15 The CHG Charitable Trust READINGS Anne M. Congdon .
15thAnniversarySeasonJuly9-28, 2019The Drake302 S Hicks StreetPhiladelphia, PAAnnualConference
ELUDEHCSGNIDREAAll readingsare FREE andopen to thepublic!Wednesday, July 177:00pm STRANGE MEN by Will SniderThursday, July 187:00pm THE PIPER by Kate HamillFriday, July 195:00pm ARCHIPELAGO by Amy E. Witting8:00pm INCENDIARY by Dave HarrisSaturday, July 202:00pm WAYFINDING by Whitney Rowland5:00pm CAVE CANEM by A. Emmanuel LeadonMonday, July 227:00pm ESTHER CHOI & THE FISH THAT DROWNEDby Stephanie Kyung Sun WaltersTuesday, July 237:00pm BUFFALO BILL OR HOW TO BE A GOOD MANby Meghan KennedyThursday, July 257:00pm STRANGE MEN by Will SniderFriday, July 268:00pm THE PIPER by Kate HamillSaturday, July 272:00pm INTERN TEN-MINUTE PLAYS4:00pm INCENDIARY by Dave Harris8:00pm ARCHIPELAGO by Amy E. WittingSunday, July 282:00pm CAVE CANEM by A. Emmanuel Leadon5:00pm WAYFINDING by Whitney RowlandPhotography by John FlakSupport provided by thePhiladelphia Cultural Fund& The Wyncote Foundation
ARCHIPELAGOCAVE CANEMBy Amy E. WittingBy A. Emmanuel LeadonFriday, July 19 at 5pmSaturday, July 27 at 8pmSaturday, July 20 at 5pmSunday, July 28 at 2pmThree individuals isolated in their ownpain come together in hopes of raisingeach other up before tearing eachother down.After a shocking confessionfrom Clayton on the night of thepresidential election, his next-doorneighbor Jermichael cuts off theirlifelong friendship. In the present,Clayton has been caring for hisbrother’s obstreperous and possiblybigoted dog, while Jermichael hasjust been granted partial custodyof his estranged son. They struggleto bottle their resentment beforetheir collective rage takes completecontrol.Amy E. Witting resides in Queens whereshe received a QAF New Work Grant for herdocumentary play, Sunnyside Impressions.Other work includes Anne Page Hates Fun(American Shakespeare Center WorldPremiere), The House on the Hill (CATF WorldPremiere, Atlantic Theater Commission,NNPN Showcase, The Kennedy Center ACTF/NNPN MFA Alumni Playwright Workshop), andA Bad Night (NY Rep Workshop, MTC CreativeSpace). Her plays have been developed atAtlantic Theater, The Lark Play DevelopmentCenter, SPACE on Ryder Farm, Tofte LakeCenter, Roundabout Theatre, National NewPlay Network, Abingdon Theatre, and TheKennedy Center. She received her MFA inplaywriting from Hunter College.RESERVATION INFO· Make your reservations online beginningJuly 1, at playpenn.org or call 215-242-2813.· Donor Priority Access reservations beginJune 17, for those supporting PlayPennwith a gift of 200 or more.A. Emmanuel Leadon is a writer,portraitist, and cartoonist from Dallas,whose art investigates mythologies andre-frames them around topics of sexuality,class, and race. His theatrical works havebeen developed at Sitting Shotgun, QuickSilver Theater Company, and Yale University.He has been a finalist for the DowntownUrban Arts Festival and Young PlaywrightsInc. Competition, a two-time semifinalist forthe Blue Ink Award, and shortlisted for theRelentless Award. He is an alumnus of YaleCollege and the Townview School for theTalented and Gifted.· All Conference readings are held atThe Drake, 302. S. Hicks Street, Philadelphia.· Seating is limited and advance registrationis encouraged.
INCENDIARYSTRANGE MENBy Dave HarrisBy Will SniderFriday, July 19 at 8pmSaturday, July 27 at 4pmWednesday, July 17 at 7pmThursday, July 25 at 7pmIncendiary tells the journey of a Blacksingle mother who is preparing tobreak her deathrow-bound son outof prison. She navigates the practicalsteps of planning her son’s prisonbreak, like purchasing guns, gettinga personal trainer, and preparingher daughter for a lonely life ahead.A collision between the absurdand the tragic, Incendiary exploresgenerational violence, heroism,and the gendered expectations ofemotional labor in Black families.Harish lives a modest life running arestaurant in a small market townin Uganda. A member of the Indianminority, he is estranged from hisfamily for reasons he prefers notto discuss, and at night he cookselaborate dinners that he eats alone.When an openly gay Peace Corpsvolunteer comes to town lookingfor more than a good meal, Harish’scomfortable routine is broken, andhis life is put in danger. Strange Menexplores the limits of good intentionsand the uneven stakes for Americansliving abroad and the people whoselives they touch.Dave Harris is a poet and playwright fromWest Philly. His plays include Everybody Black(World Premiere: Actor’s Theatre of LouisvilleHumana Festival 2019, Kennedy CenterLorraine Hansberry Playwriting Award andMark Twain Playwriting Award), White History(Manhattan Theater Club Reading Series,Victory Gardens Ignition Festival), Incendiary(Venturous Fellowship at The Lark, NNPN/TheKennedy Center MFA Workshop), Exception Tothe Rule (Roundabout Underground ReadingSeries), and Tambo & Bones (Black SwanLab at Oregon Shakespeare Fest, SPACE onRyder Farm) amongst others. His first fulllength collection of poetry, Patricide, will bepublished in May 2019 from Button Poetry.Will Snider’s play How to Use a Knifereceived a Rolling World Premiere throughNational New Play Network, won theBarrymore Award for Outstanding NewPlay, and was a finalist for a PEN Center USALiterary Award. Other plays include Death ofa Driver (Urban Stages, NYC) and The Big Man(EST’s 35th Marathon of One-Act Plays). Heearned a BA in History from Columbia witha specialization in post-colonial East Africanpolitical history and spent three years workingin agricultural microfinance in Kenya andEthiopia before earning an MFA in Playwritingfrom UCSD.
gTHE PIPERWAYFINDINGBy Kate HamillBy Whitney RowlandThursday, July 18 at 7pmFriday, July 26 at 8pmSaturday, July 20 at 2pmSunday, July 28 at 5pmSee Jane. Plain Jane. Poor Jane. SeeJane suffer. See Jane find Harmonix.And then – watch Jane bloom .Harmonix makes you feel good better than you’ve ever felt before.With Harmonix, you belong. WithHarmonix, you are loved. But atwhat cost? A woman in crisis finds aspiritual home - and encounters thedarkest parts of human (or inhuman?)nature - in this exploration of howgroupthink enables cycles of toxicmasculinity.Jane is an emotionally-numbed newwidow. Harrison is an inattentive,self-sabotaging husband. These twostrangers collide – both literally andfiguratively – tangling their life linesand setting them on a time-bendingjourney involving an intercontinentalplane crash, a magical forest, and achoice that leads them both to anunexpected destination.Whitney Rowland is a MinneapolisKate Hamill is an actor/playwright. WallStreet Journal Playwright of the Year, 2017.Plays include Sense & Sensibility (in which sheoriginated the role of Marianne)—Winner,Off-Broadway Alliance Award; Nominee,Drama League Award; Vanity Fair at the Pearl(originated role of Becky Sharp; Nominee,Off-Broadway Alliance Award), Pride &Prejudice at Primary Stages & HVSF (originatedrole of Lizzy; Nominee, Off-Broadway AllianceAward); Mansfield Park at Northlight; LittleWomen at Jungle Theater, Primary Stages.Currently developing: The Odyssey and ScarletLetter; a Christmas play called Scrooge forSenate; and several original plays (ProstitutePlay, In the Mines, The Piper). Kate was one ofthe 10 most-produced playwrights in 20172018 and 2018-2019.www.kate-hamill.combased playwright and screenwriter. Shehas been a finalist for the Eugene O’NeillNPC, UMass PlayLab, Jerome PlaywritingFellowship, and shortlisted for the Theatre503New Play Award. Her screenplay The Buzzbotswas a winner in the CMU/Sloan ScreenwritingContest. Her work has been produced at thePittsburgh New Works Festival, MinnesotaShorts, Northwest Children’s Theater &School, among others; developed at the LastFrontier Theatre Conference, Mid-AmericaTheatre Conference, Kennedy CenterAmerican College Theater Festival, and theGreat Plains Theatre Conference. Bachelorsfrom the University of Kansas, MFA inDramatic Writing from Carnegie Mellon.
ADDITIONALREADINGS ESTHER CHOI &THE FISH THATDROWNEDBy Stephanie Kyung Sun WaltersMonday, July 22 at 7pmEsther Choi is your favorite all-American,overachieving-Asian teen except shehas a ghost. Anthony Gibson is Esther’sbest friend and (spoiler alert) he’sdead. Mr. Choi is Esther’s grandfatherand he owns a haunted dry cleaner onCheltenham Ave. In an (un)likely turn ofevents, Esther must grapple with grief,loneliness, and winning first chair in highschool orchestra, all while living up toher grandfather’s new expectations.BUFFALO BILLOR HOW TO BE AGOOD MANBy Meghan KennedyTuesday, July 23 at 7pmThis provocative coming of age storytakes a fresh look at boundaries andculpability when an unorthodox lovetriangle goes beyond abuse of powerand into something entirely in itsown category.TAKE A CLASSPlayPenn Education classes are heldonline and at locations throughoutthe city. For details regardingsummer courses, visit:www.playpenn.org/classes/15TH ANNIVERSARYSPONSORSThe CHG Charitable TrustAnne M. CongdonLinda & David GlicksteinLeonard & Mary Lee HaasGretchen & Thomas QuinnVictor Keen & Jeanne RuddyCONFERENCE PRODUCERSWilly HoltzmanNational Endowment for the ArtsLaura & Richard VagueEXECUTIVE PRODUCERSElizabeth AntonNancy Boykin & Dan KernThe Lily FoundationJan RothschildCatherine & Steve SchifterCarol Baker & Mark SteinJune and Steve WolfsonDr. Joseph ZebrowitzAnonymous (2)ASSOCIATE PRODUCERSAshford Wealth AdvisorsThe Chatham FoundationCarla Scanzello & Chris EllisLisa Wershaw & Steve EngelmyerPhilip Hawkins & Ronnie KurchnerHawkinsMarta & Bill KieslingDr. Joe LexMoira & Ken MummaMary Jane & Howard T. RosenfieldGayle & David SmithWendy & Lawrence WhiteSuzanne Hilser-Wiles & Brannon Wiles
15Years and CountingDear Friends,It is with a sense of great pride that I invite you to take part incelebrating PlayPenn’s 15th Anniversary by attending this year’sNew Play Development Conference.About 16 years ago, I realized that there was no organization in our burgeoning theatrecommunity that was solely dedicated to the development of new plays and playwrights. Overthe years, because of the financial support from pioneering donors like you, PlayPenn hasevolved into an essential element in Philadelphia’s theatre community. Today, PlayPenn isone of the premier new play development organizations in the nation.PlayPenn’s work has resulted in productions across the country and around the world. Infact, in our most recent accounting, nearly one million audience members have paid to seePlayPenn-developed plays.And the news just keeps getting more inspiring. This year, to coincide with PlayPenn’s15th Anniversary, our longtime friends and supporters, Leonard Haas and the WyncoteFoundation, have made a significant investment in PlayPenn to fund an extraordinary newprogram. Beginning with this Conference, all Conference playwrights will be designated HaasFellows. This meaningful support is providing resources that are enabling PlayPenn to morethan-double Conference playwright stipends and increase compensation for all Conferenceartists as well as for our exceptional staff , all of whom are dedicated to the advancement ofnew plays and playwrights in Philadelphia and beyond.The Conference would not be possible without the generous support of our 15th AnniversarySponsors – The CHG Charitable Trust, Anne M. Congdon, Linda & David Glickstein, Leonardand Mary Lee Haas, Gretchen and Thomas Quinn and Victor Keen and Jeanne Ruddy – andour Conference Producers, Executive Producers, and Associate Producers, all of whom youwill find acknowledged proudly throughout this brochure.Finally, I thank you. Your belief in us and what we do has made PlayPenn what it is today.Each one of you helps to open the doors of insight to theater artists who rely on thecollaborative process to come to fully understand their work. You, our supporters andour audience members, are our essential partners in helping to pave the way for the nextgeneration of new plays for the American theater.With great admiration and warmest regards,Paul Meshejian
100 S Broad Street, Suite 1318Philadelphia, PA 19110www.playpenn.org
The Drake, 302. S. Hicks Street, Philadelphia. · Seating is limited and advance registration is encouraged. SCHEDULE Wednesday, July 17 7:00pm STRANGE MEN by Will Snider Thursday, July 18 7:00pm THE PIPER by Kate Hamill Friday, July 19 5:00pm 8:00pm ARCHIPELAGO by Amy E. Witting INCENDIARY by Dave Harris THE PIPER by Kate Hamill Friday, July .
May 02, 2018 · D. Program Evaluation ͟The organization has provided a description of the framework for how each program will be evaluated. The framework should include all the elements below: ͟The evaluation methods are cost-effective for the organization ͟Quantitative and qualitative data is being collected (at Basics tier, data collection must have begun)
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