangdong Province, Chaoshan shell carvingreflected a dreamlike dazzling light from the Chinese artsand crafts park, and condensed into eternal legend andeternal mystery.The meticulous craftsmanship created the heyday ofChaoshan shell carving. On the basis of inheriting thetradition of shell carving, the workers from all over thecountry took efforts to make exploration and continuousinnovation, combined the characteristics of the embeddingprocess of mother-of-pearl, and took the advantages ofdifferent arts like ivory carving, jade carving, wood carvingand Chinese painting, etc. successfully developed shellcarving in relief form and a variety of practical crafts.The charm of the shell was well displayed to a high andwonderful realm with the careful carving and polishing.Excellent craftsmanship is the label of Chaoshan shellcarving. After careful carving and drawing lessons from theadvantages of other arts and crafts, the various shellsShell carving combines the splendor of the ocean withthe cultural wisdom of human beings, including the naturalbeauty of the shell, the beauty of the traditional sculpturetechniques and the beauty of the style of Chinese painting.Since ancient times, shell carvings have recorded the story ofpeople and the sea and conveyed people's interpretation andpursuit of beauty.Today, Chaoshan shell carvings are collected into acollection and displayed to people, which is a way tocommemorate, cherish and look up to it. Since 2008, theowner of Beiqiu Zhai has collected more than 700 pieces ofshell carvings works scattered among the folk people, withthe aim to arouse the concern and attention of the concernedpeople towards the art of shell carvings, and to make theshell carving an ancient handicraft with historical value, bepopular again. Once the intangible cultural heritage such asshell carving is lost, it may be that the history of our nation issomewhat fractured from a certain point of view. We can'tfind the way our ancestors once traveled. We can't find thespiritual home we used to have.Chaoshan shell carving has been well known fromChaoshan to the whole country, and even to the world.Foreigners are amazed at the exquisite skill. The shellcarving with Chinese symbols will surely arouse endlessthoughts and feelings of overseas Chinese.II.KNOWLEDGE ABOUT SHELL CARVINGA. Shell CarvingThe vast ocean breeds rich and exotic marine life, andmarine shellfish is one of the most fascinating creations.Shells are various in kinds, which are the gifts of nature.Their color and texture are also beautiful, and some arespecial reflectors. Shell carving is to select these coloredshells, use their natural color, texture and shape skillfully,and carve into flat, semi-relief, mosaic, three-dimensionaland other forms and styles of crafts through cutting, grinding,polishing, stacking, pasting and other processes carefully.There are different varieties of furnishings themed withpeople, animals, flowers, hanging screens and other subjects;and also a variety of stationery, cigarettes, lamps and otherCopyright 2019, the Authors. Published by Atlantis Press.This is an open access article under the CC BY-NC license 62

Advances in Social Science, Education and Humanities Research, volume 341daily necessities. Shell carving skillfully combines humanbeings with the sea, and is the crystallization of the beautydedicated by the sea and the wisdom of traditional culture. Ithas the natural beauty of shell, the beauty of sculpturetechniques and the beauty of Chinese painting style.B. The Historical Development of Shell CarvingFifty thousand years ago, shells on the beach werediscovered by our ancestors and were made into necklacesand other ornaments. 5000 to 6000 years ago, people livingin coastal areas used seaside shell smelting technology tomake ornaments by perforating shells. At the end of theprimitive commune, the shell became the primitive currencyin the process of commodity exchange. With its uniquenatural beauty, the shell became an important ornament tobeautify people's lives in past dynasties. From the documentsand archaeological data, it can be concluded that people havemastered the skill of the clam engraving during the Shangand Zhou Dynasties, which is the early shell carvingtechnology.During the Qin and Han Dynasties, with the continuousimprovement and popularization of smelting technology, thecarving of shells had entered into a new chapter. Shellcarving artists grind the flat shell into thin sheets by takingadvantage of the shell colors, and then carved simple patternsof birds and animals, embedded them in bronze, mirrors,screens and tables and chairs as decorations.By the Tang Dynasty, shell carving technology in Chinahas attained considerable attainments. The Spiral Flower andBird Character Mirror unearthed in Luoyang, HenanProvince, was a representative work of shell mosaic work ofthis period. The flower and bird figures on the back of thecircular bronze mirror were first carved with the flat shell,and then the details of the lines were carved with shade lines,such as the face, the clothing pattern, the leaf ribs andfeathers of the flower and bird, etc.From the founding of New China to the 1970s and 1980s,shell carving technology has developed unprecedentedly, andshell carving works were rich and colorful. Combining withthe characteristics of the embedding technology of motherof-pearl, and taking the advantages of different arts such astooth carving, jade carving, wood carving and Chinesepainting, various kinds of shell carving and practical crafts inrelief form have been successfully developed, and thusopened a new page in the history of shell carving technology.The products were export to foreign countries in a largenumber and with considerable foreign exchange earnings,and were sold well both at domestic and foreign markets.Over the past two decades, the art of shell carving hasdeveloped greatly in China. New forms of expression havebroken through the limitations of painting. Many excellentshell carving works were displayed at the national evaluationmeeting of shell carving industry, which reflected theunremitting efforts made by art and crafts workers all overthe country in exploring new ways to develop shell carving,and their efforts have also made shell carvings rejuvenate.C. The Historical Development of Chaoshan Shell CarvingIn the early years, fishermen in Chaoshan area used therich shell resources to paste into their homes for appreciating.In 1957, more than 10 local people voluntarily set up a shellcarving craft mutual assistance group. Because of absorbingthe techniques and styles of traditional Chinese painting andthe strong support of the local government, the shell carvingsin Chaoshan in the 1960s developed unprecedentedly, andformed a relatively large-scale industrial production. Theproducts were sold all over the world and made greatcontributions to the development of the local economy. In1969, Haimen Craft Factory of Chaoyang Second LightIndustry Bureau was established, specializing in shellcarving. Its products also sold on the China Import andExport Commodity Fair. Haimen Shell Carving Factorycompleted its production of 112,000 pieces in 1985, with anoutput value of 334,000 Yuan, a record in history, thusopening a new page in the history of Chaoshan shell carving.Today, due to the complexity of shell carving productionprocess, the old artists are getting old, and the newgeneration young people lake the awareness of protectingtraditional culture and crafts, the traditional craft of shellcarving is on the verge of being lost, resulting in the lack oftalent, and many shellfish carving factories have gonebankrupt.III.CLASSIFICATION OF CHAOSHAN SHELL CARVINGPRODUCTION AREAChaoyang seashore artists used natural shells to grind,carve, engrave, fold, paste and stick to make legendarythemes such as Tiannu Sanhua, Chang'e Running to theMoon, Baxian Crossing the Sea, Fulushou, and the legendaryDream of Red Mansions, Jinling Twelve Chai, LiangHongyu beating drums and resisting gold. Or choose themeswith festive and auspicious implications, and integratedynamic and static scenes, such as landscape, pavilions,ancient paintings, spring, summer, autumn and winter,flowers, birds, insects, fish, eight horses, smooth sailing,welcome pine and other topics suitable for the characteristicsof the times. In addition, because of its unique creative style,shell carving can be made from small shell paste to largeshell for grind, making the best use of everything, thusforming a unique faction in the art industry. As thedecoration of buildings, it gradually developed into a uniquestyle of shellfish carvings and other products. Chaoshan shellcarving has many producing areas, including Haimen shellcarving, Jiazi shell carving, Shantou shell carving, Huilaishell carving and Mianhu shell carving.A. Haimen Shell CarvingHaimen shell carving enjoys a very long history. Shellsare the main materials of shell carving picture. According totheir natural forms and internal and external colors, shellcarvings are made through one after another productionprocess. The composition is concise and the style is gorgeous.Products can be divided into two categories according totheir use: appreciation exhibits and practical goods.Appreciation exhibits include shell carving hanging screen,363

Advances in Social Science, Education and Humanities Research, volume 341seat screen, three-dimensional ornaments and black lacquerboard shell carving, etc. Practical goods include shell carvingjewelry boxes, tea boxes and treasure boxes pasted or inlaidwith various patterns. The main products include glass shellcarving hanging screen, black lacquer board plain stickingshell carving hanging screen and shell carving screen.Glass shell carvings hanging screen are mainly with thethemes of antiques, figures, landscapes, flowers and birds,without losing the rules of Chinese painting. In the late1970s, the products were exported to Southeast Asia andWestern Europe; In 1983, the work of "richness prolongslife" collectively created by Haimen Shell Carving Companywon a good result of top eight in the national arts and craftscompetition.Black lacquer board is used to paste shell carvinghanging screen with cashew nut lacquer as black lacquerwood bottom board. The carved shell is assembled andpasted on the bottom board, and then used golden water tohang line and make inscription. It is suitable for indoorfurnishings such as halls, being welcomed by customers athome and abroad. The technique of making shell carvingscreen is basically the same as that of glass shell carvinghanging screen and black lacquer board plain pasting shellcarving hanging screen.B. Jiazi Shell CarvingThe craftsmanship of Jiazi shell carving is extremely fine.Artists can use many kinds of shell materials to make partswith different effects. Some experts even say that Jiazi shellcarving has all the themes that in traditional Chinese painting.Flower and bird screens, character screens, antique screens,landscape screens, three-dimensional vases, screen shellcarvings and other different types of works in Jiazi Shellcarvings have been highly praised by experts andbusinessmen at home and abroad. Products are mainlydivided into three categories of relief hanging, threedimensional shell carving, low relief and mosaic.C. Shantou Shell CarvingIn the 1970s, the most famous shell carving factories inShantou were Hongguang Craft Factory and Dahao CraftFactory. At that time, Hongguang Factory also invitedfamous local painters to be designers of the factory. Theyhave made joint efforts with shell carving artists to produce alarge number of high-quality products. Shantou ShellCarving Factory generally adopted the layout of Chinesepainting, concise composition, prominent theme, and freshand elegant style. Flowers and birds were the most famoussubjects.In the process of market economy transformation in the1990s, shell carving factories did not follow the trend andadjusted their strategies in time. As a result, they lost a largenumber of customer resources and market opportunities, andwere mercilessly swallowed up by the turbulent tide ofmarket economy. The shell carving factories in Shantou alsofaced bankruptcy at last.D. Huilai Shell CarvingAs early as in 1926, people in Huilai County had usedshells to decorate small tables and screen paintings. Folkcraftsmen make use of the shapes and colors of variousnatural shells along the coast to create unique crafts with thecomposition and techniques of Chinese painting, which hadbecome the rudiment of Huilai shell carving crafts. From1958 to 1960, Huilai Shell Carving Factory has formed asmall production scale. Several works have been selected toparticipate in Shantou Special Zone, Guangdong Provinceand the National Exhibition, and has also won some prizes.E. Mianhu Shell CarvingMianhu shell carvings were mostly about flowers andbirds, characters and landscapes, which contained a kind offestive and auspicious meaning. The main products werehanging screen and small ornaments, three-dimensionalornaments, and souvenirs.IV.EXPLANATION OF SHELL CARVING CRAFTThe making of shell carving is relatively complex, andthe key lies in the skillful using of the material. The so-called"materials" are natural materials obtained in nature, and thenthey were made into products by piling, stacking, bondingand sticking, etc. High-quality shell carvings are oftenmounted, and some are also equipped with a base, which hashigh artistic value. Shell carving often requires a lot ofmanpower and material resources. A finished shell carvingproduct weighing only tens of kilograms needs to consumeone or two times or more raw materials, and be finished overtwo or three months of fine carving.A. Making Tools and MaterialsGrinding wheel: Rough grinding of shells.Graver: Carving the shell lines and stripes.Square file: File square hole, rectangular hole and narrowplane.Triangle file: File inner angle, triangle hole and plane,modify the place where the grinding wheel cannot grind.Semicircular file: A flat file is trimmed and a half-circleis used for concave files.Pigment and palette: Color the shell.Brush: Describing small stripes and characters' faces, etc.B. Main Materials Required by Making Shell CarvingThe use of shells by folk artists is extremely skillful:shells with blackspots are swan into scarred trunks; shellswith screwed patterns are cut into a lady's bun; Jiangyaoshells and silver shells are made into leaves; the red parts ofconch and cone snail are made into maple leaves. Moreover,the grapes are made with the purple inside the shell, and theskirts are represented by the layers of texture of the shell.Painting color is the last choice. The number of types of shellcarving picture equals to that of the number of forms and364

Advances in Social Science, Education and Humanities Research, volume 341compositions of traditional Chinese painting. After framing,the natural shellfish painting can never fade.1) River shell: The most widely used freshwater pearlproducts for all women clothing. Like its name, they areshells living in lakes and rivers, which emit a very elegantluster, natural soft white.2) White butterfly shell: Smooth and with deep luster, itstexture shows the color that other varieties do not have.3) Black butterfly shell: Emit a deep silver brilliantcolor.4) Top shell: A white scallop used to make shellcarvings.5) Abalone shell: It has bright colour, brilliant luster andcan reflect in many directions. Its shell is hard and durable.6) Cone snail: With rich colors and patterns.C. Shell Carving Procedures1) Design patterns: Design the pattern of shell carvingon the drawing. The composition of shell carving shouldconsider its the different using occasions in the first place,and also pay attention to the completeness of itscomposition.2) Decomposition sampling: Composition elements inthe pattern are decomposed into a single unit work pieceaccording to the content it expressed, and shells of suitablesize and thickness are selected according to the shape of theunit work piece drawing.3) Sanding: The green and black surface of the workpiece is polished with a grinding wheel, then the outline ofthe work piece is drawn on a white shell with a copy paper,and then the outline is polished with a grinding wheel.Rough grinding is carried out with coarse grinding wheels,and fine grinding wheels are used after shape grinding.4) Carving: Carve lines and patterns on the shells with acarving knife according to the design pattern.5) Pasting: According to the effect of design and predemonstration, the cut and carved pieces are glued at onetime, usually using universal glue.6) Drilling hole: Because of the need of modelling, theconnection between materials can not only depends on thestrength of sticking. Connectors (usually steel wires) areneeded, and suitable bore bit and drill hole should beselected.7) Polishing: Before and after gluing, the works need tobe polished and adjusted.V.APPRECIATION OF SHELL CARVINGA. Appreciation of Fine WorksShell carving work "Lanshan Autumn" was created in the1970s in Chaoshan area. The traditional autumn scenery wasused as the theme. The picture depicted sleepy birds, yellowflowers in the swinging wind, mottled debris, witheredyellow flowers and disorderly branches and leaves, creatinga sense of bleak vicissitudes. This work adopted the realisticstyle of Chinese painting, and its depiction is very delicate.Bird feathers looked three-dimensional through cascadetechnique, and the veins of bamboo knots, branches andyellow petals were distinctive. This shell carving worklooked like a Chinese painting in its semi-meticulous andsemi-freehand style, artists used a variety of shells and thelatent color of shells, employing the techniques of stacking,bonding and mosaic to show the quiet, elegant and refreshingautumn. The origin of this painting was still a mystery, andthe collectors have been searching him for many years butwithout news.Shell carving work "Pine Tree and Crane" was created inthe 1970s to 1980s in Shantou, a work of HongguangFactory. Themes are selected from traditional Chines

different arts like ivory carving, jade carving, wood carving and Chinese painting, etc. successfully developed shell carving in relief form and a variety of practical crafts. The charm of the shell was well displayed to a high and wonderful realm with the careful carving and polishing.

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