The Art Market And The Museum
The ArtMarket andThe MuseumEthics and Aesthetics of InstitutionalCollecting, Display and Patronagefrom c.1800 to the PresentThe 2021 TIAMSA ConferenceOnline 6-7 May, 3 June, 15-16 July 2021University of Edinburgh / National Galleries of Scotland
Thursday 6 MayWorkshop 114:00Welcome and IntroductionsFrances Fowle (University of Edinburgh /National Galleries of Scotland)Veronika Korbei (TIAMSA) and JohannesNathan (TIAMSA / Technische Universität Berlin)Juan Cruz (Principal, Edinburgh College of Art,University of Edinburgh)Christopher Baker (Director of European andScottish Art and Portraiture, National Galleriesof Scotland)14:00 – 17:30 BST – Sessions 1 & 2Session 1 – Museums and Art Dealers (Part I)Chair: Nick Pearce (University of Glasgow)114:20Diana Davis (Independent, UK)The New Race of Connoisseurs: NineteenthCentury Dealers and the Museum15:00Christian Huemer (Belvedere Research Center)Vienna 1900 – Building a Museum ofModern Art14:40Tsukasa Kodera (Osaka University)Siegfried Bing as a Global Art Dealer andPromoter of Japonisme and Art Nouveau: HisActivities in Japan15:20Discussion15:40BreakSession 2 – Museums and Art Dealers (Part II)Chair: Johannes Nathan (TIAMSA / Technische Universität Berlin)216:00Christel Force (Metropolitan Museum of Art /Independent, France)Etienne Bignou: The Gallery as Antechamber ofthe Museum16:40Discussion16:20Anne Helmreich, Sandra van Ginhoven andDiAndra Reyes (Getty Research Institute)The Middle Men of Art: Knoedlers and theBuilding of the Great American Collections17:25Brief 17:00Networking / Discussion Sessions
Friday 7 May14:00 – 18:00 BST – Sessions 3 & 434Workshop 214:00WelcomeSession 3 – Museums and Collectors / PatronsChair: Mark Westgarth (University of Leeds)14:05Morgane Weinling (Université Paris 1 PanthéonSorbonne)Trade, Art Market and Museum: AlfredChauchard’s Legacy to the Louvre15:05Isobel MacDonald (British Museum)Filling in the Gaps of His Collection?: AReassessment of Sir William Burrell’s (1861-1958)Late Collecting Practice, 1944-195814:25Simon Spier (University of Leeds)Creating the Bowes Museum: Collectors,Museums and the Market for Decorative Arts inthe 1860s and 1870s15:25Discussion15:25Break14:45Alicia Hughes (Independent, UK)Rosalind Birnie Philip: How one Woman Shapedthe Legacy of James McNeill WhistlerSession 4 – Women Collectors and MuseumsChair: Frances Fowle (University of Edinburgh National Galleries of Scotland)16:00Rebecca Tilles (Hillwood Estate, Museum andGardens)The Art Market and Museum Collecting: MarjorieMerriweather Post’s Hillwood and the Visionfrom a Private Collection to Public Museum16:20Mackenzie Mallon (Nelson-Atkins Museum)A Seed of Desire: Effie Seachrest and WomenCollectors in Kansas City and Gloria Köpnick (Lyonel-Feininger-Gallery)The “Princess of the Hohenhof”: GertrudOsthaus. A Forgotten Female Collector’17:00Discussion17:20Networking / Discussion Sessions17:50Brief conclusions
Thursday 3 June56Workshop 314:00 – 18:30 BST – Sessions 5 & 6; Keynote Lecture14:00WelcomeSession 5 – Museums and Art Market AgentsChair: Susanna Avery-Quash (National Gallery London)14:05Odile Boubakeur (École du Louvre / Universitéde Paris-Saclay)Being a Consul-Archaeologist: A Unique ArtDealer Category through the Example ofCharles Thomas Newton (1816-1894)14:25Dalila Meenen (Université Paris-Sorbonne)Creating American Taste: How Art AgentsSamuel P. Avery and George A. LucasInfluenced the Creation of American PrivateCollections and the First Public Museums14:45Imogen Tedbury (National Gallery, London)Lucy Olcott Perkins as Agent forCleveland Museum15:05Discussion15:25BreakSession 6 – The Art Market and the Museum in the Nazi EraChair: Christel Force (Metropolitan Museum of Art / Independent, France)15:40Anne Rothfeld (Independent, USA)The Art Dealer as Intermediary: Maria AlmasDietrich and the Führermuseum16:00Mattes Lammert (Technische Universität Berlin)The Forgotten Acquisitions Made by the BerlinMuseums on the Parisian Art Market During theGerman occupation 1940-194416:20Caroline Flick (Independent, Germany)City Museums Go Shopping: Wants and Wishes,Berlin 1937-1943, Auktionshaus Hans W. Lange16:40Discussion17:00Networking / Discussion SessionsKeynote Lecture17:30Chris Stolwjik (Director, RKD NetherlandsInstitute for Art History / Utrecht University)Private Collectors Building a National Collection:the Dutch Example18:25Brief conclusionswww.artmarketstudies.org@ArtMarketStuds
Thursday 15 July14:00 – 18:00 BST – Sessions 7, 8 & 914:00WelcomeSession 7 – Museum Practices: DonationsChair: Lucy Askew (National Galleries of Scotland)14:05Julie Verlaine (University Paris 1 PanthéonSorbonne / Institut Universitaire de France)Hunting for Art Treasures. ‘Friends of Museums’Associations and the Art Market (1900-1914)14:25Amy Whitaker (New York University) andRoman Kräussel (University of Luxembourg)Museum Donation and Portfolio Strategy: Lowand High Value Donations, Diversification andFractional Equity in the Burton and Emily HallTremaine Collection14:45Kari Tuovinen (Independent, Finland)An Art Collection Born through Division Process– Case Study on Interaction between a PrivateCollector, Museum and Art Markets (KouriCollection and mid-20th American Art in Finlandin the 1990s)15:05Discussion15:25BreakSession 8 – TIAMSA LEGAL PANEL –Museum Practices: Deaccessioning (Part 1)Chair: MaryKate Cleary (University of Edinburgh)15:40Irene Walsh (University of Edinburgh)Impermanent Bliss: Deaccessioning andIts Consequences16:00Dr Andrej Srakar (Institute for EconomicResearch, Ljubljana / University of Ljubljana),with Marilena Vecco (Burgundy School ofBusiness) and Miroslav Verbič (Institute forEconomic Research, Ljubljana / University ofLjubljana)Modelling and Measuring Deaccessioning inAmerican tStuds78Workshop 4
910Session 9 – TIAMSA LEGAL PANEL – Museum Practices:Deaccessioning (Part 2)Chair: Philipp Nuernberger (Attorney at Law (NY), UK)16:25Alicja Jagielska-Burduk (University of Opole),Claudia Quiñones Vilá (Amineddoleh &Associates, New York) and Till Vere Hodge(Constantine Cannon LLP, London)Deaccession: A Case Study of theBaltimore Museum16:45Professor Patty Gerstenblith (DePaulUniversity)Deaccessioning Practices in AmericanMuseums: What Changes in AAM and AAMDPolicies on Deaccessioning in Response toCovid Tell Us about Their Policies.Friday 16 July17:05Discussion17:25Networking / Discussion Sessions17:55Brief conclusionsWorkshop 514:00 – 18:00 BST – Sessions 10 & 1114:00WelcomeSession 10 – Contemporary Institutional Collecting and CommissioningChair: Tessa Giblin (Talbot Rice Gallery, University of Edinburgh)14:05Marta Pérez Ibáñez (Independent, Spain)From The Art Fair to the Art Centre: InstitutionalCollecting and Contemporary Art Museums inSpain: A Case Study of the ARCO Collectionin CA2M14:25Amélia Siegel Corrêa (University ofCopenhagen)Creating a Distinctive Museum: Inhotim andBernardo Paz’s Collecting :45Franziska Wilmsen (Independent, Germany)The Economics of Art Commissioning:On Demand Artworks and the NewMuseum Patronage15:05Discussion15:25Break
11Session 11 – The Emergence of the Private MuseumsChair: Kathryn Brown (Loughborough University)15:40Georgina Walker (University of Melbourne)The Private Museum: Evolving Modelsof Collecting and the Interplay betweenCollectors and the Art Market16:20Discussion16:40Break16:00Laurie Kalb Cosmo (Leiden University Centrefor the Arts in Society (LUCAS))Collectors and the Emergence of Private ArtMuseums in 21st Century EuropeReflections on the Conference17:00Kathryn Brown (Loughborough University)Thanks and Farewell17:50Frances Fowle and Johannes Networking Sessions
CONFERENCE CONVENERS- Prof Frances Fowle (University of Edinburgh, National Galleries of Scotland and TIAMSA)- MaryKate Cleary (University of Edinburgh)SCIENTIFIC COMMITTEE- Dr Susanna Avery-Quash (Senior Research Curator, National Gallery London and TIAMSA)- Dr Kathryn Brown (Loughborough University)- Dr Christel Force (Metropolitan Museum of Art / Independent, France)- Prof Frances Fowle (University of Edinburgh, National Galleries Scotland and TIAMSA)- Dr Johannes Nathan (TIAMSA / Technische Universität Berlin)- Prof Nick Pearce (University of Glasgow)- Dr Mark Westgarth (University of Leeds)CONFERENCE REGISTRATIONThe workshop series is open to all, but registration through eventbrite (see below) is required.Attendance is free for TIAMSA members. Non-members who would like to attend are kindlyasked to join the organisation (regular 20 / concessions 10 per annum) via the following r/Please sign up before or immediately after completing your eventbrite registration for theconference. With your TIAMSA membership you help us to give art market studies a platform.To register for the conference, please use the following r all questions regarding the conference, please es.org@ArtMarketStuds
Rebecca Tilles (Hillwood Estate, Museum and Gardens) The Art Market and Museum Collecting: Marjorie Merriweather Post’s Hillwood and the Vision from a Private Collection to Public Museum 16:20 Mackenzie Mallon (Nelson-Atkins Museum) A Seed of Desire: Effie Seach
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